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Friends,
Please do me a favour in giving your comments on the  scholary attribute of Dr. Ratnakar D.Bhelkar , Sr. lecturer in English at. Dhanwate National College ,Rashtrasant  Tukdoji Maharaj Nagpur University, Nagpur , Maharashtra State, India who    teaches  Romantic Poetry , Victorian  Fiction, Modern Poetry, Modern Fiction at undergraduate and postgraduate levels and  Research Methodology to M. Phil. Students.His  particular interests are British Science Fiction, Fantasy Literature -how fantasy and reality play their roles in SF.
He has sent me the synopsis of his book to be published shortly.I requested him to share his work with all my learned friends on this forum to  get their feed back.Though his approval is still pending I am sharing this with you for a noble cause-please do comment on his work which is as follows-

Request to write a critical view on :
Panorama Beyond the Hills : Fantasy and Reality in Science Fiction [Synopsis] by Dr .Ratnakar D.Bhelkar

Objective

                        The objective of the present endeavour is to explore the relationship between Fantasy and Reality in the Major British Science Fiction from 1890 to 1970 in  their diverse manifestations

Outline of the Research Work

Chapter I                                                 Introduction

  Historical perspectives on Science Fiction (SF) ______characteristics of SF _____ approaches to SF ______ approaches to Fantasy and Reality ________justification for selection of SF writers and period _________ review of research works on SF by other scholars like J.O. Bailey, D. V. K. Raghvencharyulu , David Norman Saumelson ___________ an attempt to understand the relationship between the two terms as revealed in the Major British SF from 1890 to 1970.

                        References

 

Chapter II                                               H.G. Wells

                        Wells being the major SF writer in 1890's and pioneer in establishing SF, his

                         SF analysed are The Time Machine ( 1895), The War of the World ( 1898),

                        The World Set Free ( 1914)

                        References

 

Chapter III                                              Olaf Stapledon and Aldous Huxley

Olaf Stapledon's

Th Last and the First Man (1930), Star Maker (1937),

Aldous Huxley's

Brave New World (1932), Apes and Essence (1939)

References

Chapter IV                                               C.S.Lewis and George Orwell

C.S.Lewis

Out of the Silent Plant (1930), That Hideons Strength(1945)

George Orwell's

Nineteen Eight-four (1949)

References

 

Chapter V                                               Arthur C. Clarke and J. G. Ballard

Arthur C. Clarke's

Childhood's End ( 1953), 2001 : Space Odyssey (1968)

J. G. Ballard's

The Drowned World (1962), The Draught (1964) ,The Crystal World(1966)

References                  

                                                               In Retrospect         

Bibliography

                  Primary Sources and Secondary Sources

                                                             Abstract

                                    In it's initial phase SF was criticised as a brash, emotionally dry, and a commercial form which was appeared in pulp magazine but today it is an

established genre of fiction. Readers from the different spheres of life are turning to it as an important "sign of time" on one hand , SF points to the existing corpus of knowledge and on the other ,  the fictional world .    Herein attempt has been made to find answers to the questions

1) Why does a writer create fantasy? 2) How does a writer make fantasy acceptable to readers? 3) What is a writer's approach to reality?

                                    The two elements fantasy and reality chiefly control the thematic content of SF. However , the term, is not to be viewed reductively; it can't be understood in the same sense. Reality, too, is understood in different ways. In the British SF from 1890 to 1970, in the cases of H. G. Wells, Aldous Huxley, George Orwell and J. G. Ballard fantasy  points to reality. Reality is not within but out. In Olaf Stapledon , C.S. lewis and Arthur C. Clarke, it does not stress reality. It is not what we see in the outside world but within .The understanding of reality by different SF writer is different . Reality is not static but is dynamic. It is meaningful; it is not absurd.

 

Application                

                                    The book serves as reference for undergraduate, postgraduate, M.phil., Ph.D. students, teachers and readers who intend to know trends in Science Fiction, trends in Contemporary Fiction, nature of Fantasy and Reality.




Thu May 1, 2008 2:51 pm

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Friends, Please do me a favour in giving your comments on the scholary attribute of Dr. Ratnakar D.Bhelkar , Sr. lecturer in English at. Dhanwate National...
arvind mishra
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May 1, 2008
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