its so sad that these famous RJ's twist stories and present to the listeners. It was always a story ( almost the truth ) that that Shailendra had some problems with SDB , much before making the song. Gulzar was called in.

Now after this FACT, there are two diversions between the people who lived in that era - One was that Gulzar wrote the full song. Second is that Gulzar wrote the mukhda and by that time SDB-Shailendra patched up. Shailendra wrote the antaras and he liked the mukhda and told everybody that it should remain as Gulzar's song

 

kcp

 

On 6/3/08, soojoi_india <soojoi_india@...> wrote:

Hi,

The presenter was Lokendra Sharma. He has now retired. He used to be
one of the most popular presenters/producers of VB.

Sujoy

--- In vividhbharati@..., "Kaustubh Pingle"
<kcpingle@...> wrote:
>
> one more angle to the story ( Shailendra getting annoyed with
Dada "*after*"
> the song "Mora Gora Ang" )
>
> !! wow !! never knew that !! who was the presenter ?
>
> kcp
>
>

> On 5/29/08, soojoi_india <soojoi_india@...> wrote:
> >
> > BIOSCOPE KI BAATEN
> > ------------------
> >
> > Some facts about BANDINI (1963)
> > -------------------------------
> >
> > Broadcast Date: 14 Nov 1997
> > ---------------------------
> >
> > The Gulzar - Shailendra - SDB triangle:
> >
> > As Gulzar was an assistant to Bimal Roy in the early sixties, he
was
> > around during the making of Bandini. One day he showed his
song "mora
> > gora ang lai le" to S D Burman, who was the music director of the
> > film. Burman dada liked the song so much that he got it recorded
in
> > Lata's voice. Everybody liked this new colour of Gulzar except for
> > the official lyricist of the film, Shailendra. He became somewhat
> > annoyed and told S D Burman to get the rest of the songs also
written
> > by Gulzar. He made it clear that either he or Gulzar writes the
songs
> > and that S D Burman has to choose any one between them. S D Burman
> > could not think of leaving Shailendra, hence, Gulzar was the odd
man
> > out. And only one song of Gulzar found place in the film.
> >
> > The Recording of "o jaanewaale ho sake to":
> >
> > The recording of the song "o jaanewaale ho sake to lauT ke aana"
was
> > about to start. Laxmikant was sitting with the mandolin, Pyarelal
was
> > sitting with the violin, Hari Prasad Chaurasia was the flutist,
and
> > as an assistant to S D Burman present was his son Pancham, that
is,
> > Rahul Dev Burman. Pancham was insisting upon including Manohari's
> > saxophone in this song. But Sachin-da was against the idea. When
> > Pancham continued to argue over and over again, Sachin-da got
angry,
> > stood up and left the recording studio. Pancham, with his own
> > approval, got the song recorded. When S D Burman did not return
even
> > after a long time, people present there began to look for him. He
was
> > roaming in the backyard of the studio. He was called inside. He
came
> > and a happy Pancham wanted to make him listen to what he has got
> > recorded. But recordist Kaushik said that the song was never
recorded
> > and that he was just doing the rehearsals. Pancham kept looking at
> > Kaushik's face. Then it happenned that was destined to. As per
Dada
> > Burman's will, the song got recorded and what beautifully it got
> > recorded!
> >
> >
> >
>
>
>

> --
> http://www.brahmanandsingh.com/RDB.htm
>