JUBILEE JHANKAAR - Celebrating 50 Years of Vividh Bharati
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CINE YATRA KI GAWAAH - VIVIDH BHARATI
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PART 4 (The 60s)
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san 1960. duniya ke saamne aaya K Asif ka azeem shaahkaar, Mughal-e-
Azam.

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Dialogues between Prithviraj Kapoor & Dilip Kumar (Mughal-e-Azam)
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Dilip Kumar aur Madhubala abhineet is film ke nirdeshak the K Asif
aur sangeetkaar Naushad.

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Clip: pyaar kiya to Darna kya (Mughal-e-Azam,1960)
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hazaaron sheeshon mein "pyaar kiya to Darna kya" geet par nritya
karti Madhubala ka aks aaj bhi darshakon ko achambhit kar deta hai.
is drishya ke filmaankan ka 100 fisadi shrey jaata hai is film
ke 'cameraman R D Mathur ko.

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R D MATHUR SPEAKS:

aap ne film Mughal-e-Azam mein Madhubala ko sheesh mahal mein gaate
dekha hogaa aur sunaa hogaa, "pyaar kiya to Darna kya". is geet ne
aap ki hi naheen meri bhi raaton ki neend uDaa dee thi. jab Art
Director Sayyad saahab ne K Asif ke sapnon ka sheesh mahal 'set'
tayyaar karaana shuru kiya, to Khabar yeh aayi thi ki
isko 'photograph' karna bahut mushkil hai kyunki aaeene ka 'photo'
kheenchnaa naamumkin baat thi. isse pehle sheeshe ka 'set' kabhi
tayyaar hi naheen huya tha. main na jaane kis xxxx mein Asif saahab
se keh chuka tha ki kisi na kisi tarah se 'set' ko 'photograph' kar
liya jaayega. bas kuchh mat poochhiye, kya kya tarkeeben karni paDee!
tab kahin jaakar yeh Khoobsoorat 'set' aapke saamne nazar aaya.
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60 ke dashak mein ek jahaan Dharmendra, Rajesh Khanna, Biswajit aur
Joy Mukherjee jaise abhinetaa aur Mumtaz aur Hema Malini jaisi
abhinetriyon ne 'star' ka darjaa haasil kiya, to waheen doosri taraf
R D Burman aur Laxmikant Pyarelal agraNi sangeetkaaron ki kataar mein
aa khaDe huye. Anjaan aur Anand Bakshi jaise geetkaar bhi isi dashak
mein apni pehchaan banaane mein kaamyaab huye.

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ANAND BAKSHI SPEAKS:

saathiyon, yeh to honewaali baat thi ki aaj bajaaye sangeen ke mere
haath mein kalam hai. is filmi duniya mein bhi aap ka seekhaaya huya
sabak bhulaaya naheen hai.
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Clip: watan pe jo fidaa hogaa (Phool Bane Angaarey,1963)
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Shobhana Samarth dwaara nirmit 1960 mein pradarshit film Chhabili se
Nutan ne apni gaayan se sangeet-preemiyon ka dil moh liya.

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Clip: ae mere hamsafar rok apni nazar (Chhabili,1960)
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san 1961 mein sangeetkaar Snehal Bhatkar ne apni dhun par gaane ka
mauka diya Mubaraq Begum ko, jo kareeb 12 saalon se apni pehchaan
banaane ke liye chhaTpaTaa rahi theen.

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MUBARAQ BEGUM SPEAKS:

Q: taaleem aapki Urdu mein huyi na?

Urdu mein, taaleem kya Kamal saahab, aap jaante hain pehle ke zamaane
mein laDkiyon ko paDhaana likhaana zyaada seekhaaya naheen jaata tha.
aur hamaare saath bhi yeh huya ki paach chheh chaupDiyaan paDh lee.
chaupDiyaan 'means' kitaaben, aur likhna to seekhaaya hi naheen. log
kehte the ki isey zyaada paDhnaa likhna seekhaana naheen, naheen to
ghar se bhaag jaayegi Khat likhke.
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Clip: kabhi tanhaaiyon mein yun (Hamari Yaad Aayegi,1961)
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is geet ko aaj Hindi cinema ke sarvashreshTh geeton mein chunaa jaata
hai. geetkaar the Kidar Sharma aur film Hamari Yaad aayegi.

san 1963 mein filmi duniya chaundhiya uThi Parasmani se. is film ke
sangeetkaar the paaras pratibhaa ke dhani Laxmikant Pyarelal.

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Clip: woh jab yaad aaye bahut yaad aaye (Parasmani,1963)
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PYARELAL SPEAKS:

Laxmikant Pyarelal ka namaskaar! ab main yeh kyun keh raha hoon
Laxmikant aur Pyarelal ka namaskaar, yeh isliye ki main samajhtaa
hoon ki Laxmikant ab bhi mere saath mein hai, lekin main keh raha
hoon Pyarelal ka namashkaar leejiye.
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Clip: mera to jo bhi qadam hai woh teri raah mein hai (Dosti,1964)
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1965 mein aayi Vijay Anand dwaara nirdeshit film Guide. Dev Anand aur
Waheeda Rahman dwaara abhineet aur Sachin Dev Burman dwaara
sangeetbaddha is film ko aaj bhi sarvashreshTh bhaartiya filmon ki
shreNi mein rakha jaata hai. yeh film aadhaarit hai suprasiddha
upanyaaskaar R K Narayan ke upanyaas par.

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DEV ANAND SPEAKS:

yeh kahaani ek saadhu mahaatma ki hai jinhone 12 din tak lagaataar
vrat rakhaa aur bhagwaan ko paani barsaane par majboor kar diya.
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Clip: aalaah megh de paani de (Guide,1965)
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is film ke mahatwa ka pataa is baat se chalta hai ki haal hi mein
Cannes Film Festival mein is film ko phir se shaamil kiya gaya hai.

1966 mein duniya ko film jagat se mile Phool Aur Patthar. isi film se
Dharmendra ko 'He-Man' ka rutbaa haasil huya.

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DHARMENDRA SPEAKS:

Ghalib ne Theek hi to kahaa hai ki "ham wahaan hain jahaan se hamko
bhi hamaari Kahbar naheen aati", haan ek baat zaroor kahoonga ki
Kalidas ne hazaaron saal pehle jis naaTak ko janm diya tha, usi
naaTak ka ek roop hai aaj ki filmen, aur ham kalaakaaron ke saamne
har film ek tajurbaa hai, ek nayi chunauti hai. is naaTak ko karte
karte ham kabhi kabhi zindagi ko bhi bhool jaate hain. kabhi kuchh
paate hain, kabhi kuchh khote hain, main aaj tak jo paaya hai us par
itraaya bhi. aur jo khoyaa hai usey bhulaaya naheen.
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Clip: dekha hai zindagi ko kuchh itne kareeb se (Ek Mahal Ho Sapno
Ka,1975)
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1966 mein hi bankar tayyaar huyi rahasya romaanch se bhari Teesri
Manzil, jiske 'record' toD safaltaa ne Rahul Dev Burman ke 'career'
ko aasmaan ki bulandiyon par pahunchaaya hi, Prem Nath ko A-grade
khalnaayakon ki kataar par laa khaDaa kiya.

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PREM NATH SPEAKS:

us zamaane mein Film Institute Poona to tha naheen, mujhe 'college'
mein 'fancy dress competition' mein 'first prize' milaa, chhoTe
moTe 'plays' keeye. Khaas koi aise 'professional actor' ka 'standard'
naheen tha yaa 'training' naheen liya. phir Prithviraj-ji ne
mujhe 'training' dee Shakuntala mein, Deewar mein, aur Pathan mein,
1945 se 46 tak
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Clip: Prelude of "aaja aaja main hoon pyaar tera"
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1966 mein hi Shankar Jaikishan ne film Suraj mein ek nayi gaayika
Sharda ko mauka diya tha. Sharda ka gaaya film Suraj ka yeh geet na
sirf us zamaane mein behad lokapriya huya balki is geet ne Sharda ki
jholi mein saal ka sarvashreshTh gaayika ka Filmfare puraskaar bhi
Daal diya.

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Clip: titli uDi uD jo chali (Suraj,1966)
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san 1966 mein film Upkar se Manoj Kumar nirmaata, nirdeshak aur
lekhak ke roop mein saamne aaye, aur Khud ko saabit bhi kiya. Upkar
darshakon dwaara Khoob saraahi gayi. abhi tak khalnaayak ke roop mein
nazar aanewaale Pran ne pehli baar ek sakaaraatmak charitra nibhaakar
apni chaavi ko badalne ki koshish kee aur woh ismein kaamyaab bhi
rahe. film Upkar ne Manoj Kumar ko ek deshbhakt kalaakaar ke roop
mein sthaapit kar diya.

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MANOJ KUMAR SPEAKS:

vaastav mein is tirange ke teen rang - shaanti, prem aur ahimsaa ke
prateek hai. "Shivji yeh naheen par phir bhi sar se behti Khoon ki
gangaa hai, jo ek jawaan ka haath kaTaa dooje ke haath tiranga hai"
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Clip: mere desh ki dharti sona ugle (Upkar,1966)
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san 1968 mein film Sapnon Ka Saudagar se Hindi cinema ko aanewaale
samay ki swapna sundari mili - Hema Malini.

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HEMA MALINI SPEAKS:

mujhe bachpan se hi 'dance' ka shauk raha hai. meri maa ne is shak ko
dekhaa, samjhaa aur poora karwaaya. bhaaiyon, mujhe nritya ka shauk,
aur meri maa ko mujhe ek kalaakaar banaane ka shauk, aur nateejaa,
jee haan, is nritya kalaa ki vajah se hi mujhe filmon mein kaam karne
ka mauka milaa hai.
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Clip: seekha naheen sabak tune pyaar ka (Sapnon Ka Saudagar,1968)
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aur 1969 mein bani film Saat Hindustani se aanewaale samay mein
kadoDon hindustaaniyon ko milaa unka 'superstar'

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AMITABH BACHCHAN SPEAKS:

main, yaani Amitabh Bachchan, shuru shuru mein log mujhse kehte 'yeh
bhi koi naam huya, Amitabh, baDaa ajeeb sa naam hai, aur saath mein
Bachchan, log tujhe bachcha kahenge'. mere saathiyon ka vichaar the
ki mujhe is naam se prasiddhi naheen milegi. lekin maine koi aur naam
rakhne ka sweekaar naheen kiya, aur aaj mera yeh vishwaas rang laaya
hai.
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Clip: ee hai Bambai nagariya tu dekh babua (Don,1978)
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60 ke dashak ke uttaraardh mein ek naye kism ka cinema astitva mein
aaya jise kalaa yaa samaanaantar cinema ka naam diya gaya. iski
shuruwaat huyi Mrinal Sen ki film Bhubon Shom aur Basu Cahtterjee ki
film Saara Akash se. 70 ke dashak mein samaanaantar cienma ek
aandolan ka roop le liya. us daur mein Shyam Benegal, Govind
Nihalani, M S Sathyu, Mani Kaul, Jabbar Patel aur Ketan Mehta jaise
kai film kaaron ne Uski Roti, Ankur, Bhumika, Ardha Satya, Garam
Hawa, Mirch Masala, aur Party jaisi filmen banaaee.

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Clip: saawan ke din sajanwa aan milo (Bhumika,1977)
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70 ke baad ke film yaatra ka haal aapko denge hamaare saathi Yunus
Khan aur Kiran Gwalani.

END OF PART 4