CHHAYA GEET - GUZRE ZAMAANE KE ANMOL NAGHMEN
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Presenter: Yunus Khan
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Chhaya Geet ke is mehfil mein aap sabhi ko Yunus Khan ka namaskaar!
Chhaya Geet mein jab bhi meri aur aapki mulaaqaat hoti hai, to main
lekar aata hoon guzre zamaane ke anmol naGhmon ki yeh KhaasamKhaas
shringkhalaa. jab main kehta hoon guzre zamaane ke anmol naGhmen to
iska matlab un naGhmon se hai jo sahi maaeeno mein apni lekhani, apni
gaayikee, aur apne sangeet mein anmol hain. yeh zaroori naheen ki yeh
gaane apne zamaane mein bahut maqbool huye hon aur aap ko aaj baar
baar sunne ko milte hon. aaj ke is ank mein main kuchh aise naGhmen
lekar aaya hoon jinhe aap mein se bahut chuninda logon ne sunaa
hogaa. aaiye yeh silsilaa shuru karte hain 1965 mein aayi film Raka
ke gaane se. is film ke sangeetkaar Dattaram the, Asad Bhopali ne yeh
gaane likhe the, aur yeh jo geet main aap ke liye lekar aaya hoon,
yeh Lata Mangeshkar ne gaaya hai. zaraa suniye aur sochiye ki kya
kamee thi is gaane mein jo yeh bahut maqbool gaano ki fehrist mein
shaamil naheen ho paaya!

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Song: dil ki betaabiyaan yeh kali hai wahaan (Raka,1965)
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guzre zamaane ke anmol naGhmon ko khoj kar aur sunaakar aap ke is
dost ko bahut aanand milta hai. kai baar kuchh pauraaNik filmon mein
kuchh aise gaane aa jaate hain jo apni lekhani aur apni gaayikee aur
sangeet sanyojan mein behad kamaal hote hain. isi tarah ki khoj-been
ke dauraan mujhe 1961 mein bani film Ram Leela ke kuchh geet mile
jinhe S N Tripathi ne swarbaddha kiya tha. S N Tripathi kuchh alag
tarah ki filmon mein kuchh alag tarah ka sangeet dene mein mashoor
rahe hain. Sangeet Samrat Tansen unki ek behad maqbool film thi. Lata
Mangeshkar aur saathiyon ne Ram Leela mein ek gaaya hai jismein ek
taraf lok rang hai, doosri taraf shaastriyata hai, aur teesri taraf
saraltaa hai. kai aayaamon par yeh geet apne aap ko saabit karta
chalta hai. Ram Leela film Chitrabharati Productions ke 'banner' tale
san 1961 mein aayi thi.

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Song: dekha kis chanda ko aaj (Ram Leela,1961)
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jab main kehta hoon film Mast Kalandar, to aapko kya yaad aata hai?
mere Khayaal se aapko yaad aata hai Hansraj Behl ka sangeet. yeh film
1965 mein aayi thi. Asha Bhosle aur Talat Mahmood ne is film mein
mohabbat karnewaalon ko ek aisa gaana diya tha jo unki haalat ko har
daur mein bayaan karta hai. zaraa is gaane ko suniye aur mehsoos
keejiye Asad Bhopali ne kis tarah se mohabbat karnewaalon ko unki
zabaan de dee.

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Song: dil-e-naadaan zamaane mein (Mast Kalandar,1965)
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guzre zamaane ke anmol naGhmen aap sun rahe hain Chhaya Geet mein
apne dost Yunus Khan ke sang. aur jab Mukesh ke gaano ki baat aati
hai to lagbhag sabhi gaane unke behad maqbool huye. lekin aise kuchh
chuninda geet hain jinka bahut zyaada naam naheen ho paaya. san 1960
mein ek film aayi thi Mud Mud Ke Na Dekh. is film mein Prem Dhawan ne
ek geet likha tha jiske sangeetkaar the Hansraj Behl. zara suniye
Mukesh apni aawaaz ki shoKhi ke zariye naayak ko kis tarah se zabaan
de rahe hain aur naayak kis tarh se apne premeeka ki Khoobsoorti ki
duhaai de raha hai aur use bataa raha hai ki haseen ho Khuda to
naheen ho!

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Song: haseen ho Khudaa to naheen ho (Mud Mud Ke Na Dekh,1960)
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san 1952, film Shokhiyan, aawaaz Suraiyya ki, geetkaar Kidar Sharma,
sangeetkar Jamal Sen. is gaane ke baare mein main kya kahoon, jo
kahoonga woh kam hogaa. isliye seedhe is gaane ko sunte hain.

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Song: raaton ki neend chheen lee (Shokhiyan,1952)
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sangeetkaar Jaidev ek behad saral aur sahaj sangeetkaar the. Jaidev
ne bahut saari filmen naheen kee, unka bahut saara waqt waise Sachin
Dev Burman ke sahaayak ke roop mein guzraa tha. san 1974 mein unki ek
gumnaam kism ki film aayi thi Ek Hans Ka Joda. Asha Bhosle aur
saathiyon ne is film mein yeh geet gaaya tha, jo is puraani, bemaani
duniya ko badalne ki baat karta hai. aaiye is gaane ko sune aur apni
zindagi mein Dhaalen.

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Song: aa jaayo ke milkar badlen (Ek Hans Ka Joda,1974)
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guzre zamaane ke anmol naGhmen aap sun rahe the Chhaya Geet mein apne
dost Yunus Khan ke sang. ham yeh silsilaa aage bhi jaari rakhenge. to
agli baar jab mulaaqaat hogi, main aapke liye lekar aayunga aise hi
kuchh anmol nageene.

THE END