Dear soojoi ji,   Now I have started to take all of your stuff belonging to our stalwarts like Anil Biswas and few forgotten personalities from the music world to my blog. This is also taken to http://musicdirectorsofindia.wordpress.com   Regards sp/kol --- On Thu, 10/8/09, soojoi_india <soojoi_india@...> wrote: From: soojoi_india <soojoi_india@...> Subject: [vividhbharati] Sangeet Sarita - Anil Biswas (Episode-1) To: vividhbharati@... Date: Thursday, October 8, 2009, 12:48 PM   SANGEET SARITA - RASIKESHU ------------ --------- ----- IN CONVERSATION WITH ANIL BISWAS & MEENA KAPOOR ------------ --------- --------- --------- -------- Recorded & First Broadcast in 1997 ------------ --------- --------- ---- EPISODE-1 ********* AB: Anil Biswas TB: Tushar Bhatia TB: shrotaaon ko Tushar Bhatia ka namaskaar! aaj jis sangeet vibhuti ke saamne baiTha hoon, unka varNan karne ke liye mere paas koi shabd nahin hai. jab raat gungunaati hain, loriyan sunaati hain, chaand ki Doli mein baiThke taaron ki Toliyaan nikalti hain, dheere dheere baadal aata hai, aur dheere dheere jaata hai, to kahin aawaaz aati hai, "yaad rakhna chaand taron is suhaani raat ko". aisa lagta hai koi nas nas mein amrit ghol gaya, koi pyaar ki boli bol gaya. doston, aaj ek bahut baDe vishvaas ke saath ye sangeet yaatra shuru ho rahi hai, apne sangeet ki boli se nas nas mein amrit gholne waale film sangeet jagat ke bheeshma pitaamah ke saath, param vidvaan, suprasiddha aur varishThatam sangeet nirdeshak, aadarNeeya, Shri Anil Biswas ji. daada, praNaam! AB: namashkaar! aaj bahut dino ke baad mein All India Radio ke 'microphone' ke saamne baiTha huya hoon, aur ye 'programme' shuru hone jaa raha hai, jiska hamne sheershak rakha hai RASIKESHU. yah sanskrit shabd hai, matlab hai 'rasikon ko samarpit'. main chaahoonga ki Vividh BHarati jis gaane se shuru huya tha, usi gaane se is 'programme' ko shuru karen to kaisa lagega? TB: bahut achchha lagega daada. AB: main tumko bataata hoon ki ye shuru hone se pehle yahaan ke ek 'producer' Ninu Mazumdar mere paas aaye the gaana lekar, Narendra Sharma ji tab yaheen the, 'producer' the, aur unhone kahaa ki ye shuru ho raha hai aur aap ispe swar aarop keejiye aur ham log isi se Vividh BHarati ki shuruaat karenge. to maine gaana sunaa, aur dekha ki yeh gaana film ka nahin hai to ismein thoDaa sa rang bharte hain. to do jagah mujhe itni achchhi lagi kuch kar dikhaane ke liye, wo main tumhe bhi kahoonga aur rasik shrotaaon ko bhi kahoonga ki wo ispe zara tavajju den, aur dhyaan den aur sune. jaise ek jagah hai sam par sam, saa par saa, yehi hai na, ismein kis tarah se sam par sam aur saa par saa laaya gaya hai, is gaane ki Khaaseeyat yeh hai. to is gaane ko isi drishTikoN se sune to kuchh zyaada mazaa aayegaa. aap ye gaana shuru karenge "naach re mayoora"? TB: jee ------------ --------- --------- --------- --------- -- Song: naach re mayoora (Non-film: Manna Dey, 1957) ------------ --------- --------- --------- --------- -- TB: daada, ab aap kyaa sunaane waale hain? AB: 'film music' ki shuruaat se shuruaat karna chaahta hoon. inka naam Rai Chand Boral hai. unse shuruaat karna chaahta hoon kyonki unko ham film sangeet ke pitaa maante hain. aur unke baare mein jitna kahoon utna kam hai, wo ek to guNee the, Khud tablaa bajaate the, aur 'piano', dono bajaate the, aur in do cheezon ki jo Khoobiyaan hain na, yaani ki lay kaa aur sur ka, aur saahitya ka, itna Khoobsoorat 'composition' , to woh gaana hamko sunaao, "jeevan been madhur na baaje". ------------ --------- --------- --------- --------- ------ Song: jeevan been madhur na baaje (Street Singer,1938) ------------ --------- --------- --------- --------- ------ AB: aaj koi aisa lekhak hai, Narendra Sharma bhi chale gaye, lekin aaj ka koi lekhak tum mujhe de sakte ho jo pancham chheDo madhyam bole, kharaj bane gandhaar. ye likhne waala koi aisa hai? main Khaas karke shrotaaon ka tavajju chaahoonga ki isko wo dekhen ki saahitya kya hota tha us zamaane mein. main doosra gaana chaahoonga tum sunaao usko, jo aap sunenge to aapke hriday bhi sur ke hindolon mein jhoolte rahenge. "Dole Dole Dole hriday ki naiya" Vidyapati ka. ------------ --------- --------- --------- --------- ----- Song: Dole Dole Dole hriday ki naiya (Vidyapati,1937) ------------ --------- --------- --------- --------- ----- AB: abhi aapne ye do achchhe gaane R C Boral ke 'composition' mein sun liye hain, jismein pehla gaana tha K L Saigal ka aur doosra gaana tha Kanan Devi ka. inke baare mein kuchh kehna, mujhe lagta hai ki ek dhrishTataa hogi. aur ab jo geet sunaa raha hoon wo Bimal Roy ki pehli tasveer jo hai na, Humrahi, usmein Binota Bose ka gaaya huya ek chanchal shoKh 'romantic' gaana hai. ------------ --------- --------- --------- Song: bahaar ke din aaye (Humrahi,1945) ------------ --------- --------- --------- END OF EPISODE 1