Namaskaar doston, Hindi sahitya ki agar baat karen to hamare desh ne
ek se ek mahaan sahityakaaron ko janm diya hai jinke kalam ne is
sahitya jagat ko beshkeemti sahitya pradaan kiye hain. Yeh
saahityakaar na keval apne kalam se sahitya ko hi samriddh kiya hai
balki apne kalam ke jadoo se Hindi film jagat ko kuchh aise naayaab
gaane bhi deeye hain jinhe paakar yeh film jagat dhanya ho gaya hai.
Aaj Sargam Ke Sitare ke is ank mein hum baat karenge kuchh aise hi
mahaan Hindi saahityakaaron ki jinhe filmi geetkaar ke roop mein
paana hamara saubhaagya hai.

Song: Phoolon ke rang se dil ki kalam se (Prem Pujari)

Kishore Kumar ke gaaye film Prem Pujari ke is khoobsurat geet ko
likha tha suprasiddha sahityakaar, kavi aur geetkaar Gopaldas Neeraj
ne. Sahitya jagat ke chamkile sitare Kavi Gopaldas Neeraj pehle
sahitya geetkaar hain, phir filmi geetkaar. Unki likhi kavitaayen aur
sahitya jitne prabhaavshaali hain utne hi lokpriya hain unke rache
filmi geet. Filmon mein gaane likhte huye kisi geetkaar ko kai baar
bediyon mein bandhkar likhna padta hai, par Neeraj ne kisi bhi
situation ke gaane ko bade hi sundar shabdon se aise vyakt kiya hai
ki aam janta se lekar sher-o-shayri ke shaukeen shrotaaon ko unhone
ek hi samay mein santusht kar diya hai.

Song: Caravan guzar gaya gubaar dekhte rahe (Nai Umar Ki Nayi Fasal)

Kavi Gopaldas Neeraj bhasha aur vishay mein atyant paardarshi hain.
Unhone filmi geeton mein bhi aisa laalitya pradaan kiya hai ki yeh
sachmuch ek aashchariya ki baat hai.

Song: Likhe jo khat tujhe woh teri yaad mein (Kanyadaan)

Kavi Gopaldas Neeraj ke baad ab baat karte hain Pandit Narendra
Sharma ki.

Song: Satyam Shivam Sundaram (Title Song)

Eeshwar satya hai, satya hi shiv hai, shiv hi sundar hai, is param
satya ko ujaagar karnewaale Pt Narendra Sharma aaj hamaare beech
nahin hai. Sach to yeh hai ki woh kahin gaye hi naheen hain balki
bikhar gaye hain. Unke geeton, kavitaaon aur sahitya se jab chaahe
unhe paaya jaa sakta hai. Pt Narendra Sharma jaise shakhs is duniya
se jaakar bhi yahin rehte hain. Pt Narendra Sharma ek vyakti nahin,
ek saath kai vyakti the - shreshth kavi, mahaan sahityakaar, filmi
aur gair filmi geetkaar, daarshanik, ayurved ke gyaata, Hindi, Urdu
aur Angrezi ke vidwaan, aur usse bhi upar ek mahamaanav. Hamaare
baune haath unke uplabdhiyon ko chhoo bhi nahin sakte.

Song: Tum asha vishvas hamare (Subah)

Virendra Mishra, ek jaane maane sahityakaar. Yeh hamara saubhagya hai
ki woh Vividh Bharati mein producer reh chuke hain. Mishraji ne
filmon ke liye kuchh zyaada gaane to naheen likhe hain, par jitne bhi
likhe hain woh hamare liye kisi anmol dharohar se kam naheen. Woh aaj
hamare beech naheen hai par unke komal bhaavpoorna geet aur kavitaaen
hamaare saath hi to hain.

Song: Joode mein gajra mat baandho mera geet bahek jaayega (

Apne radio set par is samay aapne tune kiya hai Bharat ka sabse
lokpriya radio channel Vividh Bharati aur is waqt hum aapko sunwa
rahe hain Sargam Ke Sitare. Aur aaj ka yeh karyakram samarpit hai
Hindi sahitya ke kuchh chamakte sitaaron par jinhone sahitya ke panno
par to apne pratibha ke chhaap chhode hi hain, unhe filmi geetkaar ke
roop mein paana bhi kisi saubhagya se kam naheen. Kavi Gopaldas
Neeraj, Pandit Narendra Sharma aur Virendra Mishra ke baad aayiye ab
baat karen Baal Kavi Bairagi ki. Kavita paath ke rasik Bairagiji ko
apne ojhpoorna swaron mein manch par kavita paath karte suna hoga.
Unke sahitya mein graamya sanskriti ki mahek milti hai, jo unke likhe
film Reshma Aur Shera ke is sadabahaar naghmen mein bhi saaf jhalakti
hai.

Song: Tu chanda main chaandni (Reshma Aur Shera)

Hindi sahitya chhayavaadi vichaardhara ke liye jaana jaata hai. 26
March 1907 ko janme Mahadevi Verma ko chhayavaadi yug ke chaar
pramukh stambhon mein se ek maana jaata hai. Unki likhi Yama naamak
kavya sankalan behad charchit huyi thi. 1956 mein Bharat Sarkar ne
sahitya mein unke sarahniya yogdaan ke liye Padma Bhushan se sammanit
kiya. Mahadevi Verma ko ek filmi geetkaar ke roop mein shaayad hi koi
jaane. Par sach to yeh hai ki film Trikon Ka Chautha Kon mein unka
likha ek geet shaamil kiya gaya tha. Suniye Jaidev ka swarbaddha kiya
Chhaya Ganguly ka gaaya wohi geet.

Song: Kaise unko paayun (Trikon Ka Chautha Kon)

Kavi Gopaldas Neeraj, Pandit Narendra Sharma, Virendra Mishra, Bal
Kavi Bairagi aur Mahadevi Verma ke zikra ke baad ab jis sahityakaar
ki charcha hum karne waale hain woh prakriti ke chitere to the hi,
desh bhakti ka jasba bhi unme koot koot kar samaya huya tha. Jee
haan, Gopal Singh Nepali, jinhe hum G S Nepali ke naam se bhi jaante
hain, ka janm Bihar ke Champaran zile mein Bedia naamak sthaan par 11
August 1911 ko huya tha. Balavastha se hi we ghanton ekaant mein
baithkar prakriti ki sushma ka aanand lete aur baad mein isi prakriti
se jude kavitaaen likhne lage. 1931 mein Kalkatta mein aayojit Akhil
Bharatiya Kavi Sammelan mein shaamil hone ko we prerit huye, jahaan
pe jaakar sahitya jagat ke kai mahaan vibhutiyon se milne ka
saubhagya praapt huya. 1932 mein Kashi mein Acharya Mahavir Prasad
dwara aayojit ek bade kavi sammelan mein kul 115 kavi shaamil huye
jinmein se keval 15 kaviyon ko kavita paath ka mauka mila, aur inmein
se ek the Gopal Singh Nepali.

Song: Door papeeha bola raat aahi reh gayi (Gajre)

Gopal Singh Nepali ek taraf komal bhaavnaaonwali, prakriti prem se ot-
prot kavitaaen likhte the, waheen doosri taraf desh bhakti ki
jhanjhanaati rachnaayen bhi kya khoob likhe. Unki likhi "Dilli Chalo"
kavita par Filmistan ne Samadhi naamak film ka nirmaan bhi kiya.
Suniye unka likha film Nai Raahen ka geet, Mohd Rafi ki awaaz mein.

Song: Musafir bataa de kahaan tujhko jaana (Nai Raahen)

Ab jis sahityakaar ki baat hum karne waale hain, woh hain Amrita
Preetam. Maanav mann ki jo abhivyakti hoti hai, unhe varnan karna
badaa mushkil hota hai, lekin Amrita Preetam dwara likhe sahitya ko
agar hum dhyaan se padhen to paayenge ki kis sahejta se unhone badi
se badi baat keh daali hai jinhe hum keval mehsoos hi kar sakte hain.
Unki lekhni to jaise phool par thehri huyi os ki boonden hain. 31
August 1919 ko janme Amrita Preetam Punjab ki pehli mashoor kaviyatri
aur lekhika hain. Sahitya Academy Puraskaar paanewaali woh pehli
mahila hain aur Rashtrapati se Padmashree praapt karnewali pratham
Punjabi lekhika. Yun to unhone Punjabi mein adhiktar likha hai, par
Hindi sahitya mein bhi unhone apni alag pehchaan banaayi hai. Hindi
film Kadambari mein unhone ek geet likha tha, aayiye sune Asha Bhosle
ki awaaz mein yeh geet.

Song: Ambar ki ek paak suraahi (Kadambari)

Aur ab baat Dr Harivanshrai Bachchan ki, jinki kriti Madhushala Hindi
sahitya mein ek itihaas bana chuki hai. Jab bhi woh stage par apni
Madhushala paath karte, shrotagan usmein poori tarah se kho jaate aur
uski bahaav mein beh jaate. Omar Khayyam ki Rubaiyaat se prerit hokar
Dr Bachchan ne Madhushala ke baad Madhubala aur Madhukalash naamak
kavitaaon ki rachna kee. Unki jaani maani kritiyon mein shaamil hai
unka Bhagwadgeeta ka Avadhi aur Hindi mein anuvaad. Hindi film
sangeet ki baat karen to unhone film Alaap aur Silsila mein kuchh
lokpriya gaane likhe hain. Kya koi Holi aisi beeti hai jisme aapne
Silsila film ke is geet ke saath na jhooma hoga? Jee haan, Dr
Harivanshrai Bachchan ka likha aur unke suputra Amitabh Bachchan
dwara gaaya film Silsila ka yeh mashoor Holi geet suniye.

Song: Rang barse bheege chunarwali (Silsila)

To yeh tha aaj ka Sargam Ke Sitare karyakram jismein humne kuchh aise
Hindi ke sahityakaaron ki charcha kee jinhone Hindi sahitya ke saath
saath film sangeet ko bhi apne kalam se bol dekar dhanya kiya hai.
Jin sahityakaaron ki humne zikr kiya unke naam hain Kavi Gopaldas
Neeraj, Pt Narendra Sharma, Virendra Mishra, Bal Kavi Bairagi,
Mahadevi Verma, Gopal Singh Nepali, Amrita Preetam aur Dr
Harivanshrai Bachchan. Ab is karyakram ko samaapt karne ki deejiye
humein ijaazat, namaskaar!

THE END