dear all
season's greetings and warm wishes for happy new year.
regards
brijmohangupta

Hi All,

Wish you all a very happy new year.

I am very sorry that i am sending you this details very late but
anyway its a new year gift from me to you all. If you remember there
were few members who took part in my Lata Special prog on 30th of
september 06. here are the links if you would like to download it.

Part 1(51.13 min)
http://s1.upload.sc/request/f5646d37b9fabd4105494e5808421c0e

Part 2 (50.43 min)
http://s1.upload.sc/request/706538cd47b18dfc52aaad23f1a50bd8

Part 3 (50.56 min)
http://s1.upload.sc/request/d7048e3e418bfdf9505be21ff41305c7

Part 4 (51.27 min)
http://s1.upload.sc/request/c745f9530112c730fe836ea69aaa5a35

Enjoy listening,

Vimla

Send free SMS to your Friends on Mobile from your Yahoo! Messenger. Download Now! http://messenger.yahoo.com/download.php

Hello,

This email message is a notification to let you know that
a file has been uploaded to the Files area of the vividhbharati
group.

   File        : /Welcome 2007!
   Uploaded by : ittaskforce1 <ittaskforce1@...>
   Description : 2006 was good but 2007 will be better

You can access this file at the URL:
http://in.groups.yahoo.com/group/vividhbharati/files/Welcome%202007%21

To learn more about file sharing for your group, please visit:
http://help.yahoo.com/help/in/groups/files

Regards,

ittaskforce1 <ittaskforce1@...>

Dear Rameshji & Soojoi,

Thanks for ur reply on my prog. I am sure u will enjoy listening to
all songs of that prog.

I have tried my best & really enjoyed presenting it.

Soojoi thanks for the idea of transcripting it.

Greetings,

Vimla

--- In vividhbharati@..., "soojoi_india"
<soojoi_india@...> wrote:
>
> Hi Vimlaji,
>
> Thanks a lot for sharing the prog with us who could not listen to it
> that day. I have downloaded the 1st part & do the remaining ones next
> week. I would transcript the prog & post in this group for those who
> are unable to download.
>
> Sujoy
>
>
>
> --- In vividhbharati@..., Ramesh Desai <desai2rn@>
> wrote:
> >
> > Vimalji, Thanks for the u/l. I heard part of it and would like to
> complement you for a nice
> >               Program.
> >
> >               Ramesh.
> >
> > vimlaraniga <vimlaraniga@> wrote:
> >           Hi All,
> >
> > Wish you all a very happy new year.
> >
> > I am very sorry that i am sending you this details very late but
> > anyway its a new year gift from me to you all. If you remember there
> > were few members who took part in my Lata Special prog on 30th of
> > september 06. here are the links if you would like to download it.
> >
> > Part 1(51.13 min)
> > http://s1.upload.sc/request/f5646d37b9fabd4105494e5808421c0e
> >
> > Part 2 (50.43 min)
> > http://s1.upload.sc/request/706538cd47b18dfc52aaad23f1a50bd8
> >
> > Part 3 (50.56 min)
> > http://s1.upload.sc/request/d7048e3e418bfdf9505be21ff41305c7
> >
> > Part 4 (51.27 min)
> > http://s1.upload.sc/request/c745f9530112c730fe836ea69aaa5a35
> >
> > Enjoy listening,
> >
> > Vimla
> >
> >
> >
> >
> >
> >  __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
>

--- In vividhbharati@..., "soojoi_india"
<soojoi_india@...> wrote:
>
> Hi Vimlaji,
>
> Thanks a lot for sharing the prog with us who could not listen to it
> that day. I have downloaded the 1st part & do the remaining ones next
> week. I would transcript the prog & post in this group for those who
> are unable to download.
>
> Sujoy
>
>
>
> --- In vividhbharati@..., Ramesh Desai <desai2rn@>
> wrote:
> >
> > Vimalji, Thanks for the u/l. I heard part of it and would like to
> complement you for a nice
> >               Program.
> >
> >               Ramesh.
> >
> > vimlaraniga <vimlaraniga@> wrote:
> >           Hi All,
> >
> > Wish you all a very happy new year.
> >
> > I am very sorry that i am sending you this details very late but
> > anyway its a new year gift from me to you all. If you remember there
> > were few members who took part in my Lata Special prog on 30th of
> > september 06. here are the links if you would like to download it.
> >
> > Part 1(51.13 min)
> > http://s1.upload.sc/request/f5646d37b9fabd4105494e5808421c0e
> >
> > Part 2 (50.43 min)
> > http://s1.upload.sc/request/706538cd47b18dfc52aaad23f1a50bd8
> >
> > Part 3 (50.56 min)
> > http://s1.upload.sc/request/d7048e3e418bfdf9505be21ff41305c7
> >
> > Part 4 (51.27 min)
> > http://s1.upload.sc/request/c745f9530112c730fe836ea69aaa5a35
> >
> > Enjoy listening,
> >
> > Vimla
> >
> >
> >
> >
> >
> >  __________________________________________________
> > Do You Yahoo!?
> > Tired of spam?  Yahoo! Mail has the best spam protection around
> > http://mail.yahoo.com
> >
>

Hi all,

Vividh Bharati shall broadcast a special programme on the New Year's
Eve from 23:10 hrs on 31st night. Named as "Welcome 2007", it will be
available on all commercial broadcasting channels apart from SW 31
meters & DTH.

Wishing all members of this group a wonderful yearend and a bright and
prosperous New Year 2007!

Sujoy

Hi Vimlaji,

Thanks a lot for sharing the prog with us who could not listen to it
that day. I have downloaded the 1st part & do the remaining ones next
week. I would transcript the prog & post in this group for those who
are unable to download.

Sujoy



--- In vividhbharati@..., Ramesh Desai <desai2rn@...>
wrote:
>
> Vimalji, Thanks for the u/l. I heard part of it and would like to
complement you for a nice
>               Program.
>
>               Ramesh.
>
> vimlaraniga <vimlaraniga@...> wrote:
>           Hi All,
>
> Wish you all a very happy new year.
>
> I am very sorry that i am sending you this details very late but
> anyway its a new year gift from me to you all. If you remember there
> were few members who took part in my Lata Special prog on 30th of
> september 06. here are the links if you would like to download it.
>
> Part 1(51.13 min)
> http://s1.upload.sc/request/f5646d37b9fabd4105494e5808421c0e
>
> Part 2 (50.43 min)
> http://s1.upload.sc/request/706538cd47b18dfc52aaad23f1a50bd8
>
> Part 3 (50.56 min)
> http://s1.upload.sc/request/d7048e3e418bfdf9505be21ff41305c7
>
> Part 4 (51.27 min)
> http://s1.upload.sc/request/c745f9530112c730fe836ea69aaa5a35
>
> Enjoy listening,
>
> Vimla
>
>
>
>
>
>  __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com
>

namaste doston, Aaj Ke Fankaar kaaryakram aaj kendrit hai is daur ke
lokapriya aur jaanemaane paarshwagaayak Sonu Nigam par.

Song: adaa aaye haaye adaa hosh uDaaye adaa (Garam Masala)

jee haan doston, Sonu Nigam ke gaayiki ki adaayigi aisi hi hai ki har
sunnewaala unhe pasand karta hai. geet chaahe kaisa bhi ho, Sonu
Nigam ki 'versatility' har gaane mein zaahir hoti hai. zaraa suniye
to ki kaise unki aawaaz ka jaadoo halka halka sa nashaa ghol rahi hai.

Song: halka halka sa yeh nashaa (Chocolate)

Sonu Nigam bachpan se hi paDhaai mein kaafi tez the. dasween tak
lagaataar apne class ke '1st boy' bane rahe. Un dino unke jeevan ka
lakshya tha ek 'scientist' banna ya phir IAS ya IFS 'join' karna. par
iske saath saath gaayiki ki taraf bhi unka dhyaan tha. 'School' ke
dino se hi unhone geeton ke 'competitions' jeetne shuru keeye aur
dasween ke baad to unhone yeh nishchit hi kar liya ki unhe ek gaayak
hi banna hai. Phir kya tha, baarahveen ki pareeksha dekar gaayak
banne ka sapna aankhon mein liye chale aaye Mumbai nagri.

Song: kuchh hamme aisi baaten hain (Aap Mujhe Achchhe Lagne Lage)

Sonu Nigam ke pita Agam Kumar Nigam aur maa Shobha Nigam bhi jaane-
maane gaayak gaayika hain. Agam sahab ka janm Agra mein huya,
Faridabad mein pale baDhe, aur phir 'career' shuru kiya Mumbai mein.
Shobhaji, jo ek Garhwali hain, we Mumbai shaher mein hi paleen
baDheen. Waheen in dono ki mulaqaat huyi aur baat shaadi tak pahunch
gayi. Shaadi ke baad we Dilli chale aaye aur waheen par 'stage shows'
karne lage. Sonu Nigam ko gaayiki khoon mein hi praapt huyi, aur isi
wajah se Sonu ki awaaz mein bhi Agre ki peThe ki mithaas hai aur
Garhwal ke parvaton se utarti jharnon ka yauvan.

Song: yeh hawaayen gungunaaye poochhe tu hai kahaan (Parineeta)

Mumbai mein Sonu ko kaamyaabi aasaani se naheen mila. ek mauke ki
talaash mein we dar dar bhaTke. phir T-Series company ke Gulshan
Kumar ki nazar unki kaabliyat par paDee aur film Aaja Meri Jaan mein
unse ek ekal geet gawaaya jiske bol the "o aasmaawaale". is gaane ne
Sonu ko aasmaan par to naheen pahunchaaya lekin kaamyaabi ki
oonchaaion tak pahunchne ki raah par chal paDe. "achchha sila diya
tune mere pyar ka", Bewafa Sanam film ka yahi gaana Sonu Nigam ka
pehla kaamyaab gaana maana jaata hai. phir uske baad Border aur Kabhi
Khushi Kabhie Gham film ke gaano ne unhe ek safal kaamyaab gaayak ki
upaadhi dilwaaee. uske baad to jaise ek se ek lokapriya geeton ki
laDee hi lag gayi. bahar-haal sunte hain film Paheli ka yeh
Khoobsoorat naghma.

Song: dheere jalna dheere jalna (Paheli)

doston, jab ek baar Sonu Nigam Vividh Bharati ke 'studios' mein aaye
the, tab hamne unse poochha tha ki woh apne kaamyaabi ka shrey kise
dete hain, to uhone is sawaal ka kya jawaab diya tha, suniye unhi ki
aawaaz mein:

Sonu Nigam speaks: log apni 'success' ka shrey dete hain apne bhaagya
ko, apne maata-pita ko, apne guru ko. par main aaj ek
ajeeb 'statement' doonga. main apni kaamyaabi ka shrey apne aap ko hi
doonga. kyunki aadmi mein agar kuch kar dikhaane ka jasbaa na ho to
woh kuchh naheen kar sakta. main agar achha kuch kar raha hoon to
main kar raha hoon aur agar kuch bura kiya hai to uske liye bhi main
hi zimmedaar hoon. agar meri film Jaani Dushman aur Kaash Aap Hamare
Hote naheen chali to uske liye main khud zimmedaar hoon, mera bhaagya
naheen. agar galtiyon ke liye main zimmedaari le raha hoon to phir
meri safaltaaon ka shrey bhi mujhe hi jaana chhahiye.

Song: apne jahaan ke ham baadshaah hain (Waqt)

aur apne jeevan saathi ke baare mein unhone kahaa:

Sonu Nigam speaks: 'It was a love marriage. We met in 1995' pehli
baar aur 2002 mein hamne shaadi kar lee.

Song: aao sunaayun pyar ki ek kahaani (Krishh)

to doston, yeh tha paarshwa-gaayak Sonu Nigam par kendrit Aaj Ke
Fankaar kaaryakram. unke baare mein kuchh aur baaten aur kuchh aur
gaane ham phir kisi din sunwaayenge, aaj ke liye bas itna hi,
namaskaar!

Song: kabhi alvidaa na kehnaa (Kabhi Alvida Na Kehna)

THE END

Vividh Bharati ke doston namaskaar, main hoon aapka dost Yunus Khan...

Clip: jo phool yahaan par khil na sake woh phool wahaan khil jaayenge
       ham is duniya mein mil na sake to us duniya mein mil jaayenge.

aawaazen sarhadon se aazaad hoti hain, ek aawaaz jisne sarhadon ko
kabhi naheen maana...

Clip: bichhDe to ham hain kal parson... (Hero)

... ek aawaaz jismein hai is miTTi ka sondhaapan...

Clip:... jeeyungi main kaise is haal mein barson... (Hero)

... aur yahi aawaaz goonjengi Aaj Ke Fankaar kaaryakram mein aaj...

Clip: ...maut na aayi teri yaad kyun aayi... (Hero)

Aaj Ke Fankaar aaj kendrit hai gaayika Reshma par.

Clip: lambi judaai chaar dino da pyar (Hero)

80 ke dashak mein film Hero ka yeh Gamzada naghma jab goonja tha to
logon ne isey fauran haathon-haath liya tha. sarhad ke is paar aur us
paar yeh aawaaz aazaadi se goonjne lagi.

Song: o rabba din aaye mushkil ke (Folk Song)

bahut kam log jaante honge ki Reshma ka bachpan yahaan Rajasthan mein
beeta hai. Rajasthan, jiski seema Pakistan ke sarhad ke bahut kareeb
hai. aazaadi ke baad desh ke baTwaare ke baad Reshma sarhad ke us
paar chali gayeen.

Song: kaun rooThe yaar manaaye (Folk Song)

Reshma ka taallukh banjara samudaay se hai jo kabhi ek jagah naheen
Thaharta. banjaare yaayaavar ki tarah bhaTakte rehte hain, kabhi ghar
naheen banaate, aur har baar nayi manzil ki talaash mein nikal paDte
hain.

Song: rabba hun ki kariye (Folk Song)

Reshma ko gaayiki ki pratibhaa apne samudaay se viraasat mein milee
aur woh Sufiana shaili mein gaane lagi.

Song: chup karke zindaDi (Folk Song)

bachpan se hi Reshma ki aawaaz mein woh kashish thi ki jab woh koi
aadhyatmik ya roohaani rachnaa gaateen to logon ke dilon mein Khalish
si paidaa kar deteen. Reshma jab bhi roohaani ashaar gaati hainwoh
usmein Doob si jaati hain aur unki yeh tanmayata aur lagan unki
aawaaz mein saaf chhalaktaa hai.

Song: damaadam mast kalandar Ali da pehla nambar (Folk Song)

kisi gumnaam jangalee phool ki tarah mahakti rahi hain Reshma ki
aawaaz aur ek baar Sehwan mein Hazrat Kalandarlal Shahbaz ki dargaah
par unki aawaaz sunkar jamaa ho gaye the log. ham aapko bataa den ki
Sehwan Pakistan ka ek chhoTa sa shahr hai aur Hazrat Kalandarlal
Shahbaz ki dargaah par us din shaamil the Pakistan Radio ke ek
adhikaari jinhone Reshma ki aawaaz sunee aur yun prabhaavit huye
ki 'radio' tak unhone Reshma ki aawaaz ko pahunchaa hi diya.

Song: damaadam mast kalandar Ali da pehla nambar (Folk Song)

Reshma paDhna likhna naheen jaanti, lekin sangeet ki riyaaz se jo
kuchh seekhaa hai woh pahe likhe log bhi naheen seekh paaye. ham
jaante hain ki aap film Hero ke geet ke alaawaa Reshma ki aawaaz mein
bahut zyaada gaane naheen sune honge. lekin Vividh Bharati ke
sangrahaalay se aapka yeh dost aapke liye khoj laaya hai Reshma ke
geeton ka ek 'long playing record' jismein hai Saraegi, Punjabi aur
Multani geet, yeh durlabh naghmein hain.

Song: na dil dendee bedardi nu (Folk Song)

Reshma ka gaaya film Hero ka gaana jab se maqbool huya hai, saari
duniya ne unki aawaaz ko sunaa, unhe 'concerts' ke liye duniya bhar
se bulaaya gaya, aur woh mashoor ho gayeen. yahaan ke mashoor shaayar
aur geetkaar Kaifi Azmi saahab ek baar Vividh Bharati ke 'studio'
mein aaye the, unhone Reshma ki taarif mein kahaa tha:

Kaifi Azmi speaks: achaanak ek din Reshma ki aawaaz ka jharna
Hindustan mein is tarah girne lagaa ki har 'music director' aur har
naghmanigaar ke dil mein yeh khwaahish jaag uThi ki kaash kabhi
hamaare kisi geet ko yeh aawaaz mil jaaye! waqt guzarta raha aur
bhaarat ka har suraa aur besuraa aadmi Reshma ke gaane gaata raha.
aate aate woh mubaaraq din aa gaya jab Reshma bhaarat ki mehmaan
huyeen. kai 'music director' aur filmsaaz unke paas yeh darkhwaast
lekar pahunche ki 'aap hamaari film ke kuchh gaane apni aawaaz
mein 'record' karwaa den'. kaanooni mushkilon par kaaboo paane ke
baad Reshma ne kuchh gaane gaaye bhi. Reshma ke aawaaz ki ek
khusoosiyat yeh hai ki aap agar aankh band karke sune to mahsoos
hogaa ki aap kisi sehra mein khaDe hain aur door se koi Khaanabadosh
jaadoogarni aap pe jaadoo kar rahi hai. lekin iske liye yeh zaroori
hai ki gaane ke bol aur dhun, dono aise hon jo Reshman ki aawaaz
poori tarah goonjne aur tairne lage. Bharat hi naheen Pakistan ke jin
filmon mein Reshma ne jo koi geet gaaya hai woh geet un geeton se
halka reh jaata hai jo Reshma ne ???????? gaaye hain. 'music
director' Laxmikant Pyarelal ke 'direction' mein Reshma ne yahaan ek
gaana 'record' karwaaya. yeh gaana sunkar aapko Reshma ka woh mashoor
naghma zaroor yaad jaayega "haayo rabba naiyo lagta dil mera". woh
gaana yeh hai...

Song: lambi judaai chaar dino da pyar (Hero)

isi saal Reshma Bhaarat aayi theen aur sangeetkaar Roop Kumar Rathod
ke nideshan mein ek film mein ek gaana bhi 'record' karwaaya. film ka
naam hai Woh Tera Naam Tha.

Clip: lambi judaai chaar dino da pyar (Hero)

Aaj Ke Fankaar kaaryakram aaj kendrit tha gaayika Reshma par. ab
Yunus Khan ko deejiye ijaazat, namaskaar!

THE END

Hi All,

Wish you all a very happy new year.

I am very sorry that i am sending you this details very late but
anyway its a new year gift from me to you all. If you remember there
were few members who took part in my Lata Special prog on 30th of
september 06. here are the links if you would like to download it.

Part 1(51.13 min)
http://s1.upload.sc/request/f5646d37b9fabd4105494e5808421c0e

Part 2 (50.43 min)
http://s1.upload.sc/request/706538cd47b18dfc52aaad23f1a50bd8

Part 3 (50.56 min)
http://s1.upload.sc/request/d7048e3e418bfdf9505be21ff41305c7

Part 4 (51.27 min)
http://s1.upload.sc/request/c745f9530112c730fe836ea69aaa5a35

Enjoy listening,

Vimla

__________________________________________________
Do You Yahoo!?
Tired of spam? Yahoo! Mail has the best spam protection around
http://mail.yahoo.com

Hi All,

Wish you all a very happy new year.

I am very sorry that i am sending you this details very late but
anyway its a new year gift from me to you all. If you remember there
were few members who took part in my Lata Special prog on 30th of
september 06. here are the links if you would like to download it.

Part 1(51.13 min)
http://s1.upload.sc/request/f5646d37b9fabd4105494e5808421c0e

Part 2 (50.43 min)
http://s1.upload.sc/request/706538cd47b18dfc52aaad23f1a50bd8

Part 3 (50.56 min)
http://s1.upload.sc/request/d7048e3e418bfdf9505be21ff41305c7

Part 4 (51.27 min)
http://s1.upload.sc/request/c745f9530112c730fe836ea69aaa5a35

Enjoy listening,

Vimla

Audio Courtesy: N. Ramaswamy
----------------------------

aaj ki Jaimala Gold mein ham aapko sunwaa rahe hain jaanemaane
shaayar aur geetkaar Kaifi Azmi dwaara prastut kaaryakram. Kaifi
saahab ka janam 1925 mein Azamgarh mein huya tha. pragatisheel lekhak
sangh ke aatmarishTh aur samarpit sadasyon mein se ek the. Kaifi
saahab kli rachnaaon mein mohabbat, maanviya moolyon se yukt
samatavaadi samaaj ka swar sunaaee paDta hai. Kaifi saahab ne filmon
mein na keval geet likhe balki unki kahaaniyaan aur samvaad bhi
likhe. padya mein likhee unki ek hi film hai Heer Ranjha. unka likha
mashoor naaTak hai Aakhri Shamaa. 1943 mein jab Mumbai
mein 'Communist Party' ka daftar shuru huya tabhi aagaman huya tha
Kaifi Azmi ka Mumbai mein. 'Party' ke we sakriya kaaryakartaaon mein
se the. rozee roTee ka koi niyamit zariyaa bhi naheen tha. unhi dino
woh ek Urdu aKhbaar Mazdoor Mohalla ka sampaadan bhi kiya karte the.
usi baras unki rachnaaon ka pehla sangraha prakaashit huya jiska
shirshak tha Jhankaar. unki pehli 'film script' thi Lala Rukh. Kaifi
saahab ko apni utkrishT rachnaaon ke liye anek puraskaaron se
sammaanit kiya gaya. in puraskaaron mein kuchh ullekhniya hain Soviet
Land Nehru puraskaar, Sahitya Academy puraskaar, Lotus Award,
Maharashtra shaasan dwaara pradatt gaurav aur Sant Gyaneshwar
puraskaar, Uttar Pradesh shaasan dwaara pradatt Yuva Bharati aur
Vishva Bharati Vishvavidyalay dwaara pradatt David K Manak upaadhi.
Kaifi saahab ko Padmashree se bhi sammaanit kiya gaya tha. unki filmi
rachnaaon mein saahitya ka saundarya hi naheen, gehra maanaviya bodh
aur sarokaar nazar aata hai. unki kaaljayee rachnaaen ab saahitya aur
film jaise kalaamaadhyam ki amoolya dharohar ban chukee hai. to
aayiye aaj ki Jaimala Gold mein ham aapko sunwaa rahe hain jaanemaane
shaayar aur geetkaar Kaifi Azmi dwaara prastut kaaryakram jiski
recording san 1988 mein kee gayi.

KAIFI AZMI (1988):

pyaare fauji bhaaiyon, poore mulk ki taraf se main aapka shukraguzaar
hoon. aapka shukriya isliye ki ham bhaarat mein koi bhi tyohaar sirf
isliye manaa sakte hain aur apne gharon mein sirf isliye chaadar
taanke so sakte hain ki mulk ki sarhadon par aap jaagte rehte hain.
hamaari aankhon mein aap hi ki neenden hain. is Khushi ke mauke par
maine aap sabke liye filmi geeton ki ek Jaimala goonthee hai, chaahta
hoon ki aap usey qubool karen aur hamaari mohabbat ki nishaani
samajhke usko apne galon mein Daal len. main aur mere hamkalam saathi
filmon ke liye gaane likhte hain, woh aise sipaahi hain jinkoe har
hathyaar chheen liye jaate hain, haath baandh deeye jaate hain, phir
unko maidaan mein utaara jaata hai. in jakaDbandion mein agar kabhi
koi aisa geet ho jaaye jismein pherian bhi ho aur koi paigaam bhi to
usko dohraate huye kisi naghmanigaar ko sharm aane ki zaroorat
naheen. is Jaimala mein pehla geet maine aisa hi goonthaa hai. bol
mere hain, dhun S D Burman saahab ki, aur aawaaz Manna Dey ki hai.
geet suniye, "na tel aur na baati na kaaboo hawaa par, deeye kyun
jalaaye chalaa jaa raha hai?"

Song: na tel aur na baati na kaaboo hawaa par (Ek Ke Baad Ek)

aap sochte honge ki maine sabse pehle aapko yahi gaana kyun sunaaya!
to iski vajah bhi sun leejiye. mujhe maaloom hai ki aap mein se bahut
se bhaaiyon ne chuTTi ki darkhwaast de rakhee hai aur chuTTi milte hi
aap ghar jaayenge. Khuda kare ghar mein pahunch ke bhi yeh gaana
aapke kaano mein goonjta rahe aur aap yeh na bhoolen ki mulk ki
aabaadi kitni tezee se baDh rahi hai ki hamaari itni vishaal dharti
chhoTi hoti jaa rahi hai. mujhse aksar yeh poochha gaya ki jab roTi
kamaane ke aur bhi zariye hain to aapne yeh peshaa kyun iKhtiyaar
kiya? koi aur kaam kar lete! main is sawaal ka hamesha ek hi jawaab
detaa hoon ki aajkal hamaare mulk mein sirf film ki sanat hi ek aisi
sanat hai jahaan pe kisi se yeh naheen poochha jaata ki tum Hindu ho
ya Musalmaan, Communist ho ya Congress-ee, Urdu ke shaayar ho ya
Hindi ke kavi, aur yeh poochha isliye naheen jaata ke filmwaalon ka
aqeeda sabko maaloom hai, jiski wajaahat mere dost aur saathi Sahir
Ludhianvi ne apne is geet mein kee hai.

Song: tu hindu banega na musalmaan banega (Dhool Ka Phool)

aap Theek soch rahe hain, aise gaano ki sirf film ko naheen poore
mulk ko zaroorat hai. woh saahab jo aapke saath baiThe the, uThke
wahaan us chaTTaan ke upar kyun jaa baiThe? shaayad unhe woh din yaad
aa gaya jab woh chuTTiyaan beetaakar 'duty' par waapas aa rahe the.
agar aisa hai to woh man hi man mein Chetan Anand ki mashoor film
Haqeeqat ka ek gaana bhi man hi man gunguna rahe honge jiski dhun
Madan Mohan ne banaaee thi aur likhaa maine the.

Song: main yeh sochkar uske dar se uThaa tha (Haqeeqat)

fauji bhaaiyon, agar mera andaazaa durust hai to aaj raat ko woh so
bhi na sakenge. aur woh Muzaffar Ali ki film Gaman ka ek gaana gaate
gaate subah kar denge, jiski dhun marhoom Jaidev ki banaaee huyi hai.
zabaan par mubaarak Khudaai yeh kiska naam aaya, ki mere nutf ne bose
teri zabaan ke liye. pichhle chand barson mein filmi duniya ke bahut
baDe baDe nuksaan huye. aise nuksaan jiski bharpaaee mujhe jaldi hote
dikhaaee naheen deti. usmein marhoom Jaidev ka dhyaant bhi hai. woh
intehaaee guni the aur ???, shastriya sangeet, dono mein Khaasa
daKhal tha, aur dono ka Khaasa unhone riyaaz kiya tha. aur jo kuchh
filmen thoDi si unhone kee unmein unka alag ek 'style', 'music' ka
nazaara aata hai aur sab usko saraahte hain, sab pasand karte hain.
main bhi unkaa 'fan' hoon ek tarah se. is Ghazal ki bhi unhone bahut
pyaari dhun banaaee hai, uski to aap bhi gawaahi denge, haalaanki yeh
Ghazal tarakki-pasand shaayar Makhdum Mohiuddin ki hai jo film ke
liye naheen likhee gayi thi lekin film mein Muzaffar Ali ne istemaal
kee aur Jaidev ne dhun banaaee. yeh bhi aajkal yeh ek nayi baat hai
warna aajkal 'music director' dhuno par gaane likhwaate hain. Jaidev
hamesha shaayar se kahaa karte the ki aap mujhe bol de deejiye, dhun
main banaata hoon, isiliye ki unhe zabaan par bhi dakhal tha aur
mausiqee par bhi.

Song: aapki yaad aati rahi raat bhar (Gaman)

to fauji bhaaiyon, jinki yaad unhe raat bhar jagaati rahegi woh unke
baare mein bhi kuchh zaroor sochenge. aur jab unke baare mein
sochenge Kala Bazar ka yeh geet gungunaane lagenge, "khoya khoya
chaand". aapko yaad ho ya na ho unko zaroor yaad hoga ki isey likha
tha Shailendra ne aur dhun banaaee thi Burman dada ne.

Song: khoya khoya chaand (Kala Bazar)

filmi gaano ki mahuliyat se yeh bahut zaroori hai woh jis film ka
gaana ho woh film maqbool ho. agar film naakaam rehti hai to uski har
cheez naakaam ho jaati hai. meri do teen baDi baDi filmen naakaam ho
gayi haalaanki gaane unke bhi maqbool huye. phir bhi filmi duniya
mein yeh mashoor ho gaya ki Kaifi likhte to achchha hain lekin
sitaare unke Kharaab hain. isiliye filmkaar aksar mera naam sunkar
apne kaano mein haath rakh lete the. uske baad kuchh dino tak main
bilkul bekaar aur bahut zyaada pareshaan raha. inhi haalat mein
GareebKhaane par ek chhoTi si gaaDi se kuchh 10-11 aadmi utre. unko
dekhte hi koi bhi samajh letaa ki yeh log filmwaale hain. maine
Khushi Khsuhi unka swaagat kiya. unmein ek 'director' saahab bhi the
jo bahut baatooni, bahut be-takalluf aadmi the. unhone baiThte
baiThte mujhse poochh liya ki 'aajkal aapke paas zyaada filmen to
naheen hai?'. maine kaha 'zyaada kya ek bhi film mere haath mein
naheen hai'. mere is jawaab se woh Khush ho gaye. maine poochh bhi
lya ki 'huzoor ismein Khush hone ki kya baat hai? aapko to mujhse
hamdardi honaa chaahiye'. unhone farmaaya ki 'main ek film banaa raha
hoon aur ham sab chaahte hain ki aap uske wokaale bhi likhen aur
gaane bhi'. mere paas jab koi filmsaad ya hidaayatgaar film
ka 'offer' lekar aata hai to Khushi bhi hoti hai aur GhabraahaT bhi.
GhabraahaT isliye ki abhi poochhenge ki 'aap muhaafza kya lenge?' yeh
sawaal sunke hamesha mujhe paseena aa jaata hai. jo sawaal karta hai
woh bhi thoDaa ghabraata hai lekin is film mein aisa kuchh naheen
huya. main un 10-11 aadmiyon ke chehre ko dekh raha tha ki ab koi
muhaafze ki baat chheDega lekin kisi ne aisa koi sawaal naheen kiya.
main sochne lagaa ki gaano aur wokaalon ka woh kam se kam jo muhaafza
denge woh bhi itna to zaroor hogaa ki bekaari ke dino mein jitna karz
mujhpar ho gaya hai woh adaa ho jaaye. yeh sochkar maine naukar ko
aawaaz dee ki 'chaai le aao'. jaise hi maine likhne ki zimmedaari
qabool kar lee aur woh hazraat jaane lage to 'director' saahab ne
nihaayat betakallufi se apna ektarfa faisla sunaa diya ki 'is film
mein aapko koi muhaafza naheen milega, agar film chalee to dekhaa
jaayega', main aam taur se bolta bhi kam hoon aur hansta bhi kam hoon
lekin us waqt itni mehnat karke muskuraaya ki mere chehre par dhuyaan
uDne lagaa. Khair, maine gaana likha aur 'music director' ne uski
bahut achchhi dhun bhi banaaee. ab sawaal yeh paida huya ki gaana
gaaye kaun? 'music director' ki khwaahish thi ki agar yeh gaana Geeta
Dutt ki aawaaz mein 'record' ho jaaye to woh maqbool hoga, lekin
Geeta Dutt ko muhaafza kaun dega? maine Kagaz Ke Phool ke gaane likhe
the aur Geeta Dutt ne gaane gaaye the. zamaane mein unse kuchh jaan-
pehchaan ho gayi thi. 'director saahab ne mujhse kahaa ki 'Geeta-ji
se agar aap kahen to woh hargiz inkaar na karengi', maine kahaa
ki 'mujhe bhi aisa lagta hai ki woh inkaar naheen karengi'. itne dino
mein 'director' saahab ke saath uThne baiThne se mujhmein bhi yeh
hausla paida ho gaya ki ek din main 'director' saahab aur
poori 'team' ko lekar Geeta-ji ke ghar pahunch gaya. unko gaane ke
bol aur dhun itne achchhe lage ki woh bhi kisi muhaafze ke baGair
gaane ko tayyaar ho gayeen. aur unhone usi pyar se woh gaana gaaya
jisse Geeta Dutt pehchaani jaati theen.

Song: aaj ki kaali ghaTaa mast matwaali ghaTaa (Uski Kahani)

fauji bhaaiyon, achaanak ek din Reshma ki aawaaz ka jharna Hindustan
mein is tarah girne lagaa ki har 'music director' aur har
naghmanigaar ke dil mein yeh khwaahish jaag uThi ki kaash kabhi
hamaare kisi geet ko yeh aawaaz mil jaaye! waqt guzarta raha aur
bhaarat ka har suraa aur besuraa aadmi Reshma ke gaane gaata raha.
aate aate woh mubaaraq din aa gaya jab Reshma bhaarat ki mehmaan
huyeen. kai 'music director' aur filmsaaz unke paas yeh darkhwaast
lekar pahunche ki 'aap hamaari film ke kuchh gaane apni aawaaz
mein 'record' karwaa den'. kaanooni mushkilon par kaaboo paane ke
baad Reshma ne kuchh gaane gaaye bhi. Reshma ke aawaaz ki ek
khusoosiyat yeh hai ki aap agar aankh band karke sune to mahsoos
hogaa ki aap kisi sehra mein khaDe hain aur door se koi Khaanabadosh
jaadoogarni aap pe jaadoo kar rahi hai. lekin iske liye yeh zaroori
hai ki gaane ke bol aur dhun, dono aise hon jo Reshman ki aawaaz
poori tarah goonjne aur tairne lage. Bharat hi naheen Pakistan ke jin
filmon mein Reshma ne jo koi geet gaaya hai woh geet un geeton se
halka reh jaata hai jo Reshma ne ???????? gaaye hain. 'music
director' Laxmikant Pyarelal ke 'direction' mein Reshma ne yahaan ek
gaana 'record' karwaaya. yeh gaana sunkar aapko Reshma ka woh mashoor
naghma zaroor yaad jaayega "haayo rabba naiyo lagta dil mera". woh
gaana yeh hai...

Song: lambi judaai chaar dino da pyar (Hero)

dekhiye woh saahab jo ab tak aapke saath baiThe har gaane par taal de
rahe the aur gaayak ke saath saath Khud bhi gungunaa rahe the, is
waqt apni pagDi ke ek kone se apni aankh ke aansoo ponchh rahe hain.
aisa kyun huya? main samajh saktaa hoon, Anand Bakshi ke bol, LP ki
dhun, Reshma ki aawaaz aur aap apne gharon se itni door, dil bhar
aaya to taajjub ki koi baat naheen. shaayad aap soch rahe hon ki main
sirf apne hamumra naghmanigaaron ke naghmein sunwaa raha hoon, kya
hamaare baad naye naghmanigaar naheen aa rahe hain? naye naghmanigaar
zaroor aa rahe hain, naye 'music directors' bhi aa rahe hain
lekin 'recording room' mein ek nihaayat Khatarnaak cheez hoti hai -
laal batti! aur yahaan woh laal batti roshan ho chukee hai. iska
matlab yeh hai ki mujhe jitna waqt mila tha woh Khatm ho raha hai.
isiliye naye likhnewaalon se maafi maangte huye main sirf ek naye
naghmanigaar ka gaana sunwaata hoon. yeh gaana Javed Akhtar ka hai -
  "yeh mera ghar yeh tera ghar". Javed Akhtar filmi kahaaniyaan, unke
manzarnaame aur mukaalme likhne mein us bulandi par pahunch chuke
hain ki sar uThaakar unhe dekhne mein sanskruti dikh jaati hai. lekin
naghmanigaari unhone abhi abhi shuru kee hai. aur mukhtasar-e-muddat
se bahut si baDi baDi filmon mein likhe hain aur likh rahe hain.
lekin maine unke tamaam gaano mein se yeh gaana isliye chuna hai ki
iske bol bhi naye likhnewaale yaani Javed Akhtar ke hain aur dhun bhi
naye 'music director' Kuldeep Singh ne banaaee hai.

Song: yeh tera ghar yeh mera ghar (Saath Saath)

THE END

Hi,

Wishing all members a Merry X-mas & a wonderful yearend week!

Do listen to Ujale Unki Yaadon Ke on Leena Chandavarkar every Sunday,
some nice discussion on Kishore is awaited. Ramaswamy, do record the
episodes!

Sujoy

1974

fauji bhaaiyon, aap jo is mulk aur qaum ke baagbaan hain, jo desh ki
aur sarhadon ki hifaazat aur nigraani karte hain, hamaari maaon,
behenon aur beTiyon ke ismat ke muhaafiz hain, hamaare liye dushmanon
ke hamlon ka saamna karte hain, ek kaDee aur aazmaaishi zindegi basar
karte hain, main yeh chand geet jo aapko sunaane jaa raha hoon, is
Garaz se hai ki zahani aur roohani Khushi se aapke chand lamhe bhar
sake. yeh geet muKhtalib filmon se liye gaye hain. hamaari 'film
industry' apni kamzorion ke baawjood baDi aham saDak hai, rqs,
mausiki, adaakaari, shaayri, 'drama', ???, 'photography', saaton fan
ka yeh majmuaa hai. ham geetnigaar doosron ke jazbaat ki tarjumaani
karte hain. yeh geet film ki zaroorat ke lihaas se likhe jaate hain,
phir bhi yeh mukhtalib insaan ke jazbaat ka bayaan hote hain. main
sabse pehle jo geet aapko sunaa raha hoon yeh maine ek film Hamari
Kahani ke liye kahaa hai, yeh desh ke mutaalik hai aur aapke hamaare
hauslon ki numaaindagi karta hai, mausiki C. Arjun ki hai. suniye yeh
geet suniye...

Song: desh hamara ek hai yeh bhaarat saara ek hai(Hamari Kahani)

ab jo geet main pesh kar raha hoon woh film Sandhya ka hai aur uski
dhun mashoor mausikaar Khaiyyam ne tarkeeb dee hai. zindegi ki lagan
aur uski Khoobsoortion se pyar baDi insaani Khoobi hai. jo log
zindegi se faraar DhoonDte hain wohi hain jo na sirf apne liye balki
poori zindegi ke liye mohlik aur muzarrat raha hai. adab ya taarik
mein bhi nazmon aur geeton ko hi ahmiyat dee jaati hai jo hamein
zindegi aur insaaniyat se mohabbat karna seekhaate hain. baharhaal
yeh geet suniye.

Song: kab tere husn se inkaar kiya hai maine (Sandhya)

ab main aapke saamne ek rumaaniyat andaaz ka muKhtasar aur
Khoobsoorat geet pesh kar raha hoon jo film Anand mein Gulzar ne
likha tha. Gulzar ab to ek 'film director' ke haisiyat se bhi mashoor
hain lekin ismein koi shaq naheen ki unhone filmon mein geet bhi
bahut jaandaar kahe hain...

Song: maine tere liye hi saat rang ke sapney chune (Anand)

ek aur rumaani geet suniye, yeh bahut maqbool huya hai aur mashoor
film 'director' Kamal Amrohi ki mashoor film Pakeezah ka hai. rumaani
geet bahut dilkash huya karte hain ba-sharte unmein sehatmand
jazbaat 'heavy emotions' ki tarjumaani kee gayi ho. film mein hamaari
afsos ki baat yeh hai ki aam taur par 'romance' ko bahut neechee
satah par laaya gaya hai, balki yeh kehna bhi galat naheen hoga ki
bahut kuchh gandagi aam geeton mein aa gayi hai. phir bhi muntaqeeb
geet ek oonchee satah rakhte hain. unhe ham adabi shahpare na keh
sake lekin unmein adabiyat ki chaashni zaroor hoti hai. yeh geet
suniye jo Kaifi ka likha huya hai...

Song: chalte chalte yunhi koi mil gaya tha (Pakeezah)

main geet ab aapko Shailendra ka sunwa raha hoon. Shailendra
hamari 'film ndustry' ke behatareen geetnigaaron mein se the. unka
yeh geet Khud unki banaaee huyi film Teesri Kasam ka hai jiski
mausiki Shankar Jaikishan ne tarkeeb dee thi aur Mukesh ne isey gaaya
tha. yeh geet qaabil-e-tawajju hai.

Song: sajanwa bairi ho gaye hamaar (Teesri Kasam)

ab main aapko ek 'classiqui' geet sunaata hoon jo maine film Sandhya
ke liye likha hai. is gaane ko Khaiyyam ne bahut Khoobsoorat aur
dilkash dhuno mein baandha hai. hamaari 'classical' mausiki duniya ki
aur mausiquuion ke muqaabil bahut aala hai aur ismein Hindustan ke
dharti ki jo bu-baas hai usmein Khaas sugandh aur miThaas gol dee
hai. leejiye yeh geet suniye.

Song: ang ang ras chhalkaaye (Sandhya)

agla geet suniye jo film Pyaase Dil ka hai. iski dhun Khaiyyam ne
banaaee hai , alfaaz ya geet ya bol maine likhe hain. Khaiyyam ki
dhun mein jo lataafat aur paakeezgee hai woh bahut keemti hai. woh
naghmein ke qaayal hai, shor aur hangaame ke qaayal naheen.

Song: tum mahakti jawaan chaandni ho (Pyaase Dil)

ek geet main aapko film Aalingan ka sunaa raha hoon. Jaidev iske
mausikaar hain aur Rafi ne isko gaaya hai. yeh geet bhi ek rumaani
geet hai jismein aashiq apni mehbooba se thoDi der aur ruk jaane ki
khwaahish karta hai. is mauzood se bahut se geet hamaari filmon mein
aaye hain, main mauzood par yeh geet kaah hai, shaayad aapko pasand
aaye...

Song: is tarah jaao naheen jaao naheen (Aalingan)

main aapko apna ek aur maqbool geet sunaa raha hoon, yeh film Prem
Parbat ka hai aur Jaidev ne isey apni dhun se aarasta kiya hai.
shaayad aap bhi soch rahe hon ki maine ab tak apna yeh geet aapko
kyun naheen sunaaya! leejiye suniye...

Song: yeh dil aur unki nigaahon ke saaye (Prem Parbat)

achchha, ab ijaazat deejiye!

THE END

Fauji bhaiyon, aadaab. Bahut din baad phir aapki mehfil mein shaamil
ho raha hoon. isse pehle jab bhi aapke paas aaya to koi na koi nayi
tarkeeb lekar, koi na koi nayi aaghaash lekar gaano ki, jismein maine
kai tarah ke gaane aapko sunaaye jaise 'rail' ki paTri par chalte
huye gaane sunaaye the ek baar, woh tamaam gaane jinmein 'rail' ke
paTri ki aawaaz bhi sunaayi deti hai. aur ek baar aam aadmi ke maslon
par gaano aapko sunaaye jo Laxman ke 'cartoon'-on jaise lagte hain.
lekin mazaak ke peechhe kahin bahut gehre bahut sanjeeda dard bhare
huye hain in gaano mein. bachchon ke saath gaaye gaane bhi aapko
sunaaye, khelte kudate huye gaane, loriyaan sunayee aapko, aur bahut
se doston ki chiTThiyaan jab aayi, chaahnewaalon ki chiTThiyaan aayi
jinmein shikaayaten bhi, gile bhi, shikwe bhi, unmein ek baat bahut
se doston ne kahee ki har baar aap kuchh mazaak karke, hans-hansaakar
radio se chale jaate hain, jitni baar aap aate hain, har baar ham
aapse kuch sanjeeda baaten sunna chaahte hain, ki
sanjeeda 'situation'-on par aap kaise likhte hain, kya likhte hain,
aur haan, yeh kisi ne naheen kaha ki kyun likhte hain? fauji bhaiyon,
aap to watan ki sarhadon par baiThe hain, aur main aapko bahlaate
huye aapke parivaaron ko bhi bahlaane ki koshish karta rehta hoon.
haan, un sarhadon ki baat kabhi naheen karta jo dilon mein paida ho
jaati hain. kabhi juDti huyi, kabhi TuTti huyi, kabhi banti huyi, gum
hoti huyi sarhaden, ya sirf haden. is tarah ke rishte sabhi ke
zindegi se guzarte hain, woh zindegi jise ek subah ek moD par dekha
tha to kaha tha, haath milaa ae zindegi, aankh milaake baat kar...

Song: ek subah ek moD par haath maine kahaa usey rok kar (Hip Hip
Hurray)

haath milaa ae zindegi, aankh milaake baat kar. sach to yeh hai ki
zindegi se haath milaa to zabaan Gotaa khaa gayi. phir baat naheen
nikli munh se. aankhen jaane kya kya kehti rahi, kabhi samajh aaya,
kabhi naheen aaya, haan mehsoos ke baGair na reh sake. ataa pataa
poochhne lage. miya Javed ke zabaan se kuchh yun nikla...

Song: chehra hai ya chaand khila hai (Saagar)

naam pataa naheen, chehre ke liye tashweejen DhoonDte hain, ishtaare
DhoonDte hain, upama ki talaash karte hain. zikr us parivash ka aur
phir bayaan apna. Ganodgi mein kahe huye sher, neend ke aalam mein
soche huye misre, dhundle dhundle se khwaab waale chehron ki pehchaan
bataate hain, aise khwaab kiske aankhon se na guzre honge, aise
khwaab, inki parchhaaee kiske dil pe na paDee hongi, jo umra ko aaya,
is kaifiyat se zaroor guzra...

Song: ek hi khwaab kai baar dekha hai maine (Kinara)

raat beet gayi doston lekin khwaab naheen TooTa. ya kahiye ki TooTa
to uski kirchen kahin seene ke andar beejeen gayi. woh Khwaab, jo
sirf ek hi khwaab tha, raat, jo sirf ek hi raat thee, umra se lambi
raat ho gayi. aur woh khwaab jo ek chingari ki tarah beeja gaya tha
seene mein, zindegi bhar ke liye sulagta reh gaya seene mein. aisi hi
ek chingari ko dekhiye to ek shayar ne kaise mehsoos kiya hai, aur
shayar ka naam hain Anand Bakshi...

Song: chingaari koi bhaDke (Amar Prem)

naa saahab, yeh chingaari naheen bujhtee. aag sookh jaaye, sholay
khushk ho jaaye, lekin yeh chingaari to bas oobtee hi rehti hai.
aankh isey seenchtee hi rehti hai, jaane kahaan kahaan se saawan chun
chun ke laati hain aur kahaan se meghaa baTortee hain...

Song: baDi der se megha barsa ho rama jalee kitni ratiya (Namkeen)

laakh kasmein dee, vaaste deeye, lekin jaanewale kabhi aate hain kya?
din bhi kaT jaata hai, raat bhi kaT jaati hai, saans saans karke umra
bhi kaT jaayegi, sehne waalon ne to ab lab bhi see liye, koi gila
naheen, koi shikwa naheen...

Song: tere bina zindegi se koi shikwa to naheen (Aandhi)

dard ka taanabaana bunnewale julaahe se ek baar kisi ko poochhte suna
tha,  aye julaahe, mujhko bhi yeh jaag seekha de yaar julaahe, taana
bunte bunte aksar dekhaa hai jab koi dhaaga TooT gaya ya khatam ho
gaya, phir se baandh ke koi TukDaa aur sira ko joD ke usmein aage
bunne lagtaa hai, tere us taane mein lekin koi gaanTh gira buntar
mein dikhti na mehsoos hoti hai. ek hi rishtaa maine to ek baar bunaa
tha, saari giThen saaf nazar aati hain usmein yaar julaahe, kuchh log
yunhi nivaah karte rehte hain...

Song: hazaar raahen muDke dekheen (Thodi Si Bewafaai)

fauji doston, ummeed hai maine aapke puraane gile door kar diye, agli
baar aapke naye gile door karne haazir hoyoonga, ijaazat deejiye,
shukriya.


THE END

EPISODE 8 (22/10/2006)


VB: Ravi sahab, humne yeh bhi suna hai ki Sahir sahab kisi 'romantic'
gaane ko likhne se pehle 'heroine' ka naam poochh lete the?

Rv: main aapko ek mazedaar kissa sunaata hoon. ek baar film Kajal
ke 'director' Ram Maheshwari Sahir sahab ko bataane lage ki gaane
ka 'situation' hai ki jismein 'heroine' apne kamre mein aaine mein
apne aap ko dekhti hai, phir woh kamre se baahar nikal kar saamne
bageeche mein chali jaati hai". Itna sunne ke baad Sahir sahab
bole, "Ramji, aap mujhe gaane ka 'situation' bataa rahe hain ya
location?"

(Everybody bursts into laughter)

RV: film Dhund mein ek mujra tha jo Deven Verma par 'picturise' hone
wala tha. to maine yunhi ek mukhda bata diya "jubna se chunariya
khisak gayi re….", Sabko yeh pasand aaya aur maine kahaa Sahir sahab
se ki woh isey poora karen. to unhone geet ko 'complete' kiya. us
samay kya hota tha ki geet 'record' ho jaane ke baad
usey 'commercially launch' karne se pehle 'music company' aakar
geetkaar se 'sign' karwaate the, yaa 'permission' le lete the. to HMV
companywaale jab Sahir sahab se is film ke geeton ke liye 'signature'
maangne aaye, to we saare geeton par 'sign' kar diya sirf is geet ko
chhoDkar. Unhone kahaa ki is geet par Ravi ka haq hai. maine jab suna
to maine kaha ki bhai maine to bas ek hi 'line' kahi thee, geet to
aapne poora kiya, to woh phir bhi naheen mane. maine is shart
par 'sign' kiya ki 'record' ke upar Sahir sahab ka hi naam hoga.

-----------------------------------------------
Song: jubna se chunariya khisak gayi re (Dhund)
-----------------------------------------------

RV: Sahir sahab bahut hi aashawaadi lekhak the. Unka ek geet mujhe
yaad aa raha hai "Jaagega insaan zamana dekhega, navyug ka wardaan
zamana dekhega, bhare huye khalihaan zamana dekhega"

-------------------------------------------
Song: Jaagega insaan zamana dekhega (Paras)
-------------------------------------------

RV: Aadmi Aur Insaan mein Johny Walker Feroz Khan ka chapraasi hotaa
hai. Dharmendra jab Feroz Khan ke office mein naukri maangne ke liye
aata hai to chapraasi Johny Walker usey Toktaa hai aur kehta hai
ki 'pehle haath mein vazan rakho'. Dharmendra bina vazan rakhe hi
andar chalaa jaata hai. Feroz Khan Dharmendra ka dost nikalta hai aur
Dharmendra ko naukri mil jaati hai. baahar nikalkar Johny Walker ko
kehta hai ki 'naukri mil gayi', to Johny Walker kehta hai ki 'vazan
rakhe bina hi naukri mil gayi', yahaan pe Sahir saahab ne gaana likha
ki "binaa sifaarish mile naukri, bin rishwat ho kaam, watan ka kya
hogaa anjaam, bachaa le ae maula ae Raam".

-------------------------------------------------
Song: watan ka kya hoga anjaam (Aadmi Aur Insaan)
-------------------------------------------------

RV: Film Kajal ke producer/director ne Sahir sahab ko kaha ki film
mein Rajkumar Meena Kumari ko sharaab peene ke liye zid kar rahe
hain, is situation par do sher likh de. to agle din Sahir sahab do
sher likhkar le aaye "Chhoo lene do nazuk honthon ko kuch aur naheen
hai jaam hai yeh…..". maine jab is sher ko suna to maine unse kaha ki
itna achchha likha hai aapne, iska to gaana banna chahiye.
lekin 'producer' sahab ne kaha ki Rajkumar sahab gaane waane nahin
gaayenge, woh kahaan gaana gaate hain? Lekin maine bhi zid naheen
chhoDi aur yeh geet bankar raha.  Rafi sahab ne jab isey gaaya
to 'recording' par maujood sabhi log wah wah kar uthe. Aur
jab 'distributor' ne yeh geet suna to kehne lage ki itne achchhe
gaane mein bas do hi sher (2 stanzas)? tab sab logon ne Sahir sahab
ko chaaron or DhoonDa par poore shaher mein kahin unka pata na chal
sakaa aur do hi antare is gaane mein rahe gaye.

--------------------------------------------
Song: Chhoo lene do nazuk honthon ko (Kajal)
--------------------------------------------

END OF EPISODE 8

2006

Bappi Lahiri sings "tumhara pyaar chaahiye mujhe jeene ke liye".

fauji bhaaiyon ko Bappi Lahiri ka pyaar bhara namashkaar, salaam,
satsriakaal. mujhe yeh gaurav milaa ki jo main aapse aaj mukhaatib
hoon, khaas taur se us 'programme' mein jiskaa naam hai Jaimala. aap
sabhi ko ek baar phir se meri taraf se namashkaar, salaam,
satsriakaal. aaj main aapko bahut baDa kissa sunaane jaa raha hoon.
main Bollywood mein aaye 32 saal ho gaye hain. 32 saal pehle Nahna
Shikari film se maine shuru kiya tha, lekin pehla 'hit' gaana tha
film Zakhmee mein, jisne mujhe ek makaam diya, bahut baDaa 'hit' huya
tha. Sunil Dutt aur Asha Parekh the us 'picture' mein. ismein ek
gaana Holi par tha jo mere liye ek yaadgaar gaana hai (sings) "aali
re aali re Holi..."

Song: aali re aali re Holi (Zakhmee)

phir main ek gaana aap logon ka saamne sunaana chaahta hoon, jo
sabkaa pasand hai, Bollywood mein jisne ek 'history create' kiya tha.
jaisa Mother India, Shree 420, aisa hi ek film tha Namak Halaal. is
film mein Kishore Kumar ka gaaya ek gaana Indian film mein history
ban gaya. 12 minute ka gaana tha. jab Kishore Kumar 'recording' par
aaye aur maine unko mukhra sunaaya ki "buzurgon ne kaha ki pairion pe
apne khaDe hoke dikhlaao to zamaana tumhara hai", to woh bolne lage
ki itna lambaa gaana mere liye kyun? Rafi ko bulaao aur nahi nahi
karne lage. Prakash-ji ne bhi unse kaha ki unhi gaana paDegaa.
Kishoreda ne ham sabko 'nervous' kar diya. baad mein poora gaana
sunne ke baad unhone kaha ki yeh gaana 'history create' karega, main
achchhe se gaayunga, tum jaldi-baazi mat karna, aur sachmuch is gaane
ne 'history create' kiya. Kishore Kumar ko 'Best Playback Singer'
ka 'award' mila, is gaane mein Khaas baat yeh hai ki bahut
saare 'changes' hain jo aajkal ke gaano mein naheen hota hai. ismein
sargam bhi hai, 'disco beats' bhi hain.

Song: ke pag ghungroo baandh (Namak Halaal)

fauji bhaaiyo, aap logon ko mere gaane bahut pasand hai, aap logon ke
liye jaan haazir hai. aap log jis tarah se desh ki raksha karte hain,
aap logon ko main salaam karta hoon. aap kabhi bhi kuchh bhi gaane ke
liye chaahiye, Bappi Lahiri aap logon ka saath hai, kabhi bhi yaad
keejiye. ab ek gaana suniye, film ka naam hai Satyamev Jayate. ismein
mera gaaya huya ek 'hit' gaana hai, jo main aap fauji bhaaiyon ke
liye 'dedicate' karna chaahta hoon (sings) "dil mein ho tum aankh
mein tum bolo tumhe kaise chaahoon..."

Song: dil mein ho tum aankh mein tum (Satyamev Jayate)

maine' emotionally' baat kar liya ki "dil mein ho tum aankh mein
tum", ab ek mazedaar kissa aapko sunaata hoon. ek film thi jismein
Govinda hero the, super-duper hit film, Bollywood Top 10 box office
hit us saal ka. film ka naam Aankhen. jab yeh film 'release' huyi ham
log 'show' karne ke liye videsh gaye huye the, main, Govinda, Neelam.
yeh maa ka aashirvaad hi hai, Govinda 'room' mein aake kahaa ki
Aankhen 'superhit' ho gayi hai. jo log gaaon, dehaaton mein rehte
hain yeh gaana bahut pasand karte hain, (sings) "angana mein baba
duaare pe maa...."

Song: angana mein baba duaare pe maa (Aankhen)

phir main ek gaana sunaane jaa raha hoon jo bahut 'hit' huya hai,
film ka naam hai Aaj Ka Arjun, jismein Amitabh Bachchan the. is gaane
mein maine 'first time' maTkaa, miTTi ka, ek ek 'scale' mein 'use'
kiya. Lataji jab 'studio' mein aayi to itne saare maTke dekhkar kaha
ki 'itna maTka kyun?'. maine kaha ki 'naheen didi, main maTke
se 'experiment' kar raha hoon, tabla tarang ka'. Lataji ko bhi bahut
pasand aaya, aur yeh gaana 1990 ka 'Number 1 song' tha. aap logon ko
bhi pasand aayega "gori hain kalaaiyaan..."

Song: gori hain kalaaiyaan (Aaj Ka Arjun)

to fauji bhaaiyon, aap log ke saamne aur kya bataayun, bahut Khushi
huya, bahut achchha lagaa, jo gaane maine bajaaye asha hai aapko
pasand aaya hoga. Jaimala 'programme' mera 'favourite programme' hai,
bachpan se sunta aaya hoon, aaj aapka maine thoDaa manoranjan kiya
aur ab (sings) "chalte chalte mere yeh geet yaad rakhna, kabhi alvida
na kehna, kabhi alvida na kehna..."
Jai Hind!

THE END

EPISODE 7 (15/10/2006)

Ravi hums "tum agar saath dene ka waada karo…."

VB: aapki Sahir sahab se pehli mulaqaat kab aur kaise huyi thee?

RV: main us samay 'singer' banne ke liye Mumbai aaya tha. Un dino koi
bhi 'music director' ya geetkaar se mil sakta tha, kisi 'appointment'
ki zaroorat naheen paDti thee. to main Sahir sahab se jaakar mila. un
dino film Naujawan ban rahi thee jismein ek 'chorous' gaana tha. to
Sahir sahab ne mujhe kahaa ki bhai tum gaayak banna chahte ho to
sangeetkaar se milo. tab main jaakar us film ke sangeetkaar S D
Burman se mila and unhone us 'chorous' geet mein mujhe shaamil kar
liya. phir uske baad maine kai filmon mein Hemant Kumar
ke 'assistant' ke roop mein kaam kiya jaise ki Shart, Champakali,
aadi.



--------------------------------
Song: na yeh chaand hoga (Shart)
--------------------------------

VB: Raviji, ab aap Sahir sahab ki shakhsiyat ke bare mein kuch
bataaiye.



RV: Sahir sahab bade hi 'simple' kism ke the. woh gambheer se
gambheer baat ko bhi baDe aasaani se keh Daalte the. ek kissa aapko
sunaata hoon, un dino ham zyaadatar B R Chopra ki filmon ke liye kaam
karte the, to shaam ke waqt ham milte the, baaten karte the. to ek
din Sahir sahab ne achanak kaha, "desh mein itne jhanDe kyun hai? aur
agar hain bhi to unmein DaDde kyun hai?"
(Everybody laughs loudly)

VB: Ravi sahab, hamne suna hai ki Sahir sahab apne likhe geeton mein
her-pher pasand naheen karte the, is bare mein aapka kya khayaal hai?



RV: Sahir sahab ke gaane aise hote the ki unmein kisi tarah ka her-
pher karna 'possible' hi naheen hota tha. ab film Waqt ke "Aye meri
zohra-javeen" ko hi le leejiye. jab unhone yeh geet likha to sabhi ne
kahaa ki 'common' log "zohra-javeen" ko naheen samajh paayenge, par
Sahir sahab ne kaha ki kyun naheen samajh payenge?, isse achchha
shabd aur kya ho sakta hai. aur jab yeh film 'release' huyi, to yahi
geet sabse zyaada 'popular' saabit huyi.

----------------------------------
Song: aye meri zohra javeen (Waqt)
----------------------------------

RV: Sahir har tarah ke gaane likhte the aur bahut hi kaamyaabi ke
saath. Chaahe bhajan ho, qawwali ho, kuch bhi. Film Neel Kamal ka
geet "Babul ki duyaayen leti jaa" ki 'rehearsal' par Rafi sahab geet
ko gaate gaate ro paDe. ham sab to ghabra gaye ki kya baat ho gayi.
Phir hamein pataa lagaa ki haal hi mein Rafi sahab ne apni beTi ki
sagaai ki rasm poori kee hai aur chand roz mein uski shaadi hai. Is
geet ne unhe itna chhoo liya ki 'recording' ke waqt bhi poore dil se
is geet ko gaaya aur aaj bhi jab kisiki shaadi ka 'function' hota
hai, to vidaaee ka yeh geet usme zaroor shaamil hota hai. aur gaane
mein Sahir saaahab ke kalam ki Khoobsoorti dekhiye, "... jis dwaar se
tera dwaar mile", yaani ki sirf uske ghar mein hinaheen balki aas
paDos ke log bhi khush rahe, yeh duaa baap beTi ko de raha hai".

---------------------------------------------
Song: baabul ki duyaayen leti jaa (Neel Kamal)
---------------------------------------------

RV: Sahir sahab ka yeh swabhaav tha ki gaane ka situation lekar
gaayab ho jaate the, 'recording' ke chand roz pehle gaana lekar
waapas aate aur gaana bhi aisa ki ek shabd idhar se udhar karne ki
koi gunjaaish naheen rahti thee. Film Do Kaliyan mein "Bachche man ke
sachche", is gaane mein unhone aise aise shabdon ka prayog kiya hai
ki isse behatar aur kuchh ho hi naheen sakta.

-----------------------------------------
Song: bachche man ke sachche (Do Kaliyan)
-----------------------------------------

VB: Ravi sahab, jo sehajta Sahir sahab ki shayari mein thee, wohi
sahejta aapki dhuno mein bhi nazar aati hain.

RV: maine hamesha Sahir sahab ke sahej shabdon ko 'simple' dhunon
mein baandhne ki koshish kee hai. Film Gumrah ka naghma "Chalo ek
baar phir se ajnabee ban jaayen humdono", is khoobsurat nagme ke liye
maine 50 se upar dhune tayyaar kee thee, aur unme se sabse jo mujhe
aur sabko pasand aaya, wo aapke saamne geet bankar aaya.

------------------------------------
Song: Chalo ek baar phir se (Gumrah)
------------------------------------

END OF EPISODE 7

Hi,

I am fine. VB reception is horrible in Gurgaon. The Delhi VB
transmitter is so low power that nothing is audible during the day
time, one can listen only at night, that too as if it is being
transmitted from thousands of miles away.

Listening to AIR FM Gold more these days!

Sujoy


--- In vividhbharati@..., "Shahrukh Khan"
<oshahrukhthegreat@...> wrote:
>
> Soojoibhai!
>
> Kaise Ho Bhai?
>
> Awesome post!
>
> I am posting this narration on the Shailendra yahoo group!
>
> Many thanks & best wishes!
>
> Shahrukh
>
>
> On 12/13/06, soojoi_india <soojoi_india@...> wrote:
> >
> >   Hamare aaj ke sargam ke sitaare hain ek aise geetkaar jinke
geeton ko
> > paakar sargam bhi dhaya huye hain. Aur woh hain film jagat ke
> > suprasiddha geetkaar Shailendra.
> >
> > Song: Tum jo hamare meet na hote, geet hamare geet na hote (Ashiq)
> >
> > 30 August 1923 ko Rawalpindi mein janme Shankarlal Kesrilal
> > Shailendra apni maa Parvati Devi aur apne pita Kesrilal ke chaar
> > beton mein sabse bade the. bachpan mein hi unka poora parivaar
> > Rawalpindi se Mathura aa gaye. Bachpan mein hi maa ka saaya
> > Shailendra ke sar se uth gaya. We Jhansi mein Railway ki naukri
karne
> > lage. Uske baad 1948 mein poore parivaar ke saath Bambai aa gaye
aur
> > parel ke Railway workshop mein kaam karne lage.
> >
> > Borivali niwasi Susheel Thakur ke behnoi the Shailendra. Unhone
> > Shailendraji ko kaafi kareeb se dekha tha aur jaana. Bata rahe
hain
> > Susheelji:
> >
> > Susheel Thakur speaks: Mera aur unka to jaise baap bete ka rishta
> > tha. Jaadon ke dino mein main unke rajaai mein ghoos jaata tha aur
> > unhe kavitaayen sunane ke liye kehta tha. Unke shabd bade hi saral
> > huya karte the. 1947 mein unki shaadi huyi aur Parel ke railway
> > workshop mein naukri le lee. Railway ka chhota sa kamra tha jisme
bas
> > ek palag tha. Poora khaandaan usi mein rehte the. Un par communist
> > party ka prabhaav tha. Ek baar IBTA ke kisi jalse mein we apni
> > kavitaaen suna rahe the ki Raj Kapoor ki nazar un par padee aur
unhe
> > geet likhne ka offer de diya. Par unhone usey thukra diya. Raj
sahab
> > ne kaha tha ki kabhi bhi agar paison ki zaroorat pade to unhe
zaroor
> > bataayen, we unse geet likhwana chahte hain. Shailendraji ka jab
> > bachcha huya to unki financial crisis ho gayee aur we Raj sahab ke
> > paas jaa pahunche. Raj Kapoor ne kaha ki abhi abhi main film Aag
bana
> > chuka hoon, phir jab main koi film banayunga to aapko zaroor mauka
> > doonga. Unhone unki aarthik sahayata kee aur film Barsat mein unhe
> > geet likhne ka offer de diya.
> >
> > Song: Barsat mein humse mile tum sajan (Barsat)
> >
> > Raj Kapoor, Shankar Jaikishen, Mukesh, Hasrat Jaipuri aur
Shailendra
> > agar chheh suron ke naam hain, to saatwaan sur hai unke srijan.
> >
> > Hasrat Jaipuri speaks: 14 December ko hum sab Raj Kapoor ke
janamdin
> > ki tayyari mein lage the, achanak Shailendra ki tabiyat kharaab ho
> > gayi , unhe nursing home le jaaya gaya, aur dekhte hi dekhte sab
kuch
> > khatam ho gaya. Hamare is team ka pehla member humse alag ho gaya.
> >
> > Song: Tera jaana dil ke armaanon ka lut jaana (Anari)
> >
> > Shailendra ek nihaayati nek, saral aur udaar kism ke insaan the jo
> > daulat aur shohrat ki trishna se koson door the.
> >
> > Song: Kisi ke muskurahaton pe ho nisaar (Anari)
> >
> > Shailendra bhasha aur sahitya ke vidwaan the. Russi sahitya
jaanne ke
> > liye unhone Russi bhasha seekha. Rabindra Nath Tagore ki Nobel
jayee
> > kriti Geetanjali ko samajhne ke liye unhone Bangla bhi seekhaa.
Raj
> > Kapoor unhe Pushkin kaha karte the.
> >
> > Susheel Thakur speaks: We bahut hi saadharan jeevan jyaapan karte
> > the. Itna saadharan maine aaj tak kisi ko naheen dekha. Ya to
safed
> > kurta pajama pehente ya phir ek badami pant aur ek mamuli shirt.
Unhe
> > joote ke lace aur gale ka tie baandhna bhi naheen aata tha. Ek
baar
> > unhe kisi award function par jaana tha, humne unhe zabardasti suit
> > aur tie pehna diya to we gussa ho gaye aur kehne lage ki yeh kya
gale
> > mein baandh diya, maine naheen jayunga aise. Hum logon ne
samjhaya ki
> > Nasir sahab aane waale hain us function mein, aapka pehla award
> > function hai, is tarah se unko raazi karwaya.
> >
> > Shankar speaks: R K Studios mein pehla drishya ubharta hai, hum
> > baithe huye hain - main, Jaikishen, Hasrat Jaipuri aur Raj Kapoor
aur
> > ho rahi hai geeton ki barsat...
> >
> > Song: Barsat mein...
> >
> > phir Awara
> >
> > Song: Awara hoon...
> >
> > phir uske baad Shree 420
> >
> > Song: Ramayya vattavaiya...
> >
> > Aah
> >
> > Song: Raja ki aayegi baraat...
> >
> > Boot Polish
> >
> > Song: Hum matwale polishwale...
> >
> > Sangam
> >
> > Song: Bol radha bol....
> >
> > Jis Desh Mein Ganga Behti Hai
> >
> > Song: O basanti pawan....
> >
> > aur Mera Naam Joker
> >
> > Song: E bhai zara dekhke chalo....
> >
> > aur tabhi jaise film toot jaati hai, roshni uya aur dekha ki
> > Shailendra naheen hai.
> >
> > Shaili Shailendra (Son of Shailendra) speaks: Main jab bahut
chhota
> > tha, tabhi se main apne pitaji ke geet sunta chala aa raha tha.
Kuch
> > mujhe samajh aate kuch samajh naheen aate the. Baba ka ek adhura
geet
> > maine poora kiya film Mera Naam Joker ke liye, aur isi geet ke
saath
> > meri is filmi duniya mein entry huyi.
> >
> > Song: Jeena yahaan marna yahaan (Mera Naam Joker)
> >
> > Shailendra behad swaabhmaani the, zara sa bhi anyaay unhe pasand
> > naheen tha.
> >
> > Song: Dil ka haal sune dilwala
> >
> > Shailendra vichaaron se Marx waadi the, saalon tak we IBTA se jude
> > rahe.
> >
> > Song: Ab kahaan jaayen hum
> >
> > Duniya ki daav penchon se koson door, kisi par bhi aasaani se
> > vishwaas kar lete the Shailendra aur unki isi saralta ka logon ne
> > bharpoor faayda uthaya.
> >
> > Song: Sab kuchh seekha humne na seekhi hoshiyari (Anari)
> >
> > Aap sun rahe hain Sargam Ke Sitare aur iske antargat hamare aaj ke
> > sitaare hain film jagat ke suvikhyaat geetkaar Shailendra.
> >
> > Song: Aaja re pardesi (Madhumati)
> >
> > Shabdon ki duniya Shailendra ki daasi thee, bhaasha ki pakad behad
> > mazboot lekin behad saral shabdawali ka istemaal kiya karte the.
> > Sangeet Sarita karyakram ke ek ank mein Asha Bhosle, aur Gulzar ke
> > saath baat karte huye bata rahe hain R D Burman:
> >
> > R D Burman speaks: Ek baar unhone (SDB) mujhe Shailendra sahab ke
> > paas bheja ek geet likhwakar le aane ke liye, aur kaha ki geet
liye
> > bina mat aana. Main Shailendra sahab ke ghar pahuncha to. Maine
unse
> > kaha ki babuji ne kaha hai ki geet lekar hi waapas aana. To unhone
> > mujhe apne saath samundar ke kinare Juhu beach le gaye. Waqt ho
raha
> > tha raat ke 11, 11:30. Maine unse kaha ki aap geet to likhiye, to
we
> > bole ki are aise koi geet likh sakta hai, uske liye mood chaahiye.
> > Unhone mujhse kaha ki theek hai tum maachis ke box par dhun
bajaao.
> > Unhone aasmaan mein chaand ko dekha aur bol pade "khoya khoya
chaand
> > khula aasmaan...", aur is tarah se yeh geet poora ban gaya.
> >
> > Song: Khoya khoya chaand (Kala Bazar)
> >
> > Susheel Thakur speaks: Film Sangam ke liye jab unhone "O mere
sanam
> > do jism magar ek jaan hain hum" yeh geet likha to Raj sahab ne
kaha
> > ki yeh geet naheen chalega. Shailendraji ne mujhe bataya ki aisi
aisi
> > baat hai, Raj sahab ko geet pasand naheen aaya. Maine jab woh
linen
> > suni to mujhe to bahut achchha laga aur maine unse kaha ki kaise
> > naheen chalegi geet to bahut achchha likha hai aapne. Baad mein
geet
> > bani aur kaamyaab bhi huyi.
> >
> > Song: O mere sanam (Sangam)
> >
> > Susheel Thakur speaks: Hum log bahut darte the jab woh car drive
> > karte, steering par dhun bajaya karte the, ek baar to accident
bhi ho
> > chuka tha. Film Patita ka ek geet mujhe bahut pasand hai "Hai
sabse
> > madhur woh geet"
> >
> > Song: Hai sabse madhur woh geet (Patita)
> >
> > Geet likhne ke saath saath Shailendra ne abhinay bhi kiya hai.
Film
> > Naya Ghar mein unka badaa role tha aur Shree 420 aur Barsat mein
> > unhone chhote chhote role kiye. Fim Boot Polish ka yeh geet to
unhi
> > par filmaya gaya hai.
> >
> > Song: Chali kaun si des (Boot Polish)
> >
> > Geet lekhan Shailnedra ka pesha zaroor tha par sirf paisa kamaane
ke
> > liye naheen. Filmi geeton ka star unhone unchaayee tak hi naheen
> > pahunchaya balki unhe garima bhi pradaan kee.
> >
> > Song: Ab ke baras bhej bhaiya ko babul (Bandini)
> >
> > Shailnedra ne apni mahatwakanshi film Teesri Kasam banaayee lekin
> > unse kiye unhe kayi kadwi abhigyataaon se guzarna padaa. Baad mein
> > unhe us film ke liye Rashtrapati puraskaar bhi diya gaya par us
samay
> > woh jeevit naheen the.
> >
> > Song: Sajanwa bairi howe hamaar (Teesri Kasam)
> >
> > Shailendra ek aise roshan sitaare hain jinhone apni chhoti si aayu
> > mein na jaane kitne amar geet humein de gaye hain. Unke yeh amar
geet
> > duniya ke honthon par sadiyon tak thirakte tahenge.
> >
> > Song: Yeh raat bheegi bheegi (Chori Chori)
> >
> > Shailendra kaamyaabi ki bulandiyon tak pahunchkar bhi apne ateet
ko
> > naheen bhulaya tha.
> >
> > Susheel Thakur speaks: Unki khwaahish thee ki woh apne gaaon
dekhne
> > jaaye jahaan par unka janm huya tha, jahaan unki bachpan beeti
thee.
> > Yahi unki antim khwahish thee.
> >
> > Song: O jaanewale ho sake to laut ke aana (Bandini)
> >
> > Hamara aaj ka sargam ke sitare karyakram samarpit tha
Shailendraji ki
> > smitiyon ko.
> >
> > THE END
> >
> >
> >
>

Hamare aaj ke sargam ke sitaare hain ek aise geetkaar jinke geeton ko
paakar sargam bhi dhaya huye hain. Aur woh hain film jagat ke
suprasiddha geetkaar Shailendra.

Song: Tum jo hamare meet na hote, geet hamare geet na hote (Ashiq)

30 August 1923 ko Rawalpindi mein janme Shankarlal Kesrilal
Shailendra apni maa Parvati Devi aur apne pita Kesrilal ke chaar
beton mein sabse bade the. bachpan mein hi unka poora parivaar
Rawalpindi se Mathura aa gaye. Bachpan mein hi maa ka saaya
Shailendra ke sar se uth gaya. We Jhansi mein Railway ki naukri karne
lage. Uske baad 1948 mein poore parivaar ke saath Bambai aa gaye aur
parel ke Railway workshop mein kaam karne lage.

Borivali niwasi Susheel Thakur ke behnoi the Shailendra. Unhone
Shailendraji ko kaafi kareeb se dekha tha aur jaana. Bata rahe hain
Susheelji:

Susheel Thakur speaks: Mera aur unka to jaise baap bete ka rishta
tha. Jaadon ke dino mein main unke rajaai mein ghoos jaata tha aur
unhe kavitaayen sunane ke liye kehta tha. Unke shabd bade hi saral
huya karte the. 1947 mein unki shaadi huyi aur Parel ke railway
workshop mein naukri le lee. Railway ka chhota sa kamra tha jisme bas
ek palag tha. Poora khaandaan usi mein rehte the. Un par communist
party ka prabhaav tha. Ek baar IBTA ke kisi jalse mein we apni
kavitaaen suna rahe the ki Raj Kapoor ki nazar un par padee aur unhe
geet likhne ka offer de diya. Par unhone usey thukra diya. Raj sahab
ne kaha tha ki kabhi bhi agar paison ki zaroorat pade to unhe zaroor
bataayen, we unse geet likhwana chahte hain. Shailendraji ka jab
bachcha huya to unki financial crisis ho gayee aur we Raj sahab ke
paas jaa pahunche. Raj Kapoor ne kaha ki abhi abhi main film Aag bana
chuka hoon, phir jab main koi film banayunga to aapko zaroor mauka
doonga. Unhone unki aarthik sahayata kee aur film Barsat mein unhe
geet likhne ka offer de diya.

Song: Barsat mein humse mile tum sajan (Barsat)

Raj Kapoor, Shankar Jaikishen, Mukesh, Hasrat Jaipuri aur Shailendra
agar chheh suron ke naam hain, to saatwaan sur hai unke srijan.

Hasrat Jaipuri speaks: 14 December ko hum sab Raj Kapoor ke janamdin
ki tayyari mein lage the, achanak Shailendra ki tabiyat kharaab ho
gayi , unhe nursing home le jaaya gaya, aur dekhte hi dekhte sab kuch
khatam ho gaya. Hamare is team ka pehla member humse alag ho gaya.

Song: Tera jaana dil ke armaanon ka lut jaana (Anari)

Shailendra ek nihaayati nek, saral aur udaar kism ke insaan the jo
daulat aur shohrat ki trishna se koson door the.

Song: Kisi ke muskurahaton pe ho nisaar (Anari)

Shailendra bhasha aur sahitya ke vidwaan the. Russi sahitya jaanne ke
liye unhone Russi bhasha seekha. Rabindra Nath Tagore ki Nobel jayee
kriti Geetanjali ko samajhne ke liye unhone Bangla bhi seekhaa. Raj
Kapoor unhe Pushkin kaha karte the.

Susheel Thakur speaks: We bahut hi saadharan jeevan jyaapan karte
the. Itna saadharan maine aaj tak kisi ko naheen dekha. Ya to safed
kurta pajama pehente ya phir ek badami pant aur ek mamuli shirt. Unhe
joote ke lace aur gale ka tie baandhna bhi naheen aata tha. Ek baar
unhe kisi award function par jaana tha, humne unhe zabardasti suit
aur tie pehna diya to we gussa ho gaye aur kehne lage ki yeh kya gale
mein baandh diya, maine naheen jayunga aise. Hum logon ne samjhaya ki
Nasir sahab aane waale hain us function mein, aapka pehla award
function hai, is tarah se unko raazi karwaya.

Shankar speaks: R K Studios mein pehla drishya ubharta hai, hum
baithe huye hain - main, Jaikishen, Hasrat Jaipuri aur Raj Kapoor aur
ho rahi hai geeton ki barsat...

Song: Barsat mein...

phir Awara

Song: Awara hoon...

phir uske baad Shree 420

Song: Ramayya vattavaiya...

Aah

Song: Raja ki aayegi baraat...

Boot Polish

Song: Hum matwale polishwale...

Sangam

Song: Bol radha bol....

Jis Desh Mein Ganga Behti Hai

Song: O basanti pawan....

aur Mera Naam Joker

Song: E bhai zara dekhke chalo....

aur tabhi jaise film toot jaati hai, roshni uya aur dekha ki
Shailendra naheen hai.

Shaili Shailendra (Son of Shailendra) speaks: Main jab bahut chhota
tha, tabhi se main apne pitaji ke geet sunta chala aa raha tha. Kuch
mujhe samajh aate kuch samajh naheen aate the. Baba ka ek adhura geet
maine poora kiya film Mera Naam Joker ke liye, aur isi geet ke saath
meri is filmi duniya mein entry huyi.

Song: Jeena yahaan marna yahaan (Mera Naam Joker)

Shailendra behad swaabhmaani the, zara sa bhi anyaay unhe pasand
naheen tha.

Song: Dil ka haal sune dilwala

Shailendra vichaaron se Marx waadi the, saalon tak we IBTA se jude
rahe.

Song: Ab kahaan jaayen hum

Duniya ki daav penchon se koson door, kisi par bhi aasaani se
vishwaas kar lete the Shailendra aur unki isi saralta ka logon ne
bharpoor faayda uthaya.

Song: Sab kuchh seekha humne na seekhi hoshiyari (Anari)

Aap sun rahe hain Sargam Ke Sitare aur iske antargat hamare aaj ke
sitaare hain film jagat ke suvikhyaat geetkaar Shailendra.

Song: Aaja re pardesi (Madhumati)

Shabdon ki duniya Shailendra ki daasi thee, bhaasha ki pakad behad
mazboot lekin behad saral shabdawali ka istemaal kiya karte the.
Sangeet Sarita karyakram ke ek ank mein Asha Bhosle, aur Gulzar ke
saath baat karte huye bata rahe hain R D Burman:

R D Burman speaks: Ek baar unhone (SDB) mujhe Shailendra sahab ke
paas bheja ek geet likhwakar le aane ke liye, aur kaha ki geet liye
bina mat aana. Main Shailendra sahab ke ghar pahuncha to. Maine unse
kaha ki babuji ne kaha hai ki geet lekar hi waapas aana. To unhone
mujhe apne saath samundar ke kinare Juhu beach le gaye. Waqt ho raha
tha raat ke 11, 11:30. Maine unse kaha ki aap geet to likhiye, to we
bole ki are aise koi geet likh sakta hai, uske liye mood chaahiye.
Unhone mujhse kaha ki theek hai tum maachis ke box par dhun bajaao.
Unhone aasmaan mein chaand ko dekha aur bol pade "khoya khoya chaand
khula aasmaan...", aur is tarah se yeh geet poora ban gaya.

Song: Khoya khoya chaand (Kala Bazar)

Susheel Thakur speaks: Film Sangam ke liye jab unhone "O mere sanam
do jism magar ek jaan hain hum" yeh geet likha to Raj sahab ne kaha
ki yeh geet naheen chalega. Shailendraji ne mujhe bataya ki aisi aisi
baat hai, Raj sahab ko geet pasand naheen aaya. Maine jab woh linen
suni to mujhe to bahut achchha laga aur maine unse kaha ki kaise
naheen chalegi geet to bahut achchha likha hai aapne. Baad mein geet
bani aur kaamyaab bhi huyi.

Song: O mere sanam (Sangam)

Susheel Thakur speaks: Hum log bahut darte the jab woh car drive
karte, steering par dhun bajaya karte the, ek baar to accident bhi ho
chuka tha. Film Patita ka ek geet mujhe bahut pasand hai "Hai sabse
madhur woh geet"

Song: Hai sabse madhur woh geet (Patita)

Geet likhne ke saath saath Shailendra ne abhinay bhi kiya hai. Film
Naya Ghar mein unka badaa role tha aur Shree 420 aur Barsat mein
unhone chhote chhote role kiye. Fim Boot Polish ka yeh geet to unhi
par filmaya gaya hai.

Song: Chali kaun si des (Boot Polish)

Geet lekhan Shailnedra ka pesha zaroor tha par sirf paisa kamaane ke
liye naheen. Filmi geeton ka star unhone unchaayee tak hi naheen
pahunchaya balki unhe garima bhi pradaan kee.

Song: Ab ke baras bhej bhaiya ko babul (Bandini)

Shailnedra ne apni mahatwakanshi film Teesri Kasam banaayee lekin
unse kiye unhe kayi kadwi abhigyataaon se guzarna padaa. Baad mein
unhe us film ke liye Rashtrapati puraskaar bhi diya gaya par us samay
woh jeevit naheen the.

Song: Sajanwa bairi howe hamaar (Teesri Kasam)

Shailendra ek aise roshan sitaare hain jinhone apni chhoti si aayu
mein na jaane kitne amar geet humein de gaye hain. Unke yeh amar geet
duniya ke honthon par sadiyon tak thirakte tahenge.

Song: Yeh raat bheegi bheegi (Chori Chori)

Shailendra kaamyaabi ki bulandiyon tak pahunchkar bhi apne ateet ko
naheen bhulaya tha.

Susheel Thakur speaks: Unki khwaahish thee ki woh apne gaaon dekhne
jaaye jahaan par unka janm huya tha, jahaan unki bachpan beeti thee.
Yahi unki antim khwahish thee.

Song: O jaanewale ho sake to laut ke aana (Bandini)

Hamara aaj ka sargam ke sitare karyakram samarpit tha Shailendraji ki
smitiyon ko.

THE END

Today, we have a very special guest in the Vividh Bharati studio.

Clip: Zindegi jab bhi teri bazm mein laati hai humein
       Yeh zameen chaand se behatar nazar aati hai humein
Film: Umraojaan

Our guest today is Prof Akhlak Mohammad Khan, whom we know as
Shahryar, the noted shayar and lyricist. Honoured with several
prestigious national and international awards  including the Sahitya
Akademi award in 1987 for Khwab Ka Dar Band Hai, Shahryar retired as
Chairman and  Professor of Urdu from the Aligarh Muslim University in
1996.  His first  collection of poems, Isme-Aazam was published in
1965.  His other famous works are Saatvan Dar, Hijr Ke Mausam, and
Neend Ki Kirchein.  He has also published five collections in
Devanagri  script, thus bridging the Urdu-Hindi divide and reaching
out to those who  appreciate Urdu poetry but cannot read the Urdu
script.  His latest  collection, brought out by the Sahitya Akademi,
is entitled Dhund Ki Roshni.  He has written songs in a few Hindi
films as well such as Umraojaan, Gaman and Faasle.

Clip: Yeh kya jagah hai doston, yeh kaun sa dayaar hai
       Had-e-nigaah tak jahaan gubaar hi gubaar hai
Film: Umraojaan

Sharyar saahab, welcome to Vividh Bharati!

"I am honoured to be invited by Vividh Bharati and consider myself
fortunate to be here in the VB studio. This day will be a memorable
day of my life."

First I would like to ask why have you written so less number of
songs in films?

"I was in Aligarh and had decided not to make films my profession. I
came here by chance and started writing songs in films. But at time,
there was not much integration of songs with the story line.
Previously, songs used to be attached to the story and the story used
to progress in a song. But at my time, song was detached from the
story. There was not emotional attachment of the song. I had decided
not to write anything I was asked to write in the name of 'film
song'. I wont write anything other than shayari. If you see
carefully, my songs are nothing but shayari. There is no difference
between the two as far as I am concerned. Once Muzaffar Ali was
making Gaman and he had two songs of mine in the form of shayari. He
called me up and asked for my permission to use them in the film."

Why is it that the traditional shaayar is not much interested in
films?

"It is not the case. I keep watching films regularly. I listen to
Vividh Bhaarti atleast 8 hours a day whenever I am in Aligarh. One
has to pay some price to get something good. I pay the price of
listening to some bad songs in order to listen to the other good
songs (laughs). I also like eating good food, wearing good clothes,
and everything that a normal man wants to do. 'Dil hai to dhadakne ka
bahaana koi dhoonde' was written by Zasbi in 1965. When I used it in
the Gaman song, he told me that he had written it for Aligarh. But I
believe there can be nothing more meaningful than this for Mumbai
(Bambai ke liye isse behatar ghazal naheen ho sakta). The title of
Suresh Wadekar's album has been kept as 'Seene Mein jalan'. This song
has become his identity."

Song: Seene mein jalan, aankhon mein toofaan sa kyun hai,
       Is shahar mein har shakhs pareshaan sa kyun hai
Film: Gaman

When did you start your jouney as a shaayar?

"The interesting thing is that till 17/18/19 years of age, there was
no sign of shayari around me. There was no shaayar in the family
except for a distant relative who was in Pakistan, who later became a
noted shaayar, but at that time his repuation inour family was not
good. My father wanted me to become a police officer. I came in
contact with Khairaman Azmi from whom I developed the liking for
shayari. To maintain his company, I had to read and keep myslef
updated with shayari as a justification. I started writing myself
when I was studying B.A. My name Kunwar Akhlak Mohd Khan sounded
strange to many and hence kept Shahryar as my pen name. I was
professor of Urdu at the post-graduate level, but had immense
interest in reading fiction. When Muzaffar Ali told me that he wanted
to make a film set in Lucknow, I suggested him to make a film based
on the novel Umraojaan. 'Yeh kya jagah hai doston' was written
earlier and we made necessary changes to give a correct and complete
picture so that the entire graph comes forward. First Jaidev was
signed as the music director, but due to some differences, he left
and Khayyam was roped in."

Did you write the songs of Umraojaan on tunes or tunes were made
based on the shaayri?

"First shayari was written, then they were tuned. Khayyam always make
the lyricist write the words first. In Anjuman and Daaman also, I
wrote first."

So you have not written any song on the tune?

"Yes, I have written in Faasle, the song 'Hum chup hain ke dil sun
rahe hain' was written on the tune."

Song: Hum chup hain ke dil sun rahe hain
       Dhadkano ko aahaton ko, saansen ruk si gayi hai
Film: Faasle

"I also wrote in 'Janam Janam Mere Sanam' on the tune. But I am not
used to do that. So whenever it is requierd to write on a tune, I ask
the producer and music director to give me a recorded tape of the
tune, I take it home, decipher it and then write. I cannot write
instantly on a tune like others write while the music director is
doing da da da da... (laughs)."

So you kept on coming to Mumbai from Aligarh very often?

"I had asked Muzaffar Ali to pay for this wastage of time (laughs).
First for Jaidev, I had to come, the for Khayyam I came here. My
holidays were wasted in this and so I asked for compensation. At the
time of retirement from my college, I came to know that the unavailed
leave can be encashed, but I had very few remaining leave due to this
Aligarh Mumbai frequent trips."

Which song would you like me to play at this point?

"Majrooh's 'Hum hain mataay-e-koocha-o-bazaar ki tarah'"

Song: Hum hain mataay-e-koocha-o-baazaar ki tarah
       Uthti hai har nigaah khareedaar ki tarah
Film: Dastak

You told that till 18/19 years of age, you had no idea that you would
become a shaayar?

"Thats right. Even in the Urdu exam, I used to learn the shayari by
heart and vomit out in the answer script. Today also, I am not aware
of how to scan the meter of shayari. All I know is that I donot put
useless words in my shayari. I believe that any art form should be
very precise to be beautiful. Today also I get surprised after
writing something."

You said that you did not get any support from your family towards
this career. But what was their reaction after you emerged as a
successful player in thsi field?

"They were happy later and realised that this field is also good. My
elder brother is was an SP, he used to tell his colleagues and
friends about me and used to introduce me to them. I never thought
that I would become a shaayar. Similarly Ia lso did not know that I
would become a teacher. After doing BA, I took admission in MA in
Psychology, but soon I changed my department and got into the Shayari
(Urdu) department. I deeply involved myself in sher-shayari and did
everything with full dedication and got the result as well. Accidents
kept on happenning in my life. Getting into the film line is yet
another accident."

You have been a progressive poet?

"I have never made an exhibition of personal sorrows and problems in
my shayari. Whatever I have written is what I have seen around me in
the society. The 'Theory of Compensation' is not applicable in my
writings. I had told myself that I wont keep myself aloof from my
neibourhood, from the problems in our society."

Dont you think there is too much description of 'shabaab'
and 'sharaab' in Urdu poetry?

"It is unfortunate that Urdu poetry is unnecessarily blamed for too
much of alcoholism. But this is not correct. Can you find any such
thing in Iqbal, Ghalib or Mir's works? It is unfortunate that few
singers have sung such songs and qawwaalis and which became popular
and then Urdu shayari was blamed for this. I drink alcohol, donot
consider it as bad, but I never write on it (laughs). There are many
things that have been publicised in wrong taste about Urdu language.
Some people tried to purify the language, but many believed
that 'Agar aam log galat keh rahe hain to wohi sahi hai'."

So, which song would you like to listen next?

"Hasan Kamaal's 'Hum wafaa kar ke bhi tanha reh gaye'"

Song: Dil ke armaan aansooyon mein bahe gaye
       Hum wafaa karke bhi tanha reh gaye
Film: Nikaah

Whom you consider as your inspiration?

"There are many, like Faiz, Maqdum, Jasbir, Wajahad, then from the
past there is Ghalib, Mir etc, then my seniors like Nasir Kazmi,
Khairaman Azmi. One good thing about Aligarh is that good things are
given due respect and popularized widely. Due to this, we used to
remain updated about everything going around us. We were duly aware
what our seniors, contemporaries and juniors were writing."

You said you are interested in reading fiction. have you ever thought
of writing fiction?

"No, I cannot write fiction, I am just intersted in reading it."

There was a period when ghazals were highly popular and a large
number of ghazals were coming up. Did it have any impact on you?

"This is the period of 'nazm', ghazals cannot be our part (Yeh daud
nazmon ka hai, ghazal hamara saath naheen de sakti). There is a
thought prevailing that ghazal writers are weak shaayars (ghazal
likhnewale kamzor shaayar hain) (laughs), if he can write nazm as
well, then he is a good shayar (laughs). Jokes apart, I have also
written several ghazals."

Nazm or ghazal - which is more closer to your heart?

"I give equal status to both nazm and ghazal. Anyway, there is not
much difference between the two. There has always been influence of
nazm on ghazals. Everything cannot be incorporated in a nazm, but
whatever the shayar wants to say can be said."

Song: Mujhse pehli si mohabbat mere mehboob na maang

In your 'ashaar', night (raat) comes very frequently in different
look and approach. Why you have so love for the night?

"There are two views. Most people consider 'day' as optimistic
and 'night' as a pessimistic thought. But I think 'night' stands for
peace (sukoon). My new collection is named as 'Shaam Honewali Hai'.
Many of my friends told me that the name is not suitable, that it
sounds pessimistic, but I dont think so. 'Hawa ke darmeeyaan aaj raat
ke mere padaav hai, main apne khwaab ke charaagh ko jalaa na
paayunga, yeh sochkar subah se badhawaas hoon'. My thought is that
whatever time we are sleeping at night, it goes as a wastage, I would
like to remain awake for a longer time."

Wah, kya baat hai!! So, let us listen to one more song of your choice.

Song: Phir chhidi raat baat phoolon ki
       Raat hai ya baraat phoolon ki
Film: Bazaar

----------------------------------
INTERVIEWER & EDITING: YUNUS KHAN
TECHNICAL ASSISTANT: SHASHANK
PRESENTATION: KAMLESH PATHAK
----------------------------------

THE END

EPISODE 6 (08/10/2006)

----------------------------------------------------------------------
-
Song: aaj uDta huya ek panchhi zindegi ki bahaar mein aaya (Gehra
Daag)
----------------------------------------------------------------------
-

VB: aapka sabhi ke saath 'tuning' achhhi rahi hai. B R Chopra saahab
ke saath aapne lambaa arsaa beetaya hai. unke baare mein kuchh
bataaiye.

RV: Gumrah, Dhund, Waqt, Aadmi Aur Insaan, Nikaah, etc. Chopra saahab
achchhi dhune pasand karte the. main bhi alag alag dhune banaakar
unke saamne rakh detaa tha. filmen 'hit' hoti gayi, unke
saath 'tuning' achchha hota gaya.

--------------------------------------------------------
Song: kaun aaya ke nigaahon mein chamak jaag uThi (Waqt)
--------------------------------------------------------

RV: "maine Hindi, Urdu, Punjabi, Gujarati, Kannada, Tamil, Telugu,
Malyalam mein gaane banaaye hain. ek baar kisi Malayalam film
ke 'producer' ne mujhse kaha ki hum chaahte hain ki aap hamare do
filmon mein sangeet den. maine kaha ki mujhe to Malyalam aati naheen,
to unhone kahaa ki woh sab hum sambhaal lenge, aap sirf haan kar
deejiye. us samay maine Gujarati filmon mein kuchh sangeet diya tha
aur mujhe uske liye Gujarat sarkaar se 'Best Music Director'
ka 'award' bhi mila tha, isliye mujhe thoDa 'confidence' tha aur
maine unhe haan kar diya. Unhone phir mujhe Madras bulaya. to wahaan
par geetkaar mahashay ne mujhse kaha ki 'give me the tune', aap mujhe
dhun de deejiye main geet likh doonga, maine kaha ki naheen! aaj tak
maine kisi ko apna dhun naheen diya hai. Sahir sahab, Shakeel
Badayuni, Rajinder Krishan yeh sabhi pehle bol likhkar laate hain aur
main unhe dhuno mein pirota hoon. to unhone kaha ki Theek hai, phir
woh kuchh likh kar le aaye. ab ho gayi aur museebat kyunki mujhe
Malyalam to aati naheen thee aur upar se woh bol bahut hi bhaari
bharkam se the. un logon ne mujhe uska matlab samjhaaya,
kuch 'romantic' gaana tha. maine teen chaar dhune banaayi aur jo
sabse Theek Thaak lagaa maine unhe sunaaya. woh sab bahut khush ho
gaye aur waah waah karne lage. is film ke geeton ko Chitra ne gaaya
tha aur unhe 'National Award' bhi mila. mujhe Kerala Govt ki taraf
se 'Best Music Director' ka 'award' mila. yeh film thi Panchagni aur
ek doosri film thi. dono filmen superhit. ek aur film thi woh
bhi 'superhit'. ismein Chaudhween Ka Chaand 'type' ka gaana tha,
jismein laDki taalaab mein nahaa rahi hai. yeh gaana maine Yesu Das
se gawaaya, (sings few lines).

-----------------------------------------------------------------
Song: ae mere dil-e-naadaan tu gham se na ghabraana (Tower House)
-----------------------------------------------------------------

RV: main achchha sangeet banaata hoon, jab bhi samay milta hai
apna 'stock' banaata rehta hoon. log mujhse kehtehain ki "aaj
jo 'music' chalta hai waisa kyun naheen banaate?". main kehta hoon ki
aaj 'music' chalta kahaan hai? main aisa naheen banaa sakta. main yeh
naheen kehta ki aaj ka 'music' buraa hai, par main naheen banaa
saktaa.

-------------------------------------------------------------------
Song: dil karta o yaara dildaara mera dil karta (Aadmi Aur Insaan )
-------------------------------------------------------------------

VB: 'radio' sunte hain?

RV: jee haan, sunta hoon.

VB: to is 'radio' ke maadhyam se aap apne chaahnewaalon se kya kehna
chaahenge?

RV: yahi ki madhur sangeet pasand karen, sune, izzat den, aur aise
kalaakaaron ko 'encourage' karte rahen taaki woh aisa hi madhur
sangeet banaate rahen.

------------------------------------------------------
Song: husn se chaand bhi sharmaaya hai (Door Ki Awaaz)
------------------------------------------------------

END OF EPISODE 6

namaste, main hoon Amarkant. Aaj Ke Fankaar aaj suniye mere saath.
sangeetkaar joDi Sonik Omi par kendrit hai aaj ka yeh kaaryakram.

Song: dil ne phir yaad kiya (Dil Ne Phir Yaad Kiya)

doston, yaad to ham unhe karte hain jinhe ham bhulaate hain, aur
Sonik Omi ko bhulaa paana sambhav naheen. Dil Ne Phir Kiya Sonik Omi
joDi ki pehli film thi jo aayi thi san 1966 mein. iske baad silsilaa
shuru huya sureele naghmon ka jo sadaa yaad aate rahenge.

Song: jinhe ham bhoolna chaahen woh aksar yaad aate hain (Aabroo)

aise sureele meeThe geeton ke janak ko bhalaa kaun bhool sakta hai?
Sonik ne san 1952 mein Mamta, 1952 mein hi Eeshwar Bhakti, aur 1949
mein ek Punjabi film mein sangeet de chuke the. phir aap soch rahe
honge ki hamne Dil Ne Phir Yaad Kiya ko unki pehli film kyun kaha?
jee haan, Dil Ne Phir Yaad Kiya Sonik Omi joDi ki pehli film thi. yeh
dono rishtey mein chacha bhateeja lagte hain, yaani ki Sonik-ji Omi-
ji ke chacha hain. Sonik-ji ka janm 26 November 1926 mein huyatha.
Dhaai saal ki umra mein hi woh andhe ho gaye. Lahore aur Lucknow se
paDhaai poori kee aur phir Dilli ke Akashvani se juD gaye aur is
tarah se ek sureele silsile ki bhumeeka banti chalee gayi.

Song: dono ne kiya tha pyar magar (Mahuya)

kehte hain ki zindegi imtehaan leti hai. yeh Mumbai nagri bhi
kalaakaaron ka imtehaan liye bina naheen chhoDti. Sonik aur Omi kai
baar Mumbai aaye lekin koi Khaas baat naheen ban paayi. lekin woh
apne apne tarah se koshish karte rahe. isi beech Sonik bane
sangeetkaar Madan Mohan ke sahaayak aur Omi Roshan ke. is tarah se
film sangeet ke 'circuit' mein in dono ki pehchaan banee, nateeja yeh
ki unhe Dil Ne Phir Yaad Kiya film milee. chacha aur bhateeje ne joDi
banaaee. Dil Ne Phir Yaad Kiya ke baad san 1968 mein Aabroo aur 1969
mein Mahuya ke gaane gali gali goonjne lage. 1970 mein Delux Films
ke 'banner' taley Mohan Sehgal naye kalaakaaron ke saath ek 'low
budget film plan' kar rahe the. ismein Naveen Nishchal aur Rekha ko
liya gaya, Sonik Omi par aaya sangeet ka zimma jo unhone bhali
bhaanti nibhaaya. us film ke jo geet 'hit' huye hain woh kisi se
chhupe naheen hain. film thi Sawan Bhadon.

Song: kaan mein jhumka chaal mein Thumka (Sawan Bhadon)

Sonik Omi par aksar yeh ilzaam lagaa hai ki woh saste chaltaau kism
ke gaane banaate hain. lekin aisi baat naheen hai. film ki
maang, 'situation', aur 'producer director' ke ummeedon par khare
utarkar hi unhone aise gaane banaaye. aur jin geeton par ilzaam lage,
wohi gaane 'hit' huye. lekin Sonik Omi ne anek narm-o-naazuk gaane
bhi banaaye hain, jaise ki film Aabroo ki "jinhe ham bhoolna
chaahen", 1974 ki film Raftaar mein bhi ek aisa hi Khoobsoorat gaana
tha, 1975 ki film Umar Qaid ka gaana "yaad rahega woh rangeen
zamaana" bhi aapko shaayad yaad ho, aur jab qawwaali ki baat aayi to
unhone rang kuchh alag hi jamaaya.

Song: raaz ki baat kehdoon to (Dharma)

to doston, yeh tha aaj ka Aaj Ke Fankaar kaaryakram jo kendrit tha
sangeetkaar joDi Sonik Omi par. ab Amarkant ko ijaazat deejiye,
namaskaar!

Song: har chehra yahaan chaand to har zarra sitaara (Aabroo)

THE END

--- In vividhbharati@..., "soojoi_india"
<soojoi_india@...> wrote:
>
> Hi,
>
> Click on the link below for the updated VB 24-hour programme
schedule.
>
> http://in.groups.yahoo.com/group/vividhbharati/files/Information/
>
> Sujoy
>
dear sujoy
thanks for the innovative scedule of vividh bharati.very useful for
round the clock listening.
brijmohangupta

Hi,

Click on the link below for the updated VB 24-hour programme schedule.

http://in.groups.yahoo.com/group/vividhbharati/files/Information/

Sujoy