vividhbharati : Messages : 2274-2306 of 2466

Lata Mangeshkar renders a new-age 'prison anthem'
IANS
Tuesday, July 21st, 2009 AT 11:07 AM


MUMBAI: Lata Mangeshkar sang "Ae malik tere bande hum", a song that inspired
prisoners in V Shantaram's film "Do Aankhen Barah Haath" in 1957. Now Madhur
Bhandarkar has the singing legend render a new-age 'prison anthem' in his latest
movie "Jail".

"We want Lata-ji's 'Daata sun maula sun' to be the new-age 'Ae maalik tere bande
hum'. We want youngsters to embrace it and get to know the endless magic of
Lata-ji's art. It has the potential to be hummed and sung in schools and
colleges for all times to come," Bhandarkar said.
Lata's "Ae malik tere bande hum" went on to inspire generations of Indians
imprisoned in their prejudices and daily despondencies. Now 52 years later when
Bhandarkar conceived the song, he wanted only Lata to sing it.

"I'm not just a Lata fan. I am her fanatic. When she agreed to sing 'Kitne ajeeb
rishte hain yahan par' for my 'Page 3', I felt I had achieved one of my biggest
dreams. And now to have her sing for me again, and that too for a film that
stars Neil Nitin Mukesh, whose grandfather Mukesh was very close to Lata-ji,"
the director said.
The prison anthem in "Jail" entitled "Daata sun maula sun" is written by a
first-time lyricist Ajay Garg.

"When he recited the lines for me, it was there and then decided that no other
singer but Lata-ji has the right to touch these words," said Bhandarkar, known
for his creative excellence in films like "Chandni Bar", "Page 3" and "Fashion".

The director says it didn't take him much to convince the singer to go behind
the mike for the song.

"I've kept in touch with Lata-ji since 'Page 3'. When I told her it was a song
for my film composed by Shamir Tandon, who had done 'Kitne ajeeb' for her, she
was immediately interested and asked us to send the tune," he said.

Lata was also enamoured by the idea that the film starred her Mukesh-bhaiyya's
grandson Neil. She is very close to the whole family.
Interestingly, in the last decade Lata-ji has sung two bhajans "Oh paalan haare"
("Lagaan") and "Ek tu hi bharosa" ("Pukar") - both for A.R. Rahman.

#2305

From: "soojoi_india" <soojoi_india@...>
Date:: Sun Jul 19, 2009 1:33 pm
Subject:: Cine Yatra Ki Gawaah Vividh Bharati - Full Transcript

soojoi_india

Offline

JUBILEE JHANKAAR - Celebrating 50 Years of Vividh Bharati
---------------------------------------------------------

CINE YATRA KI GAWAAH - VIVIDH BHARATI
-------------------------------------

PART 1 (The 30s)
****************

Vividh Bharati ke sabhi shrotaaon ko Kamal Sharma...

aur Renu Bansal ka...

namaskaar!

doston, aap ke is pasandida 'radio channel' ki swarNajayanti ki shringkhala mein
ham ek baar phir se haazir hain, aur is baar ham aap ke liye laaye hain ek nayaa
aur anooThaa kaaryakram... CINE YATRA KI GAWAAH VIVIDH BHARATI.

aaj se 77 saal pehle, yaani 1931 mein pehli baar Hindustaani cinema ne bolna
shuru kiya tha. iske 26 saal baad, yaani 1957 mein astitva mein aayi Vividh
Bharati. tab se lekar aaj tak Vividh Bharati poori shiddat ke saath Hindi cinema
ko aap tak pahunchaati aa rahi hai. cinema ki har utaar chaDhaav ki gawaah rahi
hai Vividh Bharati. yahi wajah hai ki Vividh Bharati ka Khazaana aaj naayaab
ratnon se bharaa paDaa hai.

aur yeh anmol ratna hain cinema se juDe un kalaakaaron ko 'technician'-on ki
aawaazen jinmein se kai aaj bhale hi hamaare beech naheen hain, lekin cinema ki
ithihaas mein unka anaam swarNaaksharon mein darj hai. doston, Vividh Bharati ne
in durlabh aawaazon ko kareeb 20,000 'spool tapes', aur hazaaron 'records',
'CDs' aur 'DVDs' mein, saakshaatkaar aur geeton ki shakl mein sanjoya huya hai.
to aayiye aap ko le chalen Vividh Bharati ke is tilasmi Khazaane ki yaatra
par...

jaisa ki aap jaante hain, Bhaarat ki pehli bolti film thi Alam Ara. nirmaata
nirdeshak Ardeshir Irani ki 'company' Imperial Movietone dwaara banaaee gayi
Alam Ara 14 March 1931 ko Mumbai ki Majestic Cinema Hall mein pradarshit huyi
thi. aur isi film se shuru huya tha film sangeet ka safar jo aaj tak ba-dastoor
jaari hai. film Alam Ara mein Wazir Mohammad Khan ka gaaya geet "de de Khudaa ke
naam par" us zamaane mein behad mashoor huya tha. iske baad pradarshit huyi
Kolkata ki film 'company' Madan Theatres ki film Shirin Farhad. is doosri bolti
film ke naayak the Master Nisar, jo 'silent' filmon ke daur mein hi 'superstar'
ka darjaa haasil kar chuke the. aap ko yeh jaankar taajjub hoga ki Master Nisar
ki aawaaz aaj bhi Vividh Bharati mein maujood hai. to aayiye sunte hain Vividh
Bharati ke saath Master Nisar ke baatchit ke yeh ansh:

-----------------------------
MASTER NISAR speaks:

1931, to hamaare maalik jo the, Kalkatte ke, Madan Theatres, Madan Theatres Ltd,
to unhone, main naaTak mein kaam karta tha, unhone mujhe bulaakar kahaa ki 'kal
tum 'studio' chale jaana'. maine kahaa 'kyun saahab?' bole 'chale jaana tum'. to
Jahangir-ji, unke laDke the, woh 'direction' karte the, mujhse kehne lage ki
'Shiri Farhad, ham yeh 'talkie' banaana chaahte hain, usmein ek 'scene' lena
chaahte hain'. to Agha saahab se kaho ki kuchh 'dialogues' likh den'. Agha
Hashra saahab se. maine jaake unse kahaa. woh kehne lage 'ek 'scene' ka kya
matlab hota hai? poora Shiri Farhad unse kaho kyun naheen utaarte'. maine jaakar
unse keh diya. to bole ki 'achchha, Agha saahab se jaakar kaho ki woh likhen'.
to Agha saahab likhne lage, aur 1931 ki baat hai, jab Shiri Farhad naam se film
shuru huya.
-----------------------------

bolti filmon yaani ki 'talkies' ka daur shuru hote hi Mumbai ke saath saath
Kolkata, Pune aur Kolhapur bhi film banaane ke kendron ke roop mein apni
pehchaan banaane lage the. Kolhapur ka Jayaprabha Studio, Pune ka Prabhat,
Kolkata ka New Theatres, aur Mumbai ke Bombay Talkies, Ranjit Movietone, Minerva
Movietone aur Wadia Movietone apni apni tarah ka utkrishT filmon ka nirmaaN kar
bahut jald us zamaane ki agraNi film comopaniyon mein gine jaane lage the.
Prabhat ki san 1932 ki film Maya Machhinder ka yeh geet Vividh Bharati mein
uplabdh praacheenatam geeton mein se hai. Pandit Govindrao Tembe ka gaaya aur
sangeetbaddha kiya huya yeh geet us samay mein atyant lokapriya huya tha

-----------------------------------------------------
Clip: chhoD aakaash ko sitaare (Maya Machhinder,1932)
-----------------------------------------------------

Kolkata ki New Theatres Company dwaara nirmit adhikaansh filmon ka aadhaar
mukhya roop se Bangla upanyaas aur kahaaniyaan hote the. B N Sircar dwaara
sthaapit is 'company' ne us zamaane mein R C Boral, Pankaj Mullick, Timir Baran,
K L Saigal, K C Dey, Kidar Sharma aur Kanan Devi jaise diggaj kaam karte the.

madhur sangeet New Theatres ke filmon ki Khaasiyat thi. kaalaantar mein yahi
baaten kahee R C Boral ne:

-----------------------------
R C BORAL speaks:

main lagbhag 40 barson se 'film industry' mein hoon. matlab New Theatres ke
janam se hi film sangeet ki sevaa karta hoon. aaj main un beete huye samay ki
jhalak dikhaayun? ho sakta hai yeh filmen aap ne na dekhee ho, un filmon ke
kalaakaaron ko bhi aapne na dekhaa ho, magar naam zaroor sune honge! yeh baat
hai kareeb 40 saal pehle ki, film Dhoop Chhaon ka sangeet nirdeshan maine kiya
aur gaayak kalaakaar hain K C Dey.
-----------------------------

------------------------------------------------------
Clip: teri gaThari mein laaga chor (Dhoop Chhaon,1935)
------------------------------------------------------

us zamaane mein paarshwagaayan, yaani 'playback' shuru naheen huya tha, aur
abhinetaaon ko 'camera' ke saamne Khud gaana paDtaa tha. 'playback' ka Khayaal
sabse pehle New Theatres mein san 1935 mein bani film Dhoop Chhaon ke dauraan
gaayak sangeetkaar Pankaj Mullick ke man mein kaundhaa tha. Pankaj Mullick ki
aawaaz aaj bhi Vividh Bharati mein apni Khaas jagah banaaye huye hain:

-----------------------------
PANKAJ MULLICK speaks:

bolti filmon ki Bhaarat mein chaalu hone ke do saal pehle hi main filmi duniya
mein aa chukaa tha, yaani san 1928 mein. us samay mook filmen dikhaaee jaati
thi. uske saath jis sangeet ke bajne ka riwaaz tha, us sangeet ki rachna main
kiya karta tha. uske baad jab bolti filmen aayi, Kalkatte mein, to mujhe hi
sangeet nirdeshak banne ka saubhaagya praapt huya. tab to AkaashvaaNi naheen
tha, iska naam tha Indian Broadcasting Corporation. mere aane ke kareeb 6
maheene pehle shaayad yeh 'company' chaalu huyi thi.

Q. yaad hai aap ko woh kaun sa pehla geet tha jise aapne pehli baar 'radio' par
gaaya tha?

woh geet Kaviguru Ravindranath Thakur ki rachnaa thi, (sings a Tagore song in
Bangla)
------------------------------

New Theatres se sambandhit ek aur naam tha Timir Baran ka, jinhone 1935 ki film
Devdas mein sangeet diya tha:


-----------------------------
TIMIR BARAN speaks:

aaj is kaaryakram ke zariye aap logon se baatchit karne ka mujhe jo mauka mila
hai, uske liye main apne ko dhanya samajhtaa hoon. jab ki maine bhi kai filmon
ki dhune banaaee thi aur sangeet nirdeshak reh chukaa hoon, ab bhi filmon se
juDaa huya hoon aur sangeet nirdeshan ka kaarya jaari hai. mujhe geeton ke bolon
se saaz-o-sangeet se zyaada prem hai kyunki main khud ek sarod-vaadak hoon.
------------------------------

30 ke dashak mein Pune ki Prabhat Film Company gambheer saamaajik vishayon par
filmon ka nirmaaN kar apna ek sammaanit sthaan banaa chuki thi. is company ki
neev V Shantaram aur unke 4 sehyogiyon dwaara san 1929 mein Kolhapur mein rakhi
gayi thi. lekin san 1933 mein isey Kolhapur se Pune le aaya gaya. 1932 ki film
Ayodhya Ka Raja is company ki pehli bolti film thi. haalaanki yeh bahut kam log
jaante hain ki Bhaarat mein bani pehli rangeen film ka nirmaaN san 1933 mein
Prabhat dwaara hi kiya gaya tha. haalaanki takneekee drishTi se yeh prayog
asafal raha tha. us zamaane ke 'star' abhinetri Shanta Apte isi company mein
kaaryarat theen, jinhone film Amrit Manthan aur Amar Jyoti mein yeh geet gaaye
the.

------------------------------------------------------------------
Song: raat aayi hai naya rang jamaane ke liye (Amrit Manthan,1934)
------------------------------------------------------------------

1933 mein hi Mumbai mein J B H Wadia aur Homi Wadia bhaaiyon ne neev rakhi Wadia
Movietone ki. 'fantassy', 'action', aur dhaarmik filmon ka nirmaaN kar unhone
bahut jald apna ek darshak-varg tayyaar kar liya. 'Fearless' Nadia Wadia
Movietone ke filmon se hi 'star' bani theen. udhar Chandulal Shah aur Gauharjan
Mamajiwaala dwaara 1929 mein sthaapit Ranjit Films mook filmon ka nirmaaN kar
rahi thi. 1931 mein yeh company Ranjit Movietone ke naam se bolti filmon ka
nirmaaN karne ke liye utar paDee. Divya Devyani is company ki pehli bolti film
thi. san 1934 mein Bombay Talkies astitva mein aayi jiski neev England se aaye
Himanshu Rai aur Devika Rani ne ek 'public limited company' ke taur par rakhi
thi. Shankar Mukherjee, Kavi Pradeep aur Ashok Kumar ne apne 'career' ki
shuruwaat Bombay Talkies ki filmon se hi kee thi.

---------------------------------------------------
Song: main ban ki chiDiya banke (Achhut Kanya,1936)
---------------------------------------------------

-----------------------------
ASHOK KUMAR speaks:

darasal jab main filmon mein aaya tha san 1934-35 ke aaspaas, us samay gaayak
abhinetaa Saigal zindaa the. unhone filmi gaano ko ek shakal dee aur mera
Khayaal hai unhi ki wajah se filmon mein gaano ko ek mahatwapoorNa jagah mili.
aaj unhi ki buniyaad par yahaan ki filmen banaaee jaati hain, yaani 'box office
success' ke liye gaano ko sabse oonchee jagah dee jaati hai. mere waqt mein
'playback' ke 'technique' ki tayyaariyaan ho rahi thi. talat, Rafi, Mukesh filmi
duniya mein aaye naheen the, Lata to paida bhi naheen huyi hogi. abhinetaaon ko
gaana paDtaa tha chaahe unke gale mein sur ho yaa naheen. isliye zyaadaatar
gaane seedhe seedhe aur saral bandish mein banaaye jaate the taaki ham jaise
gaanewaale aasaani se gaa sake.

Q. to daada saahab, koi gaana is waqt aapko yaad hai, sunaaiye to!

main apni puraani filmon se kuchh kuchh mukhDe sunaa sakta hoon.

Q. achchha sunaaiye

suniye... (sings) "main ban ki chiDiya banke ban ban boloon re...".
yeh pehle pehle Bombay Talkies ke geeton mein "re" ka istemaal bahut kiya jaata
tha. (sings) "Chal chal re naujawaan...", phir "re" ka istemaal dekhiye (sings)
"chali re chali re meri naao chali re", (sings) "dheere dheere aa re baadal
dheere dheere jaa, mera bulbul so raha hai, shor gul na machaa". ek aur sunaa
detaa hoon, jiske saath ek baat bhi kahoonga. (sings) "peer peer kya karta re
teri peer na jaane koi...". mujhe yaad hai is gaane ko 'record' mein bharna
mushkil paD gaya tha kyunki yeh gaana tha aadhe 'minute' ka, aur is aadhe
'minute' ko 3 minute ka banaane ke mujhe dheere dheere gaana padaa tha.

Q. kaise?

(sings) "peeeeeeer peeeeeeeer kyaaaa kartaaaaa re.....". aap hans rahi hain,
lekin us 'record' ko sunkar main ro diya tha. usi waqt tay kiya tha ki agar
mujhe filmon mein rehna hai to gaana seekhna hi paDegaa.
---------------------------------------

-------------------------------------------
Clip: chal chal re naujawaan (Bandhan,1940)
-------------------------------------------

san 1936 mein astitva mein aayi Sohrab Modi ki company Minerva Movietone. is
'banner' ke tale bani 1939 ki film Pukar ki aashaateet safaltaa ne dekhte hi
dekhte Sohrab Modi ko us zamaane ki agraNi nirmaata nirdeshakon ki kataar mein
laa khaDaa kiya.

-----------------------------
SOHRAB MODI speaks:

ae nigehbaan-e-watan, ae mard maidaan-e-watan, tere dam se hai bahaaron par
gulistaan-e-watan. tujhpe jaan-o-dil fidaa, hasti fidaa, masti fidaa, tujhpe ham
beqas Ghulaamon ki yeh kul basti fidaa. aaj teri arzmandi ko pahunch saktaa hai
kaun, teri ruhaani bulandi ko pahunch sakta hai kaun, veeron ke liye to waaqai
jab se hosh sambhaalaa, tab se hi apne dil-o-dimaaG mein sabse oonchaa maqaam
paaya, lekin tawaariKh jaise 'subject' mein bachpan mein mujhe koi Khaas
dilchaspi naheen thi. main Cecil B. De Mille ki angrezee filmen bahut dekha
karta tha, aur unse mutaasir hokar apne desh ki tawaariKh par Gaur karne lagaa.
us waqt mujhe Khayaal aaya ki hamaare desh ko aisi filmon ki bahut zaroorat hai,
apne desh ki jantaa ko jagaane ke liye, desh ke bachchon ko desh ki mahaanta ka
gyaan karaane ke liye yahi ek zaroori kaam tha taaki woh apni tawaariKh se
anjaan na bane rahe. doosri baat yeh ki tawaaraKhi film ko 'canvas' jitna baDaa
hai 'social' filmon ka naheen. main hameshaa baDe 'canvas' ki tasveeron ko
kheenchne ka qaayal raha hoon. yeh wajah bhi mujhe is or zyaada kheenchti rahi.
teesri wajah yeh ki har kalaakaar apni kalaa ko panapne ke liye adhik se adhik
'scope' chaahta hai jo mere Khayaal se aise filmon mein hi mil sakta tha. iski
pehli wajah to yeh hai ki har kalaakaar ki apni ek ruchi hoti hai. meri ruchi
isi tarah ke paatron mein thi.
--------------------------------

END OF PART 1


PART 2 (The 40s)
****************

30 ke dashak ke ant tak 'playback' poori tarah se prachalan mein aa chukaa tha.
uske baawjood kuchh abhenetaa abhinetriyaan aise the jo apne geet Khud hi gaana
pasand karte the. 40 ka dashak gawaah hai un utaar chaDhaavon ka jo doosre
vishvayudhh ke us daur mein hindustaani cinemaa ko dekhne paDe the. woh daur tha
Noorjehan aur Suraiyya jaisi gaayika abhinetriyon ke uday hone ka.

-----------------------------------------------------
Clip: hamko hai pyaari hamaari galiyaan (Basant,1942)
-----------------------------------------------------

Madhubala ne 1942 mein Bombay Talkies ki film Basant se bataur baal kalaakaar na
sirf abhinay ke kshetra mein qadam rakhaa balki is film mein do geet bhi gaaye.

----------------------------------------------------------
Clip: chhoTe chhoTe ghar mein chhoTi aTariya (Basant,1942)
----------------------------------------------------------

1941 mein film Radhika se Nalini Jaywant ne na sirf 'career' ki shuruwaat kee
balki shuru ki 9 filmon ke liye Khud ke liye 38 geet bhi gaaye. doston, Nalini
Jaywant ka gaaya san 1941 ki film Bahan mein gaaya aisa hi ek geet haazir hai
jiski dhun Anil Biswas ne banaaee thi.

-----------------------------------------------
Clip: hawaa basant ki Dol rahi hai (Bahan,1941)
-----------------------------------------------

1941 mein hi Lahore mein bani film Khazanchi se Shamshad Begum paarshwagaayak ki
khestra mein aayeen.

----------------------------------------------
Clip: ek kali naazon ki palee (Khazanchi,1941)
----------------------------------------------

nirmaataa nirdeshak Dalsukh Pancholi ki yeh film Khazanchi aur Master Ghulam
Haider dwaara sangeetbaddha keeye gaye iske sabhi geet us zamaane mein atyant
lokpriya huye the. is film ke geeton ki bepanaah safalta ne Shamshad Begum ko
apne daur ki choTi ki gaayikaaon mein laa khaDaa kiya tha.

------------------------------
SHAMSHAD BEGUM speaks:

jab 'playback' ka zamaana naheen tha, 'actors' khud gaana 'screen' par gaate
the, parde par gaate the. mere waalid saahab mujhe 'screen' pe dekhna naheen
pasand karte the. isiliye main 'screen' pe naheen gayi. maine 'screen test' bhi
kiya tha, unhone tab bhi kahaa tha 'filmon mein kaam karo', kahaa 'heroine'
lenge, maine kahaa 'naheen, filmon mein kaam naheen karna, mere baap ne 'allow'
naheen kiya'. mujhe bachpan se gaane ka shauk tha. yeh allaah ki den thi. 5 saal
ki umra mein main sab laDkiyon ke saath 'school' mein paDhti thi. Ramzaan ke
maheene mein mere saare rishtedaar mujhse naate sunte. 12 saal ki umar mein mere
chaacha mujhe Xylophone company mein leke gaye. mere chaachaa, woh mere saath,
meri 'help' kee unhone. baaba ko bahut samjhaaya ke 'tum samajhte naheen, aajkal
duniya ki saari laDkiyaan karne lagi hai'. baaba ne kahaa 'chaar chaar laDkiyaan
hain, kahin inki shaadi mein na museebat ho jaaye'.
--------------------------------

1941 mein Suraiyya ne jahaan ek taraf film Taj Mahal mein bataur baal kalaakaar
abhinay ki shuruwaat kee, waheen doosri taraf 1942 mein bani film Sharda mein
Mehtab ke liye 'playback' bhi kiya.

-------------------------------
Clip: panchhi jaa (Sharda,1942)
-------------------------------

-------------------------------
SURAIYYA speaks:

jab bhi mujhe kuchh kehne ka mauka milta hai to yaadon ka ek toofaan umad aata
hai aur main uski oonchee neechee lehron mein kho si jaati hoon. Is waqt bhi
yahi haalat hai, haan, yaad aaya jab meri pehli film Station Master ban rahi thi
to Naushad sahab ne mujhse ek bachchon ka geet gawaya tha, us film mein bhi
maine ek bachche ka hi role kiya tha. Jab logon ne yeh geet suna aur pasand kiya
to film Sharda ki heroine Mehtab ke liye Naushad sahab ne ek aur geet record
karwaya. Recording ke waqt Mehtab ne dekha ki ek chhoti si bachchi stool par
khadee hokar unke liye gaa rahi hai to woh badee naaraaz huyi, mujhpar naheen
(laughs), film banaanewaalon par. Aur jab yeh gaana hit huya to unki naaraazgee
door ho gayi.
---------------------------------

--------------------------------------------------
Clip: tere naino ne chori kiya (Pyar Ki Jeet,1948)
--------------------------------------------------

1942 mein Homi Wadia ne Wadia Movietone se alag hokar Basant Pictures kee, to V
Shantaram ne Prabhat se alag hokar Rajkamal Studio ki sthaapna kee.

--------------------------------
V SHANTARAM speaks:

main apni zindagi mein updeshpoorN filmen banaata aaya hoon. aur unmein
saamaajik, raajnaitik aur maanavik samasyaayen prastut karta raha hoon. saath hi
saath in samasyaayon ko apne DHang se suljhaane ki koshish bhi karta raha hoon.
meri banaaee huyi filmen dekhne ke baad desh ke kone kone se log mujhe apni
prashansaa aur aalochana likhkar bhejte hain. adhiktar log mujhe aisi filmen
banaane ki updesh bhi dete hain. aise patron ko paDhkar aisi samasyaapoorN aur
updeshpoorN filmen banaane ka mera utsaah aur bhi baDh jaata hai. is sambandh
mein kai pratyaksh ghaTnaayen bhi huyi hain. unmein se ek main aap ko bataaye
bina naheen reh saktaa. meri pehchaan ka ek aadmi kisi gaaon gaya tha. 'station'
par uska saamaan ek chhoT se laDke ne uThaakar kahaa 'baahar pahuncha doon
saahab?' us aadmi ne akhaa 'abhi tu bahut chhoTaa hai, itni kashT ka kaam kyun
karta hai?' laDke ne jawaab diya 'mehnat karke kuchh paise kamaayunga aur apni
maa ki madad karoonga'. us aadmi ne phir poochha 'kya tumhaari maa ne tumhe aisa
kaam karne ko kahaa hai?' tab us baalak ne kahaa 'maa ko to iska pataa bhi
naheen hai, maine Toofan Aur Diya naam ki ek film dekhi thi, usmein mujhse bhi
chhoTa ek laDka apni andhi bahan ke liye isse bhi zyaada kashT uThaata hai, to
kya main apni maa ke liye itna kaam bhi naheen kar saktaa!' us aadmi se yeh
ghaTna sunkar meri aankhen bhar aayeen. aaj tak mujhe milnewaale puraskaaron
mein yahi ek puraskaar mere liye baDaa tha. jee haan, is Toofan Aur Diya film ka
nirmaaN maine kiya tha, aur digdarshan mere putra Prabhat Kumar ne kiya tha. is
film ka shirshak geet aaj bhi nirbal ko balwaan banaane ka sandesh deta hai.
--------------------------------

--------------------------------------------------------
Clip: nirbal se laDaai balwaan ki (Toofan Aur Diya,1956)
--------------------------------------------------------

1942 ka saal isliye bhi mahatwapoorN hai ki abhineta Pran ne Lahore ki Pancholi
Arts ki film Khandan se isi saal Hindi Cinema ke kshetra mein qadam rakhaa tha.

----------------------------
PRAN speaks:

kehte the ki yun kehte, yun kehte jo aata, sab kehne ki baaten hain, kuchh bhi
na kahaa jaata. maashooq ka saamna hote hi is aashiq ka jo haal huya hai, ghar
se chalaa tha yun sochte huye ki aap se yun kahoonga, aise kahoonga, baDe baDe
Khayaali pulaav pakaaye. par aapke saamne aate hi saari bahaaduri Khatam ho
gayi. aur bhaaiyon, yeh 'mike' hai na, yeh meri sabse baDi kamzori hai. yun
samjheeye ki aaj main pehli baar 'mike' ke saamne aaya hoon. isse pehle na main
kisi jalse mein bolaa naa 'radio' par. yahaan bhi main Khud naheen aaya hoon,
aap ki mohabbat khench laayi hai. aur jab aa hi gaya hoon to kuchh kehna bhi
paDegaa. to kyun na sach keh doon to Khwaja Mir DarG ka yeh sher yaad aata hai -
"jaan se ho gaye badan Khaali, aankh bhar tune jis taraf dekhaa", to unmein
sabse pehle Rajinder Krishan-ji ki likhi ek Gazal. Rajinder Krishan-ji ek
achchhe geetkaar to hain hi, saath hi saath ek behetareen 'dialogue writer' bhi
the. film Khandan mein unhone mere liye yeh 'dialogue' likha, jahaan 'hero'
aakar kehta hai ki 'tum beech mein mat bolo' - "ham log Ramayan paDhnewaale log
hain, ki jahaan bhaai bhaai ke liye jaan de deta hai", to 'villain' bolta hai -
"barKhurdaar kaun si Ramayan paDhee hai tumne? hamaari Ramayan to kehta hai ki
RaavaN ko uske sage bhaai VibhishaN aur Baali ko uske bhaai Sugreev ne marwaa
diya tha".
------------------------------

1943 mein Sasadhar Mukherjee aur Ashok Kumar Bombay Talkies se alag hokar neev
rakhi Filmistan Studio ki. aur isi saal Mehboob Khan ki film Taqdeer se naayika
banee Nargis.

------------------------------
NARGIS speaks:

'radio' par aur doosre 'programme'-on mein main itna bol chuki hoon ki ab kuchh
bolne ke liye sochna paDtaa hai. aur aise mauke par jab apni yaadaasht par zor
Daalti hoon to guzre huye zindagi ke waaqyaat tasveer ban bankar saamne aate
hain. aur main un tasveeron mein apne aap ko talaash karne lagti hoon. goya
zindagi mein gum ho jaati hoon, aur mera aqeeda bhi yahi hai ki woh kalaakaar
kalaakaar naheen jo zindagi mein kho na jaaye, samaa na jaaye. maine apni filmi
zindagi mein hamesha koshish kee hai mera har 'role' banaavaTi na maaloom hokar
asli maaloom ho. iski ek wajah yeh bhi thi ki meri taaleem ek aise maahaul mein
huyi thi jahaan zindagi ko zindagi ki nazar se dekhaa jaata tha. rahaa filmi
duniya se mere rishte ka sawaal, to bas yun samjah leejiye ki filmi duniya se
mera rishtaa paidaaishi hai. main us waqt se kaam kar rahi hoon jis waqt mujhe
Theek tarah se bolna bhi naheen aata tha. lekin 'heroine' ki haisiyat se meri
pehli film thi Taqdeer, jo Mehboob saahab ne banaaee thi. sach to yeh hai ki
Mehboob saahab ne meri filmi zindagi ko 'break' diya aur aaKhir mein Mother
India banaakar mujhe ek bahut oonche muqaam par pahunchaa diya.
--------------------------------

---------------------------------------------------------------
Clip: matwaala jiya Dole piya jhoome ghaTaa (Mother India,1957)
---------------------------------------------------------------

san 1944 mein bani Prabhat Studio ki film Chand se pehli sangeetkaar joDi ne
film jagat mein kadam rakhaa. yeh joDi thi Husnlal Bhagatram ki, jo us zamaane
ke mashoor sangeetkaar Pandit Amarnath ke chhoTe bhaai the. film Chand mein
Manju ka gaaya yeh geet unke abhineta bhaai Balak Ram par filmaaya gaya tha...

-------------------------------------------------------------
Clip: do dilon ko yeh duniya milne hi nahin deti (Chand,1944)
-------------------------------------------------------------

san 1944 mein aayi film Rattan. Rattan aur iski sangeet ka andaaza sirf is baat
se hi lagaaya jaa sakta hai ki mahaz 80,000 rupay ki laagat se bani is film ke
nirmaataa ko sirf 'records' ke 'royalty' se hi 3.5 laakh rupayon ki aamadani
huyi thi. sangeetkaar Naushad ki bhi 'career' ko is film ki safalta ne aasmaan
ki oonchaaiyon par pahuncha diya tha.

------------------------------------------
Clip: o jaanewaale baalamwaa (Rattan,1944)
------------------------------------------

-----------------------------
NAUSHAD speaks:

Naushad aadaab pesh karta hai. jis sangeet ki sevaa mein maine apni zindagi ka
ek baDaa hissa guzaar diya hai, aaj usi ke baare mein aap se kuchh kehna hai.
hamaara sangeet ek chaumukhi deepak hai, jisse chaar lau-en ek saath nikal rahi
hai. pehli lau hai bhakti sangeet ki...

Clip: maango milegaa sabko daan (

doosri lau hai darbaari sangeet...

Clip: shubh din aayo (Mughal-e-Azam,1960)

teesri lau hai lok-sangeet ki...

Clip: dukh bhare din beete re bhaiyaa (Mother India,1957)

chauthi lau hai shaastriya sangeet...

Clip: aaj gaawat man mero jhoom ke (Baiju Bawra,1953)

lekin sangeet ki is chaumukhi deepak ko jalaanewaali aatma ek hi hai, aur woh
hai shaastriya sangeet. main agar shaastriya sangeet ki azmat ko bayaan karna
shuru karoon, to zabaan thak jaayegi yaa alfaaz Khatam ho jaayenge, kalam ruk
jaayegaa. magar iski Khoobiyaan na Khatam hongi. lehaaza ek dohaa haazir hai,
sangeet ko samajhne mein yeh aapki madad karegaa - "saat suron ko saat samundar
suno kahen Haridas, sur eeshwar ke roop saat hain har har mein ek aas". saat
suron ke saagar se raag raaginiyon ki anek dhaaraayen nikalti hain.
---------------------------------------

doosre vishwayudh ki wajah se kai kalaakaaron ko  Kolkata chhoDkar Mumbai chale
aana paDaa tha. inmein pramukh the Kidar Sharma, Prithviraj Kapoor, Trilok
Kapoor, Monika Desai, Kurzon, Bipin Gupta, Khemchand Prakash, aur Kundan Lal
Saigal. in sab ko panaah dee thi Ranjit Studio ne, jiske liye kahaa jaata tha ki
aasmaan se kahin zyaada sitaare Ranjit mein hai. Kundan Lal Saigal ne Ranjit ki
3 filmon, 1942 mein Bhakt Surdas, 1943 mein Tansen aur 1944 mein Bhanwara mein
abhinay aur gaayan kiya tha. Bhakt Surdas aur Tansen mein unki naayika theen
Khursheed, jo Khud bhi ek behetareen naayika theen.

-----------------------------------------------------------------
Clip: panchhi baawraa chaand se preet lagaaye (Bhakt Surdas,1942)
-----------------------------------------------------------------

san 1945 mein pehli filmi qawwaali baazaar mein aayi aur dekhte hi dekhte logon
ki zabaan par chhaa gayi. us saal bani film eenat mein Noorjehan, Zohrabai aur
Kalyanibai ki gaayi yeh qawwaali 12/13 saal ki Shashikala, Shyama aur Shalini
par filmaaee gayi thi.

--------------------------------------------------
Clip: aahen na bhari shikwe na keeye (Zeenat,1945)
--------------------------------------------------

Shyama aur Shashikala aage chalkar Hindi cinema ki jaanimaani kalaakaar saabit
huyeen.

--------------------------------------------------
Clip: kyun mujhe itni Khushi de dee (Anupama,1966)
--------------------------------------------------

--------------------------------
SHASHIKALA speaks:

aapki pyaari naani kahiye yaa daadi kahiye yaa maa kahiye yaa bahan kahiye, aap
sabko mera namaskaar!

Q: Meena Kumari-ji ke baare mein koi yaadgaar sansmaraN ho, jo aap bataana
chaahen?

Meena-ji jo theen bahut 'down to earth' theen. unhone kabhi yeh naheen dikhaaya
ki 'main Meena Kumari hoon', yeh kabhi naheen dikhaaya. aur sabse baDi baat yeh
thi ki agar unko deri se aana hai, to pehle se bataa ke jaati thi 'director' ko
ki 'main deri se aa rahi hoon', to 'director' uske mutaabik 'shot arrange' karte
the. aur yeh cheez maine apni aankhon se dekhi hai ki jab woh 'studio' ke andar,
yaani 'set' ke upar jaane se pehle muskaaya karti theen, aur jab bolti theen to
aisa lagta tha ki jaise munh se motiyaan jhaD rahe hain.
----------------------------------

----------------------------------
MEENA KUMARI speaks:

sunehri libaas mein angDaai lekar jhaanknewaali subah ki nanhi-munni kiran,
bhoole bhaTke raahi ko ek lambe mein hi Gham ke ???? se chhuDaakar sukoon ke
saaye tak pahunchaa deti hai. phir Khushiyon ke shagoofe, ummeedon ki kaliyaan
khilkhilaakar raahi ke har ahsaas ke koshe ko gulposh banaa dete hain. yeh
qaayenaat ki fitrat hai. yeh na samjhe pyaar karnewaale ka gunaah.
----------------------------------

------------------------------------------------------------
Clip: dil jo na keh sakaa wohi raaz-e-dil (Bheegi Raat,1965)
------------------------------------------------------------

----------------------------------
SHYAMA speaks:

Q: log Shyama-ji ko ek Khoobsoorat abhinetri ke roop mein jaan rahe hain aur
achaanak khalnaayika. to aapko kaisa lagaa tha woh?

mujhe,... jee, ... mere liye to,... kehna chaahiye ki ek 'challenge' tha ke bhai
'heroine' ban gayi to khalnaayika bhi banker dikhaa do. waise to mujher achchhi
tarah se yaad hai ki L V Prasad, Sharda 'picture, jismein Raj Kapoor saahab the,
aur Meena aapa. Meena Kumari naheen, Meena aapa kaha karte the ham unko. aur
unhone kahaa ki 'hamaare 'picture' mein 'role' hai lekin kya tum karogi?' maine
kahaa 'aap sunaaiye to 4 'line', phir main 'decide' karoongi', kyunki Meena aapa
ke saamne kaam karna baDe baDon ki chhuTTi ho jaati thi. to waise hi allaah ke
fazal se Meena aapa itni achchhi theen, jab ham 'set' pe bhi gaye aur unke saath
kaam kiya, to pataa hai, ek 'second' mein ro deti theen. aur main kehti thi
'Meena aapa, ek baat seekhaaiye hamein ki aap ro kaise le leti hain ekdam se'.
to kehti ki 'yeh bhi ek raaz hai'. to maine kahaa ki 'kya raaz hai?' to kaha ki
'pataa naheen, 'acting' karte karte Khud-ba-Khud aankhon mein aansoo aa jaate
hain'. to waise hi usmein mujhe ek gaana yaad aaya (sings) "ae chaand jahaan woh
jaaye", woh gaana mera aur Meena aapa ka muqaabla huya aur maine kahaa ki
muqaabla bhi aisa hoga ki is 'picture' ne agar 'award' naheen liya to Shyama
naam naheen!
----------------------------------

----------------------------------------------
Clip: o chaand jahaan woh jaaye (Sharada,1957)
----------------------------------------------

san 1946 mein pradarshit huyi film Shahjehan. Saigal ke saath Naushad ke
'career' ki yeh akeli film saabit huyi hi, Mohd Rafi ki Saigal ke saath gaane ki
tamanna bhi isi film mein poori huyi. haalaanki Mohd Rafi ke hisse mein mahaz,
ant ki do panktiyaan hi aayeen, lekin Saigal ke ananya bhakt Rafi ke liye itna
hi kaafi tha.

----------------------------------------------------------
Clip: mere sapnon ki raani Ruhi Ruhi Ruhi (Shahjehan,1946)
----------------------------------------------------------

doston, aapko bataa den ki film Shahjehan geetkaar Majrooh Sultanpuri ke
'career' ki bhi pehli film thi.

---------------------------------------
MAJROOH SULTANPURI speaks:

meri Khaandaani haisiyat ek khaate peete kisaan ki hai. ham kabhi zmaeendaar
huya karte the, lekin dheere dheere dheere dheere woh haalat kisaan ki reh gayi.
to jab 36 mein Khilaaf chalee, videshiyon ke Khilaaf, us zamaane mein videshi
kapDe jalaa deeye jaate the. mere waalid ne kahaa ki 'main apne beTe ko angrezee
naheen paDhaayunga'. isliye meri taaleem huyi arbi-faarsi ki. arbi-faarsi mein
taaleem hone par mera man wahaan naheen Tikaa, main 'rusticate' huya. aur
'rusticate' hone ke baad phir main chalaa aaya Lucknow. wahaan maine hakeemee ki
taaleem haasil kee. beech beech mein main Sultanpur bhi aata raha, kyunki un
dino wahaan ki har kasbe kasbe mein sher-o-shaayri ka maahaul huya karta tha.
sunaate the, wahaan koi mushaayra agar huya to ek aaadh Ghazal maine likhee aur
log pasand karne lage.
----------------------------------------

----------------------------------------
Clip: hamsafar saath (Aakhri Daao (1959)
----------------------------------------

Chetan Anand, jinhone 1946 kifilm Neecha Nagar banaakar shuru kee thi apni
'career' ki.

--------------------------------------------------
Clip: main yeh sochkar unke dar se (Haqeeqat,1964)
--------------------------------------------------

-------------------------------------
CHETAN ANAND speaks:

'programme' shuru main us gaane se karoonga jise maine 17,000' ki bulandi par
Sakhala Pass se guzarte huye ek fauji bhaai ko gungunaate huye sunaa tha.
hamaari 'jeep' ko achaanak do fauji bhaaiyon ne bandooken taan kar rokaa aur
kahaa ki 'jab tak aap hamaare saath chaai naheen peeyenge, aage jaane ki ijaazat
naheen mil sakti'. uske baad unke 'bunker' mein chaai ka intezaar karte karte
achaanak ram ki botal khul gayi aur ek kone se gungunaahaT ki aawaaz aayi...
-------------------------------------

----------------------------------------------------
Clip: kar chale ham fidaa jaan-o-tan (Haqeeqat,1964)
----------------------------------------------------

us zamaane mein aazaadi ki laDaai nirNaayak daur mein thi. desh ka baTwaara huya
to Noorjehan, Shaukat Hussain, Khursheed, Master Ghulam Haider jaise kai diggaj
fankaar jahaan Pakistan chale gaye, waheen kai naye logon ne filmi duniya mein
qadam rakkhaa. san 1947 gawaah hai Hindi cinema ke itihaas mein aaye bepanaah
utaar-chaDhaavon ka. yeh woh saal tha jab Saigal hamaare beech naheen rahe, Lata
aur Mukesh ke 'playback career' ka shubhaarambh huya, Raj Kapoor aur Madhubala
naayak naayika bane, aur bhi bahut kuchh dekhe san '47 ne.

----------------------------------------------------------
Clip: watan ki raah mein watan ke naujawaan (Shaheed,1948)
----------------------------------------------------------

Aap Ki Sewa Mein, is film ke liye sangeetkaar Datta Davjekar ne Lata-ji se unka
pehla paarshwageet gawaaya jise likha tha mashoro abhinetaa Mahipal ne.

----------------------------------------------------
Clip: paa laagun kar jori re (Aap Ki Sewa Mein,1947)
----------------------------------------------------

----------------------------------
LATA MANGESHKAR speaks:

swargeeya shri K.L.Saigal, waise to unse seekhne ka saubhaagya mujhe praapt
naheen huya, magar unke gaane gaane sun sun kar hi mujhmein sugam sangeet gaane
ki ichchha jaagee, aur is kshetra mein main unhi ko apna guru maanti hoon. mere
pitaa-ji, Shri Dinanath Mangeshkar, jo apne zamaane ke maane huye gaayak the,
unko Saigal-saahab ki gaayaki bahut pasand thi, aur mujhe aksar Saigal-saahab
kaa koi geet sunaane ko kehte. mujhse logon ne aksar poochha hai meri safalta ka
raaz, aur maine yahi kahaa hai ki main geet ke bhaav ko samajhne ki koshish
karti hoon aur dhun ko baar baar man mein gungunati hoon aur gaate waqt dil se
gaati hoon. geet ke bhaav ke hisaab se kabhi ghaTaakar dekhti hoon, kabhi
baDhaakar. aur jab gaati hoon tab dil se gaati hoon, sirf gale se naheen.
-----------------------------------

------------------------------------------------------------
Clip: woh bhooli daastaan lo phir yaad aa gayi (Sanjog,1961)
------------------------------------------------------------

san 1947 mein Noorjehan ki film Jugnu pradarshit huyi. is film ka yeh geet
Noorjehan ke saath gaaya Rafi ka pehla aur aaKhri yugal geet saabit huya.

----------------------------------------------------------
Clip: yahaan badlaa wafaa ka bewafaai ke siwa (Jugnu,1947)
----------------------------------------------------------

isi saal gaayak Mukesh ne film Pehli Nazar mein sangeetkaar Anil Biswas ke liye
apna pehla paarshwageet gaaya jise filmaaya gaya Motilal par. Mukesh ke gaayiki
par Saigal ka asar is gaane mein saag jhalakta hai.

--------------------------------------------------
Clip: dil jalta hai to jalne de (Pehli Nazar,1947)
--------------------------------------------------

ab tak baal-kalaakaar ke haisiyat se kaam karte aaye Raj Kapoor aur Madhubala
1947 mein hi Kidar Sharma ki film Neelkamal mein pehli baar naayak naayika bane.

------------------------------------
KIDAR SHARMA speaks:

maine san 1932 mein 'film line' mein qadam rakha tha. aur baDi hi jaddojahad ke
baad, aur kai tarah ke paapaD belne ke baad taqdeer mujhe aaj wahaan le aayi
jahaan main aaj hoon. yaad rahe ke na to main koi bahut baDaa sarmaaydaar hoon
aur na hi meri apni koi 'studio' hai. main to ek Khaanaabadosh filmsaad hoon, jo
baGair kisi baaje-gaaje ke, yaa baGair kisi shor-o-gul ke chupchaap apni Dagar
pe chalaa jaa raha hai. main us mallaah ki tarah hoon jisne bahut se
kalaakaaron, sangeetkaaron, 'technicians' ko, apni chhoTi si kashti mein
biThaakar unko unki manzil tak pahunchaaya hai. aur yahi mera sabse baDaa inaam
hai jo mujhe bhagwaan ki taraf se milaa hai. main jaanta hoon ki bahut kam logon
ko is baat ka ilm hoga ki film Devdas mein Saigal saahab ka gaaya huya woh geet,
jo kabhi bachche bachche ki zabaan pe tha, "baalam aaye baso more man mein", woh
pehla geet tah jo maine likha tha.
------------------------------------

--------------------------------------------------
Clip: baalam aaye baso more man mein (Devdas,1935)
--------------------------------------------------

isi saal, yaani ki 1947 mein Kardar ki film Dard se ek nayi gaayika ne film
udyog mein qadam rakhaa. unka gaayan ka 'career' to zyaada naheen chal paaya,
lekin aage chalkar ek haasya abhinetri ke taur par Khoob mashoor huyeen.

------------------------------------
UMA DEVI speaks:

main tumhe thoDi si aap-beetee sunaati hoon. mashhoor heroine Suraiyya, film
star Suraiyya, haay haay haay haay, ke saath maine film 'Dard' ka yeh gaana
gaaya tha. aap log Khoob sunte hain yeh gaana. usmein main bhi unke saath khaDi
hokar, bilkul unse lipTi khaDi gaa rahi thi, "betaab hai dil dard-e-mohabbat ke
asar se". ismein hum dono ne apne apne gaane ki adaayagee kee thi, zara suniye
to.
-------------------------------------

-----------------------------------------------------------
Clip: betaab hai dil dard-e-mohabbat ke asar se (Dard,1947)
-----------------------------------------------------------

san 1948 mein film aag se Raj Kapoor abhineta hone ke saath saath jahaan
nirmaata nirdeshak bane...

--------------------------------------
Medley of Raj Kapoor's songs' preludes
--------------------------------------

.. waheen Bombay Talkies ki film Ziddi se Kishore Kumar gaayak ke roop mein
saamne aaye. unhone is film mein maali ki ek chhoTi si bhumika bhi nibhaai thi.
Kishore ke is pehle geet mein bhi un par Saigal ka prabhaav saaf jhalakta hai.

---------------------------------------------
Clip: jeene ki tamanna kaun kare (Ziddi,1948)
---------------------------------------------

san 1949 mein pradarshit huyi Bombay Talkies ki film Mahal, jo bhaarat mein bani
pehli 'suspense film' thi. iska geet "aayega aanewaala" ne Lata ko safalta ki
choTi par pahuncha diya tha.

-----------------------------------
Clip: aayega aanewaala (Mahal,1949)
-----------------------------------

is film ke nirdeshak the Kamal Amrohi.

-------------------------------
KAMAL AMROHI speaks:

aamtaur par kya hota ki ek hi film ke do teen 'unit' mein 'hit' ho jaane ke baad
aadmi sochta hai ki main 'director' bhi ban jaayun. lekin mere saath aisa waaqya
naheen huya, aur maine kabhi naheen kahaa ki aise kachchepan ke saath main
chaloon. lekin aage chalke mujhe yeh ahsaas ho gaya ki mujhe isi 'line' pe
chalna hai, yaa isi raaste se guzarnaa hai. film kis tarah 'direct' kee jaati
hai, uske liye kya kya baaten jaanna zaroori hai aur kin kitaabon ka mutaalaa
karna chaahiye , aise kaun se baDe 'directors' huye hain jinhone filmon ko pehli
sabaq paDhaaya hai, bahut se 'screenplays' maine paDhe, aur 13 saal ke baad
maine pehli 'picture direct' karne ka qadam uThaaya, jab mujhe kam se kam yeh
ahsaas ho gaya tha ki main jaan gaya hoon ki 'film director' apna kaun sa
tareeka iKhtiyaar karta hai. darasal meri Khushkismati hai ismein ki Bombay
Talkies jaisi zabardast 'banner' mein apni pehli film 'direct' kee. haan, baDe
tajurbekaar log the, aur tab bhi un logon ko thoDaa thoDaa shaq tha ki main
achchhi tareeke se likh to sakta hoon lekin 'direction' ki takneek se main itni
achchhi tarah se na guzar sakoon. jin logon ne woh film naheen dekhee hai un
logon se to main kuchh keh naheen saktaa. lekin jin logon ne film dekhee hai woh
aaj tak usko yaad karte dekh mujhe bahut Khushi mehsoos hoti hai.
-------------------------------

-----------------------------------
Clip: aayega aanewaala (Mahal,1949)
-----------------------------------

san 1949 mein hi pradarshit huyi Raj Kapoor ki film Barsat. sangeetkaar joDi
Shankar Jaikishan ki yeh pehli film thi. is film ki zabardast kaamyaabi ne na
keval Raj Kapoor ko balki Nargis, Nimmi, Shankar Jaikishan, Hasrat Jaipuri,
Shailendra aur Mukesh ko bulandiyon par laa khaDaa kiya.

----------------------------------------
SHANKAR speaks:

pichhle 25-30 saalon mein is Shankar Jaikishen ne aapki seva mein itne saare
dhune tayyaar kiye hain ki unmein se kuchh geeton ko chunne baitha hoon to ulajh
kar reh gaya hoon. kise bhool jaayun, kise yaad rakhoon. saamne 'records' ka
Dher lagaa hai. har gaane ke saath meeThee yaadon ke sapne saje hain. aankhon ke
saamne maano beeti huye din yun ubhar rahe hain jaise koi film chal rahi ho.
pehla drishya ubharta hai jab main, Jaikishen, Shailendra, Hasrat Jaipuri,
Mukesh aur Raj Kapoor R K Studios mein baithe huye hain aur ho rahi hai geeton
ki barsaat.

Clip: Barsaat mein humse mile tum sajan (Barsat,1949)

Barsat ke baad Awara...

Clip: Awara hoon (Awara,1951)

Shree 420...

Clip: Ramaiya vattavaiya (Shree 420,1955)

Aah...

Clip: Raja ki aayegi baaraat (Aah,1953)

Boot Polish...

Clip: Hum maywaale polishwale (Boot Polish,1954)

Sangam...

Clip: Bol Radha bol sangam hoga ke naheen (Sangam,1964)

Kal Aaj Aur Kal...

Clip: Tik tik tik chalti jaaye ghadi (Kal Aaj Aur Kal,1971)

Jis Desh Mein Ganga Behti Hai...

Clip: Aa ab laut chalen (JDMGBH,1962)

aur Mera Naam Joker...

Clip: E bhai zara dekh ke chalo (Mera Naam Joker,1970)

aur tabhi jaise film TooT jaati hai

Song: Jaane kahaan gaye woh din (Mera Naam Joker,1970)
------------------------------------------------------

------------------------------------
RAJ KAPOOR speaks:

mera mizaaj laDakpan se aashiqaana tha. samjhe na! bachpan mein jab khelta tha,
naaTak hi khelta tha. aaspaas ke bachchon ko ikaTTha karke, ghar ke naukar
chaakaron ko 'audience' banaata tha, 'ticket print' karta tha, chhoTe chhoTe
naaTaken likhta tha, ghar ki chaadaren, 'table cloth' inke parde banaakar chhoTe
chhoTe naaTak khelta tha. yeh sab jab ham Kalkatte mein the. Bambai pahunchne
par 'school' ke naaTakon mein kaam karne ke saath saath All India Radio par jo
bachchon ka 'programme' hota tha, usmein har aitvaar ko baDe shauk se main hissa
leta tha. kabhi gaata, kabhi laghu-naaTika meion hissa letaa, yahaan tak ki
yahaan ek baar mujhe ek gaane ke liye 'gold medal' inaam bhi diya gaya.

Q: Raj saahab, 'acting' ke saath saath film nirmaaN aur nirdeshan ka kaam aap ne
kis vichaar se shuru kiya?

jaise shrishTi ki rachna ke liye Brahma Vishnu Mahesh teeno hain, waise hi mujhe
apni kalaa ko poora karne ke liye kalaakaar, nirmaata aur digdarshak, teeno
banne ki zaroorat thi. naheen to, iske baGair main apne aap ko kalaa mein
adhoora paata.

Q: achchha Raj saahab, desh ki unnati aur pragati mein filmen kahaan tak
madadgaar ho sakti hain?

film dwaara ham laakhon insaano tak pahunchte hain, unke dil-o-dimaaG tak
pahunchte hain. agar hamaare filmon mein koi sandesh, achchhe Khayaal, jo unki
zindagi se milte julte hon, yaa jise dekhkar log apna rahan sahan aur apni
zindagi ko behetar banaa sake, achchhaaiyon ko apnaakar buraaiyon ko doore karte
huye ek naye samaaj ka nirmaaN kar sake, tab film sahi maaine mein desh aur
jantaa ke liye faaydemand saabit ho sakte hain.
-------------------------------------

------------------------------------------------------------
Clip: aa ab lauT chalen (Jis Desh Mein Ganga Behti Hai,1962)
------------------------------------------------------------

END OF PART 2


PART 3 (The 50s)
****************

50 ke dashak mein Hindi cinema ko B R Chopra, Shakti Samanta, Yash Chopra aur
Hrishikesh Mukherjee jaise nirdeshak, Nadira, Waheeda Rahman, Mala Sinha, Asha
Parekh, Sunil Dutt, Manoj Kumar, Rajendra Kumar, Raj Kumar jaise kalaakaar aur
Madan Mohan, Hemant Kumar, O P Nayyar, Ravi, aur Kalyanji Anandji jaise zaheen
sangeetkaar mile. Madan Mohan ki pehli film thi 1950 mein bani Ankhen, jiske
gaane us zamaane mein behad pasand keeye gaye.

------------------------------------------------------
Song: hamse nain milaalo 'BA pass' karke (Ankhen,1950)
------------------------------------------------------

jaanemaane gaayak aur sangeetkaar Hemant Kumar ne apne 'career' ki shuruwaat kee
Filmistan ki film Anandmath se, jo 'release' huyi san 1952 mein.

------------------------------------
Clip: vandemaataram (Anandmath,1952)
------------------------------------

1952 mein hi Dalsukh Pancholi ki film aasman se O P Nayyar utre maidaan mein.
shuru mein to unke haath maayoosi hi aayi, lekin unki chauthi film Aar Paar ke
geeton ne safalta ke aise jhanDe gaaDhe ki har sunnewaale ke zabaan par Nayyar
ka naam chaDh gaya.

------------------------------------------
Clip: kabhi aar kabhi paar (Aar Paar,1954)
------------------------------------------

------------------------
O P NAYYAR speaks:

taubaa keejiye! ek gaane ki ek hi dhun. iska bhi ek 'interesting' kissa sun
leejiye. ek din Guru Dutt, "baabuji dheere chalna" yeh mukhDaa baDaa pasand tha
usko, woh kehne lage ki 'ismein thoDaa 'modulation' kar do, 'change' kar do',
maine kahaa 'yaar, tum 'situation change' kar do, main bhi dhun 'change' kar
deta hoon!' 'naheen naheen, dhun to mujhe yahi rakhni hai, isko zaraa 'change'
kar do'. 15 dino ke baad maine phir wohi dhun phir usko sunaa dee. kehta hai ki
'ab Theek hai'. yeh 'industry' hai, inko kuchh maaloomaat naheen hai
-------------------------

--------------------------------------------------------
Clip: preetam aan milo (Non-film, C H Atma / O P Nayyar)
--------------------------------------------------------

1956 mein ek film aayi Railway Platform, isi film se shuruwaat kee thi Sunil
Dutt ne apne 'career' ki. aur agle hi saal, yaani 1957 mein, Mother India ki
safalta ne unhe 'star' ka darja dila diya.

---------------------------
SUNIL DUTT speaks:

chand saal ho gaye, Kishore Kumar saahab ko maine baDi mushkil se raazi kiya ki
woh hamaare saath Ajanta Arts Welfare Troupe mein aakar aap ka manoranjan karen.
Kishore Kumar saahab isse pehle 'stage' par naheen gaate the. Khair, ham log
Nathu La aur Gangtok ke beech barf se Dhake huye pahaaDi 'camp' mein pahunche.
hamaare phunchte hi dekhte dekhte sanikon ne lakDee ka ek 'stage' banaaya, aur
Khud baraf par palTi maarkar baiTh gaye. 'programme' shuru kiya to Kishore
saahab 'stage' par gaane ko tayyaar naheen. tay huya ki honTh main hilaayunga,
aur 'stage' par mere peechhe khaDe hokar woh gaayenge. Khair gaana shuru huya
aur kuchh hi der ke baad main honTh hilaate hilate Kishore saahab ke saamne se
haT gaya. Kishore saahab bahut jhillaye lekin taaliyon ki goonj ne unhe gaane
par majboor kar diya.
------------------------------

-------------------------------------------------
Song: mere saamnewaali khiDki mein (Padosan,1969)
-------------------------------------------------

1956 mein pradarshit Guru Dutt ki film CID ka sangeet bhi sangeetkaar O P Nayyar
ne hi diya tha. is film se Hindi cinema ki duniya mein kadam rakha tha Waheeda
Rahman ne.

-------------------------------
WAHEEDA RAHMAN speaks:

uske 'director' the Raj Khosla. maheene do maheene to sirf CID ki 'shooting' ho
rahi thi.

(Dialogues from CID).
--------------------------------

------------------------------------------
Song: jaata kahaan hai deewaane (CID,1956)
------------------------------------------

aur ab baat karte hain 1957 ki. isi baras 3 October ko Vividh Bharati ki aawaaz
pehli baar goonjee fizaayon mein.

"jiska udghosh pehle sirf devtaa kiya karte the, dekhte hi dekhte woh huyi
janvaaNi, beh nikli shabd aur sangeet ki gangaa, is gangaa ko keval bhaagirath
ne hi naheen har ghar ne sameTaa apne 'radio set' mein.

----------------------------------
Clip: signature tune of Akashvaani
----------------------------------

yahi to hai aapki Vividh Bharati"

film sangeet ko lokapriya banaane mein Vividh Bharati ne diya apna amoolya
yogdaan.

-----------------------------------------------------
Medley of popular film song preludes from all decades
-----------------------------------------------------

har daur ka sangeet sirf Vividh Bharati par. Vividh Bharati, aapka jeevan
sangeet.

1957 mein hi jahaan Vividh Bharati se prasaaraN ka ek naya daur shuru huya,
waheen darshakon ke liye B R Chopra le aaye film Naya Daur.

------------------------------
B R CHOPRA speaks:

mera naam B R Chopra, poora naam Baldev Raj, poori film line mein ek hi shakhs
hai jo mujhe Baldev ke naam se pukaarta hai, aur woh hain daadaamuni Ashok
Kumar. ek din Baldev ne ek badmaashi kee, aur ek angrezee film dekhee. Arya
Samaaj ke jalse mein jaane ka bahaana karke gzya tha, waapas lauTe to der ho
chukee thi. pitaaji ne poochha ki 'kahaan se aa rahe ho bhaai?', Arya Samaaj ke
usoolon par chalnewaale Baldev se jhooTh na bola gaya. pitaaji sach se hush ho
gaye, magar aainda filmen dekhne par paabandi lagaa dee. 'college' mein likhne
ka shauk paida ho gaya. paDhaai ke saath saath 'magazines' mein Khoob likhe.
kabhi kahaani, kabhi fasaana, kabhi 'film review', kabhi 'article'. aur baad
mein achchha Khaasaa 'writer' maana jaane lagaa. thoDe bahut rupay bhi kamaaye.
angrezee mein MA kiya aur pitaaji ki Khwaahish aur apne Khwaabon ko poora karne
ke liye ICS ke imtihaan mein baiThaa. badkismati se kaamyaab na ho sakaa. bahut
dukh huya. duniya se kinarakashi kar lee, aur zindagi ko Khatam karne ka iraada
kar liya. us waqt pitaaji ne kahaa, 'Baldev, yeh saraasar buzdilee hai, zindagi
ka muqaabla na munh chhupaakar hota hai aur na sar jhukaakar'.
---------------------------------

-------------------------------------------
Clip: na munh chhupaake jeeyo (Humraz,1967)
-------------------------------------------

1958. is baras Filmalaya ki neev rakhi Filmistan se alag huye Sasadhar Mukherjee
ne. Dil Deke Dekho is 'banner' ki pehli film thi jismein Usha Khanna ko pehli
baar sangeet dene ka mauka mila tha.

---------------------------------------------
Song: pyar ki qasam hai (Dil Deke Dekho,1958)
---------------------------------------------

ab tak baal bhumikaaon mein nazar aati rahi Asha Parekh ki bhi bataur naayika
yeh pehli film thi.

--------------------------------
ASHA PAREKH speaks:

kai saal pehle ham log ek film ki 'shooting' kar rahe the Darjeeling mein.
'location' par kaafi pehle pahunch gaye, lekin kismat ki baat kahiye ki us din
baadal chhaaye huye the, 'director' saahab kaafi pareshaan huye. ham logon ne
bhi kahaa ki aaj 'shooting' karna mumkin naheen hai. sardi bhi kaafi hai.
behetar yeh hoga ki ham log 'hotel' lauT chalen. lekin 'director' saahab ne
kahaa 'sooraj zaroor niklegaa'. aur ham logon ke paas wahaan Thaharne ke alaawa
koi chaara na tha. kuchh log taash khelne lage, kuchh ne aapas mein gapshap
shuru kar dee. aur main ek pagDanDi par chalte chalte ek pahaaD ke upar
pahunchee, ek ghanee peD ke neeche baiThee, hawaa ka halka sa ek jhonka meri
jism ko chhoota huya guzar gaya. yeh aankhen Khud ba Khud ban ho gayi, aur ek
ajnabi aawaaz mere kaano se Takraane lagi.
--------------------------------

-------------------------------------------------
Clip: tum bin jaayun kahaan (Pyar Ka Mausam,1969)
-------------------------------------------------

1958 mein hi Bimal Roy ne saamaajik samasyaaon se haTkar rahasya, romaanch aur
punarjanam ko apni film ka vishay banaaya aur apne is prayog mein we safal bhi
rahe. sangeetkaar Salil Choudhary ke sangeet se sajee yeh film thi Madhumati
jise logon ne bharpoor saraaha. aap ko yeh bhi bataa den ki Madhumati ki kahaani
Ritwik Ghatak ne likhi thi

--------------------------------------
Song: aaja re pardesi (Madhumati,1958)
--------------------------------------

1958 mein hi Shakti Samanta ne nirmaaN kiya Howrah Bridge ka.

-------------------------------
SHAKTI SAMANTA speaks:

main UP se aaya tha, to Hindi aur Urdu ke upar thoDi si, matlab, 'hold' tha
mera. to Phani-da ko hamesha Bangla mein 'dialogue' likhne ki bahut aadat thi.
woh Bangla mein likh liya karte the to mujhe kehte the ki isko Hindi mein
'translate' kar do. to main kar diya karta tha. Khair, Pahni-da ke saath maine 3
'picture'-on mein kaam kiya.
---------------------------------

------------------------------------------
Clip: aaiye meherbaan (Howrah Bridge,1956)
------------------------------------------

50 ke dashak ke aahir mein Samrat Chandragupt, Madari aur Satta Bazar jaisi
filmon se sangeet ki duniya mein qadam rakhaa Kalyanji Veerji Shah ne. lekin
bahut hi jald unhone apne chhoTe bhaai Anandji ke saath milkar joDee banaaee
jise aap aur ham jaante hain Kalyanji Anandji ke naam se.

----------------------------------
KALYANJI speaks:

sangeet apne jeevan mein is tarah samaa gaya hai ki iske baGair zindagi ka har
pehlu adhoora sa lagta hai. chaahe Gham ho, chaahe Khushi ho, insaan ke janm se
lekar mrityu tak ke har prasang mein sangeet ko bahut baDaa makaam diya jaata
hai. aur inhi prasangon ko ham apni filmon mein kaise sangeet dwaara ubhaarte
hain yeh ham aapko sunaayenge. ab dekhiye na yeh geet us samay ka hai jab kisi
bachche ka janm huya hai, parivaar mein Khushiyaan manaaee jaa rahi hai,
shubhkaamnaaen dee jaa rahi hain, aur saara ghar Khushiyon ki deep maalaa jalaa
rahi hai.
-----------------------------------

-------------------------------------------------------------
Clip: badhaai ho badhaai janam din ki tumko (Mere Munne,1967)
-------------------------------------------------------------

END OF PART 3



PART 4 (The 60s)
****************

san 1960. duniya ke saamne aaya K Asif ka azeem shaahkaar, Mughal-e-Azam.

-----------------------------------------------------------------
Dialogues between Prithviraj Kapoor & Dilip Kumar (Mughal-e-Azam)
-----------------------------------------------------------------

Dilip Kumar aur Madhubala abhineet is film ke nirdeshak the K Asif aur
sangeetkaar Naushad.

--------------------------------------------------
Clip: pyaar kiya to Darna kya (Mughal-e-Azam,1960)
--------------------------------------------------

hazaaron sheeshon mein "pyaar kiya to Darna kya" geet par nritya karti Madhubala
ka aks aaj bhi darshakon ko achambhit kar deta hai. is drishya ke filmaankan ka
100 fisadi shrey jaata hai is film ke 'cameraman R D Mathur ko.

-------------------------
R D MATHUR SPEAKS:

aap ne film Mughal-e-Azam mein Madhubala ko sheesh mahal mein gaate dekha hogaa
aur sunaa hogaa, "pyaar kiya to Darna kya". is geet ne aap ki hi naheen meri bhi
raaton ki neend uDaa dee thi. jab Art Director Sayyad saahab ne K Asif ke sapnon
ka sheesh mahal 'set' tayyaar karaana shuru kiya, to Khabar yeh aayi thi ki isko
'photograph' karna bahut mushkil hai kyunki aaeene ka 'photo' kheenchnaa
naamumkin baat thi. isse pehle sheeshe ka 'set' kabhi tayyaar hi naheen huya
tha. main na jaane kis xxxx mein Asif saahab se keh chuka tha ki kisi na kisi
tarah se 'set' ko 'photograph' kar liya jaayega. bas kuchh mat poochhiye, kya
kya tarkeeben karni paDee! tab kahin jaakar yeh Khoobsoorat 'set' aapke saamne
nazar aaya.
-----------------------------

60 ke dashak mein ek jahaan Dharmendra, Rajesh Khanna, Biswajit aur Joy
Mukherjee jaise abhinetaa aur Mumtaz aur Hema Malini jaisi abhinetriyon ne
'star' ka darjaa haasil kiya, to waheen doosri taraf R D Burman aur Laxmikant
Pyarelal agraNi sangeetkaaron ki kataar mein aa khaDe huye. Anjaan aur Anand
Bakshi jaise geetkaar bhi isi dashak mein apni pehchaan banaane mein kaamyaab
huye.

-----------------------------
ANAND BAKSHI SPEAKS:

saathiyon, yeh to honewaali baat thi ki aaj bajaaye sangeen ke mere haath mein
kalam hai. is filmi duniya mein bhi aap ka seekhaaya huya sabak bhulaaya naheen
hai.
------------------------------

--------------------------------------------------------
Clip: watan pe jo fidaa hogaa (Phool Bane Angaarey,1963)
--------------------------------------------------------

Shobhana Samarth dwaara nirmit 1960 mein pradarshit film Chhabili se Nutan ne
apni gaayan se sangeet-preemiyon ka dil moh liya.

-----------------------------------------------------
Clip: ae mere hamsafar rok apni nazar (Chhabili,1960)
-----------------------------------------------------

san 1961 mein sangeetkaar Snehal Bhatkar ne apni dhun par gaane ka mauka diya
Mubaraq Begum ko, jo kareeb 12 saalon se apni pehchaan banaane ke liye
chhaTpaTaa rahi theen.

-----------------------------------
MUBARAQ BEGUM SPEAKS:

Q: taaleem aapki Urdu mein huyi na?

Urdu mein, taaleem kya Kamal saahab, aap jaante hain pehle ke zamaane mein
laDkiyon ko paDhaana likhaana zyaada seekhaaya naheen jaata tha. aur hamaare
saath bhi yeh huya ki paach chheh chaupDiyaan paDh lee. chaupDiyaan 'means'
kitaaben, aur likhna to seekhaaya hi naheen. log kehte the ki isey zyaada
paDhnaa likhna seekhaana naheen, naheen to ghar se bhaag jaayegi Khat likhke.
-----------------------------------

---------------------------------------------------------
Clip: kabhi tanhaaiyon mein yun (Hamari Yaad Aayegi,1961)
---------------------------------------------------------

is geet ko aaj Hindi cinema ke sarvashreshTh geeton mein chunaa jaata hai.
geetkaar the Kidar Sharma aur film Hamari Yaad aayegi.

san 1963 mein filmi duniya chaundhiya uThi Parasmani se. is film ke sangeetkaar
the paaras pratibhaa ke dhani Laxmikant Pyarelal.

--------------------------------------------------------
Clip: woh jab yaad aaye bahut yaad aaye (Parasmani,1963)
--------------------------------------------------------

----------------------------
PYARELAL SPEAKS:

Laxmikant Pyarelal ka namaskaar! ab main yeh kyun keh raha hoon Laxmikant aur
Pyarelal ka namaskaar, yeh isliye ki main samajhtaa hoon ki Laxmikant ab bhi
mere saath mein hai, lekin main keh raha hoon Pyarelal ka namashkaar leejiye.
-----------------------------

------------------------------------------------------------------
Clip: mera to jo bhi qadam hai woh teri raah mein hai (Dosti,1964)
------------------------------------------------------------------

1965 mein aayi Vijay Anand dwaara nirdeshit film Guide. Dev Anand aur Waheeda
Rahman dwaara abhineet aur Sachin Dev Burman dwaara sangeetbaddha is film ko aaj
bhi sarvashreshTh bhaartiya filmon ki shreNi mein rakha jaata hai. yeh film
aadhaarit hai suprasiddha upanyaaskaar R K Narayan ke upanyaas par.

----------------------------
DEV ANAND SPEAKS:

yeh kahaani ek saadhu mahaatma ki hai jinhone 12 din tak lagaataar vrat rakhaa
aur bhagwaan ko paani barsaane par majboor kar diya.
----------------------------

------------------------------------------
Clip: aalaah megh de paani de (Guide,1965)
------------------------------------------

is film ke mahatwa ka pataa is baat se chalta hai ki haal hi mein Cannes Film
Festival mein is film ko phir se shaamil kiya gaya hai.

1966 mein duniya ko film jagat se mile Phool Aur Patthar. isi film se Dharmendra
ko 'He-Man' ka rutbaa haasil huya.

-----------------------------
DHARMENDRA SPEAKS:

Ghalib ne Theek hi to kahaa hai ki "ham wahaan hain jahaan se hamko bhi hamaari
Kahbar naheen aati", haan ek baat zaroor kahoonga ki Kalidas ne hazaaron saal
pehle jis naaTak ko janm diya tha, usi naaTak ka ek roop hai aaj ki filmen, aur
ham kalaakaaron ke saamne har film ek tajurbaa hai, ek nayi chunauti hai. is
naaTak ko karte karte ham kabhi kabhi zindagi ko bhi bhool jaate hain. kabhi
kuchh paate hain, kabhi kuchh khote hain, main aaj tak jo paaya hai us par
itraaya bhi. aur jo khoyaa hai usey bhulaaya naheen.
-----------------------------

---------------------------------------------------------------------------
Clip: dekha hai zindagi ko kuchh itne kareeb se (Ek Mahal Ho Sapno Ka,1975)
---------------------------------------------------------------------------

1966 mein hi bankar tayyaar huyi rahasya romaanch se bhari Teesri Manzil, jiske
'record' toD safaltaa ne Rahul Dev Burman ke 'career' ko aasmaan ki bulandiyon
par pahunchaaya hi, Prem Nath ko A-grade khalnaayakon ki kataar par laa khaDaa
kiya.

----------------------------
PREM NATH SPEAKS:

us zamaane mein Film Institute Poona to tha naheen, mujhe 'college' mein 'fancy
dress competition' mein 'first prize' milaa, chhoTe moTe 'plays' keeye. Khaas
koi aise 'professional actor' ka 'standard' naheen tha yaa 'training' naheen
liya. phir Prithviraj-ji ne mujhe 'training' dee Shakuntala mein, Deewar mein,
aur Pathan mein, 1945 se 46 tak
-----------------------------

-------------------------------------------------
Clip: Prelude of "aaja aaja main hoon pyaar tera"
-------------------------------------------------

1966 mein hi Shankar Jaikishan ne film Suraj mein ek nayi gaayika Sharda ko
mauka diya tha. Sharda ka gaaya film Suraj ka yeh geet na sirf us zamaane mein
behad lokapriya huya balki is geet ne Sharda ki jholi mein saal ka sarvashreshTh
gaayika ka Filmfare puraskaar bhi Daal diya.

----------------------------------------
Clip: titli uDi uD jo chali (Suraj,1966)
----------------------------------------

san 1966 mein film Upkar se Manoj Kumar nirmaata, nirdeshak aur lekhak ke roop
mein saamne aaye, aur Khud ko saabit bhi kiya. Upkar darshakon dwaara Khoob
saraahi gayi. abhi tak khalnaayak ke roop mein nazar aanewaale Pran ne pehli
baar ek sakaaraatmak charitra nibhaakar apni chaavi ko badalne ki koshish kee
aur woh ismein kaamyaab bhi rahe. film Upkar ne Manoj Kumar ko ek deshbhakt
kalaakaar ke roop mein sthaapit kar diya.

------------------------------
MANOJ KUMAR SPEAKS:

vaastav mein is tirange ke teen rang - shaanti, prem aur ahimsaa ke prateek hai.
"Shivji yeh naheen par phir bhi sar se behti Khoon ki gangaa hai, jo ek jawaan
ka haath kaTaa dooje ke haath tiranga hai"
-------------------------------

------------------------------------------------
Clip: mere desh ki dharti sona ugle (Upkar,1966)
------------------------------------------------

san 1968 mein film Sapnon Ka Saudagar se Hindi cinema ko aanewaale samay ki
swapna sundari mili - Hema Malini.

-------------------------------
HEMA MALINI SPEAKS:

mujhe bachpan se hi 'dance' ka shauk raha hai. meri maa ne is shak ko dekhaa,
samjhaa aur poora karwaaya. bhaaiyon, mujhe nritya ka shauk, aur meri maa ko
mujhe ek kalaakaar banaane ka shauk, aur nateejaa, jee haan, is nritya kalaa ki
vajah se hi mujhe filmon mein kaam karne ka mauka milaa hai.
-------------------------------

-----------------------------------------------------------------
Clip: seekha naheen sabak tune pyaar ka (Sapnon Ka Saudagar,1968)
-----------------------------------------------------------------

aur 1969 mein bani film Saat Hindustani se aanewaale samay mein kadoDon
hindustaaniyon ko milaa unka 'superstar'

-------------------------------
AMITABH BACHCHAN SPEAKS:

main, yaani Amitabh Bachchan, shuru shuru mein log mujhse kehte 'yeh bhi koi
naam huya, Amitabh, baDaa ajeeb sa naam hai, aur saath mein Bachchan, log tujhe
bachcha kahenge'. mere saathiyon ka vichaar the ki mujhe is naam se prasiddhi
naheen milegi. lekin maine koi aur naam rakhne ka sweekaar naheen kiya, aur aaj
mera yeh vishwaas rang laaya hai.
--------------------------------

-----------------------------------------------------
Clip: ee hai Bambai nagariya tu dekh babua (Don,1978)
-----------------------------------------------------

60 ke dashak ke uttaraardh mein ek naye kism ka cinema astitva mein aaya jise
kalaa yaa samaanaantar cinema ka naam diya gaya. iski shuruwaat huyi Mrinal Sen
ki film Bhubon Shom aur Basu Cahtterjee ki film Saara Akash se. 70 ke dashak
mein samaanaantar cienma ek aandolan ka roop le liya. us daur mein Shyam
Benegal, Govind Nihalani, M S Sathyu, Mani Kaul, Jabbar Patel aur Ketan Mehta
jaise kai film kaaron ne Uski Roti, Ankur, Bhumika, Ardha Satya, Garam Hawa,
Mirch Masala, aur Party jaisi filmen banaaee.

---------------------------------------------------
Clip: saawan ke din sajanwa aan milo (Bhumika,1977)
---------------------------------------------------

70 ke baad ke film yaatra ka haal aapko denge hamaare saathi Yunus Khan aur
Kiran Gwalani.

END OF PART 4



PART 5 (The 70s)
****************

70 se aage ke dashakon ki cineyaatra aap tay karenge Yunus Khan...

aur Kiran ke saath...

san 1970 mein Hrishikesh Mukherjee ki film Anand pradarshit huyi. is film ke
naayak the Rajesh Khanna.

-----------------------------------------------------------
Dialogues betwn Rajesh Khanna & Amitabh Bachchan from Anand
-----------------------------------------------------------

Hrishikesh Mukherjee mulatah 'film editor' the.

---------------------------------
HRISHIKESH MUKHERJEE SPEAKS:

'editor' ke liye nirdeshak banna bahut aasaan hai. film to 'editing' se hi banta
hai na, tukDaa tukDaa aata hai, 'join' karke film banta hai. to 'editor' ko
'knowledge' hota hai sabkaa ki kaise 'sound' Daalna paDtaa hai, kaise 'music'
Daalna paDta hai, sab 'editor' ka kaam hai, to 'editor' ke liye 'director' banna
bahut aasaan hai.
---------------------------------

san 1957 mein Dilip Kumar abhineet film Musafir se unhone nirdeshan ke kshetra
mein kadam rakhaa. bahut jald woh kam 'budget' ki saaf suthri filmon ke nirmaaN
ke liye mashoor ho gaye.

-------------------------------------------------
Clip: zindagi kaisi hai paheli haaye (Anand,1970)
-------------------------------------------------

70 ka dashak ek baar phir se Hindi cinema ke liye khaasaa utaar chDhaav bharaa
raha. 1973 mein pradarshit Prakash Mehra ki film Zanjeer ki zabardast safaltaa
ne 'super stardom' ka taaj ab Amitabh Bachchan ke sar pe rakh diya tha. Pran ne
Zanjeer mein naayak ki paThaan dost ki bhoomika nibhaakar darshakon ki Khoob
waah-waahi baToree. Pran par filmaaya Zanjeer ka yeh geet aaj bhi unke yaadgaar
geeton mein shaamil hai.

------------------------------------------
Clip: yaari hai imaan meraa (Zanjeer,1973)
------------------------------------------

Mera Naam Joker ki shuruwaati asafalta ne Raj Kapoor ko kam 'budget' ki film
Bobby banaane ke liye prerit kiya. is film mein Raj Kapoor ne ek nayi 'team'
banaayi. 'team' mein shaamil the Laxmikant Pyarelal, Anand Bakshi, Indrajit
Singh Tulsi aur Vitthalbhai Patel. puraani 'team' se sirf Lata Mangeshkar yahaan
shaamil theen.

-------------------------------------------
Clip: jhooTh bole kauwaa kaaTe (Bobby,1973)
-------------------------------------------

Raj Kapoor ke kishore beTe Rishi Kapoor aur naya chehra Dimple Kapadia is film
ke naayak naayika the. film Bobby se Hindi cinema ko ek naya gaayak milaa, aur
woh gaayak the Shailendra Singh.

-----------------------------------------
Clip: main shaayar to naheen (Bobby,1973)
-----------------------------------------

70 ka dashak jahaan ek taraf 'super star' Amitabh Bachchan ke uday ka gawaah
hai, waheen doosri taraf Rahul Dev Burman, Laxmikant Pyarelal, aur Kalyanji
Anandji jaise sangeetkaaron ke 'career' ka 'graph' bhi lagaataar upar uThtaa
nazar aaya. hamesha apne samay se aage rahe hain nirmaata nirdeshak aur
abhinetaa Dev Anand. san 1971 mein pradarshit huyi film Hare Rama Hare Krishna.

-------------------------------------------------
Clip: dam maaro dam (Hare Rama Hare Krishna,1971)
-------------------------------------------------

is film ki zabardast safaltaa ne sangeetkaar Rahul Dev Burman ke 'career' ke
'graph' ko upar uThaa diya.

-------------------------------
R D BURMAN SPEAKS:

1957 ki baat kar raha hoon, pehli dafaa is filmi duniya mein 'as music director'
kadam rakha, film thi Chhote Nawab. unse Darte Darte kahaa ki 'yeh gaana agar ek
baDhiyaa 'singer' gaaye to achchha hai'. unhone poocfhha 'kaun?' to 'naturally'
mere dil mein aaya ki Lataji gaaye to achchha hai. unse milaa to kahaa ki 'haan,
koi kaam ke liye zaroor aaye honge'. maine kahaa 'haan, bahut chhoTa sa kaam
hai, lekin aap agar kar dengi to mere liye bahut baDaa kaam ho jaayega. ek gaana
gaana paDegaa, main chaahta hoon ki mere zindagi ka pehla gaana aap gaayen'. to
unhone kuchh do teen jagahon par 'phone' keeye, karne ke baad kahaa ki 'chalo
tumhaare pehle gaane ke liye main teen din ke andar 'date' deti hoon' aur maine
unko woh gaana sunaaya. gaana sunne ke baad bahut aashirvaad diya, shaayad woh
kaam aaj bhi aa raha hai, aap sun leejiye.
---------------------------------

---------------------------------------------
Clip: ghar aaja ghir aaye (Chhote Nawab,1961)
---------------------------------------------

70 ke dashak mein ek naye sangeetkaar Ravindra Jain ka aagaman huya. Ravindra
Jain Rajashree Productions ki filmon ka ek aham hissa ban baiThe. Rajshree
Productions kam 'budget' ki saaf suthri filmon ke liye mashoor tha. in filmon
mein bhaaratiya shaastriya sangeet aur lok sangeet ka baaKhoobi istemaal kar
Ravindra Jain ne apna ek sammaanjanak sthan banaa liya. apne samkaaleen
sangeetkaaron ke viparit Ravindra Jain ne kamcharchit gaayak gaayikaaon ke saath
milkar apni ek alag 'team' banaayi. in gaayak gaayikaaon mein pramukh the
Yesudas, Jaspal Singh, aur Hemlata.

------------------------------------------------
Clip: jogi ji waah jogi ji (Nadiya Ke Paar,1982)
------------------------------------------------

sahi maaeenon mein Hemlata ko Rajashree Productions ki filmon se hi gaayika ke
roop mein pehchaan mili. Yesudas ko bhi Rajashree productions ki filmon ne hi
pehchaan dee. shaaastriya sangeet mein paarangat Yesudas ne Ravindra Jain ke
sangeet mein sangeetpremiyon ko ek se baDhkar ek madhur geet deeye.

--------------------------
YESUDAS SPEAKS:

aaj main Khud ko aap ke saamne paakar kitna Khush hoon bataa naheen saktaa. yeh
aapka apna Yesudas aapko aur aapki bahaaduri ko baar baar salaam karta hai.
mujhe Khushi hai ki aap se baaten karne ka mauka milaa.
---------------------------

----------------------------------------------------
Clip: chaand jaise mukhDe pe (Sawan Ko Aane Do,1979)
----------------------------------------------------

lekin yeh bhi sach hai ki 70 ke dashak ke madhya tak Hindi cinema Amitabh
Bachchan ke 'angry young man' ki chhavi se poori tarah prabhaavit ho chalaa tha.
moTe taur par ab sirf do tarah ki filmen ban rahi thi, ek taraf Sholay, Deewar,
Amar Akbar Anthony, Trishool, Don jaisi 'starcast' waali bhaari bharkam filmen,
aur doosri taraf kam 'budget' ki woh filmen jo aam zindagi se juDee huyi thi.
amuvan in halki fulki filmon ke naayak ke roop mein nazar aate the Amol Palekar.

---------------------------------------------
Clip: suniye kahiye (Baaton Baaton mein,1979)
---------------------------------------------

san 1975 mein pradarshit huyi film Sholay. Sholay ne safalta ke kai 'records'
kaayam keeye. Dharmendra, Amitabh Bachchan, Sanjeev Kumar, Hema Malini aur Jaya
Bhaduri jaisi sitaaron ke beech ek bilkul naye abhineta Amjad Khan ne Gabbar
Singh ki bhumikaa mein jaan phoonk kar darshakon ko achambhit kar diya. Sholay
mein bole gaye Gabbar Singh ke samvaad bachche bachche ke zubaan par chhaa gaye.

-----------------------------------
Dialogues of Amjad Khan from Sholay
-----------------------------------

aur saath hi chha gaya iska madhur sangeet jiski rachnaa Rahul Dev Burman ne kee
thi.

-------------------------------------
Clip: mehbooba mehbooba (Sholay,1975)
-------------------------------------

Sholay ke pradarshan ke agle hi saal, yaani 1976 mein aayi Yash hopra ki film
Kabhi Kabhie.

----------------------------
KHAYYAM SPEAKS:

aapka aur mera rishtaa bahut puraana hai. fauj ka mujhpar bahut baDaa ahsaan
hai, 'discipline and duty', bhale kitni hi kaThinaai aaye, dushvaari aaye, lekin
apni manzil tak pahunchnaa, yeh usool main apne sangeet mein nibhaane ki koshish
karta hoon.
-----------------------------

sahee maaeenon mein yahi woh film thi jiske sangeet ki zabardast safaltaa ne
sangeetkaar Khayyam ko 70 ke dashak ke agarNi sangeetkaaron ki kataar mein laa
khaDaa kiya.

---------------------------------------------------
Clip: kabhi kabhi mere dil mein (Kabhi Kabhie,1976)
---------------------------------------------------

san 1978 mein aayi film Muqaddar Ka Sikandar. Amitabh Bachchan, Rakhi aur Rekha
ki mukhya bhumikaayonwaali is film mein safaltaa ke kai 'record' kaayam keeye.
Kalyanji Anandji dwaara sangeetbaddha is film ke geet likhe the Prakash mehra
aur varishTh geetkaar Lalji Pandey ne, jinhe ham aur aap Anjaan ke naam se
jaante hain. agar dekhaa jaaye to 70 ka dashak Anjaan ke 'career' ke liye bahut
shubh saabit huya.

-------------------------------
ANJAAN SPEAKS:

film geetkaar banne ke baad pataa chalaa ki apni pasand kai pasandon ke ghere
mein bandh jaati hai, phir bhi kabhi kabhi kuchh ek aise geet hote hain jinmein
apne man ki baat kehne ka bhi mauka milta hai, main ek aisa geet lataji ke swar
mein gaaya huya sunwaana chaahoonga, film ka naam hai Shubhkaamna, aur R D
Burman-ji ke sangeet mein Lata-ji ne ise kaise gaaya hai aur maine kya likha
hai, iska andaaza aap yeh geet sunkar swayam lagaa leejiye.
--------------------------------

-------------------------------------------------------
Clip: haal prabhaati sunaaye jagaaye (Shubhkaamna,1983)
-------------------------------------------------------

END OF PART 5



PART 6 (The 80s)
****************

80 ka dashak ek baar phir se gawaah banaa kai utaar chaDhaavon ka. is dashak
mein kai fankaar aise aaye jinhone puraano ki jagah le lee. lekin kuchh puraane
fankaar aise bhi the jinhone na keval apni jagah banaaye rakhi balki apni kalaa
ke zariye logon ko achambhit karne mein koi kasar naheen chhoDee.

-----------------------------------------------
Clip: yeh kya jagah hai doston (Umraojaan,1981)
-----------------------------------------------

Muzaffar Ali dwaara nirdeshit is film mein sangeetkaar Khayyam, gaayika Asha
Bhosle aur abhinetri Rekha ko kalaa ki nayi oonchaaiyon tak pahunchaa. is film
ke gaane likhe the Shahryar ne. is film mein Asha Bhosle ki gaayi Ghazlen aaj
bhi sunnewaalon ka man moh lene mein utni hi saksham hai.

-------------------------------------------------
Clip: dil cheez kya hai aap meri (Umraojaan,1981)
-------------------------------------------------

san 1981 mein aayi film Kranti. is film ki safaltaa ne anoj Kumar ki deshbhakt
waali chhavi ko aur mazbootee dee. baDi 'budget' ki yeh 'multi starrer film'
darshakon ko lubhaane mein poori tarah kaamyaab rahi.

-----------------------------------------------------
Clip: ab ke baras tujhe dharti ki raani (Kranti,1981)
-----------------------------------------------------

80 ka dashak poori tarah se naye naye naye aaye Anil Kapoor, Sunny Deol, Aamir
Khan, aur Salman Khan ke naam raha. is dashak mein Vidhu Vinod Chopra, Sudhir
Mishra, Suraj Barjatya aur Ram Gopal Varma ne bataur nirdeshak apni pehchaan
banaaee. Anand Milind, Anu Malik aur Nadeem Shravan jaise sangeetkaaron ne bhi
isi dashak mein apne 'career' ka shree gaNesh kiya. 80 ke dashak mein ek baar
phir se prem kahaaniyon ka daur shuru huya. aur Love Story, Betaab, Hero,
Qayamat Se Qayamat Tak aur Maine Pyar Kiya jaisi filmen banee aur behad kaamyaab
rahi.

----------------------------------------
Clip: jab ham jawaan honge (Betaab,1983)
----------------------------------------

Salman Khan ki bataur naayak pehli film thi Maine Pyar Kiya. san 1989 mein
pradrshit huyi yeh film Rajashree Productions ki saaf suthri paarivaarik filmon
ki parampara ko banaaye rakhaa.

-----------------------------------
SURAJ BARJATYA SPEAKS:

woh filmen bane jo sab saath mein baiThke dekh sake. mujhe lagta hai woh 'time'
woh tha jab woh shuru mein huye the, us zamaane mein filmon ka 'business',
matlab, achchha naheen maanaa jaata tha. to hamesha chaahte the ki woh aisi
filmen banaaye jo unke naanaaji, unki naaniji, tab dekh sake. to tab se woh
Pondicherry ke bahut bhagat the 'mother' ke, to us aadarsh se bhi chaahte the ki
'family' filmen bane. tab se leke aaj tak jo maahaul maine dekha hai 'as a
director', chaahe woh Rajashree ke is 'office' mein, chaahe woh us maahaul mein
jismein ham pale baDhe, kyun ki ham sab 13 log saath mein rehte hain, to jo
filmon mein aaya hai, woh jo roz marra ki zindagi hai wohi aayi hai.
------------------------------------

lekin is 'banner' ki kam 'budget' aur saadgee ki parampara zaroor film Maine
Pyar Kiya se TooT-ti nazar aayi. baDi 'budget' ki aur tamaam chamak damak se
bhari yeh film Suraj Barjatya ki bataur nirdeshak pehli film thi.

------------------------------------------------------
Clip: dil deewaana bin sajna ke (Maine Pyar Kiya,1989)
------------------------------------------------------

80 ka dashak kai fankaaron ke liye shubh raha. san 1971 mein aayi thi film Lal
Patthar aur is film ka ek geet baDaa hi kaamyaab huya tha, Kishore Kumar ne isey
gaaya tha, bol the "geet gaata hoon main, gungunaata hoon main". is geet ka zikr
isliye kyunki yeh geet geetkaar Dev Kohli ke kalam se niklaa tha. apne is pehle
hi geet se beshumaar lokpriyata haasil karne ke baawjood Dev Kohli gumnaami mein
khoye rahe. 18 saalon ki sangharsh ke baad 1989 mein bani film Maine Pyar Kiya
ke geeton ne Dev Kohli ko lokpriyata ke shikhar par pahuncha diya.

-------------------------------------------------
Clip: aaja shaam hone aayi (Maine Pyar Kiya,1989)
-------------------------------------------------

idhar aaj ke vyastatam geetkaaron mein se ek Sameer ne apna pehla geet "gori
pareshaan hai kaali pareshaan" san 1983 mein bani film Bekhabar mein likha tha.

------------------------------
SAMEER SPEAKS:

tabhi kahin se dil-o-dimaag mein naheen thi ki mujhe kavi banna hai, yaa
geetkaar banna hai. bas shauk tha aur main shauk ki tarah karta gaya, aur maine
pehli kavitaa likhi jab main '12th standard' mein tha, aur mujhe yaad hai us
daur mein naye kavitaaon ka ek silsilaa chala huya tha, to mujhe yaad hai
'college' mein ek pratiyogita unhone rakha huya tha ki 'bhai aap log nayi
kavitaaen le aaiye, sabko puraskaar diya jaayega'. uski pehli 'line' mujhe yaad
hai ki "garbhavati saDak pe rengtaa huya chaand". baad mein jab kabhi main
tanhaai mein sochta tha to mujhe bhi samajh mein naheen aaya ki yeh maine kya
likha tha, par likh gaya main. aur usmein mujhe pehla puraskaar mila tha.
-------------------------------

san 1982 mein bani film Dil Hi Dil Mein sangeetkaar Mandir Jatin ki pehli film
thi. 1988 mein inki doosri film Bhai ka Dushman Bhai pradarshit huyi. lekin yeh
dono filmen kab aayi aur kab gayi pataa hi naheen chalaa. phir Jatin Lalit ki
joDee ke roop mein 1991 ki film Yaara Dildara pradarshit huyi. is film ki
safaltaa ne maano is sangeetkaar joDee ke 'career' ko pankh lagaa diya.

---------------------------------------------------------
Clip: bin tere sanam mar miTenge ham (Yaara Dildara,1991)
---------------------------------------------------------

iske baad to Raju Ban Gaya gentleman aur Khilaadi se lekar Fanaa tak film dar
film ine 'career' ka 'graph' ooncha chaDhtaa gaya.

----------------------------------------------------
Clip: chaand sifaarish jo karta hamaari (Fanaa,2007)
----------------------------------------------------

80 ke dashak mein ek behad guNi nirdeshak ko pehchaan mili. aur woh teh Vidhu
Vinod Chopra, jo pehle Saza-e-Maut aur Khamosh jaisi filmen banaa chuke the. san
1989 mein jab unhone film Parinda banaaee to shaayad unhone bhi naheen sochaa
hogaa ki yeh film aarthik roop se bhi behad kaamyaab rahegi. film Parinda ne
samaalochakon ki bharpoor waahwaahi to baTori hi, aam darshakon ne bhi is film
ko behad pasand kiya.

-------------------------------------------------------
Clip: tumse milke aisa lagaa tumse milke (Parinda,1989)
-------------------------------------------------------

Vividh Bharati Vidhu Vinod Chopra ki aawaaz ko bhi apne Khazaane mein sanjoye
huye hai.

------------------------------
VIDHU VINOD CHOPRA SPEAKS:

bachpan se hi film banaane ka ek sapnaa tha aur yeh ki aap logon ke saath baat
kar sakoon. to yeh mera sapna aaj poora huya. ab main aap logon ka zyaada
takleef na karte huye sabse pehle apni film 1942 A Love Story ka "ek laDki ko
dekha" sunaata hoon.
-------------------------------

---------------------------------------------------
Clip: ek laDki ko dekha to (1942 A Love Story,1993)
---------------------------------------------------

END OF PART 6



PART 7 (The 90s & After)
************************

lambe samay se safalta ki talaash mein bhaTak rahi sangeetkaar joDi Nadeem
Shravan ke liye 1990 ka saal behad bhaagyashaali saabit huya. is saal Nadeem
Shravan ke sangeet se sajee film Aashiqui pradarshit huyi. yeh film apne samay
ki bahut baDi 'hit' saabit huyi. har taraf iske geet goonjne lage aur dekhte hi
dekhte Nadeem Shravan ka naam Aashiqui ke geeton ki tarah har zubaan par chaDh
gaya.

------------------------------------------------------------
Clip: bas ek sanam chaahiye aashiqui ke liye (Aashiqui,1990)
------------------------------------------------------------

90 ke dashak mein ek baar phir se kai behad guNi fankaaron ka 'cinema' ke
kshetra mein aagaman huya. iske saath hi film nirmaaN ke tareekon mein zabardast
badlaav aa gaya. ek waqt tha jab lekhak kahaani lekar nirmaataa ki khoj mein
nikalta tha. kahaani sweekrit hone ke baad nirdeshak ko khoja jaata tha. lekin
90 ka dashak aate aate lekhak kahin peechhe chhooT gaya. yeh zimmeedari
nirdeshak ne le lee. kisi bhi nirdeshak ke paas achchhi kahaani ka hona zaroori
ho gaya. hamaari filmen desh ki seemaayen laanghkar videshi baazaaron tak
pahunch gayeen. nirmaataa ab videshon mein base bhaartiyon ko dhyaan mein
rakhkar filmen banaane lage. film nirmaaN ki laagat kai gunaa baDh gayi. bhaarat
ke gaaon bahut peechhe chhooTte chale gaye. gaaon ki prishThbhoomi par 80 ke
dashak mein bani thi film Nadiya Ke Paar. 90 ke dashak mein bhaari bharkam
laagat se bani chamakti damakti film Hum Aapke Hain Koun. jee haan, Hum Aapke
Hain Koun film Nadiya Ke Paar ki hi 'remake' thi.

---------------------------------------------------------
Clip: didi tera devar deewaana (Hum Aapke Hain Koun,1994)
---------------------------------------------------------

Hindi cinema ke antarraashTriya hone ka faayda mila kshetriya cinema ko. Hindi
cinema se Gaayab huya apnaapan. miTTi se juDe bhaaratiyon ko diya kshetriya
cinema ne diya. swaabhaavik taur par kshetriya cinema se uska juDaav baDhne
lagaa. is dashak mein Shahrukh Khan jaise abhinetaa, A R Rahman aur Ismail
Darbar jaise guNee sangeetkaar, aur Sanjay Leela Bhansali jaise utkrishT
nideshak ko Khaas pehchaan mili. durbhaagya se isi dashak mein 4 January 1994 ko
sangeetkaar Rahul Dev Burman hamaare beech naheen rahe. viDambanaa dekhiye, unke
nidhan ke baad pradarshit huyi film 1942 A Love Story, aur is film ke liye Rahul
Dev Burman ko sarvashreshTh sangeetkaar ka Filmfare puraskaar haasil huya. is
puraskaar ko lene ke liye woh duniya mein zinda naheen the. is film ke geetkaar
the Javed Akhtar.

---------------------------------
JAVED AKHTAR SPEAKS:

fauji bhaaiyon, aaj yeh 'programme' karte huye mujhe yaad aa raha hai ki jab
main 'college' mein paDhta tha, yahi 'programme' kitne shauk se sunaa karta tha.
aaj yeh 'programme' karte huye kitni puraani yaaden mere paas aa gayi hain.
yaadon ko to bahaana chaahiye hota hai aane ka. kabhi geet banke aa jaate hain,
kabhi dost banke aa jaate hain, aur kabhi chiTThi banke.
----------------------------------

-------------------------------------
Clip: sandese aate hain (Border,1997)
-------------------------------------

1996 mein pradarshit huyi Sanjay Leela Bhansali ki pehli nirdeshit film Khamoshi
- The Musical. saaf suthri paTkathaa ke saath bani yeh film darshakon par jaadoo
naheen chalaa paayi. lekin 1999 mein bani unki agli film Hum Dil De Chuke Sanam.
is film ne safalta ke saare 'records' dhwast kar deeye.

-----------------------------------------------------------
Clip: Dholi thaaro Dhol baaje (Hum Dil De Chuke Sanam,1999)
-----------------------------------------------------------

ek baar phir se saabit ho gayi ki aam darshak bhaartiya sanskriti ki buniyaad
par bani filmen dekhna pasand karti hai. Ismail Darbar ke sangeet se sajee yeh
film Hindi cinema ki safaltam filmon ki suchee mein apna naam darj karaa chuki
hai.

----------------------------------------------------------
Clip: ham dil de chuke sanam (Hum Dil De Chuke Sanam,1999)
----------------------------------------------------------

Cineyatra ki gawaah Vividh Bharati. Vividh Bharati ki swarnajayanti ke silsile
mein yeh hai June ki maheene ki vishesh peshkash. Shahrukh Khan 1992 ki film
Deewana se aandhi ki tarah aaye, aur dekhte hi dekhte unhone samooche film udyog
ko apni giraft mein le liya, aur bahut jald woh kehlaane lage Bollywood Ka
Baadshaah. Shahrukh Khan ki is safalta ke peechhe nirmaata nirdeshak Yash Chopra
ka bhi bahut baDaa haath hai. unki filmen Darr, Dilwale Dulhaniya Le Jaayenge,
Dil To Paagal Hai, Mohabbatein, aur Veer Zaara ki safalta ne Bollywood Ka
Baadshaah ke tamuye par Shahrukh ke haq ko aur zyaada mazbootee dee. film
Dilwale Dulhaniya Le Jaayenge Mumbai ke Maratha Mandir 'cinema hall' mein
pichhle 12 saalon, yaani takreeban 625 hafton se lagaataar dikhaayi jaa rahi
hai. yeh apne aap mein ek 'record' hai.

------------------------------------------------
Clip: tujhe dekha to yeh jaana sanam (DDLJ,1993)
------------------------------------------------

-------------------------------
YASH CHOPRA SPEAKS:

waise to main apne man ki baat ane filmon mein keh deta hoon, lekin aaj aap se
milne ar baaten karne ka mauka mila hai. to filmi duniya ki oonch neech aur
kisse kahaaniyaan bataane ke bajaaye aapko yeh bataana chaahoonga ki ab tak main
filmon mein kya kya keh saka hoon aur apni filmon ka zikr isliye karoonga kyunki
har taraf se main inke liye zimmedaar hoon.
-------------------------------

film Veer Zaara ko Madan Mohan ke sangeet bhi yaad rakhaa jaayega. iske geeton
ke liye Yash Chopra ne swargeeya sangeetkaar Madan Mohan ke banaaye dhuno ka
istemaal unke nidhan ke kareeb 30 varshon baad kiya. Yash Chopra ka yeh prayog
safal bhi raha.

------------------------------------------------
Clip: tere liye ham hain jeeye (Veer Zaara,2004)
------------------------------------------------

nayi sadi apne saath badlaav ki aisi aandhi le aayi ki cinema ka chehra poori
tarah se badal gaya. dashakon se chale aa rahe ek pardewaale baDe baDe 'cinema
hall' 'multiplexes' mein tabdeel ho gaye. baDi baDi 'corporate' campaniyaan film
nirmaaN ke kshetra mein utar aayi. film udyog mein paison ki barsaat hone lagi.
laakhon mein bannewaali filmen ab karoDon mein banne lagi. filmon ke vishay bhi
bhaaratiya seemaayen laanghkar antarraashTriya hone lagi. aisi vishayon par bani
Dhoom, Koi Mil Gaya, aur Krishh jaisi filmon ko darshakon ne behad pasand kiya.

-------------------------------------------
Clip: dil na liya dil na diya (Krishh,2006)
-------------------------------------------

lekin isi dashak mein ek naya prayog huya, woh yeh ki 50 ke dashak ki Madhumati
aur 70 ke dashak ki Karz ko milaakar usmein baaki tamaam masaale Daale gaye aur
is tarah paida huyi desi 'hit' film' Om Shaanti Om. is film ko bhi darshakon ne
haathon haath liya. yeh film beete saal ki sabse baDi 'hit' rahi.

----------------------------------------
Clip: om shaanti om (Om Shaanti Om,2007)
----------------------------------------

agar ham Aamir Khan ki baat karen to unhe Mr Perfectionist kehna zyaada behetar
hoga. Yaadon Ki Baraat, Madhosh aur Holi jaisi filmon mein abhinay ke baad 1988
mein pradarshit film Qayamat Se Qayamat Tak mein woh pehli baar 'hero' bane.
uske baad to Aamir film dar film darshakon par apne abhinay pratibhaa ki chhaap
chhoDte gaye. aur 1998 ki film Ghulaam mein unhone ek geet kya gaaya ki woh geet
har gali har chauraahe par bajne lagaa.

--------------------------------------
Clip: aati kya Khandala (Ghulaam,1998)
--------------------------------------

san 2001 mein Aamir ne Lagaan film ka nirmaaN kiya. paramparaagat kahaani se
haTkar graameeN prishThbhoomi par aadhaarit DheeTh desi kism ki yeh film
aashaateet roop se safal rahi.

-------------------------------------
Clip: mitwaa sun mitwaa (Lagaan,2001)
-------------------------------------

film Lagaan ke sangeetkaar the A R Rahman aur is film ke nirdeshak the Ashutosh
Govarikar.

----------------------------------
ASHUTOSH GOVARIKAR SPEAKS:

jab ham desh bhakti ki baat karte hain to use mehsoos karna zyaada 'important'
hai, woh mehsoos karne ka hai, na kisi ko sandesh dene ka. mujhe sandesh dene ke
door rehna tha, aur is tarah se mujhe sandesh dete huye bhi ek mehsoos karaane
ka jo 'feel' hai, woh main koshish kar raha tha. to maine jo raasta apnaaya woh
bahut hi 'simple' tha, jitna 'satility' ho sake, utna karne ki koshish kee is
film mein, phir woh chaahe kahaani mein ho, chaahe paatron mein ho, chaahe
'music' mein ho.
----------------------------------

------------------------------------------------------
Clip: ghanan ghanan ghir ghir aaye badra (Lagaan,2001)
------------------------------------------------------

Lagaan ki safalta ne saabit kar diya ki aam bhaaratiya darshak aaj bhi
bhaavnaayon ko varyataa deta hai, phir chaahe woh desh bhakti ka jazbaa hi kyun
na ho. Ashutosh Govarikar aur A R Rahman ki joDi ki ek aur film thi Swades jisne
samaalochakon ki bharpoor waah-waahi baTori thi. is film ke naayak the Shahrukh
Khan. is film ka sangeet bhi Khaasa lokpriya huya tha.

---------------------------------------
Clip: yeh jo des hai tera (Swades,2004)
---------------------------------------

aur ab baat isi joDi ki haaliya behad mahatwakaanshi film Jodha Akbar ki.
aetihaasik filmon ki daur ko lauTaane mein is film ka bahut baDaa yogdaan hai.

--------------------------------------------------
Clip: azeem-o-shaan shahanshaah (Jodha Akbar,2008)
--------------------------------------------------

is sadi mein filmi duniya ko ek behad zaheen nirdeshak mila, woh hain apni
filmon ke vishay aam zindegi se uThaane mein mashoor Madhur Bhandarkar.

-----------------------------------
MADHUR BHANDARKAR SPEAKS:

kya hai ki aaj 'multiplex culture' jo aa chuka hai, itna mashoor ho chuka hai
'all over India', ki chhoTe shehron mein bhi aaj 'multiplex' hai, log filmen
dekhna chaahte hain. jo filmi 'theatre' them, woh bhi TooTke ab 'four theatre,
five theatre' ban chuke hain. to film aaj ek 'mall' ki tarah ban chuki hai ki
aap jaayo to har prakaar ki film aapko dekhne ko milti hai. kahin log
Bunty-Bubly bhi dekhna chaahte hain, kahin Iqbal bhi dekhna chaahte hain. to
kahin log Page 3 bhi dekhna chaahte hain to kahin log Dus 'picture' bhi dekhna
chaahte hain. to log hara tarah ki 'picture'-en dekhan chaahte hain. to aap yeh
naheen keh sakte ki log is tarah ki 'picture'-en dekhna chaahte hain. haan yeh
baat hai ki 'satellite' aane se ek bahut baDaa 'change' huya hai, ghar mein
baiThe TV mein '40 channel' aapke haath mein hai, log chaahte hain ki alag alag
prakaar ka cinema dekhen, to har tarah ke 'filmmaker' ke liye jagah hai yahaan
pe.
------------------------------------

------------------------------------------------------
Clip: kitne ajeeb rishte hain yahaan pe (Page-3, 2005)
------------------------------------------------------

san 2001 mein 'bar girls' par film Chandni Bar banaakar unhone sabko chaunkaa
diya tha. uske baad Satta, Page-3, Traffic Signal, aur ab aanewaali film
Fashion. yaani ki Madhur Bhandarkar ki baini nazar se samaaj ka koi bhi hissa
bach naheen paaya hai. aaj ke daur ke zaheen yuvaa nirdeshakon mein naam aata
hai Nagesh Kukunoor ka. peshe se rasaayan vugyaani rahe Nagesh Kukunoor America
se apni achchhi Khaasi naukri chhoDkar bhaarat aaye aur unhone banaayi film
Hyderabad Blues. uske baad Teen Deewaren, Dor aur Iqbal jaisi filmen banaakar
nagesh agraNi yuvaa nirdeshak ban chuke hain.

----------------------------------------
Clip: yeh hauslaa kaise jhuke (Dor,2006)
----------------------------------------

in zaheen nirdeshakon ke alaawa aaj cinema ke har ek vibhaag mein aatmavishwaas
se bhare fankaar kaaryarat hai, phir chaahe woh sangeet ka hi kshetra kyun na
ho! Shankar Ehsaan Loy, Shantanu Moitra, Vishal-Shekhar, aur Pritam aaj ke
vyastatam sangeetkaaron mein se hain. zaraa dekhiye baandhgi. Pritam jahaan ek
taraf "dhoom machaa le" jaise gaane ki rachna karte hain, waheen doosri taraf
mauka milte hi bhaaratiya shaastriya sangeet ka istemaal karne se bhi naheen
chookte.

----------------------------------------------
Clip: mere Dholnaa sun (Bhool Bhuulaiyya,2007)
----------------------------------------------

doston, aapne is meeThi aawaaz ko pehchaana? jee haan, yeh hain Shreya Ghoshal.
inki aawaaz ki miThaas aur gaayan Khud hi inka parichay de deta hai. aaiye sunte
hain kya kehna hai Shreya Ghoshal ka.

--------------------------------
SHREYA GHOSHAL SPEAKS:

gaane ka shauk kis umra se shuru huya yeh to mujhe yaad naheen, lekin 'mummy'
kehti hai ki 4 saal ki umra se, jab se maine bolna shuru kiya maine gaana shuru
kiya. bahut 'high pitch' mein roti thi aur sabke kaan kharaab kar deti thi. usi
dauraan mummy paapa ne dekha ki yeh achchha gaati hai, kyunki jab mummy riyaaz
karti theen, mummy achchha gaati hain, to main aaju baaju ghoomti rehti thi, to
mummy kehti thi ki 'beTaa yeh gaa', to main sahi sahi 'note' lagaa deti thi,
khelte khelte hi. lekin mummy papa ko lagaa ki ismein koi baat hai, unko lagaa
ki ismein 'potentials' hai to isko gaana seekhaayo. jis jagah rehti thi wahaan
itna 'scope' to naheen tha, main Rajasthan mein palee baDhee, abhi to main
Bombay mein, lekin pehle main Rajasthan ke Kota shahar se 70 km door ek jagah
thi Lal Bhata, wahaan pe 'music' seekhne seekhaane ka itna 'atmosphere' naheen
tha. to wahaan pe maine kuchh din tak 'folk music' seekhaa, phir mere 'school'
ke 'music teacher' Bhatnagar sir ne 'classical music' seekhaaya. phir main Kota
shahar mein jaati thi seekhne ke liye, to is tarah se seekhne ka silsila shuru
huya.
---------------------------------

inhi dino ek aisa daur aaya jab desi kism ke filmi geet abne aur Khoob baje, aur
aaj bhi baDe chaav se sune jaa rahe hain.

-------------------------------------------------------
Clip: billo raani kaho to abhi jaan de doon (Goal,2008)
Clip: sajna ji vaari vaari (Honeymoon ravels Pvt Ltd,2006)
Clip: beeDee jalaile jigar se piya (Omkara,2006)
-------------------------------------------------------

inhi dino ek daur 'remake' ka bhi aaya. haal hi mein Don aur Sholay jaisi
lokpriya filmon ko naye kalebar mein phir se parde par utaarne ki koshishen
huyi. itna hi naheen in filmon ki mashoor geeton ko bhi phir se 'record' karke
in filmon mein istemaal kiya gaya. mool geet to aap hamesha se sunte aaye hain,
lekin ab zara 'remake' filmon ke in 'remake' geeton par Gaur kar liya jaaye.

---------------------------------------------
Clip: yeh mera dil pyar ka deewana (Don,2006)
---------------------------------------------

aur aaiye ab ek sarsari nigaah Daal lee jaaye un geeton par jo in dino KHoob baj
rahe hain aur chaav se sune jaa rahe hain

-----------------------------------------------
Clip: pehli nazar mein kaisa jaadoo (Race,2008)
Clip: mauja hi mauja (Jab We Met,2007)
-----------------------------------------------

yeh thi Vividh Bharati ki swarNajayanti ke kaaryakramon ki shrinkhala ki
naveentam kaDee. aap jaante hi hain ki san 19031 mein film Alam Ara ke saath
shuru huyi cineyaatra, 77 saal baad aaj bhi ba-dastoor jaari hai. Majrooh
Sultanpuri ne sahee likhaa tha ki "main akela hi chalaa tha jaanib-e-manzil
magar, log saath aate gaye aur kaarwaan banta gaya". is kaarwaan ke anginat
musaafir hain aur inmein se kuchh musaafiron ki charcha hamne is kaaryakram mein
kee. 3 ghanTe mein sabhi musaafiron ki charcha karna mumkin naheen tha. chalte
chalte aap se itna vaada karna chaahte hain ki Vividh Bharati is cineyaatra ka
aham hissa rahi hai aur hamesha rahegi. bas aapka saath aur aapki
shubhkaamnaayen Vividh Bharati ke saath isi tarah bani rahe, aameen!

chalne se pehle aapko itna bataa den ki is kaaryakram ki parikalpana thi
Mahendra Modi ki, saari jaankaariyaan juTaakar shodh aur aalekha tayyaar kiya
Shishir Krishna Sharma ne.

END OF PART 7

CONCEPT: MAHENDRA MODI
SCRIPT: SHIRSHIR KRISHNA SHARMA
NARRATION: KAMAL SHARMA, RENU BANSAL, YUNUS KHAN, KIRAN GWALANI

THE END

#2304

From: Sudarshan Pandey <shankerjai@...>
Date:: Sat Jul 18, 2009 10:13 am
Subject:: Re: "ab ke baras bhej" & "nimbua tale dola"

shankerjai

Offline

Dear Soojoi ji,

Inspiration from our heritage music (folk, Rabindrasangeet etc etc) is not new. It varies on improvisation and innovation applied by a music director to make it different in listening. BUt sometime there is not much scope for them to add or change the tune or sometime the tune is so much sensitive that even a single straying from the tune may kill its soul then the MDs do not corrupt the tune by altering it and use them at it is.

For improvisation I would admire (foreign tune) Mere Sapno ki Rani (Aradhana) SDB

and second one from younger generation "Aaa papiya jhapiyan pa le hum" here we all can feel the labour of MD (SDB) that no one can easily recognise the original come september tune.

Regards

sp/kol

--- On Sat, 7/18/09, soojoi_india <soojoi_india@...> wrote:

From: soojoi_india <soojoi_india@...>
Subject: [vividhbharati] "ab ke baras bhej" & "nimbua tale dola"
To: vividhbharati@...
Date: Saturday, July 18, 2009, 6:30 PM

Hi,

I was listening to the non-film songs based programme Guldasta 2/3 days back on Vividh Bharati and came across one song sung by Sudha Malhotra that sounded exactly like the famous Asha number of Bandini - "ab ke baras bhej bhaiya ko baabul". The Sudha Malhotra number is composed by Pt. Shivram and the lyrics goes like "nimbua tale Dola rakh de musaafir, aayi saawan ki bahaar re"

Can someone throw some light if the original tune is that of a folk song from which both the composers (Dada Burman and Pt Shivram) have got inspired, or something else....

Regards,
Sujoy

#2303

From: "soojoi_india" <soojoi_india@...>
Date:: Sat Jul 18, 2009 9:30 am
Subject:: "ab ke baras bhej" & "nimbua tale dola"

soojoi_india

Offline

Hi,

I was listening to the non-film songs based programme Guldasta 2/3 days back on
Vividh Bharati and came across one song sung by Sudha Malhotra that sounded
exactly like the famous Asha number of Bandini - "ab ke baras bhej bhaiya ko
baabul". The Sudha Malhotra number is composed by Pt. Shivram and the lyrics
goes like "nimbua tale Dola rakh de musaafir, aayi saawan ki bahaar re"

Can someone throw some light if the original tune is that of a folk song from
which both the composers (Dada Burman and Pt Shivram) have got inspired, or
something else....

Regards,
Sujoy

#2302

From: "soojoi_india" <soojoi_india@...>
Date:: Sun Jul 12, 2009 2:18 pm
Subject:: VIshesh Jaimala - Laxmikant (2nd one)

soojoi_india

Offline

namaskaar fauji bhaaiyon! is samay ap jitna mere nazron se door hain, utna hi
mere dil ke kareeb. kareeb isliye hain ki aap ka aur hamaara ek aTooT naataa
hai, aur yeh naataa us din se hai jis din se insaan ke man mein desh bhakti ki
bhaavna jaagrit huyi, jab se aap kesariya pagaDi baandh kar raN mein jaane lage,
aur hamaara sambhandh us din se. jab se is desh mein rachne aur basne waali
sanskriti ki raksha aap kar rahe hain, sadiyaan beet gayi, zamaana badal gaya,
puraane rishte TooTe, naye sambandh bane, lekin hamaara aur aapka rishta, yaani
kalaakaar aur sainik ka sambandh samay ke saath na badal sakaa. doston, is
puraane sambandh aur is prem ke naate meri shubhkaamanaa hai ki pawan ke mast
jhonkon mein, saawan ki madhyam phuhaaron mein, aap Khushiyaan manaayen, aur
mukh se yahee shabd nikalte huye ki aayaa saawan jhoom ke.

Song: ke aaya saawan jhoom ke (Aaya Saawan Jhoom Ke)


jigri dost Pyarelal. fauji bhaaiyon, ho sakta hai ki aap log sochte hon ki
filmon mein to Laxmikant aur Pyarelal dono saath rehte hain, magar 'radio' par
keval Laxmikant kyun? darasal baat yeh hai ki mere saathi Pyarelal-ji kahin aur
naheen yaheen hain, aur jo geet aap sun rahe hain unein wioh chhupe baiThe hain.
ghar se chalte samay maine unse kahaa thaa 'Pyare, chal Jaimala pesh karne'. woh
kuchh sochne lage, phir ThanDi saans lee aur muskuraakar bole, 'baaten to tum
kar hi lete ho, gaane meri taraf se lete jaayo, inhe fauji bhaaiyon ko sunwaa
denaa'. to leejiye, Pyarelal-ji ki farmaaish par ab aapko Jigri Dost film ka ek
geet sunwa raha hoon.

Song: dil mein kya hai (Jigri Dost)


ham log gaana 'compose' karte waqt 'singer' ka Khayaal pehle hi kar lete hain.
misaal ke taur par Madan Mohan ji ki yeh rachnaa prastut hai. jaise bol, waisi
hi dhun aur aawaaz aisi jiski jagah koi doosri aawaaz woh asar paida na kar
sake.

Song: phir wohi shaam wohi gham (Jahan Ara)


"rahiman dhaaga prem ka mat toDo chaTkaaye, joDe se phir na juDe, juDe to gaanTh
paDi jaaye", prem ki Dori mein bandhne waale duniyawaale ????????? magar ek baar
bandhee prem ki Dori ko toDnaa baDaa hi kaThin hai. is geet ka bhaav bhi kuchh
is tarah ka hai. isey Dharti Kahe Pukar ke film ke liye Mukesh aur Lataji ne
gaaya hai.

Song: ke ham tum chori se (Dharti Kahe Pukar Ke)


doston, ab jo geet aap sunenge woh film Inteqam ka hai. aawaaz hai Lataji ki.
Lataji ke baare mein kehna baDaa mushkil hai. aur kuchh na kehna sangeet se
vishvaasghaat ke baraabar. meri samajh mein to keval itna aata hai ki sangeet ke
jitne raag hain, sundar gaayaki ki jitni upamaayen hain, suron mein jitne bhaav
chhupe hain, un sab ko agar ek jagah dekhna ho to Lataji ki aawaaz sun leejiye.

Song: kaise rahoon chup ke maine pee hi kya hai (Inteqam)


ab suniye apne manpasand aur hamaare puraane mitra Kalyanji Anandji ki sangeet
rachna jo hamein bahut pasand hai.

Song: chhoD den saari duniya (Saraswati Chandra)


aksar log mujhse yeh sawaal kar baiThte hain ki filmon mein 'background music'
kyun hota hai. jawaab bahut aasaan hai, bina 'background music' ki film aisi
hogi jaise binaa Khushboo ka phool, yaa yun samjhiye ki aap filmon mein behti
huyi nadi ko dekh sakte hain, lekin lehron ki kal kal naheen sun sakte. Daaliyon
par baiThe panchhiyon ko dekh sakte hain, par unka chahakna naheen sun paayenge.
matlab yeh ki jab tak vaataavaraN ka mazaa aap ko poora na milegaa, aap kahaani
ke kareeb naheen jaa paayenge. aur sach to yeh ki geeton ki dhune banaana aasaan
hai, lekin 'background music' tayyaar karna bahut mushkil. Khair, chhoDiye in
baaton ko, ab pesh hai Kishore Kumar aur Asha Bhosle ke swaron mein film Aansoo
Ban Gaye Phool ka yeh geet.

Song: jaane kaisa hai mera deewana (Aansoo Ban Gaye Phool)


saathiyon, aisa geet banaana bahut aasaan hai jise log mushkil se gaa paayen,
lekin kisi mushkil dhun ko aasaan karna bahut mushkil hai. meri aur Pyarelal-ji
ki sadaa yeh koshish rehti hai ki dhun itni aasaan ho ki logon ko aasaani se
yaad ho jaaye. aur gaane mein aasaani ho. prastut geet ham mushkil bhi banaa
sakte the. lekin jo mazaa is aasaan geet mein hai woh mushkil mein na aata.
leejiye suniye, film hai Jeene Ki Raah, aur aawaaz hai Mohd Rafi saahab ki.

Song: baDi mastaani hai meri mehbooba (Jeene Ki Raah)


fauji bhaaiyon, kaaryakram ke ant mein aaiye mere saath jamuna kinaare, jahaan
kabhi kanhaiya ki murli goonjee thi, wahaan aaj bhi nar naari saanjh Dhale raas
rachaate hain.

Song: shaam Dhale jamuna kinaare (Pushpanjali)


yeh samooh gaan film Pushpanjali ka tha. ab samay naheen ki main aap ko kuchh
aur geet sunaayun. geeton ki jo jaimala maine apni aur mere saathi Pyarelal-ji
ki taraf se aap ko bhenT kee, aasha hai aap ne sweekaar kee hogi, ab ijaazat
deejiye, Jai Hind!

#2301

From: "soojoi_india" <soojoi_india@...>
Date:: Sun Jul 12, 2009 2:17 pm
Subject:: Aaj Ke Mehmaan - Prahlad Agarwal

soojoi_india

Offline

AAJ KE MEHMAAN - PRAHLAD AGARWAL (NOTED FILM JOURNALIST)
--------------------------------------------------------

namaskaar, Aaj Ke Mehmaan, is kaaryakram mein ham aapki bhenT karwa rahe hain
Hindi filmon aur filmkaaron par niyameet roop se likhnewaale jaanemaane lekhak
Prahlad Agarwal se Yunus Khan ki sthal 'recording' par aadhaarit yeh baatchit.


PA: Prahlad Agarwal
YK: Yunus Khan


YK: Aaj Ke Mehmaan, is kaaryakram mein hamaare saath hain mashoor lekhak Prahlad
Agarwal. Prahlad-ji ki visheshagyataa filmon par likhne ki hai aur film sangeet
par unhone bahut kaam kiya, mujhe Shankar Shailendra par inke likhe kai lekh
yaad hai jo kai ptarikaaon mein chhape hain. Prahlad-ji, bataaiye ki bachpan
kahaan beeta aapka aur gaano ki jo lau hai, film sangeet ki jo lau hai woh kab
lagi aapko?

PA: dekhiye bachpan mera beeta Jabalpur mein. Jabalpur mein paida huya, Jabalpur
mein paDhaa, Jabalpur mein maine 7/8 saal naukri kee aur naukri karte huye
paDhaa.

YK: kis ilaake mein?

PA: maine MP Electrocity Board mein naukri kee, 'cleark' tha main wahaan par,
aur BA se leke MA tak waheen rehte huye, naukri karte huye paDhaa, aur yeh
vichitra baat thi ki main naukri karte huye paDhaa haalaanki mujhe aisa karne ki
zaroorat naheen thi. zaroorat isliye naheen thi kyunki mera parivaar, mere
sdaare bhaai bandhu, mera gharbaar, sab bahut saamarthavaan log hain, ek aise
parivaar se tha jahaan cinema dekhna bhi, yaa cinema ki baat karna bhi utna hi
gandaa samjhaa jaata tha jitna aapka vaishyaalay mein jaana. parantu main yeh
dekhta tha ki mere jitne baDe bhaai hain yaa chaachaa hain, maamaa hain, woh
saare cinema dekhte hain magar chhipke dekhte hain. mere paas paise naheen hote
the isliye main chhipke naheen dekh sakta tha. aur jis din se paise hone lage,
us din se main bhi chhipke dekhne lagaa.

YK: achchha! to chhip chhip ke kaun kaun si filmen dekhee aur kaun kaun si
Talkies mein gaye chhip chhip ke Jabalpur mein?

PA: main chhip chhip ke, maine sabse pehli film jo chhipke dekhee thi, woh thi
Anadi, woh 1959 mein maine dekhee thi aur us waqt main 11 saal ka tha, aur ek
doosri film jo mujhe yaad hai maine chhipke dekhee thi woh hai Pyasa.

YK: kya baat hai!

PA: yeh shaayad maine 60 yaa 61 mein dekhee thi. mere baDe bhaai mere saath
baiThe huye the aur 'interval' mein aise baiTha karte the ki koi dekh na le.
dekh lega to ghar mein shikaayat ho jaayegi. shikaayat ho jaayegi to yeh Theek
baat naheen hogi, bahut DaanT paDegi, maar-vaar bhi paD sakti thi, kyunki tab
tak main kamaata naheen tha. itne mein huya kya ki ham logon ne Gaur se jab
dekhaa to paaya ki Gyan Ranjan-ji bilkul saamne baiThe huye hain aur mere baDe
bhaaisaahab unke vidyaarthi the, main naheen.

YK: achchha

PA: woh G S College of Commerce mein paDhte the, to unhone dekha to unki to rooh
hi kaamp gayi, magar jab maine Gyan-ji ko dekhaa, kyunki tab tak main unki kai
kahaaniyaan paDh chuka tha, to mujhe aisa lagaa ki jo Galat kaam main kar raha
hoon, wohi Galat kaam yeh itna baDaa aadmi kar raha hai jisne Pitaa kahaani
likhee hai. to yeh koi Galat kaam naheen hai. aur jab maine Pyasa par poori ek
kitaab likhee, jo Megha Books se chhapee hai, to maine us kitaab ko Gyan
Ranjan-ji ko samarpit kiya. to Gyan-ji ne kahaa ki 'mujhe bahut achchha lagaa
ki...', maine kahaa 'yeh achchha lagne ki baat naheen hai, maine apna karz
utaara hai, mere man pe jo ek bhaari bojh tha ki main Galat kaam kar raha hoon,
woh utar gaya tha us din'.

YK: kyunki zikr Pyasa ka hai, to aap mera ishaara samajh hi rahe honge.

PA: Pyasa film ki gaano ki agar baat karen, to bahut bahut baar suni gayi hai,
"duniya agar mil bhi jaaye to kya hai", "jaane woh kaise log the jinke pyaar ko
pyaar milaa", aur bhi kai gaane hai usmein, "jaane kya tune kahee", aur ek
adbhut geet hai "aaj sajan mohe ang lagaalo". yeh main zaroor jaanta hoon ki yeh
geet sunkar ek adbhut sansaar aapke bheetar nirmit hota hai.

----------------------------------------
Song: aaj sajan mohe ang lagaalo (Pyasa)
----------------------------------------

YK: filmi geeton ke baare mein likhna, Hindi saahitya mein aur Hindi
patrakaarita mein, doin darje ka maana jaata hai, film patrakaarita ko bhi bahut
achchhi drishTi se naheen dekha jaata raha hai, jaisa ki aapne kahaa 'cinema
dekhna hi hamaare yahaan achchhi baat naheen thi'. aapne sangeet ke baare mein
kab likhna shuru kiya aur kab chhapna shuru kiya? logon ne kab isey sweekaarna
shuru kiya ki 'han, yeh bhi ek vidhaa ho sakti hai lekhan ki'?

PA: main naheen jaanta ki logon ne sweekaara yaa naheen sweekaara. magar chand
logon se milke mujhe aisa zaroor laga ki cinema ke jo geet hain, jise 'golden
era' kaha jaata hai, 40 se leke 60, 65, main thoDaa sa aur kheench dena chaahta
hoon, 70 tak bahut hi Khoobsoorat geet likhe gaye aur bahut hi Khoobsoorti se
unhe parde par bhi prastut kiya gaya. main bilkul is baare mein DriDh vishvaas
rakhta hoon ki kam se kam aadhi aisi Khoobsoorat filmen zaroor hain jo apne
sangeet ke kaaran hi aaj hamein yaad hain warnaa ham kabhi ka bhool chuke hote,
chaahe woh Nagin ho yaa Anarkali ho, aur to aur chhoD deejiye, Madhumati bhi
uske sangeet ke bina bilkul apaahij ho jaayegi...

YK: bahut sahi hai

PA:... yaddapi woh ek Khoobsoorat film hai aur bahut hi KHoobsoorti se banaaee
gayi film hai, parantu uski Khoobsoorti uske sangeet se hi nikharkar saamne aati
hai, yadi woh sangeet naheen hota to woh Khoobsoorti kabhi nikharkar saamne
naheen aati.

---------------------------------------------
Song: ghaDi ghaDi mora dil dhaDke (Madhumati)
---------------------------------------------

PA: duniya pe likhne ka koi kaaraN hi naheen tha, main sapne mein rehta hoon,
aaj bhi main sapne mein rehta hoon, parantu aaj sthiti aisa hai ki aaj mujhe
film dikhaane ke liye log mujhe bahut door door se bulaate hain ki 'aap aaiye,
film dekh leejiye aur bataaiye ki film ka bhavishya kya hoga ya kya kuchh
hogaa'. parantu woh ek aisa samay tha jab mujhe film dekhne ke liye bahut paisa
kharch karna paDta tha, to film banaana jitna kharcheela kaam hai, usse adhik
film dekhna kharcheela hai (YK laughs). ek 'common man' ke liye woh sochte
naheen ki yeh kitna kharcheela aur kaThin kaam hai. us samay to aisa hota tha ki
film 'release' hone ke 2 maheene baad, 4 maheene baad hi Jabalpur mein film aati
thi. Jabalpur koi chhoTi jagah naheen hai lekin aadhi se zyaada filmen to baad
mein hi aati theen. to ham un filmon ko dekhne ke liye, kisi tarah unko dekh
paate the, kabhi kabhi rishtedaaron ki madad se bhi dekhee. lekin 16/17 saal ki
umra mein main itna saamarthavaan ho gaya tha ki apne paise se filmen dekh sakta
tha. tab maine kisi ki baat naheen maanee aur filmen dekhta tha, kyun dekhta tha
yeh mujhe pataa naheen. maine Mera Naam Joker dekhkar hi, pratidin Mera Naam
Joker dekhkar maine apne MA ke chaaron 'papers' 'previous' ke deeye the, aur
'university' mein 'top' kiya tha.

YK: waah! (PA laughs)

-----------------------------------------------
Song: more ang lag jaa baalma (Mera Naam Joker)
-----------------------------------------------

PA: to log yeh tohmat naheen lagaa paate the ki 'tum cienema dekhoge to 'fail'
ho jaayoge, paDhta likhta naheen hai, kuchh naheen karta hai'. main naukri bhi
karta tha, paDhta bhi tha, aur cinema bhi dekhta tha. to apne kharch ke liye hi,
apne parivaar ke kharch ke liye hi mujhe naukri karne ki zaroorat thi, aur uske
saath saath cinema bhi ek aanand tha. par maine cinema par likha kabhi naheen,
meri saahitya par do teen kitaaben aa gayi, tab tak bhi maine cinema par kabhi
naheen likha tha. meri swargeeya patni Vartika Agarwal, woh swayam ek kahaani
lekhika theen, aur woh jis samay bahut beemaar paDeen, to unko bhi cinema dekhne
ka shauk tha, mujhe bhi tha, to ekaaek Vishvanath film dekhne ham gaye huye the
aur Kalicharan film dekhke mujhe lagaa tha ki yeh Subhash Ghai naam ka jo naya
nirdeshak aaya hai, yeh achchha aadmi lagta hai jinko jaankaari hai cinema ki,
to main us film ko dekhne gaya aur baDa niraash hokar lauTaa. maine ek lekh
likha bhi tha 'Vishvanath baabu, aap muqaddama haar gaye'

YK: kahaan chhapaa yeh?

PA: lekh kya likha kuchh 10/12/16 panktiyaan likhee, to Vartika ne paDheen aur
kahaa ki 'yeh to bahut baDhiyaa hai, kahin bhej do, yeh to chhap jaayegaa'.
maine kahaa 'kahaan chhap jaayega, kaun si patrika ise chaapegi?' kehne lagi
'tum kuchh mat karo', aur unhone us lekh ko dobaara likha aur likhne ke baad
Mayapuri patrika mein bhej diya, aur woh, isey kya kahen, ek haadsaa hi kehna
chaahiye, uske agle hi ank mein usey chhaap diya aur uske sampaadak mahoday ne
mujhe likha ki aage aur in in vishayon par, in in logon par likh sakte hain to
likhkar bhej deejiye. agla lekh Madhuri mein chhap gaya, phir Manorama mein mere
lekh nirantar chhapne lage. phir uske baad Ravivaar mein Udayan Sharma-ji ne
mere bahut lekh chhaape, Saaptaahik Hindustaan mein bhi mere kitaab se kuchh
ansh nikaalkar doosron ke naam se chhaape, Raj Kapoor par waali kitaab se.

YK: achchha?

PA: haan. agle ank mein phir unhone maafinaama bhi chhapaa jab maine aapatti kee
ki 'yeh lekh aapne chhaapa hai jo mere kitaab ki hai', to unhone agle ank mein
maafinaama chhaapaa ki 'ham khed vyakt karte hain ki yeh Prahlad Agarwal ki
pustak se banaaya gaya lekh tha, kintu galati se unka naam Daalna chhooT gaya
tha, uski ham truTi sudhaar karte hain'. phir maine unko likha ki agar aap ne
truTi sudhaar kar hi lee hai to uska parishramik mujhe bhej deejiye, lekin
unhone paarishramik mujhe kabhi naheen bhejaa (laughs)

YK: is tarah aapki filmi lekhan shuru huyi, matlab aap chhapne lage tamaam
jagahon par. kaun sa sangeet aapko zyaada prabhaavit karta tha aur zindagi mein
cinema aur sangeet ki itni jagah thi to aapko aisa naheen lagta tha ki aapke
kaam mein aur paarivaarik zindagi mein baadhaa aa rahi hai?

PA: naheen, paarivaarik zindagi mein baadhaa isliye naheen mehsoos kee kyunki
main dekhta tha sab gaate the. us samay ek gaana log dason saal se gaa rahe the
"mera joota hai jaapaani". mere maamaaji aaye, 1960 ki baat hai. Mughal-e-Azam
mujhe bahut achchhi lagi thi, maine Kalkatte mein dekhee thi apne mausaji ke
saath. to woh aaye aur film dekhne gaye aur uThkar jab woh aaye, main 13 saal ka
tha us samay, to unhone hamaari maa se kahaa ki 'jiji, yeh film dikhaane ham
aapko zaroor le chalenge, usmein ek bahut achchha gaana hai "pyaar kiya to Darna
kya"'. maine suna unke munh se aur man hi man kasmasaaya ki dekho buDhou kya keh
rahe hain ki inhe "pyaar kiya to Darna kya" gaana achchha lag raha hai (YK
laughs)

---------------------------------------------
Song: pyaar kiya to Darna kya (Mughal-e-Azam)
---------------------------------------------

PA: cinema ne sab par prabhaav Daala, gehra prabhaav Daala, magar is 'hypocrite'
samaaj ne cinema ke prabhaav ko kabhi sweekaar naheen kiya. huya yeh ki mera
'internal examination' tha BA ka, usmein upmaa alankaar ka udaaharaN poochha
gaya. maine upmaa alankaar ka udaaharaN usmein likh diya "dekhaa bhi naheen
tujhko, soorat bhi na pehchaani, tu aake chali chham se jo dhoop ke din paani".
to itne prasanna huye mere shikshak jiski koi had naheen thi. unhone poochha
'beTe, yeh kiski rachnaa hai? hamne to kahin paDhaa naheen, tum kahaan se yeh
udaaharaN DhoonD laaye?' maine kahaa ki yeh Shankar Shailendra ki rachnaa hai,
main jaanta tha ki woh naaraaz honewaale hain. poochha ki 'yeh kaun kavi hain?'
maine kahaa ki yeh filmon mein likhte hain (YK laughs). bole 'yeh film ka geet
hai?' unhone usey kaaT diya aur mujhe shoonya 'number' deeye. to yeh mujhe
majboor kiya, majboor naheen kehna chaahiye, galat huya, mujhe prereet kiya,
pryotsaahit kiya ki main Shailendra par ek poori kitaab likhoon aur woh kitaab
Gyan-ji ke hi, mujhe kehna chaahiye ki unke kripaa se hi sambhav huyi ki pahal
mein unhone mujhse bahut dabaaV daalkar, bahut dabaav Daalkar mujhse lekh
likhwaaya Shailendra par aur Sudha Arora-ji jo yaheen rehti hain Bambai mein,
unhone mujhe ek saptaah apne Vasundhara kaaryaalay mein bulwaakar khud chhaapna
chaahti theen woh kitaab Shailendra par, par baad mein usey Rajkamal ne chhaapa
aur maine uska shirshak bhi diya "Kavi Shailendra - Zindagi ki Jeet Mein
Yakeen". to Shailendra ko hamne kavi naheen maana, isse woh kavi hone se reh
naheen jaayenge, Shailendra kavi hain, aur dekhiye "maaTi se khelte ho baar baar
kisliye, TooTe huye khilauno se hai pyaar kisliye", "tu pyaar ka saagar hai"

YK: "teri ek boond ke pyaase ham"

PA: "lauTaa jo diya tune, chale jaayenge jahaan se ham"

------------------------------------
Song: tu pyaar ka saagar hai (Seema)
------------------------------------

TO BE CONTD...


YK: Prahlad-ji, ek geetkaar jise bahut bandhe bandhaaye daaere mein kaam karna
paDta hai kyunki hamaare yahaan filmon mein bahut vividhataa naheen hai vishayon
mein.

PA: ham phir kehna chaahte hain ki vishayon ki vividhataa duniya bhar ke cinema
mein kahaan hai, aur Raj Kapoor ki ek film mein gaana hai, Jis Desh Mein Ganga
Behti Hai, "pyaar karle naheen to phaansi chaDh jaayega", to do hi cheezen hain
ki pyaar karna chaahte hain yaa phaansi chaDhna chaahte hain, to achchhaai ki
kahaani hai yaa buraaee ki kahaani, yathaarth zindagi mein kabhi kabhi buraaee
bhi jeet-ti hai.

YK: Prahlad-ji, kuchh aise geeton ki charcha keejiye jo Shailendra ne filmon ke
liye likhe lekin jo kavita se kam naheen hain.

PA: main aapko bataayun, woh bahut adbhut geet hai aur uski 'simily' bhi bahut
adbhut 'simily' hai, aur aaj bhi woh geet aa jaata hai to naye se naye log sunte
hain, "mere piya gaye Rangoon, kiya hai wahaan se 'telephone', tumhaari yaad
sataati hai"

YK: Panna Lal Santoshi ne isey likha hai

PA: jee haan, Pyarelal Santoshi ne jo geet likha usmein 'simily' dekhiye, ki
"tum bin saajan janvari farvari ban gaye mai aur joon", dekhiye angrezikaran ki
kya shaandaar baat thi aur kis tarah se 'simily' aur kis tarah se cheezon ko
'comic' andaaz mein pesh kiya, to usmein ek aadmi ko sochne ki, ek aadmi ko ek
vyang ki ek dhaar unhone diya.

--------------------------------------
Song: mere piya gaye Rangoon (Patanga)
--------------------------------------

PA: filmi geeton ki jab baat ho, Rajendra Krishan-ji hain, aur Rajendra Krishna
ke saath Shaqeel Badayuni bhi hain, aur isse baDi agar ham baat karen, jo
saampradaayik ektaa hai, jo qaumi ektaa ho sakti hai, ki ek bhajan jise Shaqeel
ne likha, Naushad ne sangeetbaddha kiya aur Mohd Rafi ne gaaya, "o duniya ek
rakhwaale"

YK: Baiju Bawra

-----------------------------------------
Song: o duniya ek rakhwaale (Baiju Bawra)
-----------------------------------------

PA: Sahir Ludhianvi ne bhi bahut adbhut geet likhe, yeh cinema ka geet hai, ki
"yeh badkismat maa hai jo beTon ki sej pe leTee hai, aurat ne janam diya mardon
ko, mardon ne usey baazaar diya". yeh antim pankti agar aap dekhen to aaj is
aadhuniktam samay mein bhi kya koi aisi kaThor baat keh sakta hai, aur kitni
kaThor baat kitni shaaleenta se kahee jaa sakti hai, ki "avtaar payambar janti
hai phir bhi shaitaan ki beTi hai, yeh woh badkismat maa hai jo beTon ki sej pe
leTee hai"

---------------------------------------------
Song: aurat ne janam diya mardon ko (Sadhana)
---------------------------------------------

YK: aapko kya lagta hai ki bhaaratiya film udyog, jo sansaar mein mahatwapoorNa
film udyogon mein maana jaata hai, sabse zyaada filmen hamaare yahaan banti hai,
kitna mahatwapoorNa kaam kar rahi hai samaaj ko badalne ki disha mein?

PA: Dr Ramakant Shrivastava se 'telephone' par baat ho rahi thi, Vasudha ke film
ank ke baare mein, to hamne kahaa ki 'aap kis film par likhna pasand karenge?'
to kaafi 'discussion' hota raha, unhone kahaa ki 'Prahlad, dekho cinema ne bahut
kaam kiya hai Hindi 'belt' mein, usko log bhool jaate hain, usne logon ko prem
karna seekhaaya hai, aur koi bhi kraanti prem ke abhaav mein naheen ho sakti.
prem ke abhaav mein koi aap se juDegaa naheen, prem shareer par naheen hota hai,
magar yeh mat samajhiyega ki shareer se judaa bhi prem hota hai, kyunki aatma
bhi rehti hai to shareer mein hi rehti hai, to shareer ka mahatwa bahut baDaa
hai, yeh das dwaare ka jo pinjra hai, is pinjre mein bahut saari baaten samaati
hain, aur cinema par baat karenge to saahityakaar hi baat karenge, likhe paDhe
log hi baat karenge, aur saahityakaar ki jagah cinema mein kabhi bani naheen,
isliye yeh bhram kisi bhi lekhak ko naheen hona chaahiye ki cinema uska maadhyam
hai, cinema lekhak ka maadhyam katai naheen.

YK: aap itne saalon se lagaataar cinema dekh rahe hain. aaj ke abhinetaaon mein
sabse zyaada prabhaavit aapko kaun karta hai?

PA: Pankaj Kapoor, nirdwand roop se, main keh sakta hoon ki adbhut abhineta
hain, woh vishvastar ka yaani, main kya kahoon ab, abhi Halla Bol bhi maine unki
vajah se, kaaT-chhaanT ke CD banaaee, utne hi drishya usmein joD liye jitne
Pankaj Kapoor ke hain. sirf unki bhangimaa dekhiye haath ki, hinsaa dikhaane ke
liye kitni kam hinsaa dikhaane ki zaroorat hoti hai aur kitna tivra prabhaav aap
paida kar sakte hain, yeh Pankaj Kapoor ne us drishya mein dikhaa diya.

-----------------------------------------
Song: ang ang zaKhmi hai tera (Halla Bol)
-----------------------------------------

YK: kya aapko lagta hai ki bhaaratiya abhineta vishvastar par apna prabhaav
chhoD paane laayak pratibhaashaali hain?

PA: usse adhik hain, maine tamaam angrezee filmen dekhee hain, tamaam Oscar
praapt filmen bhi main dekha karta hoon.

YK: Satna mein rehte huye bhi kaise juTaate hain aap yeh sab saamagri?

PA: dekhiye, pehle to main asamarth tha, baDi mushkil huya karta tha, magar ab
to main cinema dekhne ke liye Satna par bahut kam aashrit hota hoon, aajkal to
DVD ka zamaana hai, mere paas sab taamjhaam hai aur main Khud dekh sakta hoon,
parantu ab bhi main 'theatre' mein jaakar film dekhna hi pasand karta hoon, aur
film dekhne ka mazaa 'theatre' mein hi hai, ghar mein katai naheen hai.

YK: bahut sahi hai.

PA: aur main abhi bhi filmen dekhne 'theatre' mein jaata hoon, aur bambai bhi
aata hoon aapki film dekhne ke liye, dilli bhi jaata hoon, kalkatta bhi jaata
hoon, yahaan tak ki Hyderabad bhi gaya hoon film dekhne ke liye, mujhe pataa
chalaa ki wahaan Hindi ki filmen bahut dekhee jaati hai, shaayad hi koi shahar
bachaa ho jahaan par jaakar maine filmen na dekhee ho, aur Film Festivals mein
bhi jaata hoon aur Film Festivals mein jaakar patrakaaron ke beech baiThkar film
dekhna mujhe kabhi raas naheen aaya

YK: bahut sahi hai

PA: main mahangi 'tickets' khareedke filmen dekhta hoon kyunki main ek darshak
ke saath baiThkar film dekhna chaahta hoon, main jab film dekhne ke liye jaata
hoon to film ki aalochana karne ke liye naheen jaata hoon, 'I wish to enjoy it'
aur main usko 'enjoy' karta hoon. to woh saari cheezen bahut maadak Dhang se
mere paas aati hain, aur mere saath rehti hain, aur main dekhta hoon ki mujhe
saahitya ko samajhne mein bhi cinema ne baDaa yogdaan diya. to cinema ek kalaa
hai, aur zaroor hai, aur saari kalaaon ka samoocha hai keh leejiye kyunki usmein
kavita bhi hogi, kahaani bhi hogi, naaTak bhi hoga, usmein baDhai bhi kaam
aayega, usmein 'electrician' bhi kaam aayega, usmein saari 'technology' bhi juD
jaayegi. to saare samooh ko lekar jo srijankarta hai woh sarjak, cinema ka
sarjak hota hai, saahityakaar ekaaki srijak hota hai.

YK: Prahlad-ji, ab ek gaana sun liya jaaye

PA: avashya

YK: bataaiye kaun sa gaana sunaa jaaye

PA: Mughal-e-Azam film ka ek geet suniye, woh bhi ek bahut adbhut geet hai,
"mohabbat ki jhooThi kahaani pe roye"

--------------------------------------------------------
Song: mohabbat ki jhooTi kahaani pe roye (Mughal-e-Azam)
--------------------------------------------------------

YK: aaKhri sawaal Prahlad-ji aapse, bahut aanand-daayakl baatchit aap se ho rahi
hai, sawaal yeh hai ki itni saari filmon ko dekhne aur filmon ko is gambheerta
ke saath jeene ke baad kya aapko kisi bhi pal yeh naheen lagaa ki aapko film
lekhak yaa nirdeshak hona chaahiye tha?

PA: naheen! ek mere man mein, jab maine Raj saahab se kahaa tha, jo unke saath
waale log to naheen samajh sakte the, magar woh samajh sakte the, ki main film
lekhak kabhi naheen hona chaahta, isliye kyunki film lekhak ka 'medium' hai hi
naheen, aur jo lekhak ka 'medium' naheen hai, wahaan main lekhak hoyoon jaake,
yeh bahut bhaari bewakoofi hai. yadi main lekhak hona chaahoon to main likhta
hoon, magar meri khwaahish hai ki marne se pehle ek film zaroor banaayun, aur
maine ek baar prayaas bhi kiya tha, aur woh prayaas poori tarah se asafal bhi
naheen kahaa jaa sakta, main apne shahar mein hi main yeh maanta hoon ki jab tak
film chhoTi poonji se naheen banegi to is samay mein achchhi film banna bahut
kaThin hai. main yeh bhi naheen maanta ki koi achchhe log naheen hai, koi Bimal
Roy naheen hai, koi Mehboob Khan naheen hai, koi Raj Kapoor naheen hai, main yeh
maanta hoon ki adbhut adbhut log hain, aur adbhut kaam kar sakte hain, magar is
poonji ke tantra ko...

YK: toD degaa

PA: toDnaa to paDegaa hi, poonji ka tantra cinema se naheen joDaa jaa sakta.
poonji ke tantra ko behetar upayog mein naheen laa paa rahe hain. aakhir Raj
Kapoor bhi poonji ke tantra mein kaam karte the aur V Shantaram bhi karte the
aur Satyajit Ray bhi karte the, Satyajit Ray ki adhikaansh filmen R D Bansal ne
'produce' keeye jo sabse baDe 'producer' hain Bangla filmon ke. to poonji ko aap
laDiye naheen, poonji ka sadupayog keejiye. yadi aap '18 crore' denge kisi
'star' ko, to film us 'star' ka mahima mandan naheen karegi to '18 crore'
aayenge kahaan se?

YK: to aap ne film banaane ka prayaas kiya tha?

PA: haan, kiya tha, maine film banaane ka prayaas kiya tha aur woh prayaas jaari
hai aur mujhe lagta hai ki kabhi na kabhi main safal hoyunga.

YK: Prahlad-ji, bahut aanand aaya, Aaj Ke Mehmaan kaaryakram mein aane aur itna
samay dene ke liye, bahut bahut shukriya.

PA: dhanyavaad, bahut bahut shukriya aapka huzoor.

THE END

#2300

From: सजीव सारथी <sajeevsarathie@...>
Date:: Sun Jul 12, 2009 4:06 am
Subject:: कुछ जरूरी सी बातें

sajeevsarathie

Offline

http://podcast.hindyugm.com/2009/07/compose-nirala-poem-win-rs-4000-cash.html

दोस्तों, आप सब के के लिए इस माह की चुनौती है कविराज निराला की इस कविता को स्वरबद्ध करने की -

यदि आप या आपके कोई साथी मित्र इस प्रतियोगिता में हिस्सा लेना चाहें तो उन्हें अवश्य प्रोत्साहित कीजिये, ४००० हज़ार रुपयों के पुरस्कार के अलावा भी बहुत कुछ है विजेताओं के लिए....अब तक गीत कास्ट के पहले दो अयोजब बेहद कामियाब रहे हैं. दूसरे संस्करण में पन्त की प्रथम रेशमी को १९ प्रतिभागियों ने स्वरबद्ध कर इस आयोजन को सफल बनाया. कौन रहा विजेता ये यहाँ देखिये और सुनिए प्रथम रेशमी को ८ अलग अलग रूपों में -

http://podcast.hindyugm.com/2009/07/pant-poem-pratham-rashmi-composed-8.html

रविवार सुबह की कॉफी में लौटे हैं ८०-९० के दशक में और सुनते हैं दक्षिण एशिया के पहले पॉप संसेंशन हसन जहाँगीर के जोरदार गीतों को -

http://podcast.hindyugm.com/2009/07/blog-post_12.html

सुनो कहानी में सुनिए गौरव सोलंकी की एक बेहद दिलचस्प सी कहानी पारुल पुखराज की आवाज़ में -

http://podcast.hindyugm.com/2009/07/hathon-mein-machhliyan-audio.html

महफिले ग़ज़ल में आनंद लें दो मोहतरमाओं की आवाजों का -

मुन्नी बेगम - "मैं खयाल हूँ किसी और का...."

http://podcast.hindyugm.com/2009/07/main-khyaal-hoon-kisi-aur-ka-munni.html

रुना लैला _घुंघुरू टूट गए....

http://podcast.hindyugm.com/2009/07/runa-laila-ghunghuru-toot-gaye-maqbool.html

नए संगीत में आनंद लें फिल्म "लव आजकल" के इस नए ट्विस्ट का -

http://podcast.hindyugm.com/2009/07/twist-love-aaj-kal-new-songs-taza-sur.html

ओल्ड इस गोल्ड में छाए रहा मदन मोहन साहब

मैंने रखा है मोहब्बत...

जब गम इश्क सताता है...

तुम सा मीत मिला...

बैरन नींद न आये....

तू प्यार करे या ठुकराए...

मैं ये सोच कर...

जमीन से हमें आसमान पर....

आशा है आपने इस सब का अपने प्रिये जाल स्थल आवाज़ पर भरपूर आनंद लिया होगा ....

--
सजीव सारथी
हिंद युग्म
sajeevsararthie@...
www.hindyugm.com
09871123997

#2297

From: "Ramaswamy" <ramaswamy21in@...>
Date:: Sun Jul 5, 2009 2:23 pm
Subject:: Pandit Amarnath ----------------------- "Woh Din Yaad Karo"

ramaswamy21in

Offline

The following has been taken from Yogesh Yadav's book on Film Music Directors
titled `Suvarna Yugwale Sangeetkar'

Pandit Amarnath Lahore
Date Of Birth: Approximately 1912 (Jallandhar most likely)
Death: 20-02-1947
Pandit Amarnath was a harmonium player basically. He had produced the `Soft'
sound in the Table. He belongs to the category of Ghulam Haider in the musical
field.

Pandit. Amarnath started his career in Delhi as the Director of Orchestra with
H.M.V. We can find the blend of Classical Music, Light music and Punjabi folk
music. He was the elder brother of the duo Husnlal-Bhagatram. While giving music
for `Mirza Saheban' Husnalal-Bhagatram were working along with Pandit Amarnath.
Shankar of Shankar Jaikishan fame had played Tabla and Dhol in this film.

The Britishers had banned the song `Pagdi Sambhal Re Jatta', which was a
patriotic song fearing that there wouldn't be a revolution among the farmers as
a result of hearing this song.
Panditji died six months before India got independence.


Songs Listing:
1). Khamosh Nigahein 1,2 		 Daasi 	 1944  Sachin. Dev. Burman
2). Woh Din Yaad Karo 			 Daasi 	 1944  Zeenat Begum
3). Dekha Karo Bhagwan 		 Daasi 	 1944  Zeenat Begum
4). Raatein Na Rahi Woh 		 Daasi 	 1944  Zeenat Begum
5). Phir Mohabat Ke 			 Iraada 	 1944  Hemant Kumar
6). Aaram Se Jo Raatein Kate 		 Iraada 	 1944  Hemant Kumar
7). Aankh Milaye Koyi 			 Dhamkee  1945  Zeenat Begum
8). Yaad Mein Raat Kati 			 Dhamkee  1945  Zeenat Begum
9). Haye Re Udh Jaayein 		 Mirza Saheban  1947  Zohra, Noorjehan, Shamshad
10). Haath Seene Pe Jo Rakh Do 		 Mirza Saheban  1947  Durrani, Noorjehan
11). Khayegi Thokre Yeh Jawani 		 Mirza Saheban  1947  Durrani
12). Tum Ankhon Se Door Ho 		 Mirza Saheban  1947  Durrani, Noorjehan
13). Ruthu Rangeeli Aayein 		 Mirza Saheban  1947  Zohra, Noorjehan, Shamshad
14). Kya Yehi Tera Pyar Tera 		 Mirza Saheban  1947  Noorjehan

#2296

From: Sudarshan Pandey <shankerjai@...>
Date:: Sun Jul 5, 2009 10:24 am
Subject:: Re: दिल से

shankerjai

Offline

Dear Sajeev

Naam Sarthak ho gaya aapka....Bhagwaan ki kripa aur aapke maata-pitaa ka aashirwaad hamesha aapke saath rahega.

Aasha hai aap ab bilkul swastha honge

Regards

sp/kol

--- On Sun, 7/5/09, सजीव सारथी <sajeevsarathie@...> wrote:

From: सजीव सारथी <sajeevsarathie@...>
Subject: [vividhbharati] दिल से
To: undisclosed123456@...
Date: Sunday, July 5, 2009, 2:51 PM

मेरे दोस्त को सलाम,

पिछले हफ्ते की ३० तारिख को एक बुरे हादसे से गुजरा. दफ्तर से घर लौट रहा था, पीछे से एक गाडी ने मेरी गाडी को टक्कर दी शायद ऐसा गाडी की हालत से लगा, क्योंकि मुझे दफ्तर से निकलने का बाद उस पूरी रात का कुछ भी अब याद नहीं है. पर इतना तय है की कोई accident था और मेरे सर पर ही चोट लगी थी, चूँकि हेलमेट था सर बच गया, पर अचानक लगे सदमे में उस पूरी रात की हर याद जेहन से मिट गयी. पर ये भी एक आर्श्चय की बात है की मैं ऐसी हालात में भी गाडी चला कर खुद घर आया. मेरे एक मित्र ने इस पूरी घटना को कुछ यूँ शब्द दिए. "तुझे उस शाम काल उठा कर ले गया था, पर खुदा ने तुझे बचाना था तो उसके फ़रिश्ते तुझे वहां से बचा कर घर पहुंचा आये." मुझे उसकी बात पर यकीन करना ही पड़ेगा, और देखिये आज मैं आपके रूबरू हूँ. जिस तरह क्रिकेट में बल्लेबाज़ को कभी कोई जीवन दान मिल जाता है इसी तरह आपको भी जीवन की इस पारी में देने वाला कभी कभी जीवन दान दे देता है, ये जीवन दान एक संकेत होता है. जैसे फिर उस बल्लेबाज़ का फ़र्ज़ बन जाता है की वो अपनी पारी को बेहतर से बहतर मुकाम तक पहुंचाए, मुझे भी लग रहा है की ये जीवन दान मुझे इसीलिए मिला है की मैं अपने जीवन की कमियों को दुरुस्त कर एक बेहतर पारी पेश करूँ....आप सब की दुवाएं साथ रही तो मैं ऐसा अवश्य कर पाऊंगा.

पिछले सप्ताह इन सब के चलते आपके प्रिये ब्लॉग "आवाज़" पर भी कुछ हलचल कम सी रही. मित्र "तनहा" ने महफिले-ग़ज़ल की शम्मा जलाये रखी. दो महान ग़ज़ल गायिकाओं से मिलवाया उन्होंने आपको पिछले सप्ताह -

मल्लिका पुखराज की क्लासिक नज़्म "अभी तो जवान हूँ "

http://podcast. hindyugm. com/2009/ 06/mallika- pukhraaz- abhi-to-main- jaavaan.html

और फरीदा खान्नुम का दर्द भरा अंदाज़, 'वो इश्क जो हमसे रूठ गया"...

http://podcast. hindyugm. com/2009/ 07/wo-ishq- jo-hamse- rooth-gaya- fareeda.html

मुंशी प्रेमचंद की एक और कहानी वैराग्य सुन सकते हैं अनुराग शर्मा की आवाज़ में -

http://podcast. hindyugm. com/2009/ 07/vairagya- by-premchand- audio.html

एल्बम "वादा" के सभी गीत सुनिए -

http://podcast. hindyugm. com/2009/ 06/full-songs- of-album- vaada-featured. html

ओल्ड इस गोल्ड में पिछले हफ्ते चर्चा हुई, इन गीतों की -

जलते हैं जिसके लिए

बेकरार दिल तू गाये जा

जुल्फों की घटा लेकर

तुमको पिया दिल दिया

दिल लगा कर हम ये समझे

तुम्हीं मेरे मीत हो

कहीं दूर जब दिन ढल जाए...

आज रविवार सुबह की काफी पेश नहीं कर पाया..चलिए अगले हफ्ते ही सही.....आपके प्यार और दुवाओं के लिए एक बार फिर तहे दिल से आभार.

--
सजीव सारथी
हिंद युग्म
sajeevsararthie@ gmail.com
www.hindyugm. com
09871123997

#2295

From: सजीव सारथी <sajeevsarathie@...>
Date:: Sun Jul 5, 2009 5:51 am
Subject:: दिल से

sajeevsarathie

Offline

http://podcast.hindyugm.com/2009/06/mallika-pukhraaz-abhi-to-main-jaavaan.html

मेरे दोस्त को सलाम,

पिछले हफ्ते की ३० तारिख को एक बुरे हादसे से गुजरा. दफ्तर से घर लौट रहा था, पीछे से एक गाडी ने मेरी गाडी को टक्कर दी शायद ऐसा गाडी की हालत से लगा, क्योंकि मुझे दफ्तर से निकलने का बाद उस पूरी रात का कुछ भी अब याद नहीं है. पर इतना तय है की कोई accident था और मेरे सर पर ही चोट लगी थी, चूँकि हेलमेट था सर बच गया, पर अचानक लगे सदमे में उस पूरी रात की हर याद जेहन से मिट गयी. पर ये भी एक आर्श्चय की बात है की मैं ऐसी हालात में भी गाडी चला कर खुद घर आया. मेरे एक मित्र ने इस पूरी घटना को कुछ यूँ शब्द दिए. "तुझे उस शाम काल उठा कर ले गया था, पर खुदा ने तुझे बचाना था तो उसके फ़रिश्ते तुझे वहां से बचा कर घर पहुंचा आये." मुझे उसकी बात पर यकीन करना ही पड़ेगा, और देखिये आज मैं आपके रूबरू हूँ. जिस तरह क्रिकेट में बल्लेबाज़ को कभी कोई जीवन दान मिल जाता है इसी तरह आपको भी जीवन की इस पारी में देने वाला कभी कभी जीवन दान दे देता है, ये जीवन दान एक संकेत होता है. जैसे फिर उस बल्लेबाज़ का फ़र्ज़ बन जाता है की वो अपनी पारी को बेहतर से बहतर मुकाम तक पहुंचाए, मुझे भी लग रहा है की ये जीवन दान मुझे इसीलिए मिला है की मैं अपने जीवन की कमियों को दुरुस्त कर एक बेहतर पारी पेश करूँ....आप सब की दुवाएं साथ रही तो मैं ऐसा अवश्य कर पाऊंगा.

पिछले सप्ताह इन सब के चलते आपके प्रिये ब्लॉग "आवाज़" पर भी कुछ हलचल कम सी रही. मित्र "तनहा" ने महफिले-ग़ज़ल की शम्मा जलाये रखी. दो महान ग़ज़ल गायिकाओं से मिलवाया उन्होंने आपको पिछले सप्ताह -

मल्लिका पुखराज की क्लासिक नज़्म "अभी तो जवान हूँ "

और फरीदा खान्नुम का दर्द भरा अंदाज़, 'वो इश्क जो हमसे रूठ गया"...

http://podcast.hindyugm.com/2009/07/wo-ishq-jo-hamse-rooth-gaya-fareeda.html

मुंशी प्रेमचंद की एक और कहानी वैराग्य सुन सकते हैं अनुराग शर्मा की आवाज़ में -

http://podcast.hindyugm.com/2009/07/vairagya-by-premchand-audio.html

एल्बम "वादा" के सभी गीत सुनिए -

http://podcast.hindyugm.com/2009/06/full-songs-of-album-vaada-featured.html

ओल्ड इस गोल्ड में पिछले हफ्ते चर्चा हुई, इन गीतों की -

जलते हैं जिसके लिए

बेकरार दिल तू गाये जा

जुल्फों की घटा लेकर

तुमको पिया दिल दिया

दिल लगा कर हम ये समझे

तुम्हीं मेरे मीत हो

कहीं दूर जब दिन ढल जाए...

आज रविवार सुबह की काफी पेश नहीं कर पाया..चलिए अगले हफ्ते ही सही.....आपके प्यार और दुवाओं के लिए एक बार फिर तहे दिल से आभार.

--
सजीव सारथी
हिंद युग्म
sajeevsararthie@...
www.hindyugm.com
09871123997

#2294

From: <kilo_kos@...>
Date:: Sat Jul 4, 2009 6:09 pm
Subject:: We have over 700 companies that will pay you

kilo_kos

Offline

We have over 700 companies that will pay you


We have over 700 companies that will pay you to:
Take online surveys - Get paid from $5 to $125 Each Survey!
Get paid to drive your car $1000 to $3000 per month!
Participate in Focus Groups - Get Paid up to $150 per hour
Try new products and paid $10 to $25 or even more (Keep the products FREE!)
Take telephone surveys and get paid up to $120 per hour.
Preview new movie trailers and get paid anywhere from $10 to $25 per hour.
Get paid to take surveys offline and get paid $5 to $95 per hour
Get Paid $10 to $40 per hour To Shop and Eat!
Get Paid $10 to $50 To Set Appointments online!
Get Paid To Travel - Earn $100's each month just for traveling!

Click here
http://microsoft-office-live.blogspot.com/2009/05/working-at-home.html

#2293

From: Sudarshan Pandey <shankerjai@...>
Date:: Sun Jun 28, 2009 9:16 am
Subject:: Re: your weekly music dose

shankerjai

Offline

Thanks

regds

sp/kol

--- On Sun, 6/28/09, सजीव सारथी <sajeevsarathie@...> wrote:

From: सजीव सारथी <sajeevsarathie@...>
Subject: [vividhbharati] your weekly music dose
To: undisclosed123456@...
Date: Sunday, June 28, 2009, 3:48 PM

नमस्कार,

पॉडकास्ट कवि सम्मलेन एक ऐसा आयोजन है जिसमें दुनिया के कोने कोने में बैठे हमारे कवि जन बिना घर से बाहर निकले इस सम्मलेन का हिस्सा बन सकते हैं. और देखिये हमारे श्रोता भी घर बैठे इस आयोजन का हिस्सा बन सकते हैं. रश्मि प्रभा के संचालन में हुए इस तकनीकी कवि सम्मलेन का आनंद लें इस रविवार -

http://podcast. hindyugm. com/2009/ 06/podcast- kavi-sammelan- june-2009- issue.html

सुनो कहानी में सुनिए अनुराग जी की आवाज़ में उपेन्द्र अश्क की कहानी -पहेली

http://podcast. hindyugm. com/2009/ 06/hindi- story-paheli- by-upendranath- ashq.html

और अब बात संगीत की .महफिले ग़ज़ल में मेरी सबसे पसंदीदा ग़ज़लों में से एक ग़ज़ल है इस सप्ताह -

सुनिए इंशा जी उठो अब कूच करो...

http://podcast. hindyugm. com/2009/ 06/insha- ji-utho-ab- kooch-karo- ibne-insha. html

और बेगम आबिदा का गाया बुल्ले शाह का कलाम -

http://podcast. hindyugm. com/2009/ 06/blog-post_ 5804.html

नए संगीत में कैलाश खेर की ताज़ा एल्बम "चन्दन में" से ये भीगता नगमा -

भीग गया मेरा मन -

http://podcast. hindyugm. com/2009/ 06/chaandan- mein-kailesh- kher-bhiig- gaya.html

आवाज़ के संगीतकार ने स्वरबद्ध किये स्वर्गीय कवि हेमंत कि दो कवितायेँ , इनका भी आनंद लें -

http://podcast. hindyugm. com/2009/ 06/late-poet- hemant-composed- poems.html

ओल्ड इस गोल्ड में पिछले हफ्ते बजे ये सदाबहार गीत -

चाँद आहें भरेगा....

बहुत शुक्रिया बड़ी मेहरबानी...

आपके पहलू में आकर रो दिए

रस्मे उल्फत को निभाएं...

हम थे वो थी और समां रंगीन...

वो चाँद मुस्कुराया...

घर आजा घिर आई....

hope u enjoy this weekly dose of music...have a great day, and a fantastic week ahead, we have lost a legend in micheal jackson last week. may god give peace to his soul...

--
सजीव सारथी
हिंद युग्म
sajeevsararthie@ gmail.com
www.hindyugm. com
09871123997

Reply | Forward | Messages in this Topic (3)

#2292

From: सजीव सारथी <sajeevsarathie@...>
Date:: Sun Jun 28, 2009 6:48 am
Subject:: your weekly music dose

sajeevsarathie

Offline

http://podcast.hindyugm.com/2009/06/podcast-kavi-sammelan-june-2009-issue.html

नमस्कार,

पॉडकास्ट कवि सम्मलेन एक ऐसा आयोजन है जिसमें दुनिया के कोने कोने में बैठे हमारे कवि जन बिना घर से बाहर निकले इस सम्मलेन का हिस्सा बन सकते हैं. और देखिये हमारे श्रोता भी घर बैठे इस आयोजन का हिस्सा बन सकते हैं. रश्मि प्रभा के संचालन में हुए इस तकनीकी कवि सम्मलेन का आनंद लें इस रविवार -

सुनो कहानी में सुनिए अनुराग जी की आवाज़ में उपेन्द्र अश्क की कहानी -पहेली

http://podcast.hindyugm.com/2009/06/hindi-story-paheli-by-upendranath-ashq.html

और अब बात संगीत की .महफिले ग़ज़ल में मेरी सबसे पसंदीदा ग़ज़लों में से एक ग़ज़ल है इस सप्ताह -

सुनिए इंशा जी उठो अब कूच करो...

http://podcast.hindyugm.com/2009/06/insha-ji-utho-ab-kooch-karo-ibne-insha.html

और बेगम आबिदा का गाया बुल्ले शाह का कलाम -

http://podcast.hindyugm.com/2009/06/blog-post_5804.html

नए संगीत में कैलाश खेर की ताज़ा एल्बम "चन्दन में" से ये भीगता नगमा -

भीग गया मेरा मन -

http://podcast.hindyugm.com/2009/06/chaandan-mein-kailesh-kher-bhiig-gaya.html

आवाज़ के संगीतकार ने स्वरबद्ध किये स्वर्गीय कवि हेमंत कि दो कवितायेँ , इनका भी आनंद लें -

http://podcast.hindyugm.com/2009/06/late-poet-hemant-composed-poems.html

ओल्ड इस गोल्ड में पिछले हफ्ते बजे ये सदाबहार गीत -

चाँद आहें भरेगा....

बहुत शुक्रिया बड़ी मेहरबानी...

आपके पहलू में आकर रो दिए

रस्मे उल्फत को निभाएं...

हम थे वो थी और समां रंगीन...

वो चाँद मुस्कुराया...

घर आजा घिर आई....

hope u enjoy this weekly dose of music...have a great day, and a fantastic week ahead, we have lost a legend in micheal jackson last week. may god give peace to his soul...

--
सजीव सारथी
हिंद युग्म
sajeevsararthie@...
www.hindyugm.com
09871123997

Reply | Forward | Messages in this Topic (3)

#2291

From: Anup Manchalwar <anupmanchalwar@...>
Date:: Fri Jun 26, 2009 9:15 am
Subject:: Re: Tribute to Michael Jackson

anupmanchalwar

Offline

He was indeed a great great great artist.... "Dear Earth, welcome your new guest; Michael Jackson is laid to rest..."

- Anup Manchalwar

--- On Fri, 26/6/09, soojoi_india <soojoi_india@...> wrote:

From: soojoi_india <soojoi_india@...>
Subject: [vividhbharati] Tribute to Michael Jackson
To: vividhbharati@...
Date: Friday, 26 June, 2009, 2:41 PM

Source: http://www.michaelj ackson.com/

NEW YORK, NY – June 25, 2009 – Michael Jackson, one of the most widely beloved entertainers and profoundly influential artists of all-time, leaves an indelible imprint on popular music and culture.

Commenting on his passing, Sir Howard Stringer, Chairman, CEO and President, Sony Corporation, said: "Michael Jackson was a brilliant troubadour for his generation, a genius whose music reflected the passion and creativity of an era. His artistry and magnetism changed the music landscape forever. We have been profoundly affected by his originality, creativity and amazing body of work. The entire Sony family extends our deepest condolences to his family and to the millions of fans around the world who loved him."

Rolf Schmidt-Holtz, CEO, Sony Music Entertainment, said: "Michael Jackson's unsurpassed artistry and beloved music brought joy to every corner of the world. We join today with his millions of fans in expressing our profound sadness and we offer our deepest condolences to his family and loved ones. It was a true privilege for all of us in the Sony Music family to work with one of the most talented superstars in the history of music. We will miss him greatly."

Martin Bandier, Chairman & CEO of Sony/ATV Music Publishing, said: "Michael was the kind of amazing talent that comes along once in a lifetime. He was an incredible recording artist, an insightful businessman, an unmatched performer, and a true icon.. To all of us at Sony/ATV Music Publishing, he was also a trusted and passionate partner, who was very proud of our accomplishments. He will be dearly missed. We wish his children and entire family our deepest condolences. "

Five of Jackson's solo albums – "Off the Wall," "Thriller," "Bad," "Dangerous" and "HIStory," all with Epic Records, a Sony Music label – are among the top-sellers of all time. During his extraordinary career, he sold an estimated 750 million records worldwide, released 13 No.1 singles and became one of a handful of artists to be inducted twice into the Rock and Roll Hall of Fame. The Guinness Book of World Records recognized Jackson as the Most Successful Entertainer of All Time and "Thriller" as the Biggest Selling Album of All Time. Jackson won 13 Grammy Awards and received the American Music Award's Artist of the Century Award.

Michael Jackson started in the music business at the age of 11 with his brothers as a member of the Jackson 5. In the early 1980s, he defined the art form of music video with such ground-breaking videos as "Billie Jean," "Beat It" and the epic "Thriller." Jackson's sound, style and dance moves inspired subsequent generations of pop, soul, R&B and hip-hop artists.

Love Cricket? Check out live scores, photos, video highlights and more. Click here.

#2290

From: "soojoi_india" <soojoi_india@...>
Date:: Fri Jun 26, 2009 9:11 am
Subject:: Tribute to Michael Jackson

soojoi_india

Offline

Source: http://www.michaeljackson.com/

NEW YORK, NY � June 25, 2009 � Michael Jackson, one of the most widely beloved
entertainers and profoundly influential artists of all-time, leaves an indelible
imprint on popular music and culture.

Commenting on his passing, Sir Howard Stringer, Chairman, CEO and President,
Sony Corporation, said: "Michael Jackson was a brilliant troubadour for his
generation, a genius whose music reflected the passion and creativity of an era.
His artistry and magnetism changed the music landscape forever. We have been
profoundly affected by his originality, creativity and amazing body of work. The
entire Sony family extends our deepest condolences to his family and to the
millions of fans around the world who loved him."

Rolf Schmidt-Holtz, CEO, Sony Music Entertainment, said: "Michael Jackson's
unsurpassed artistry and beloved music brought joy to every corner of the world.
We join today with his millions of fans in expressing our profound sadness and
we offer our deepest condolences to his family and loved ones. It was a true
privilege for all of us in the Sony Music family to work with one of the most
talented superstars in the history of music. We will miss him greatly."

Martin Bandier, Chairman & CEO of Sony/ATV Music Publishing, said: "Michael was
the kind of amazing talent that comes along once in a lifetime. He was an
incredible recording artist, an insightful businessman, an unmatched performer,
and a true icon. To all of us at Sony/ATV Music Publishing, he was also a
trusted and passionate partner, who was very proud of our accomplishments. He
will be dearly missed. We wish his children and entire family our deepest
condolences."

Five of Jackson's solo albums � "Off the Wall," "Thriller," "Bad," "Dangerous"
and "HIStory," all with Epic Records, a Sony Music label � are among the
top-sellers of all time. During his extraordinary career, he sold an estimated
750 million records worldwide, released 13 No.1 singles and became one of a
handful of artists to be inducted twice into the Rock and Roll Hall of Fame. The
Guinness Book of World Records recognized Jackson as the Most Successful
Entertainer of All Time and "Thriller" as the Biggest Selling Album of All Time.
Jackson won 13 Grammy Awards and received the American Music Award's Artist of
the Century Award.

Michael Jackson started in the music business at the age of 11 with his brothers
as a member of the Jackson 5. In the early 1980s, he defined the art form of
music video with such ground-breaking videos as "Billie Jean," "Beat It" and the
epic "Thriller." Jackson's sound, style and dance moves inspired subsequent
generations of pop, soul, R&B and hip-hop artists.

#2288

From: "soojoi_india" <soojoi_india@...>
Date:: Mon Jun 22, 2009 12:52 pm
Subject:: Re: Radha Mangeshkar's album

soojoi_india

Offline

for those who cant open the link:

GenerationX
-A +AFontRajiv Vijayakar
  Posted: Jun 19, 2009 at 1200 hrs IST

She represents the third generation of the first family of Indian music - the
Mangeshkars. Here is Radha Hridaynath Mangeshkar, whose maiden album Naav Maazha
Shaami is making waves, in a candid chat despite a throat infection and an
inborn reticence

Your album Naav Mazha Shaami stands out in every sense among the current crop of
Marathi albums.

Yes, but that's because Marathi music has changed so much, and is beginning to
sound much more like Bollywood music rather than retaining the essence of our
flavour and region. And Naav... does not sound like an album in which only the
words are in Marathi and nothing else reflects our culture. I am not saying that
this change in Marathi music is bad, but a traditional flavour will definitely
stand out. It's a folk-based album that revives the flavour of Maharashtrian and
Goan folk, with some strong poetry and wonderful compositions by my father.

Debut albums tend to be more trend-oriented. Why was this concept decided as
your launch vehicle?

Baba (Radha's father Pt. Hridaynath Mangeshkar) had come up with a beautiful and
top-selling album called Maazhi Aavadati Gaani in the late `80s. He was planning
something along those lines and was looking at the works of several poets. For
example, the lead track Maazhyaa Govyaachyaa bhumita is a poem written by
B.B.Borkar over 80 years ago and is famous in Goa and Maharashtra, besides being
3 pages long, so Baba had to choose the stanzas. Baba's friend N.D.Mahanor also
sends him his poems regularly and there are poems by Sudhir Moghe as well.

It was Baba who thought that I should sing these songs and in that sense it was
not a deliberate launch for me. Saregama came in and one more decision they took
against the trend was not having a video made of any track.

Was any poem written specifically for the album?

Yes. Naav mazha Shaami and Bai gele firaayalaa were written by Sudhir Moghe.

Why were you not launched in a Hindi album?

I have been singing on shows since I was a kid, and Marathi music lovers know
me. Besides, as I said, the concept was to have a folk album after a very long
gap.

Your father is known to be a tough taskmaster and a perfectionist.

What was your experience while recording this album?

Baba is a perfectionist, he just does not leave you till you are perfect! But he
is very easy to work with - he will cajole more out of you. He will never scold,
beat or insult you when you are faltering, he will not even be angry. For this
album, I just listened carefully to what he sang and followed him. Besides, he
had been working on the compositions for over a year before I came in.

Was any song particularly tough for you?

Every song was tough in a way, because the six songs are in six different moods.
So if there is a Koligeet, I am also singing Raag Bhairavi, and if there is a
bidaai song there is also Maazhyaa Govyachyaa bhumita. Technically, this last
song was a bit tough for me.

How would you describe your relationship with Baba?

I have a three-fold relationship with him. As father and daughter, we have a
normal and fun relationship. As my guru, he is the best in the world, and I have
been with him for nine years and never needed anyone else. There are people who
have different gurus for classical, light classical, folk and so on but I never
even thought of having anyone else. I see the world in Baba and he's my world!
Finally, I have been singing on his shows since childhood, and when he is my
composer or co-singer, we are perfect professionals. I think that we handle all
three aspects well!

What has he to say about your singing? And how will you rate yourself on this
album?

Baba would not have even recorded with me if I had not satisfied him. He is not
very generous with compliments though! (Smiles) Of course it's natural that I
feel I could have done better, but I can confidently state that I haven't spoilt
any of the beautiful tunes that Baba has composed!

Is he your favourite composer as well?

Of course! Who matches his genius and track-record in Marathi music? His Hindi
songs are also fabulous.

How ambitious are you? Is playback in Hindi on your agenda?
I am ambitious, but I am not obsessed with a specific goal. I just want to be
known as a singer. I will not run after playback but if I am offered songs, I
will do them. I have just recorded a song for an untitled film that Baba is
doing in Marathi. I do not believe in planning because that does not work. It's
two in the afternoon now and neither you nor I can predict what will happen to
us an hour later, so how can I plan months or years ahead?

You performed at Rahman's concert recently.
I was to sing his Jiya jale and I rehearsed the song but I could not perform due
to time constraints.

How was it working with him?
Among today's composers, he is the only one who has shown consistency and I like
his music. He was not actively involved with my rehearsals though he was
present.

Who are your favourite composers among the seniors?
My all-time favourites are Shankar-Jaikishan, and it is sad that today's
generation isn't aware of their work and are forgetting them. The media is
promoting just one or two composers from among the legends, which is not right.
Even today when I hear a Hai na bolo bolo from Andaz, I can sense their calibre
in the individual violin and other pieces and the way they have been composed
and integrated, even though the song is nowhere among their best. Their
versatility is phenomenal. I also particularly love the works of
Laxmikant-Pyarelal and Madan Mohan.

Do you regret coming in an era when you cannot sing for them or any other
legends?
Well, if I could have sung for Shankar-Jaikishan, I wouldn't have minded missing
out on all the others!

And what about singers?
Who else but Lata Mangeshkar? Among male singers Rafisaab of course - and once
again, it's very sad that people are starting to forget him too. Among today's
singers, I think Sunidhi Chauhan sings whatever she sings very well and Kumar
Sanu, though he is barely singing today, is a favourite because of his
expression of emotions and because he is perfectly in sur. I like Sonu Niigaam,
Shreya Ghoshal, Sukhwinder Singh and Kailash Kher too. Among the Western
singers, I adore John Lennon and the Beatles.

What did Lataji have to say about your singing?
She liked my album a lot. She said that it was a well-sung album.

In the song Thakun basli maay ga, you sound remarkably like the Lata of the
early `50s.
I don't agree at all if you mean the voice quality, because I want to be Radha
Mangeshkar and my voice is quite different. But what you probably found similar
was the element of gaayaki. To me, the epitomes of classic singing are only Lata
Mangeshkar and Noorjehan. There are only two singers to whom I look up too and
follow for their sheer expression and vocal throw. In the world of playback
singing, there was nothing distinctive till the early `40s. The utpatti (origin)
happened with Noorjehanji and within a few years came Lata Mangeshkar. In 1949,
similarly, Shankar-Jaikishan gave us the origin of film music as a distinct
entity with Barsaat. To date, every singer and composer is following their base
or patterns, and let's face it, there is no choice but to follow them!

You seem to have made your own profound study of Hindi film music down the
decades.
I have, because I am very much into music. Look at even the classical songs of
S-J � they never sounded like the typical classical songs, and yet they were
pure classical too and yet had that unique film flavour. Today, everyone feels
that Sunidhi Chauhan is not following any school, but the trained music listener
will realise that Sunidhi, even if unconsciously, is following the same Lata
Mangeshkar school. As I said, there is no getting away from it!

--- In vividhbharati@..., Sudarshan Pandey <shankerjai@...> wrote:
>
> Dear Soojoi ji.
> �
> Here is the links
> �
> to listen to her songs
> http://www.in.com/music/track-thakun-basali-maay-ga-380013.html
> �
> Read her beautiful interview at
> �
> http://www.screenindia.com/news/generationx/478279/
> �
> Regards
> sp/kol
>
> --- On Mon, 6/22/09, soojoi_india <soojoi_india@...> wrote:
>
>
> From: soojoi_india <soojoi_india@...>
> Subject: [vividhbharati] Radha Mangeshkar's album
> To: vividhbharati@...
> Date: Monday, June 22, 2009, 12:55 PM
>
>
>
>
>
>
>
>
> Hi,
>
> Has anybody listened to Radha Mangeshkar's new album? Is there any similarity
in her voice with the melody queen?
>
> Regards,
>

#2287

From: Sudarshan Pandey <shankerjai@...>
Date:: Mon Jun 22, 2009 11:29 am
Subject:: Re: Radha Mangeshkar's album

shankerjai

Offline

http://www.in.com/music/track-thakun-basali-maay-ga-380013.html

Dear Soojoi ji.

Here is the links

to listen to her songs

Read her beautiful interview at

http://www.screenindia.com/news/generationx/478279/

Regards

sp/kol

--- On Mon, 6/22/09, soojoi_india <soojoi_india@...> wrote:

From: soojoi_india <soojoi_india@...>
Subject: [vividhbharati] Radha Mangeshkar's album
To: vividhbharati@...
Date: Monday, June 22, 2009, 12:55 PM

Hi,

Has anybody listened to Radha Mangeshkar's new album? Is there any similarity in her voice with the melody queen?

Regards,

#2286

From: Kaustubh Pingle <kcpingle@...>
Date:: Mon Jun 22, 2009 8:58 am
Subject:: Re: Radha Mangeshkar's album

kcpingle

Offline

No similarity IMHO.

Voice is a bit heavy, but quite good.�

Since it was an out-and-out Goan/Konkani album ( except one song "Thakun Basli", which I liked very much ) could not see her versatility ( mostly fast paced / beat based ones )

kcp

On Mon, Jun 22, 2009 at 7:55 AM, soojoi_india <soojoi_india@...> wrote:

Hi,

Has anybody listened to Radha Mangeshkar's new album? Is there any similarity in her voice with the melody queen?

Regards,

--
http://www.brahmanandsingh.com/RDB.htm

#2285

From: "soojoi_india" <soojoi_india@...>
Date:: Mon Jun 22, 2009 3:55 am
Subject:: Radha Mangeshkar's album

soojoi_india

Offline

Hi,

Has anybody listened to Radha Mangeshkar's new album? Is there any similarity in
her voice with the melody queen?

Regards,

#2284

From: "soojoi_india" <soojoi_india@...>
Date:: Sun Jun 21, 2009 2:20 pm
Subject:: Vishesh Jaimala - Shailendra Singh

soojoi_india

Offline

pyaare fauji bhaaiyon ko Shailendra Singh ka namaskaar! aaj aap ki Khidmat mein
aap ki manoranjan ke liye ek chhoTaa sa kalaakaar haazir hai aur sangeet ke
phoolon ki jaimala pesh karta hai. jis tarah aap log apni jaanen muTThi mein
liye apne desh par shaheed hone mein apna fakr aur farz samajhte hain, usi tarah
ham kalaakaaron ki bhi dilee tamanna hoti hai ki hindusantaan ki rakshaa karne
waale veer jawaanon ka manoranjan karen. chaliye aaj main apne aap ko bahut
Khush-kismat samajhta hoon, main phool Taank rahaa hoon tumhaare jooDe mein,
tumhaari aankh masarrat se jhukti jaati hai, na jaane main aaj kya baat kehne
waala hoon, zubaan Khushk hai aawaaz rukti jaati hai. jee haan fauji bhaaiyon,
aap bilkul Theek samjhe, main shaayari se dilchaspi zaroor rakhta hoon, lekin...

Song: main shaayar to naheen (Bobby)


bhaaiyon, 'radio' par agar koi naam baar baar sunaayi paDtaa hai to woh hai Lata
Mangeshkar. log kehte hain Lataji gaayikaa hain, lekin main samajhta hoon ki wo
gaayikaa se bhi kahin zyaada kuchh hain. unke gale mein to shaayad saraswati ka
niwaas hai. log Lataji ko ek baar dekh bhar len to Khud ko Khush-kismat samajhte
hain. ab aap merri Khushkismati ka andaazaa lagaaiye, maine to Lataji ke saath
kai gaane gaaye hain. Lataji ka gaaya kaun sa gaana sab se achchha hai, yeh
sawaal kuchh aisa hi hai ki jaise kisi se yeh poochhe ki samudra ki kaun si
lahar sab se oonchi hai. to chaliye woh gaana sunwaa doon jo mujhe bahut pasand
hai.

Song: lag jaa gale ke phir yeh (Woh Kaun Thi)


bhaaiyon, meri Khushkismati hai ki meri zindagi ka pehla 'duet' Lataji ke saath
'record' huya. is 'duet' ki 'recording' ke kuchh dino baad  kisi ne aakar mere
guruji se kahaa ki 'aap ka shaagird to baDe 'confidence' ke saath gaata hai'.
lekin sach baat to yeh hai ki jab main 'recording' par gaya to Lataji ko dekh
kar thoDaa sa 'nervous' ho gaya. Lataji fauran samajh gayeen aur maahaul ko
sahaj banaane ke liye mujhe ek aadh chuTkulaa sunaaya, haalchaal poochhe jisse
main kaafi 'relaxed' ho gaya. aur jo meri thoDi bahut 'nervousness' thi woh
'confidence' mein badal gayi. aur sach maaniye ki main jhooTh bilkul naheen
boltaa, kyunki buzurgon ne kahaa hai ki ek jhooTh ko chhupaane ke liye sau
jhooTh bolne paDte hain. aur aap mein se kisi ne jhooTh bolaa, to yaad
rakhiye...

Song: jhooTh bole kauwa kaaTe (Bobby)


Bobby ki saphaltaa ke baad meraa gaayakon ki 'list' mein Khaasaa upar aa gaya
tha. shaayad ab tak mujh mein thoDaa sa 'confidence' bhi aa gaya tha. isliye jab
mujhe Rafu Chakkar ki 'recording' mein ek nayi gaayika ke saath gaane ka mauka
milaa, to mujhe aisa laga ki woh thoDaa sa 'nervousness' mehsoos kar rahi hai.
main shaayar to naheen hoon lekin ek shaayar ki baat yaad aa gayi, ki "denge
wahi jo paayenge is jahaan se ham". to doston, mujhe Lataji se jo 'confidence'
mila, woh maine Kanchan ki taraf baDhaa diya. yaani halki phulki baaten kee aur
maahaul ko sahaj banaaya. 'confidence' shaayad aisi daulat hai ki jise baanTaa
jaaye to woh aur baDh jaati hai. agar yakeen na aaye to yeh gaana sun leejiye.

Song: tumko mere dil ne pukaaraa hai (Rafu Chakkar)


ek arse se main R D Burman ka 'fan' tha. aur socha karta tha ki kya kabhi inke
liye gaane ka mauka milegaa mujhe! aur aaj mujhe bahut Khushi ho rahi hai yeh
bataate huye ki agla geet jo main aapko sunaane jaa raha hoon, us geet ki dhun R
D Burman ji ne banaayi hai. duniya mein kai kismj ke nashe hain, lekin sab se
haseen behatareen, Khoobsoorat aur madhosh karne waala jo nashaa hai woh hai
pyaar ka nashaa. is gaane ko sunkar aap ko aisa lagega ki Rishi Kapoor ka bhi
yahi aalam hai.

Song: hamne tumko dekhaa (Zamane Ko Dikhana Hai)


jab main Ashaji ke saath pehla gaana gaa raha tha, to woh mujhe baDe Gaur se
dekh rahi theen. jab maine unko is tarah apni taraf mu-tawajju paayaa, to main
thoDaa sa zaraa 'conscious' ho gaya. mujhe 'conscious' dekh kar woh hans kar
boleen, 'agar ek baat kahoon to buraa to naheen maanoge?' to maine kahaa ki
'naheen naheen kahiye, ismein buraa maanne ki kyaa baat hai', to unhone kahaa ki
'tum jab gaate ho, to bolon ko thoDaa dabaa ke bolte ho, har bol ko saaf aur
munh khol kar bolo, taaki tumhaari aawaaz aur bhi 'bright' aa jaaye'. aur waaqai
fauji bhaaiyon, bilkul waisa hi huya. to leejiye meri pasand ka unka gaaya huya
yeh gaana suniye.

Song: yahi woh jagah hai (Yeh Raat Phir Na Aayegi)


bahut log yeh sochte hain aur samajhte bhi hain ki main 'actor-singer' hoon.
lekin main 'actor-singer' naheen, balki 'singer-actor' hoon. haan yeh baat
zaroor hai ki jab main 'acting' ka 'course' kar raha tha Poona Film Institute
mein, tab mujhe filmon mein gaane ka 'chance' milaa. lekin 'institute join'
karne ke chaar saal pehle se main gaana seekhta raha aur filmon mein gaane ka
Khwaab bhi dekha karta tha. bhagwaan ka aashirwaad hai aur meherbaani bhi ki
meri yeh dono ichchhaayen usne bahut hi jald poori kar dee. to leejiye Chalte
Chalte film ka yeh gaana pesh karta hoon.

Song: pyar mein kabhi kabhi (Chalte Chalte)


jaisa ki aap sab jaante hain pichhle DeDh baras se desh mein jaagriti ki ek hawa
chal rahi hai. is naye mausam ne bahaar ka rang apnaaya, khet lehlahaane lage,
kaarKhaanen aur milen mulk ki zarooraten poori karne lage, ghar ghar se maayoosi
door hone lagi, main apne sabhi sunnewaalon ko is Khush-haali ki badhaai deta
hoon, aur saath hi saath yeh bhi kahoonga ki jo jis kshetra mein kam kar raha
hai, apne kaam par aTal rahen, yahi hamaara sachcha aadarsh hai. aur ab, ab,
"dekh ke tera roop kaaljaa faaTe se, kar lee naina chaar yaar ne ab kyun naaTe
se". aap log yeh soch rahe honge ki main yeh kya bol gaya. jee naheen yeh mere
shabd naheen hain, balki us gaane ke shabd hain jo aadhaa haryaaNvi aur aadhaa
panjaabi mein hai.

Song: dekh ke tera roop kaaljaa (????)


fauji bhaaiyon, Mukesh ji ki aawaaz kareeb 30 baras tak nit naye rangon, naye
suron se sangeet ki aakaash ko goonjaati rahi, oh aawaaz ab Khaamosh ho gayi
hai. lekin hazaaron 'gramophone records' ke zariye unki goonj sadaa hamaare
dilon mein basee rahengi. sangeet ki duniya ka dulaara Mukesh, jiski aawaaz
poorab se sooraj ki tarah uThi aur pashchim ke ek desh mein jaakar ast ho gayi.
mere priya gaayak the. mujhe pyaar bhi bahut karte the Mukesh ji. aur ab, ab to
aksar yahi sochta hoon...

Song: jaane kahaan gaye wo din (Mera Naam Joker)


achchha to fauji bhaaiyon, aaj ki mulaaqaat bas itni hi, ab aa gaya hai
waqt-e-ruKhsat raha gulzaar to phool khilenge, aur agar rahi zindagi to phir
milenge.

THE END

#2283

From: "soojoi_india" <soojoi_india@...>
Date:: Sun Jun 21, 2009 2:19 pm
Subject:: VBLC Sangeet Ke Sitaare - Daan Singh

soojoi_india

Offline

VBLC SANGEET KE SITAARE
-----------------------

EPISODE 25: DAAN SINGH
----------------------

VBLC Sangeet Ke Sitaare ki 25-veen kaDee ke saath ham haazir hain. film sangeet
ke bhoole bisre aur kamcharchit fankaaron ko yaad karne ka yeh silsilaa yunhi
jaari hai, aur apne poore shabaab par hai. yeh kamcharchit kalaakaar film
sangeet ke woh khilaaDi hain jinhone bahut zyaada lambi paari to naheen khelee,
par apni chhoTi se paari mein kuchh aise sadabahaar gaane humein de gaye hain
jinhe hum aaj bhi yaad karte hain, gungunate hain. yeh hamaari badkismati hi hai
ki atyant pratibha sampanna hote huye bhi yeh kalaakaar charcha mein kam hi rahe
and kahin kho se gaye. par apne kuchh chuninda geeton se apni chhaap bahut saaf
chhoD gaye hain.

  aaj VBLC Sangeet Ke Sitaare ki 'silver jubilee episode' mein zikr ho raha hai
qayaamat ka, aur qayaamat ke zikr se jis sangeetkaar ke jalwon ki baat chalti
hai, wohi hain hamaare aaj ke VBLC Sangeet Ke Sitaare.

---------------------------------------------
Clip: zikr hota hai jab qayaamat ka (My Love)
---------------------------------------------

Anand Bakshi ke likhe aur Mukesh ke gaaye film My Love ke is geet mein dashakon
se wahi taazgi aur miThaas barkaraar hai. is yaadgaar geet jis sangeetkaar ki
pehchaan hai, woh hain Daan Singh. jee haan, hamaare aaj ke is kaaryakram ke
sitaare hain sangeetkaar Daan Singh.

---------------------------------------------
Song: zikr hota hai jab qayaamat ka (My Love)
---------------------------------------------

sangeetkaar Daan Singh Rajasthan ke rehnewaale hain jinhone Khemchand Prakash se
sangeet seekha. woh ek achchha sangeetkaar hone ke saath saath ek achchhe gaayak
bhi the. Mumbai aane se pehle woh AkashvaaNi ke Jaipur kendra mein kalaakaar
the. Mumbai aakar do saal ke sangharsh ke baad san 1969 mein unko pehla awsar
milaa kisi film mein sangeet dene ka aur woh film thi Toofan. S J Rajdeo is film
ke nirmaata the aur film ka nirdeshan kiya tha Radhakant ne. Dara Singh aur
Aneeta abhineet is film ke liye Daan Singh ne kai sureele geet tayyaar kiye the,
jaise ki Asha Bhosle ki aawaaz mein "laga mohe ab ki baar", aur "husn mein bhi
nasha hai", Asha aur Usha Mangeshkar ki aawaazon mein "meraa naam shabnam" aur
Mukesh ke saath Ashaji ka gaaya "humne to pyar kiya" jaise geet. aur saath hi
tha Manna Dey ka gaaya huya yeh naghmaa...

------------------------------------------
Song: suna tha maine bachpan mein (Toofan)
------------------------------------------

film Toofan to naheen chalee, lekin usake agle hi saal aayi film My Love, jiske
geeton ne dhoom machaa kar rakh dee. Shashi Kapoor aur Sharmila Tagore abhineet
is film ke geeton ko Anand Bakshi saahab ne likha tha. film ka sab se mashahoor
geet to shuru mein ham aap ko sunwa chuke hain Mukesh ki aawaaz mein. Mukesh ne
is film mein ek aur baDaa hi Khoobsoorat geet gaaya tha, jise Mukesh ke
behatareen geeton mein shaamil hone ki ijaazat honi chaahiye.

-----------------------------------------------------------
Song: woh tere pyaar ka Gham ek bahaana tha sanam (My Love)
-----------------------------------------------------------

My Love ke utkrishT aur lokapriya sangeet ke baawjood kisi ne Daan Singh ki na
to koi taareef kee aur na hi koi pryotsaahan diyaa. woh paarTiyon mein jaate aur
apni dhunen logon ko sunaate. wahaan unki dhunon ko sunkar unhe kisi ne maukaa
to naheen diya par un paarTiyon mein maujood kuchh naami sangeetkaar unki dhunon
ko churaane lage aur apne geeton mein unhe istemaal karte rahe.

-----------------------------------
Song: hamne to pyaar kiyaa (Toofan)
-----------------------------------

apni hi banaayi huyi dhunon ki is tarah se ho rahi chori se Daan Singh itne
hataash ho gaye ki apni Doctor patni Uma ke saath Jaipur lauT gaye.
  Jaipur lauTne se pehle unhone kuchh aur filmon mein sangeet diyaa thaa. yeh
filmen theen Bhool Na Jaana, Matlabi, Ret Ki Ganga aur Bahadur Shah Zafar. inme
se koi bhi film 'release' naheen ho sakee, par inke gaane zaroor 'release' huye
the.

  sunte hain Bahadur Shah Zafar film se Geeta Dutt aur Talat Mahmood ka gaaya ek
baDaa hi meeTha sa yugal geet.

--------------------------------------------
Song: tumhaari mohabbat (Bahadur Shah Zafar)
--------------------------------------------

Daan ingh ka sangeet kisi bhi drishTi se doosre sangeetkaaron se kuchh kam
naheen tha. lekin phir bhi na jaane kyun qismat ne unka kabhi bhi saath naheen
diya. jis kisi bhi film mein unhe sangeet dene ka mauka milta woh film aaKhir
tak ban kar pradarshit hi naheen ho pati. aur film ke baahar na aane se uske
gaane bhi kahin kho jaate, dab jaate. Mukesh ki aawaaz mein film Bhool Na Jaana
ka yeh geet bhi unke kuchh isi tarah ke jazbaat ko bayaan kar raha hai. Hariram
Acharya aur Iftikhar Imam Siddiqui ke likhe is geet ko suniye aur zara sochiye
ki kya kamee reh gayi hogi is geet mein jo isey aaj ham bhool baiThe hain!

----------------------------------------------
Song: Gham-e-dil kisse kahoon (Bhool Na Jaana)
----------------------------------------------

is waqt aap ne 'tune' kiya hai VBLC Sangeet Ke Sitaare, aur aaj is kaaryakram
mein aap sun rahe hain kamcharchit sangeetkaar Daan Singh ke swarbadfha kuye
huye filmi geet.

----------------------------------------------
Song: sunaate hain sitaare raat bhar (My Love)
----------------------------------------------

doston, ab ham aap ko film Bhool Na Jaana se Geeta Dutt ki aawaaz mein ek baDaa
hi sundar geet sunwaane jaa rahe hain. is geet ke baare mein Yunus Khan ka kehna
hai ki "Geeta Dutt ne is gaane ko baDi vikalta se gaaya hai. main zor dekar is
gaane ki tulnaa Saheb Biwi Aur Ghulam film ke geet "na jaayo saiyaan" se karna
chaahoonga. dono ko Geetaji ne hi gaaya aur dono mein ek ajeeb si vikalataa hai.
ye dono gaane kuchh is tarah ke hain jaise zindagi muTThi mein band ret ki tarah
sarakti jaa rahi ho aur koi ise thaam lene, sahej lene ki jaddojehad kar raha
ho. koi apni zindagi ke reze reze ko chunkar use nai shakl dene ki naakaam
koshish kar raha ho, kisi chamatkaar ki ummeed mein. violin ki taan se shuru
hota hai yeh gaana, uske baad aati hai Geetaji ki dard mein Doobi aawaaz. aisi
aawaaz jiski saandrataa har pankti ke saath baDhti chali jaati hai. jaise dard
kaa gaaDhaa ghol kaanon mein utaaraa jaa raha ho.Daan Singh ke soojh boojh bhare
sangeet sanyojan ki naayaab misaal hai ye geet. yahaan phir kahoonga ki sab se
kamaal kee hai is gaane ki dhun, dhun jo gaane kokaaljayee banaati hai. phir
aati hai gaayakee aur lekhanee, teenon ke star par mujhe ye behatareen naGmaa
lagtaa hai."

----------------------------------------------------
Song: mere hamnasheen mere hamnawaa (Bhool Na Jaana)
----------------------------------------------------

Hariram Acharya ka likha aur Geeta Dutt ka gaaya Bhool Na Jaana film ka yeh
behad Khoobsoorat naGmaa aap ne sunaa. isi film Bhool Na Jaana mein Hariram
Acharya ke saath saath Indeevar aur Gulzar ne bhi kuchh geet likhe the. sunwa
rahe hain Gulzar saahab ka likha, aur Mukesh ka gaaya ek aur behatareen geet.
waaqaee ye gaanen hamein yeh sochne par majboor kar deti hai ki kyun Daan Singh
ko kaamyaabi haasil naheen huyi. yeh film sangeet sansaar ki kangaalee hai ki
Daan Singh jaise utkrishT sangeet ko uski sevaa karne ka zyaadaa avsar naheen
diyaa gaya.

-----------------------------------------------------
Song: pukaro mujhe naam lekar pukaro (Bhool Na Jaana)
-----------------------------------------------------

Daan Singh ke sangeet se sajee ek aur apradarshit film thi Ret Ki Ganga. lekin
is film ke geeton ki koi jaankaari main juTaa naheen sakaa doston. Mayanagri
Mumbai se niraashaa haath lagne ke baad sangeetkaar Daan Singh aur geetkaar
Hariram Scharya, dono hi Jaipur waapas chale gaye the. lekin barson baad san
2001 mein jab Rajasthan ki prishTha bhoomi par film bani Bawander, uske sangeet
ke liye mauka milaa Daan Singh ko. barson baad is film ke sangeet ke zariye Daan
Singh ne yakeenan yeh saabit kiya ki unke sangeet mein aaj bhi woh TheTh aur
jaadoo aaj barkaraar hai. Jagmohan Anand aur Jag Mundhra nirmit aur nirdeshit
film Bawander ke mukhya charitron mein the Nandita Das aur Rahul Khanna. Daan
Singh ke saath saath is film mein Pandit Vishva Mohan Bhatt ne bhi sangeet diya
tha.

-------------------------------
Song: jagna hi hogaa (Bawander)
-------------------------------

vishay vastu ki wajah se Bawander bahut zyaadaa charcha mein to aayi par, lekin
pehle ki tarah ek baar film Daan Singh ka sangeet utna naheen chal paaya.

  naari mukti ki vishay vastu par bani is film ki kahaani hi kuchh aisi thi ki
jismein lokapriya gaane Daalne ki gunjaaish naheen thi. aur yahi vajah thi ki
Daan Singh ka naam ret ke bawanDer mein Doob kar reh gaya. Reecha Sharma ki
aawaaz mein is film ka yeh geet sunkar aap Rajasthan ke kisi sudoor gaaon mein
pahunch jaayenge.

--------------------------------------------
Song: panghat su paani bhar laayi (Bawander)


--------------------------------------------

bhale Daan Singh ko Hindi film sangeet jagat mein kaamayaabi naheen mili ho,
lekin yeh baat ki aaj ham is kaaryakram ke zariye unke rache sangeet ka zikr kar
rahe hain aur unhe sun rahe hain, yahi is baat ko siddha karti hai ki Daan Singh
ka sangeet utkrishT hai, vyaavasaayik roop se chaahe unhe saphalataa milee yaa
na milee ho, achchhe sangeet ke rasik aaj bhi unka naam sammaan se lete hain aur
aage bhi lete rahenge. aaj Daan Singh Jaipur mein rehte hain. unki lambi umra
aur achchhe swaasthya ki ham kaamnaa karte hain, aur chalte chalte yahi kehte
hain ki...

---------------------------------------------
Song: zikr hota hai jab mohabbat ka (My Love)
---------------------------------------------

THE END

More information on Daan Singh is most welcome!

#2282

From: सजीव सारथी <sajeevsarathie@...>
Date:: Sun Jun 21, 2009 3:14 am
Subject:: एक संगीतमय सप्ताह की शुरुआत करें इस रविवार "पिता दिवस" के साथ.

sajeevsarathie

Offline

http://podcast.hindyugm.com/2009/06/songs-of-maya-memsaab-hridaynath.html

रविवार यानी दिन छुट्टी का. क्यों न आज कुछ नए पुराने संगीत का आनंद लिया जाये, पूरे परिवार के साथ.

सुबह की कॉफी के साथ आनंद लीजिये माया मेमसाब फिल्म के यादगार गीतों का -

प्रेम चंद की कहानियां के भी उतनी ही सार्थक हैं जितनी ५० वर्ष पहले थी. सुनो कहानी में सुनिए अनुराग जी से - इस्तीफा

http://podcast.hindyugm.com/2009/06/hindi-story-isteefa-zamindar-by-munshi.html

महफिल-ए-ग़ज़ल में एक तरफ हैं भूपेंद्र-मिताली

http://podcast.hindyugm.com/2009/06/blog-post_4217.html

और दूसरी तरह हैं मोहतरमा सलमा आगा.

http://podcast.hindyugm.com/2009/06/blog-post_16.html

नए संगीत में सुनिए प्रसून का नया गीत -धूप के सिक्के

http://podcast.hindyugm.com/2009/06/blog-post_15.html

और पंकज अवस्थी का गाया फिल्म न्यू यार्क का ये गीत -

http://podcast.hindyugm.com/2009/06/aa-aaja-aye-saaye-mere-new-york-pankaj.html

आवाज़ के उभरते हुए संगीतकार कुमार आदित्य विक्रम और शायर चाँद शुक्ला के मिलन से बनी ये ताज़ा ग़ज़ल -

http://podcast.hindyugm.com/2009/06/tujhe-main-gungunana-chahata-hoon.html

साथ में ओल्ड इस गोल्ड भी, सभी पापाओं को "पिता दिवस' की ढेरों बधाईयाँ. के का दिन समर्पित करें अपने बच्चों के नाम

नमस्कार

सजीव सारथी

हिंद युग्म
sajeevsararthie@...
www.hindyugm.com
09871123997

#2281

From: सजीव सारथी <sajeevsarathie@...>
Date:: Sun Jun 14, 2009 4:21 am
Subject:: नाजिया हसन और डिस्को दीवाने

sajeevsarathie

Offline

http://podcast.hindyugm.com/2009/06/nazia-hasan-disco-deewane-songs-biddu.html

सुनिए नाजिया हसन की मशहूर एल्बम डिस्को दीवाने के सभी गीत इस रविवार सुबह की कॉफी में पंकज सुबीर जी के साथ -

HOPE U ENJOY, GOING DOWN MEMORY LANE WITH THESE GREAT SONGS

HAPPY SUNDAY
--
सजीव सारथी
हिंद युग्म
sajeevsararthie@...
www.hindyugm.com
09871123997

#2280

From: "Seshagiri Rao" <kempadali@...>
Date:: Thu Jun 11, 2009 10:00 am
Subject:: A little gift - Seshagiri

kempadali

Offline

Seshagiri Rao belongs to Skoost and sent you a little gift.

Click below to collect your gift:
http://www.skoost.com/fun?vividhbharati%40yahoogroups%2Eco%2Ein/18911245/4

P.S. This is a safe and innocent gift that Seshagiri Rao
sent from Skoost, the free goodies website.

This e-mail was sent to vividhbharati@... on 6/11/2009 10:56:54 AM
on behalf of Seshagiri Rao (kempadali@...)

#2279

From: Sudarshan Pandey <shankerjai@...>
Date:: Mon Jun 8, 2009 11:58 am
Subject:: Re: Ameen Sayani's SKSKM - Dattaram

shankerjai

Offline

Thanks,

I enjoyed too much

Regards

sp/kol

--- On Mon, 6/8/09, soojoi_india <soojoi_india@...> wrote:

From: soojoi_india <soojoi_india@...>
Subject: [vividhbharati] Ameen Sayani's SKSKM - Dattaram
To: vividhbharati@...
Date: Monday, June 8, 2009, 12:04 AM

SANGEET KE SITAARON KI MEHFIL

AMEEN SAYANI'S PROGRAMME ON DATTARAM
------------ --------- --------- ------
************ ********* ********* ******

DR: Dattaram
AS: Ameen Sayani

Sangeet Ke Sitaaron Ki Mehfil ke saathiyon, bahut dinon se mujhe yaad sataa rahi thi ek suljhe huye mashahoor sangeetkaar ki jo kai dinon se 'Bollywood' ke sangeet sansaar se Gaayab ho chuke the aur Bambai mein bhi naheen reh rahe the. bahut poochhtaachh karne par pataa chalaa ki woh door Goa mein ek chhoTe se shahar mein jaa base hain, yaa phir baDe se gaaon mein jaa base hain, beemaar rahe hain, kuchh pareshaan rahe hain, aur yeh bhi suna gaya ki unki yeh haalat aajkal bhi hai, jiska zikar unke shuru shuru ke ek geet mein tha. zaraa dil pe haath rakhiye bahenon aur bhaaiyon, aur suniye woh geet.

------------ --------- --------- --------- --------- --------
Song: aansoo bhari hain yeh jeevan ki raahen (Parvarish)
------------ --------- --------- --------- --------- --------

aawaaz Mukesh ki thi Paravarish film ke is geet mein, Parvarish mein Raj Kapoor 'hero' the, geet Hasrat Jaipuri ne likha tha aur dhun mein 'style' tha Shankar Jaikishan ka. magar jee naheen, sangeet Shankar Jaikishan ka naheen tha, aap to jaante hi hain bahenon aur bhaaiyon, Parvarish ke sangeetkaar the Dattaram. Dattaram, jo albatta Shankar Jaikishan ke 'assistant' zaroor rahe the kai kai filmon mein. ab main soch raha tha ki kaise pataa karoon ki Goa mein kahaan hain Dattaram taaki main unka 'interview' kar sakoon Sangeet Ke Sitaaron Ki Mehfil ke liye, ke itne mein huya ek zabardast chamatkaar, jis chamatkaar mein chaar log shaamil the, ek to mere dost aur mashahoor 'film journalist' Benny Roen ????, doosre Ahmedabad ke jaane pehchaane filmi jaankaar Padmanabh Joshi, teesre Bambai ke saphal sangeet kalaakaar Shyam Haldikar, aur chauthe Goa ke baDe 'businessman' aur Dattaram ke dost Shrikant Joshi. aur in chaaron ki madad se mere saamne aaye mere aur Dattaram ke puraane dost Kishore Desai. wahee Kishore Desai jinhone mere saathi mashahoor 'radio broadcast' kavi Shiv Kumar Saroj ke us 'hit private' geet ki dhun banaaee thi "tere labon ke muqaabil gulaab ka phool kya hogaa, tu laajawaab hai tera jawaab kya hogaa". yaad hai aapko? to ab us chamatkaar ka 'climax' yun huya ki Kishore Desai tayyaar ho gaye ki woh Khud Goa jaayenge aur Dattaram ko 'record' karke le aayenge, aur bas yeh sunna tha ki mere dil mein Khushi ki ek lahar si dauD paDee, aur lahar ke saath saath Dattaram ki yeh dhun bhi chal paDee.

------------ --------- --------- --------- --------
Song: rut albeli mast samaa (Shriman Satyavadi)
------------ --------- --------- --------- --------

is 'hit' geet ke film ka naam yaad aaya aapko, Shriman Satyavadi. aur doston, ab to Kishore Desai Goa jaakar Dattaram ko 'record' karke aa chuke hain, aakar unhone bataaya ki dattaramji ki tabeeyat ab bilkul Theek hai, aap Khud hi samajh lenge jab aap unki joshilee aawaaz sunenge. lekin woh 'interview' sunne se pehle itna yaad rahe bahenon aur bhaaiyon ki Dattaram ki aawaaz Goa mein 'record' huyi hai aur main yahaan Bambai mein baiThaa unhe sawaal kar raha hoon. to pehla sawaal mera unse yeh hai ki Dattaram bhai, filmon mein aapka aanaa, chhaanaa aur jaanaa, yeh kaise huya yeh to main aage chalkar poochhoonga, lekin pehle yeh bataaiye ki ham sune the ki aap sab se pehle mile the Shankar Jaikishan ke Shankar ji se, kushitiyon ke akhaaDe mein. yeh kaise huya zaraa bataayenge aap?

DR: zaroor bataayenge saahab! aisa huya ki bachpan mein mujhe kasrat karne ka bahut shauk tha, aur main kasrat karta tha. to kaafi 'time' se main wahaan jaaya karta tha. to ek din dekha ki ek naya aadmi wahaan aaya, ek aadmi ke saath aur hamaare guruji se baat kar rahe the, to ham dekh rahe the. to umein saari baatchit ho gayi aur woh aane lag gaye wahaan. paanchve din hamaare bhi namashkaar namashkaar hone lag gaya, aur aisa chalta raha. ek din unhone kahaa ki 'main Husnlal Bhagatram ke saath kaam karta hoon, aur Prithvi Theatre mein kaam karta hoon. to hamein iska kuchh maaloom hi naheen tha us 'time' pe. to mulaakaaten hote hote achchhi dosti bhi ho gayi. to us akhaaDe mein ek tablaa rakha hota tha. ham kasrat karne ke baad nahaate the aur kabhi kabhaar use bajaate the. to ek din Shankar ji nahaane gaye, baahar aaye nahaake, phir main gayaa nahaane. jab main nahaa raha tha, us 'time' pe table ki 'sound' mujhe sunaayi dee, maine sochaa 'tabla kaun bajaa raha hai?' jab main baahar aaya, maine dekhaa Shankarji tabla bajaa rahe hain aur bahut achchhi bajaa rahe hain. maine kahaa 'Shankarji, waah waah kya baat hai!' to Shankar ji ruk gaye, bole 'tumhe kya pataa table ke baare mein, waah waah kar rahe ho? tumhe maaloom hai kya, tum bajaate ho kya?' maine kahaa 'thoDaa bahut bajaa leta hoon'. unhone kahaa 'achchha! chalo bajaake dikhaao'. to maine unko ek kaaydaa bajakar sunaaya aur woh kaayda aisa tha (hums the beats), is 'type' ka kaayda tha aur woh bahut khush ho gaye.

AS: aur yeh Khushi aur dosti itni aage baDhee ki ek din Dattaram Shankar Jaikishan ke 'assistant' ban gaye, aur kai filmon mein 'assistant' rahe, jaise Shree 420, Yahudi, Chhoti Bahan, Love Marriage, Main Nashe Mein Hoon, Shararat, Ujala, Dil Apna Preet Paraayi, Ek Phool Char Kaante, vagerah vagerah vagerah. magar bahenon aur bhaaiyon, aaj Shankar Jaikishan ki naheen, Dattaram ki mehfil jamee hai, isliye aaiye sun lete hain Dattaram ki ek aur dhun, film hai Qaidi No.911

------------ --------- --------- --------- --------- ---------
Song: meeThi meeThi baaton se bachna zara (Qaidi No. 911)
------------ --------- --------- --------- --------- ---------

bahenon aur bhaaiyon, ab Dattaram ke hi naheen Shankar Jaikishan ki kahaani mein bhi zara peechhe ki taraf chaliye aur suniye Dattaram ka aankhon dekha haal jab Prithvi Theatres mein kaam karte karte ek din Shankar Jaikishan ki taqdeer chamkee.

DR: to ek din Shankarji kehne lage, 'kya kar rahe ho?' bola 'kuchh naheen', to bole 'chalo, hamaare saath chalo, Prithvi Studios mein jaana hai, Raj saahab ke 'office' mein jaana hai', maine bola 'chaliye'. us samay gaaDi to thi naheen, ham 'train' mein gaye, 'train' se utar kar chal ke gaye, Raj saahab ke 'office' mein gaye. to unhone kaha ki 'yahaan baiTho, main tumko baad mein bulaata hoon'. to itne mein Raj saahab bhi aa gaye, aur Raj saahab aa gaye to mujhe bhi andar bulaaya. andar baajaa bhi tha, Dholak bhi tha, to mujhe Shankarji ne kahaa ki 'zara daadraa lagaayo'. to maine daadraa lagaaya, aur aisa kuchh sunaayaa ki baajaa bajaane lag gaye, Raj Kapoor saahab bhi baiThe the aur kuchh dhun sunaaya unko. mujhe to kuchh pataa hi naheen tha, main to bas Thekaa lagaa raha tha. aisa karte karte Raj saahab beech mein bol uThe Shankarji ko 'aaj se tum log mere sangeetkaar ho, yeh main bahut baDi baat keh raha hoon'. unhone kahaa ki 'aaj se Raj Kapoor ke filmon ka 'music' Shankar Jaikishan, tum log doge, yeh yaad rakhna'.

AS: aur Barsat se, aap log to jaante hi hain, ki Shankar Jaikishan jaise ubhare, kaisi dhoom machaayee unhone. shuru shuru mein Dattaram na Shankar Jaikishan ke 'assistant' the aur na hi tablaa yaa Dholak 'take' mein bajaaya karte the, to ab mera agla sawaal Dattaram ke 'recorded interview' se yeh hoga ki dattaramji, maine suna hai ki Shankar Jaikishan ke 'group' mein jo Khaas 'rhythm player' huya karte the, Shri Punyavan, unse bhi aapne bahut kuchh seekha, kuchh unke baare mein bhi bataaiye.

DR: Barsat mein jis saahab ne mere saath gaane bajaaye, woh the Punyavan, aur Punyavan unke shishya the. to jab woh Dholak bajaate the, main to angooThi mein 'ring' Daal ke Dholak bajaata tha. to unhone kahaa ki 'aise naheen, ise chhoTi unglee mein Daalna 'ring'', aur usey bajaana, ang bajaana, Dholak ki itni achchhi achchhi cheezen mujhe seekhaayee, phir main bajaane lag gaya aur mujhe aa gaya. wohi mere guru the Dholak ke andar, Punyavan ji.

AS: lekin suna hai Dattaramji, aapko Shankar Jaikishan ki 'recording' mein pehli baar jo Dholak bajaane ka mauka mila woh ek ajeeb ittefaaq se milaa?

DR: sahi baat hai! aisa huya ki His Master's Voice ke andar 'recording' thi Shankar Jaikishan ji ki, Raj Kapoor saahab ki. to wahaan mere guruji hamesha bajaate the. to ham log wahaan gaye, 10 baj gaye, 11 baj gaye 'rehearsal' karte karte, 11:30 baj gaye, to dekhte hain ki Punyavan ji aaye naheen. to sab log kehne lage ki 'kahaan gaye? ab tak 'rehearsal' chaalu karna tha'. 12 baj gaye, tab bhi naheen aaye, Shankar Jaikishan kehne lage ki 'ab kya kare, woh to aaye naheen', to Shankarji ne kahaa ki 'Dattu, tum bajaayo yeh gaana, tum to 'rehearsal' mein bajaa rahe ho'. to sab ne, Lataji ne bhi kahaa ki 'haan haan, Dattu bajaayega'. sab ne mujhe 'support' aise kiya ki maine bhi kaha ki 'haan haan, zaroor bajaayunga'. uske baad gaana shuru huya, aur gaana shuru hote hote 'recording' shuru huyi, 'recording' jab shuru huyi, aapko main sahi bolta hoon, meri zindagi ka pehla gaana 'first take' mein hi 'OK' ho gayi. aur sab baahar aake, Shankarji ne 'waah Dattu, shaabbaash!' Lataji ne bhi 'waah waah Dattu, bahut achchhe', sab ne taareef kee aur woh mera pehla gaana tha.

AS: aur bahenon aur bhaaiyon, woh pehla gaana Dattaram ke Dholak se sajaa kaun sa tha, main aap ko bataata hoon, Shankar Jaikishan ki woh film thi Awara, aur gaana tha yeh...

------------ --------- --------- --------
Song: ek bewafaa se pyaar kiya (Awara)
------------ --------- --------- --------

Khair, abhi tak to Dattaram ki kahaani Shankar Jaikishan ke sangeet mein Dhal kar chal rahi thi bahenon aur bhaaiyon, aur ab aa raha hai dattaram ki aawaaz mein us daur ka haal jab Dattaram Dholak player se Shankar Jaikishan ke 'assistant' banne ke baad apne pehle 'music direction' tak pahunche.

DR: dekhiye aisa hai, Shankar Jaikishan jahaan bhi jaate the, hamesha main saath rehta tha. lekin ek mauka aisa aaya ki Raj Kapoor ne, Raj saahab ne Shankar Jaikishan ko bulaaya, aur woh unke wahaan chale gaye. kuchh der tak main unke saath naheen tha. woh gaye, unka 'cottage' tha, 'cottage' mein unke saath baatchit chalee. to chalte chalte Raj saahab ne kahaa ki 'dekho, ek 'picture' ban rahi hai R K Films ki, jismein main kaam naheen kar raha hoon, 'direction' main naheen kar raha hoon, paisa hamaara lagegaa. 'banner' hamaara hai lekin ham usmein kaam naheen kar rahe hain, aur bachchon ki 'picture' hai, chhoTe chhoTe bachche hain, uski 'picture' hai, saath mein Yakub saahab hain. to bataayo kya karna hai?'. to Shankar Jaikishan kehne lage ki 'jab aap kaam naheen kar rahe, 'direction' naheen kar rahe, sab kuchh baahar ke hain, bachchon ki 'picture' hai, ham log bhi, aap naheen kar rahe hain to mazaa naheen aa raha hai, kuchh Theek naheen lag raha hai'. 'to kya karna hai?' to Jaikishan ne fauran bola ki 'Dattu ko 'chance' deejiye'. Raj saahab ne kahaa ki 'woh kuchh karta hai kya, 'tune' bagerah banaata hai kya?' Jaikishan ne kahaa ki 'haan, aur jo kuchh chhota moTaa reh jaayegaa to ham log hain na uske saath, ham madad karenge uska, aap usko 'chance' deejiye'. to Raj saahab bole ki 'Theek hai, agar aap log madad karne ke liye tayyaar hain to main kal usko bulaata hoon'. doosre din mujhe RK se 'phone' aaya, Raj Kapoor saahab ke wahaan se, ki Raj saahab ne tumko bulaaya hai. main to Dar gaya, maine socha mujhe bulaaya, kya baat ho gayi, mujhe to samajh naheen aa raha tha, Shankar Jaikishan ne bhi woh baat mujhe naheen bataayi, dekhiye kitni baDi baat hai! to main shaam ko gaya wahaan pe aur Raj saahab se milaa. bulaaya pyaar se, mujhe bahut pyaar karte the, 'aayo aayo Dattu'. baiThaa, thoDi der baatchit huyi. bole 'ek 'picture' hai chhote bachche ki, to aap 'music' denge, ichchha hai dene ki? kuchh mehanat karenge?' maine kahaa 'kamaal karte hain Raj saahab aap, aap de rahe hain itna baDaa 'chance' aur main naheen karoon, kaise naheen karoonga, zaroor karoonga saahab! pehla gaana kaun sa lene waale hain?' to bole ki 'birthday ka gaana hai, birthday pe gaana banaana hai'. maine kahaa ki 'Theek hai, main tayyaari karta hoon, dhun banaata hoon aur aapko sunaata hoon'. maine socha ki mera pehla gaana Lataji gaayengi to bahut achchha ho jaayegaa. isliye maine usi tarah ki 'tune' banaayi aur Raj saahab ne sunaa. uspe Hasrat saahab ne gaana likha, Raj saahab ko bahut achchha lagaa aur kahaa ki 'jaayo, yeh gaana 'record' karo'.

AS: aur woh gaana 'record' huya, film kaun si thi yeh to aap samajh hi gaye honge bahenon aur bhaaiyon, jee haan, Ab Dilli Door Nahin.

------------ --------- --------- --------- --------- --------- -
Song: jeeyo laal mere tum laakhon baras (Ab Dilli Door Nahin)
------------ --------- --------- --------- --------- --------- -

jee haan bahenon aur bhaaiyon, Ab Dilli Door Nahin ka yeh geet 'independent music director' ki haiseeyat se Dattaram ki pehli dhun thi. lekin Ab Dilli Door Nahin ka sab se mashahoor gaana kaun sa tha, yaad hai aap ko? iske baare mein Khud Dattaram ki Goa mein 'record' kee huyi aawaaz aapko ab bataayegi.

DR: Raj saahab ne mujhse kahaa ki 'ek 'situation' hai aur woh 'situation' aisi hai ki Yakub saahab jo hain woh bachche ko lekar 'road' pe chal rahe hain, aur kandhe pe biThaake uska 'entertainment' kar rahe hain. bachche ko hansa rahe hain, kuchh kar rahe hain, aur waisa karte karte Dilli le jaate hain bachche ko. to jaate waqt mein kya karenge, to usmein ek gaana hai. yeh 'free lancer' gaana hai, ismein koi 'situation' naheen hai, lekin mujhe 'tune' aisi chahiye jo 'hit' ho jaaye'. to maine Raj saahab se kahaa ki 'zaroor saahab, main mehanat karoonga, zaroor koshish karoonga'. 'koshish karo, mehnat karo, lekin gaana mujhe 'hit' chaahiye'. unhone baar baar aisa kahaa. to karte karte karte, kuchh naheen jam raha tha. ek din, main Bandra mein Carter Road pe rehta tha. to samundar ke kinaare raat ko 12 baje main baiTha tha, akele main baiTha hoon aur samundar mere saamne hai, to sochte sochte mujhe kuchh aisa soojhaa aur main gaane lag gaya (hums the tune of "chhun chhun karti aayi chiDiya"). yeh gaana maine sochaa aur sochte sochte doosre din Hasrat saahab ko ghar par maine bulaaya, kahaa 'dekhiye yeh tarz maine banaayi, is par aap zara kuchh likh deejiye'. maine unko tarz sunaayaa aur unhone likh diya ki "chhun chhun karti aayi chiDiya, daal ka daana laayi chiDiya, mor bhi aaya, kauwa bhi aaya, chuha bhi aaya, bandar bhi aaya". to yeh tarz hamne banaayi aur banaane ke baad hamko bhi achchha lag gaya. ham phir RK mein gaye, Raj saahab ko yeh tarz sunaayi. Raj saahab ko jab yeh tarz sunaayi to unhone mera baajaa fauran band kar diya. maine thoda sa hi gaana gaaya tha, unhone band kar diya, kahaa 'bahut 'hit' gaana hai'. ham jab baahar nikle to hamne kahaa ki 'Raj saahab ko 'music' ka kitna 'knowledge' hai ki thoDa sa sunkar hi kehne lag gaye ki 'hit' gaana hai.' to aise 'record' ho gaya woh gaana.

------------ --------- --------- --------- --------- --------- -
Song: chhun chhun karti aayi chiDiya (Ab Dilli Door Nahin)
------------ --------- --------- --------- --------- --------- -

Ab Dilli Door Nahin ke baad bahenon aur bhaaiyon, aap jaante hi hain ki kaisi kaisi 'musical' filmen aayeen, baDi achchhi 'hit' filmen aayeen, Dattaram ki tarzon se sajee huyi, ek to saahab Parvarish hi thi, jiska ek aur 'hit' geet ab ap sunnewaale hain, aur Parvarish bhi shaayad Dattaramji ko Raj Kapoor saahab hi ki vajah se mili thi kyunki wahee the usmein 'hero' aur woh jinka main zikr karne laga tha ki Dattaram ki tarzon ne do mahaan kalaakaaron ko jhooma kar rakh diya tha, nachwa kar rakh diya tha, ek to the Raj Kapoor aur doosre Mehmood.

------------ --------- --------- --------- --
Song: maama ho maama ho maama (Parvarish)
------------ --------- --------- --------- --

aur ab ham phir lauTte hain sangeetkaar Dattaram ke us aawaaz par jise sangeetkaar aur saaz nawaaz Kishore Desai ne mere liye Khud oa jaakar 'record' kee hai. usmein ek zabardast 'accident' ka zikr bhi hai jiske shikaar huye the Dattaram 1960 mein.

DR: 1960 mein mera 'accident' huya tha. baarish ke din the, aur Khopoli karke ek gaaon hai Khandala ke neeche, wahaan jaakar chaay vaay peeya, sab kuchh kiya, aur waapas aate waqt mujhe kuchh neend jaisi aayi, aur kuchh gaaDiyaan 'right side' se aane lagi, main 'steer ring' 'left side' mein lene gaya to lete lete 'steer ring' hi mere haath se chhooT gayi. 'steer ring' chhoTne ke baad gaaDi seedhee gayi aur jhaaDiyon mein lagi. aur usmein se 6 aadmi gaaDi ke baahar, main kam se kam 14 'foot' khaai mein gira tha, baarish upar se gir rahi thi. thoDi der ke baad jaise main neend se uThtaa hoon, to maine dekhaa ki main keechaD mein paDaa hoon. main bhaag kar upar gaaDi ke paas aaya. gaaDi ke andar mera ek beTaa tha, usey kuchh bhi naheen huya tha, ek beTee jhaaDi mein phansee thi, usko baahar nikaala. phir dekha ki meri ek aur beTee Gaayab hai. woh bhi jhaaDi mein giri thi, usey bhi nikaala. kehne ka matlab hai ki eeshwar ne itni bai meherbaani mere pe kee ki usmein main bach gaya, sab ke aashirvaad aur eeshvar ke pyaar se main bach gaya, aur abhi main achchha hoon.

AS: haan, abhi to yeh Theek ho gaye hain bahenon aur bhaaiyon, magar mujhe yaad hai ki us haadse ke baad kai saalon tak dattaram ki reeDh ki haDDI mein asar raha aur gardan bhi ek taraf jhuk gayi thi, aur aisa lagta tha ki unki haalat unhi ki ek geet mein Dhalkar reh gayi ho.

------------ --------- --------- --------- --------- -----
Song: haal-e-dil hamaara jaane na (Shriman Satyavadi)
------------ --------- --------- --------- --------- -----

lekin saahab, us 1960 ke 'accident' ke baad jaisa ki dattaramji ne aapko bataaya ki woh Theek ho gaye, Theek naheen bilkul Theek, aur 1960 ke baad dekhiye kaisi kaisi filmon mein unhone sangeet diya, kitne achchhe achchhe gaane the unmein. main is waqt sirf filmon ke naam aapko sunaata hoon, Dark Street, Zindagi Aur Khwab, Neeli Ankhen, Jab Se Tumhe Dekha Hai, Raka, Tarzan Comes to Delhi, Farishta, Balak, Beqasoor, Choron Ka Chor, Ek Din Aadhi Raat, vagerah vagerah vagerah. inmein se kuchh filmon ke gaane aap sun bhi chuke hain hamaare 'programme' mein aur kuchh sunnewaale hain. magar na jaane kya huya phir ki sehat aur haalaat ne kuchh aisa maahaul paida kiya ki Dattaram Mumbai nagari chhoD kar, film sangeet ki duniya se naataa toD kar Goa jaa base.

------------ --------- --------- --------- --------- ---
Song: dil DhoonDta hai sahaare sahaare (Kala Aadmi)
------------ --------- --------- --------- --------- ---

Sangeet Ke Sitaaron Ki Mehfil mein abhi abhi jo Khoobsoorat geet aap ne sunaa woh hamne Dattaram ki bahut baad ki kahaani mein joD diya, asal mein baehnon aur bhaaiyon, yeh unki shuru shuru ki film Kala Aadmi ka geet tha. aur unke Goa chale jaane par bhi ek sawaal tha jo maine Goa bheja tha Kishore Desai ke saath. sawaal yeh tha ki Dattaramji, aap ka dil kabhi Bambai lauTne ko naheen karta? Goa mein baiThe baiThe sangeet se naataa toD kar aap karte kya hain?

DR: Goa aisi jagah hai, sangeet ke baare mein, to aap sab ko maaloom hai ki Lata Mangeshkar Goa ki hain, unke sab, Hridaynathji, Ashaji, unko sab Goa ke log bolte hain, aise guNi aadmi hain yeh, waise hi guNi unke pitaa the, to Goa ka zameen aisa hai ki sangeet ki khaan hai, aisa kehna chaahiye ki har ghar mein sangeet hai yahaan. ab meri umar ho gayi hai, Theek hai, kabhi kabhaar sangeet sunne chala jaata hoon, kabhi Dholak bajaa leta hoon, aur Goa ke log mujhe bahut izzat dete hain, mera kaafi satkaar kiya logon ne yahaan, aur yahaan ki jo sangeet ki parampara hai woh itni baDi hai ki main keh naheen sakta aapko. yahaan ka hamesha sangeet zinda rahega, hamesha sangeet zinda rahega, aur hamesha sangeet zinda rahega.

AS: to yahaan saahab, Goa mein jaakar bas jaane waale Dattaram ka bhi to kuchh sangeet hona chaahiye.

------------ --------- --------- --------- --------
Song: tere teer ko hamne pyar se (Qaidi No.911)
------------ --------- --------- --------- --------

yeh geet bhi tha Qaidi No.911 film ka. aur doston, jo maine sawaal bheja tha Dattaram ke liye ki kya aapka dil naheen karta Bambai lauTne ka, to iska jawaab Dattaram ne kya diya tha suniye...

DR: 1942 mein main Bambai aaya, kuchh kaam kiya, kuchh 'school' mein gaya, kuchh seekha, kuchh naheen seekha, British ka 'time' tha, kya karen kya naheen karen, aisa sochte sochte meri maa ne mujhe ek aadmi se milwaayaa, aur mujhse poochha ki 'tablaa bajaayega kya?' main chhoTa tha, mujhe samajh mein naheen aaya tablaa bajaana kya hota hai, maine munDi hilaayaa 'haan' kar ke, mere pehle guruji the, jinse maine tabla seekha, Pandhari Nageshkar, aur doosre guru the Pandit Ishwari Kelkar. to main bajaane lag gaya, Bambai mein mera thodaa naam huya, naam hone ke baad Bambai koi chhoD sakta hai kya! Bambai ne mujhe izzat dee, aaj laakhon logon ke zubaan par mera naam hai to woh Bambai ki wajah se hai. Bambai jisko ham kehte hain devi, uski vajah se hamaara naam huya, to usko ham kaise chhoD sakte hain! mauka milaa to ham zaroor Bambai ke darshan karenge aur ham zaroor aayenge.

AS: Dattaram ji, Bambai bhi aapko bahut 'miss' karta hai, zaroor aaiyegaa. is shahar se aap ki itni saari yaaden juDee huyi hain, isi shahar se to aap ka naam huya...

DR: aur naam huya sirf Shankar Jaikishan ki wajah se. pehle hamaari dosti huyi, phir unke saath kaam karne lag gaya, aur itna kaam ki main aapko bataa naheen sakta hoon, duniya ko maaloom hai ki kitna achchha kaam un logon ne kiya, unko bahut nam milaa, aur mujhe bhi itna naam mila ki main bol naheen sakta hoon. main aaj jo bhi kuchh hoon, woh Shankar Jaikishan ki wajah se hoon. main to unko apna maa baap maantaa hoon, doosre Raj Kapoor saahab hain jinhone mujhe pehla 'chance' diya, to woh mere doosre guru hain, woh mere maalik hain, unki baDi meherbaani hai ki unhone mujhe 'chance' diya jiski vajah se mera naam ho gaya. bas itna keh sakta hoon ki jo kuchh bhi main hoon unhi ki meharabaani ki vajah se hoon.

AS: bhai, mera to hayaal hai ki yahaan par hona chaahiye Dattaram ke sangeet se sajaa us film ka gaana jiske 'hero' Raj Kapoor saahab the.

------------ --------- --------- ---------
Song: masti bhara hai samaa (Parvarish)
------------ --------- --------- ---------

bahenon aur bhaaiyon, Goa se bheje us 'recording' mein Dattaram ne unki dhuno ko apni aawaaz se sanvaarne waale kai 'playback singers' ke baare mein bhi bataaya.

DR: main jab sangeetkaar banaa to mere dil mein yeh tha ki mera jo pehla gaana hai woh Lataji gaayen. yeh mere dil mein thi, bahut baDi khwaahish thi. to wahi huya ki mere pehle 'picture' ka gaana Lataji ne gaaya. phir Ashaji ne bhi gaaya, phir Mukeshji the, Parvarish mein "aansoo bhari hain yeh jeevan ki raahen", yeh gaana bahut 'hit' huya, Manna Dey the "masti bhara yeh samaa" mein gaaya, Kishire Kumar ji the unhone bhi gaaya, sab ne achchha kaam kiya, sab ne achchha gaaya, sab ne achchha kaam kiya, sab ne mujhe pyaar diya, aur saari duniya ko maaloom hai ki kitne baDe, kitne dildaar yeh log hain, main aapko keh naheen sakta hoon, main bas itna keh sakta hoon ki main Khud baDaa bhaagyavaan hoon ki unke saath mujhe kaam karne ka eeshwar ne mauka diya aur in logon ne mere saath kaam kiya, aur eeshwar se praarthana karta hoon ki sab sukhi rahe, sab aanandit rahe.

AS: aur ab aaKhir mein ek shraddha bhari, sureelee, salaami dee hai Dattaram ne apni us 'recording' mein jo unhone Goa se bheji hai aap sab ke liye, suniye bahenon aur bhaaiyon.

DR: har sangeetkaar ka sangeet hi jeevan hota hai, sab kuchh sangeet hi hota hai. to maine mere jeevan ke baare mein ek chhoTa sa mukhdaa maine banaaya hai, main aapko sunaata hoon, (sings) "sangeet mera jeevan hai, aawaaz meri jeevan hai, sangeet bina jeevan soona, jeevan soona soona soona, sangeet mera jeevan hai..."

------------ --------- --------- --------- --
Song: o sanam mera saath denaa (Beqasoor)
------------ --------- --------- --------- --

bahenon aur bhaaiyon, main ek baar phir se shukriya adaa karna chaahta hoon un tamaam sajjanon ka jinki madad se Dattaram ke 'interview' se sajaa yeh 'programme' aap tak pahunch paaya hai, sab se baDaa zordaar shukriya Kishore Desai ka, ki woh apne sangeet ka kaam kaaj chhoD kar mere liye Goa gaye aur Dattaram ki aawaaz 'record' karke le aaye. inke alaawaa Benny Roen, Padmanabh Joshi, Shyam Haldikar aur Shrikant Joshi, aap sab ka bhi bahut bahut shukriya. aur bahenon aur bhaaiyon, aap sab ka bhi shurkiya ki itne pyaar se aap ne is 'programme' ko sunaa. isi tarah se Sangeet Ke Sitaaron Ki Mehfil ka har 'programme' sunaa keejiye apne 'radio' dost Ameen Sayani ke saath, namaste!

THE END

#2278

From: "soojoi_india" <soojoi_india@...>
Date:: Sun Jun 7, 2009 3:04 pm
Subject:: Ameen Sayani's SKSKM - Dattaram

soojoi_india

Offline

SANGEET KE SITAARON KI MEHFIL

AMEEN SAYANI'S PROGRAMME ON DATTARAM
------------------------------------
************************************

DR: Dattaram
AS: Ameen Sayani

Sangeet Ke Sitaaron Ki Mehfil ke saathiyon, bahut dinon se mujhe yaad sataa rahi
thi ek suljhe huye mashahoor sangeetkaar ki jo kai dinon se 'Bollywood' ke
sangeet sansaar se Gaayab ho chuke the aur Bambai mein bhi naheen reh rahe the.
bahut poochhtaachh karne par pataa chalaa ki woh door Goa mein ek chhoTe se
shahar mein jaa base hain, yaa phir baDe se gaaon mein jaa base hain, beemaar
rahe hain, kuchh pareshaan rahe hain, aur yeh bhi suna gaya ki unki yeh haalat
aajkal bhi hai, jiska zikar unke shuru shuru ke ek geet mein tha. zaraa dil pe
haath rakhiye bahenon aur bhaaiyon, aur suniye woh geet.

--------------------------------------------------------
Song: aansoo bhari hain yeh jeevan ki raahen (Parvarish)
--------------------------------------------------------

aawaaz Mukesh ki thi Paravarish film ke is geet mein, Parvarish mein Raj Kapoor
'hero' the, geet Hasrat Jaipuri ne likha tha aur dhun mein 'style' tha Shankar
Jaikishan ka. magar jee naheen, sangeet Shankar Jaikishan ka naheen tha, aap to
jaante hi hain bahenon aur bhaaiyon, Parvarish ke sangeetkaar the Dattaram.
Dattaram, jo albatta Shankar Jaikishan ke 'assistant' zaroor rahe the kai kai
filmon mein. ab main soch raha tha ki kaise pataa karoon ki Goa mein kahaan hain
Dattaram taaki main unka 'interview' kar sakoon Sangeet Ke Sitaaron Ki Mehfil ke
liye, ke itne mein huya ek zabardast chamatkaar, jis chamatkaar mein chaar log
shaamil the, ek to mere dost aur mashahoor 'film journalist' Benny Roen ????,
doosre Ahmedabad ke jaane pehchaane filmi jaankaar Padmanabh Joshi, teesre
Bambai ke saphal sangeet kalaakaar Shyam Haldikar, aur chauthe Goa ke baDe
'businessman' aur Dattaram ke dost Shrikant Joshi. aur in chaaron ki madad se
mere saamne aaye mere aur Dattaram ke puraane dost Kishore Desai. wahee Kishore
Desai jinhone mere saathi mashahoor 'radio broadcast' kavi Shiv Kumar Saroj ke
us 'hit private' geet ki dhun banaaee thi "tere labon ke muqaabil gulaab ka
phool kya hogaa, tu laajawaab hai tera jawaab kya hogaa". yaad hai aapko? to ab
us chamatkaar ka 'climax' yun huya ki Kishore Desai tayyaar ho gaye ki woh Khud
Goa jaayenge aur Dattaram ko 'record' karke le aayenge, aur bas yeh sunna tha ki
mere dil mein Khushi ki ek lahar si dauD paDee, aur lahar ke saath saath
Dattaram ki yeh dhun bhi chal paDee.

-----------------------------------------------
Song: rut albeli mast samaa (Shriman Satyavadi)
-----------------------------------------------

is 'hit' geet ke film ka naam yaad aaya aapko, Shriman Satyavadi. aur doston, ab
to Kishore Desai Goa jaakar Dattaram ko 'record' karke aa chuke hain, aakar
unhone bataaya ki dattaramji ki tabeeyat ab bilkul Theek hai, aap Khud hi samajh
lenge jab aap unki joshilee aawaaz sunenge. lekin woh 'interview' sunne se pehle
itna yaad rahe bahenon aur bhaaiyon ki Dattaram ki aawaaz Goa mein 'record' huyi
hai aur main yahaan Bambai mein baiThaa unhe sawaal kar raha hoon. to pehla
sawaal mera unse yeh hai ki Dattaram bhai, filmon mein aapka aanaa, chhaanaa aur
jaanaa, yeh kaise huya yeh to main aage chalkar poochhoonga, lekin pehle yeh
bataaiye ki ham sune the ki aap sab se pehle mile the Shankar Jaikishan ke
Shankar ji se, kushitiyon ke akhaaDe mein. yeh kaise huya zaraa bataayenge aap?

DR: zaroor bataayenge saahab! aisa huya ki bachpan mein mujhe kasrat karne ka
bahut shauk tha, aur main kasrat karta tha. to kaafi 'time' se main wahaan jaaya
karta tha. to ek din dekha ki ek naya aadmi wahaan aaya, ek aadmi ke saath aur
hamaare guruji se baat kar rahe the, to ham dekh rahe the. to umein saari
baatchit ho gayi aur woh aane lag gaye wahaan. paanchve din hamaare bhi
namashkaar namashkaar hone lag gaya, aur aisa chalta raha. ek din unhone kahaa
ki 'main Husnlal Bhagatram ke saath kaam karta hoon, aur Prithvi Theatre mein
kaam karta hoon. to hamein iska kuchh maaloom hi naheen tha us 'time' pe. to
mulaakaaten hote hote achchhi dosti bhi ho gayi. to us akhaaDe mein ek tablaa
rakha hota tha. ham kasrat karne ke baad nahaate the aur kabhi kabhaar use
bajaate the. to ek din Shankar ji nahaane gaye, baahar aaye nahaake, phir main
gayaa nahaane. jab main nahaa raha tha, us 'time' pe table ki 'sound' mujhe
sunaayi dee, maine sochaa 'tabla kaun bajaa raha hai?' jab main baahar aaya,
maine dekhaa Shankarji tabla bajaa rahe hain aur bahut achchhi bajaa rahe hain.
maine kahaa 'Shankarji, waah waah kya baat hai!' to Shankar ji ruk gaye, bole
'tumhe kya pataa table ke baare mein, waah waah kar rahe ho? tumhe maaloom hai
kya, tum bajaate ho kya?' maine kahaa 'thoDaa bahut bajaa leta hoon'. unhone
kahaa 'achchha! chalo bajaake dikhaao'. to maine unko ek kaaydaa bajakar sunaaya
aur woh kaayda aisa tha (hums the beats), is 'type' ka kaayda tha aur woh bahut
khush ho gaye.

AS: aur yeh Khushi aur dosti itni aage baDhee ki ek din Dattaram Shankar
Jaikishan ke 'assistant' ban gaye, aur kai filmon mein 'assistant' rahe, jaise
Shree 420, Yahudi, Chhoti Bahan, Love Marriage, Main Nashe Mein Hoon, Shararat,
Ujala, Dil Apna Preet Paraayi, Ek Phool Char Kaante, vagerah vagerah vagerah.
magar bahenon aur bhaaiyon, aaj Shankar Jaikishan ki naheen, Dattaram ki mehfil
jamee hai, isliye aaiye sun lete hain Dattaram ki ek aur dhun, film hai Qaidi
No.911

---------------------------------------------------------
Song: meeThi meeThi baaton se bachna zara (Qaidi No. 911)
---------------------------------------------------------

bahenon aur bhaaiyon, ab Dattaram ke hi naheen Shankar Jaikishan ki kahaani mein
bhi zara peechhe ki taraf chaliye aur suniye Dattaram ka aankhon dekha haal jab
Prithvi Theatres mein kaam karte karte ek din Shankar Jaikishan ki taqdeer
chamkee.

DR: to ek din Shankarji kehne lage, 'kya kar rahe ho?' bola 'kuchh naheen', to
bole 'chalo, hamaare saath chalo, Prithvi Studios mein jaana hai, Raj saahab ke
'office' mein jaana hai', maine bola 'chaliye'. us samay gaaDi to thi naheen,
ham 'train' mein gaye, 'train' se utar kar chal ke gaye, Raj saahab ke 'office'
mein gaye. to unhone kaha ki 'yahaan baiTho, main tumko baad mein bulaata hoon'.
to itne mein Raj saahab bhi aa gaye, aur Raj saahab aa gaye to mujhe bhi andar
bulaaya. andar baajaa bhi tha, Dholak bhi tha, to mujhe Shankarji ne kahaa ki
'zara daadraa lagaayo'. to maine daadraa lagaaya, aur aisa kuchh sunaayaa ki
baajaa bajaane lag gaye, Raj Kapoor saahab bhi baiThe the aur kuchh dhun sunaaya
unko. mujhe to kuchh pataa hi naheen tha, main to bas Thekaa lagaa raha tha.
aisa karte karte Raj saahab beech mein bol uThe Shankarji ko 'aaj se tum log
mere sangeetkaar ho, yeh main bahut baDi baat keh raha hoon'. unhone kahaa ki
'aaj se Raj Kapoor ke filmon ka 'music' Shankar Jaikishan, tum log doge, yeh
yaad rakhna'.

AS: aur Barsat se, aap log to jaante hi hain, ki Shankar Jaikishan jaise ubhare,
kaisi dhoom machaayee unhone. shuru shuru mein Dattaram na Shankar Jaikishan ke
'assistant' the aur na hi tablaa yaa Dholak 'take' mein bajaaya karte the, to ab
mera agla sawaal Dattaram ke 'recorded interview' se yeh hoga ki dattaramji,
maine suna hai ki Shankar Jaikishan ke 'group' mein jo Khaas 'rhythm player'
huya karte the, Shri Punyavan, unse bhi aapne bahut kuchh seekha, kuchh unke
baare mein bhi bataaiye.

DR: Barsat mein jis saahab ne mere saath gaane bajaaye, woh the Punyavan, aur
Punyavan unke shishya the. to  jab woh Dholak bajaate the, main to angooThi mein
'ring' Daal ke Dholak bajaata tha. to unhone kahaa ki 'aise naheen, ise chhoTi
unglee mein Daalna 'ring'', aur usey bajaana, ang bajaana, Dholak ki itni
achchhi achchhi cheezen mujhe seekhaayee, phir main bajaane lag gaya aur mujhe
aa gaya. wohi mere guru the Dholak ke andar, Punyavan ji.

AS: lekin suna hai Dattaramji, aapko Shankar Jaikishan ki 'recording' mein pehli
baar jo Dholak bajaane ka mauka mila woh ek ajeeb ittefaaq se milaa?

DR: sahi baat hai! aisa huya ki His Master's Voice ke andar 'recording' thi
Shankar Jaikishan ji ki, Raj Kapoor saahab ki. to wahaan mere guruji hamesha
bajaate the. to ham log wahaan gaye, 10 baj gaye, 11 baj gaye 'rehearsal' karte
karte, 11:30 baj gaye, to dekhte hain ki Punyavan ji aaye naheen. to sab log
kehne lage ki 'kahaan gaye? ab tak 'rehearsal' chaalu karna tha'. 12 baj gaye,
tab bhi naheen aaye, Shankar Jaikishan kehne lage ki 'ab kya kare, woh to aaye
naheen', to Shankarji ne kahaa ki 'Dattu, tum bajaayo yeh gaana, tum to
'rehearsal' mein bajaa rahe ho'. to sab ne, Lataji ne bhi kahaa ki 'haan haan,
Dattu bajaayega'. sab ne mujhe 'support' aise kiya ki maine bhi kaha ki 'haan
haan, zaroor bajaayunga'. uske baad gaana shuru huya, aur gaana shuru hote hote
'recording' shuru huyi, 'recording' jab shuru huyi, aapko main sahi bolta hoon,
meri zindagi ka pehla gaana 'first take' mein hi 'OK' ho gayi. aur sab baahar
aake, Shankarji ne 'waah Dattu, shaabbaash!' Lataji ne bhi 'waah waah Dattu,
bahut achchhe', sab ne taareef kee aur woh mera pehla gaana tha.

AS: aur bahenon aur bhaaiyon, woh pehla gaana Dattaram ke Dholak se sajaa kaun
sa tha, main aap ko bataata hoon, Shankar Jaikishan ki woh film thi Awara, aur
gaana tha yeh...

--------------------------------------
Song: ek bewafaa se pyaar kiya (Awara)
--------------------------------------

Khair, abhi tak to Dattaram ki kahaani Shankar Jaikishan ke sangeet mein Dhal
kar chal rahi thi bahenon aur bhaaiyon, aur ab aa raha hai dattaram ki aawaaz
mein us daur ka haal jab Dattaram Dholak player se Shankar Jaikishan ke
'assistant' banne ke baad apne pehle 'music direction' tak pahunche.

DR: dekhiye aisa hai, Shankar Jaikishan jahaan bhi jaate the, hamesha main saath
rehta tha. lekin ek mauka aisa aaya ki Raj Kapoor ne, Raj saahab ne Shankar
Jaikishan ko bulaaya, aur woh unke wahaan chale gaye. kuchh der tak main unke
saath naheen tha. woh gaye, unka 'cottage' tha, 'cottage' mein unke saath
baatchit chalee. to chalte chalte Raj saahab ne kahaa ki 'dekho, ek 'picture'
ban rahi hai R K Films ki, jismein main kaam naheen kar raha hoon, 'direction'
main naheen kar raha hoon, paisa hamaara lagegaa. 'banner' hamaara hai lekin ham
usmein kaam naheen kar rahe hain, aur bachchon ki 'picture' hai, chhoTe chhoTe
bachche hain, uski 'picture' hai, saath mein Yakub saahab hain. to bataayo kya
karna hai?'. to Shankar Jaikishan kehne lage ki 'jab aap kaam naheen kar rahe,
'direction' naheen kar rahe, sab kuchh baahar ke hain, bachchon ki 'picture'
hai, ham log bhi, aap naheen kar rahe hain to mazaa naheen aa raha hai, kuchh
Theek naheen lag raha hai'. 'to kya karna hai?' to Jaikishan ne fauran bola ki
'Dattu ko 'chance' deejiye'. Raj saahab ne kahaa ki 'woh kuchh karta hai kya,
'tune' bagerah banaata hai kya?' Jaikishan ne kahaa ki 'haan, aur jo kuchh
chhota moTaa reh jaayegaa to ham log hain na uske saath, ham madad karenge uska,
aap usko 'chance' deejiye'. to Raj saahab bole ki 'Theek hai, agar aap log madad
karne ke liye tayyaar hain to main kal usko bulaata hoon'. doosre din mujhe RK
se 'phone' aaya, Raj Kapoor saahab ke wahaan se, ki Raj saahab ne tumko bulaaya
hai. main to Dar gaya, maine socha mujhe bulaaya, kya baat ho gayi, mujhe to
samajh naheen aa raha tha, Shankar Jaikishan ne bhi woh baat mujhe naheen
bataayi, dekhiye kitni baDi baat hai! to main shaam ko gaya wahaan pe aur Raj
saahab se milaa. bulaaya pyaar se, mujhe bahut pyaar karte the, 'aayo aayo
Dattu'. baiThaa, thoDi der baatchit huyi. bole 'ek 'picture' hai chhote bachche
ki, to aap 'music' denge, ichchha hai dene ki? kuchh mehanat karenge?' maine
kahaa 'kamaal karte hain Raj saahab aap, aap de rahe hain itna baDaa 'chance'
aur main naheen karoon, kaise naheen karoonga, zaroor karoonga saahab! pehla
gaana kaun sa lene waale hain?' to bole ki 'birthday ka gaana hai, birthday pe
gaana banaana hai'. maine kahaa ki 'Theek hai, main tayyaari karta hoon, dhun
banaata hoon aur aapko sunaata hoon'. maine socha ki mera pehla gaana Lataji
gaayengi to bahut achchha ho jaayegaa. isliye maine usi tarah ki 'tune' banaayi
aur Raj saahab ne sunaa. uspe Hasrat saahab ne gaana likha, Raj saahab ko bahut
achchha lagaa aur kahaa ki 'jaayo, yeh gaana 'record' karo'.

AS: aur woh gaana 'record' huya, film kaun si thi yeh to aap samajh hi gaye
honge bahenon aur bhaaiyon, jee haan, Ab Dilli Door Nahin.

-------------------------------------------------------------
Song: jeeyo laal mere tum laakhon baras (Ab Dilli Door Nahin)
-------------------------------------------------------------

jee haan bahenon aur bhaaiyon, Ab Dilli Door Nahin ka yeh geet 'independent
music director' ki haiseeyat se Dattaram ki pehli dhun thi. lekin Ab Dilli Door
Nahin ka sab se mashahoor gaana kaun sa tha, yaad hai aap ko? iske baare mein
Khud Dattaram ki Goa mein 'record' kee huyi aawaaz aapko ab bataayegi.

DR: Raj saahab ne mujhse kahaa ki 'ek 'situation' hai aur woh 'situation' aisi
hai ki Yakub saahab jo hain woh bachche ko lekar 'road' pe chal rahe hain, aur
kandhe pe biThaake uska 'entertainment' kar rahe hain. bachche ko hansa rahe
hain, kuchh kar rahe hain, aur waisa karte karte Dilli le jaate hain bachche ko.
to jaate waqt mein kya karenge, to usmein ek gaana hai. yeh 'free lancer' gaana
hai, ismein koi 'situation' naheen hai, lekin mujhe 'tune' aisi chahiye jo 'hit'
ho jaaye'. to maine Raj saahab se kahaa ki 'zaroor saahab, main mehanat
karoonga, zaroor koshish karoonga'. 'koshish karo, mehnat karo, lekin gaana
mujhe 'hit' chaahiye'. unhone baar baar aisa kahaa. to karte karte karte, kuchh
naheen jam raha tha. ek din, main Bandra mein Carter Road pe rehta tha. to
samundar ke kinaare raat ko 12 baje main baiTha tha, akele main baiTha hoon aur
samundar mere saamne hai, to sochte sochte mujhe kuchh aisa soojhaa aur main
gaane lag gaya (hums the tune of "chhun chhun karti aayi chiDiya"). yeh gaana
maine sochaa aur sochte sochte doosre din Hasrat saahab ko ghar par maine
bulaaya, kahaa 'dekhiye yeh tarz maine banaayi, is par aap zara kuchh likh
deejiye'. maine unko tarz sunaayaa aur unhone likh diya ki "chhun chhun karti
aayi chiDiya, daal ka daana laayi chiDiya, mor bhi aaya, kauwa bhi aaya, chuha
bhi aaya, bandar bhi aaya". to yeh tarz hamne banaayi aur banaane ke baad hamko
bhi achchha lag gaya. ham phir RK mein gaye, Raj saahab ko yeh tarz sunaayi. Raj
saahab ko jab yeh tarz sunaayi to unhone mera baajaa fauran band kar diya. maine
thoda sa hi gaana gaaya tha, unhone band kar diya, kahaa 'bahut 'hit' gaana
hai'. ham jab baahar nikle to hamne kahaa ki 'Raj saahab ko 'music' ka kitna
'knowledge' hai ki thoDa sa sunkar hi kehne lag gaye ki 'hit' gaana hai.' to
aise 'record' ho gaya woh gaana.

----------------------------------------------------------
Song: chhun chhun karti aayi chiDiya (Ab Dilli Door Nahin)
----------------------------------------------------------

Ab Dilli Door Nahin ke baad bahenon aur bhaaiyon, aap jaante hi hain ki kaisi
kaisi 'musical' filmen aayeen, baDi achchhi 'hit' filmen aayeen, Dattaram ki
tarzon se sajee huyi, ek to saahab Parvarish hi thi, jiska ek aur 'hit' geet ab
ap sunnewaale hain, aur Parvarish bhi shaayad Dattaramji ko Raj Kapoor saahab hi
ki vajah se mili thi kyunki wahee the usmein 'hero' aur woh jinka main zikr
karne laga tha ki Dattaram ki tarzon ne do mahaan kalaakaaron ko jhooma kar rakh
diya tha, nachwa kar rakh diya tha, ek to the Raj Kapoor aur doosre Mehmood.

-----------------------------------------
Song: maama ho maama ho maama (Parvarish)
-----------------------------------------

aur ab ham phir lauTte hain sangeetkaar Dattaram ke us aawaaz par jise
sangeetkaar aur saaz nawaaz Kishore Desai ne mere liye Khud oa jaakar 'record'
kee hai. usmein ek zabardast 'accident' ka zikr bhi hai jiske shikaar huye the
Dattaram 1960 mein.

DR: 1960 mein mera 'accident' huya tha. baarish ke din the, aur Khopoli karke ek
gaaon hai Khandala ke neeche, wahaan jaakar chaay vaay peeya, sab kuchh kiya,
aur waapas aate waqt mujhe kuchh neend jaisi aayi, aur kuchh gaaDiyaan 'right
side' se aane lagi, main 'steer ring' 'left side' mein lene gaya to lete lete
'steer ring' hi mere haath se chhooT gayi. 'steer ring' chhoTne ke baad gaaDi
seedhee gayi aur jhaaDiyon mein lagi. aur usmein se 6 aadmi gaaDi ke baahar,
main kam se kam 14 'foot' khaai mein gira tha, baarish upar se gir rahi thi.
thoDi der ke baad jaise main neend se uThtaa hoon, to maine dekhaa ki main
keechaD mein paDaa hoon. main bhaag kar upar gaaDi ke paas aaya. gaaDi ke andar
mera ek beTaa tha, usey kuchh bhi naheen huya tha, ek beTee jhaaDi mein phansee
thi, usko baahar nikaala. phir dekha ki meri ek aur beTee Gaayab hai. woh bhi
jhaaDi mein giri thi, usey bhi nikaala. kehne ka matlab hai ki eeshwar ne itni
bai meherbaani mere pe kee ki usmein main bach gaya, sab ke aashirvaad aur
eeshvar ke pyaar se main bach gaya, aur abhi main achchha hoon.

AS: haan, abhi to yeh Theek ho gaye hain bahenon aur bhaaiyon, magar mujhe yaad
hai ki us haadse ke baad kai saalon tak dattaram ki reeDh ki haDDI mein asar
raha aur gardan bhi ek taraf jhuk gayi thi, aur aisa lagta tha ki unki haalat
unhi ki ek geet mein Dhalkar reh gayi ho.

-----------------------------------------------------
Song: haal-e-dil hamaara jaane na (Shriman Satyavadi)
-----------------------------------------------------

lekin saahab, us 1960 ke 'accident' ke baad jaisa ki dattaramji ne aapko bataaya
ki woh Theek ho gaye, Theek naheen bilkul Theek, aur 1960 ke baad dekhiye kaisi
kaisi filmon mein unhone sangeet diya, kitne achchhe achchhe gaane the unmein.
main is waqt sirf filmon ke naam aapko sunaata hoon, Dark Street, Zindagi Aur
Khwab, Neeli Ankhen, Jab Se Tumhe Dekha Hai, Raka, Tarzan Comes to Delhi,
Farishta, Balak, Beqasoor, Choron Ka Chor, Ek Din Aadhi Raat, vagerah vagerah
vagerah. inmein se kuchh filmon ke gaane aap sun bhi chuke hain hamaare
'programme' mein aur kuchh sunnewaale hain. magar na jaane kya huya phir ki
sehat aur haalaat ne kuchh aisa maahaul paida kiya ki Dattaram Mumbai nagari
chhoD kar, film sangeet ki duniya se naataa toD kar Goa jaa base.

---------------------------------------------------
Song: dil DhoonDta hai sahaare sahaare (Kala Aadmi)
---------------------------------------------------

Sangeet Ke Sitaaron Ki Mehfil mein abhi abhi jo Khoobsoorat geet aap ne sunaa
woh hamne Dattaram ki bahut baad ki kahaani mein joD diya, asal mein baehnon aur
bhaaiyon, yeh unki shuru shuru ki film Kala Aadmi ka geet tha. aur unke Goa
chale jaane par bhi ek sawaal tha jo maine Goa bheja tha Kishore Desai ke saath.
sawaal yeh tha ki Dattaramji, aap ka dil kabhi Bambai lauTne ko naheen karta?
Goa mein baiThe baiThe sangeet se naataa toD kar aap karte kya hain?

DR: Goa aisi jagah hai, sangeet ke baare mein, to aap sab ko maaloom hai ki Lata
Mangeshkar Goa ki hain, unke sab, Hridaynathji, Ashaji, unko sab Goa ke log
bolte hain, aise guNi aadmi hain yeh, waise hi guNi unke pitaa the, to Goa ka
zameen aisa hai ki sangeet ki khaan hai, aisa kehna chaahiye ki har ghar mein
sangeet hai yahaan. ab meri umar ho gayi hai, Theek hai, kabhi kabhaar sangeet
sunne chala jaata hoon, kabhi Dholak bajaa leta hoon, aur Goa ke log mujhe bahut
izzat dete hain, mera kaafi satkaar kiya logon ne yahaan, aur yahaan ki jo
sangeet ki parampara hai woh itni baDi hai ki main keh naheen sakta aapko.
yahaan ka hamesha sangeet zinda rahega, hamesha sangeet zinda rahega, aur
hamesha sangeet zinda rahega.

AS: to yahaan saahab, Goa mein jaakar bas jaane waale Dattaram ka bhi to kuchh
sangeet hona chaahiye.

-----------------------------------------------
Song: tere teer ko hamne pyar se (Qaidi No.911)
-----------------------------------------------

yeh geet bhi tha Qaidi No.911 film ka. aur doston, jo maine sawaal bheja tha
Dattaram ke liye ki kya aapka dil naheen karta Bambai lauTne ka, to iska jawaab
Dattaram ne kya diya tha suniye...

DR: 1942 mein main Bambai aaya, kuchh kaam kiya, kuchh 'school' mein gaya, kuchh
seekha, kuchh naheen seekha, British ka 'time' tha, kya karen kya naheen karen,
aisa sochte sochte meri maa ne mujhe ek aadmi se milwaayaa, aur mujhse poochha
ki 'tablaa bajaayega kya?' main chhoTa tha, mujhe samajh mein naheen aaya tablaa
bajaana kya hota hai, maine munDi hilaayaa 'haan' kar ke, mere pehle guruji the,
jinse maine tabla seekha, Pandhari Nageshkar, aur doosre guru the Pandit Ishwari
Kelkar. to main bajaane lag gaya, Bambai mein mera thodaa naam huya, naam hone
ke baad Bambai koi chhoD sakta hai kya! Bambai ne mujhe izzat dee, aaj laakhon
logon ke zubaan par mera naam hai to woh Bambai ki wajah se hai. Bambai jisko
ham kehte hain devi, uski vajah se hamaara naam huya, to usko ham kaise chhoD
sakte hain! mauka milaa to ham zaroor Bambai ke darshan karenge aur ham zaroor
aayenge.

AS: Dattaram ji, Bambai bhi aapko bahut 'miss' karta hai, zaroor aaiyegaa. is
shahar se aap ki itni saari yaaden juDee huyi hain, isi shahar se to aap ka naam
huya...

DR: aur naam huya sirf Shankar Jaikishan ki wajah se. pehle hamaari dosti huyi,
phir unke saath kaam karne lag gaya, aur itna kaam ki main aapko bataa naheen
sakta hoon, duniya ko maaloom hai ki kitna achchha kaam un logon ne kiya, unko
bahut nam milaa, aur mujhe bhi itna naam mila ki main bol naheen sakta hoon.
main aaj jo bhi kuchh hoon, woh Shankar Jaikishan ki wajah se hoon. main to unko
apna maa baap maantaa hoon, doosre Raj Kapoor saahab hain jinhone mujhe pehla
'chance' diya, to woh mere doosre guru hain, woh mere maalik hain, unki baDi
meherbaani hai ki unhone mujhe 'chance' diya jiski vajah se mera naam ho gaya.
bas itna keh sakta hoon ki jo kuchh bhi main hoon unhi ki meharabaani ki vajah
se hoon.

AS: bhai, mera to hayaal hai ki yahaan par hona chaahiye Dattaram ke sangeet se
sajaa us film ka gaana jiske 'hero' Raj Kapoor saahab the.

---------------------------------------
Song: masti bhara hai samaa (Parvarish)
---------------------------------------

bahenon aur bhaaiyon, Goa se bheje us 'recording' mein Dattaram ne unki dhuno ko
apni aawaaz se sanvaarne waale kai 'playback singers' ke baare mein bhi bataaya.

DR: main jab sangeetkaar banaa to mere dil mein yeh tha ki mera jo pehla gaana
hai woh Lataji gaayen. yeh mere dil mein thi, bahut baDi khwaahish thi. to wahi
huya ki mere pehle 'picture' ka gaana Lataji ne gaaya. phir Ashaji ne bhi gaaya,
phir Mukeshji the, Parvarish mein "aansoo bhari hain yeh jeevan ki raahen", yeh
gaana bahut 'hit' huya, Manna Dey the "masti bhara yeh samaa" mein gaaya,
Kishire Kumar ji the unhone bhi gaaya, sab ne achchha kaam kiya, sab ne achchha
gaaya, sab ne achchha kaam kiya, sab ne mujhe pyaar diya, aur saari duniya ko
maaloom hai ki kitne baDe, kitne dildaar yeh log hain, main aapko keh naheen
sakta hoon, main bas itna keh sakta hoon ki main Khud baDaa bhaagyavaan hoon ki
unke saath mujhe kaam karne ka eeshwar ne mauka diya aur in logon ne mere saath
kaam kiya, aur eeshwar se praarthana karta hoon ki sab sukhi rahe, sab aanandit
rahe.

AS: aur ab aaKhir mein ek shraddha bhari, sureelee, salaami dee hai Dattaram ne
apni us 'recording' mein jo unhone Goa se bheji hai aap sab ke liye, suniye
bahenon aur bhaaiyon.

DR: har sangeetkaar ka sangeet hi jeevan hota hai, sab kuchh sangeet hi hota
hai. to maine mere jeevan ke baare mein ek chhoTa sa mukhdaa maine banaaya hai,
main aapko sunaata hoon, (sings) "sangeet mera jeevan hai, aawaaz meri jeevan
hai, sangeet bina jeevan soona, jeevan soona soona soona, sangeet mera jeevan
hai..."

-----------------------------------------
Song: o sanam mera saath denaa (Beqasoor)
-----------------------------------------

bahenon aur bhaaiyon, main ek baar phir se shukriya adaa karna chaahta hoon un
tamaam sajjanon ka jinki madad se Dattaram ke 'interview' se sajaa yeh
'programme' aap tak pahunch paaya hai, sab se baDaa zordaar shukriya Kishore
Desai ka, ki woh apne sangeet ka kaam kaaj chhoD kar mere liye Goa gaye aur
Dattaram ki aawaaz 'record' karke le aaye. inke alaawaa Benny Roen, Padmanabh
Joshi, Shyam Haldikar aur Shrikant Joshi, aap sab ka bhi bahut bahut shukriya.
aur bahenon aur bhaaiyon, aap sab ka bhi shurkiya ki itne pyaar se aap ne is
'programme' ko sunaa. isi tarah se Sangeet Ke Sitaaron Ki Mehfil ka har
'programme' sunaa keejiye apne 'radio' dost Ameen Sayani ke saath, namaste!

THE END

#2277

From: "soojoi_india" <soojoi_india@...>
Date:: Sun Jun 7, 2009 3:03 pm
Subject:: Bhoole Bisre Geet - Anil Biswas Special

soojoi_india

Offline

BHOOLE BISRE GEET - ANIL BISWAS SPECIAL
---------------------------------------

Broadcast Date: 31 May 2009
---------------------------

Bhoole Bisre Geet kaaryakram mein aap sabhi ka haardik swaagat hai. aaj ka yeh
kaaryakram samarpit hai film sangeet ke suprasiddha sangeetkaar Anil Biswas ki
puNya smriti ko, jinka aaj 31 May ko smriti divas hai.

-----------------------------------------------
Song: buddham sharaNam gachchhaami (Angulimaal)
-----------------------------------------------

Manna Dey aur saathiyon ki aawaazon mein 1960 ki film Anhulimaal ka geet aapne
sunaa, geetkaar the Bharat Vyas. Hindi film sangeet ke bheeshma pitaamah kahe
jaanewaale varishThatam sangeetkaar Anil iswas ka 31 May 2003 ko praatah 7:30
baje nai Dilli sthit apne nivaas sthan par nidhan ho gaya tha. unka janm 7 July
1914 ko huya tha. is tarah se 90-veen varshagaanTh manaane ke poorv hi is faani
duniya ko chhoDkar chale gaye Anil da. unhone pehli baar sampoorN roop se
sangeet dete huye jis film ke sabhi geeton ki dhune banaayi, wah thi Eastern
Arts krit Dharam Ki Devi, jo bani thi san 1935 mein. film mein Anilda ne jo geet
gaaya, uske bol the "kuchh bhi naheen bharosa, duniya hai aani jaani, paani ka
bulbula hai, insaan ki zindegaani". yeh geet film mein swayam Anilda ne, ek
booDhe fakeer ke 'role' mein saDak par chalte huye gaaya tha jo unka gaaya
pratham filmi geet bhi hai. doston, is geet ke bol mein zindagi ki antim
sachchaai chhupi huyi hai. aaj Anilda ke chale jaane par is geet ke bol jaise
aur bhi zyaada purasar jaan paD rahe hain. aaiye kaaryakram ko ab aage baDhaate
huye sunte hain yeh agla geet.

---------------------------------------
Song: rasiya re man basiya re (Pardesi)
---------------------------------------

1957 ki film Pardesi ka yeh geet tha jise gaaya tha Anilda ki patni aur gaayika
Meena Kapoor ne. geetkaar the Prem Dhawan. Pardesi Indo-Russian co-production
waali pehli film thi jise Hindi aur Russian, dono bhaashaayon mein banaaya tha
Khwaja Ahmed Abbas ne. Anilda isse pehle Abbas saahab ke saath 1952 ki film Rahi
aur 1954 ki film Munna mein kaam kar chuke the. Pardesi ke liye Anilda ko roos
(Russia) jaana paDaa aur wahaan maheenon tak rehna bhi paDaa. is film ke geeton
ki ek Khaaseeyat yah rahi ki film ke kai geeton mein do geetkaaron ke naam
shaamil the, jaise ki Lata Mangeshkar ke gaaye "na dir dir ta na der na" ko Prem
Dhawan aur Ali Sardar Jafri dono ne milkar likhe the. baharhaal, aaiye ab
kaaryakram mein aage baDhaa jaaye 1948 ki film Gajre ka ek geet sunte huye.
aawaaz hai Suraiyya ki aur geet likha hai G S Nepali ne.

--------------------------------
Song: door papeeha bolaa (Gajre)
--------------------------------

1943 mein Bombay Talkies ne racha tha ek itihaas, jab Ashok Kumar aur Mumtaz
Shanti abhineet film Kismet ek 'blockbuster' saabit huyi. is film ne apne
zamaane ke saare 'box office records' toD diye, aur Kalkatta ke Chitra Plaza
'theatre' mein to yeh film lagaataar 196 saptaah, yaani teen saal tak chale. yeh
'record' dashakon baad Ramesh Sippy ke Sholay ne toDee. jahaan tak is film ke
geet sangeet ka sawaal hai, sangeetkaar Anil Biswas ka sangeet tha is film mein
aur Bombay Talkies mein yeh unki sabse kaamyaab film thi. film sangeet mein
paarshvagaayan ki parampara zor pakaDne lagi thi aur kai achche achche gaayak
gaayikaayen film jagat mein kadam rakhne lage the. aise mein sangeetkaar bhi
mushkil aur behetar dhune banaane lag paDe the. is film ka ek lori geet bahut
zyaada mashahoor huya tha. is geet ke do sanskaraN hain, ek jismein aawaazen
hain Ashok Kumar aur Amirbai ki, aur doosre mein aawaaazen hain Arun Kumar aur
Amirbai ki. kahaa jaata hai ki Anil Biswas mazaak kiya karte the ki yeh ekmaatra
aisa geet hai jise Ashok Kumar ne sahi sur mein gaaya tha. Anilda Ashok Kumar ki
gaayiki se zyaada mutaasir naheen the, isliye woh hamesha chaahte the ki Arun
Kumar hi unka paarshwagaayan karen. jis lori ka zikr ham kar rahe hain, leejiye
wahi sunwaate hain aapko. geetkaar hain Kavi Pradeep.

-----------------------------------------
Song: dheere dheere aa re baadal (Kismet)
-----------------------------------------

Mukesh, jo 1941 se filmon mein abhinay aur gaayan kar rahe the, 1945 mein wo ban
gaye ek paarshwa-gaayak jab Anil Biswas ne unse unhi ke chachere bhai Motilal
saahab ka 'playback' karwaaya film Pehli Nazar ke liye. raag darbaari kanaDa par
aadhaarit "dil jalta hai to jalne de, aansoo na bahaa faryaad na kar" Mukesh ne
Saigal saahab ke andaaz mein gaaya aur yeh geet Mukesh ki pehla saphal geet ban
kar reh gaya. iske baad phir kabhi Mukesh ko peechhe muDkar dekhne ki zaroorat
naheen paDee. aisa kahaa jaata hai ki is geet ke 'recording' ke din Mukesh
'studio' mein upasthit naheen the. kaafi der tak bhi jab woh naheen pahunche to
Anil da seedhe unke ghar pahunch gaye aur dekha ki janaab to so rahe hain. gusse
mein aakar Anilda ne Mukesh ko ek zabardast chaanTaa lagaaya. Mukesh hosh mein
aate hi turant uThkar tayyaar ho gaye, is geet ki 'recording' huyi, aur is geet
ne unka kismat badal Daalaa. suniye yahi geet, jise likha tha Safdar 'Aah'
Sitapuri ne.

---------------------------------------------
Song: dil jalta hai to jalne de (Pehli Nazar)
---------------------------------------------

avibhaajya bhaarat ke poorvi bangaal ke sudoor barisaal mein janme Anil Krishna
Biswas ka praarambhik samay kraantikaari gatividhiyon mein beeta ji kaaraN unhe
apna ghar chhoDna paDaa aur we kalkatta ki saDkon ki Khaak chhaante rahe.
antatah nirdeshak Hiren Bose, jinka Kumar Movietone ke saath anubandh ho chuka
tha, ke saath 17 December 1934 ko Bambai pahunche, lekin wahaan baat naheen
bani, yaddapi tab tak 4-5 Hindi filmon mein ek ek geeton ki dhune Anil da banaa
chuke the. dono ne tab Eastern Arts mein pravesh kiya jahaan Hiren Bose ne film
Dharam Ki Devi ka nirdeshan kiya aur Anil da sangeet nirdeshan. 250 rupay prati
maah ke paarishramik par lagbhag DeDh saalki avadhi mein Anil da ne Eastern Arts
evam isse sambaddha Daryanai Productions aur Golden Eagle Movietone ki 11-12
filmon mein sangeet diya.

--------------------------------------
Song: muhabbar turk kee maine (Doraha)
--------------------------------------

abhi aap sun rahe the talat Mahmood ki aawaaz mein 1952 ki film Doraha ka geet
jise likha tha Sahir Ludhianvi ne. to doston, ham baat kar rahe the Anil da ke
shuruwaati dino ki jab we Eastern Arts mein kaam kar rahe the. Eastern Arts ke
filmon mein sangeet dene ke dauraan hi unka parichay apoorva sundar abhinetri
Ashalata se huya. Ashalata ka vaastavik naam tha Meharunnisa Musa Bhagat. yah
parichay mitrata tathaa antatah vivaah mein pariNit huya jo ki kaalaantar mein
unke liye abhishaap siddha huyi. sunte hain Lata Mangeshkar ki aawaaz mein
Behzad Lucknowi ka likha geet, 1949 ki film Ladli se.

--------------------------------------------------
Song: tumhaare bhulaane ko jee chaahta hai (Ladli)
--------------------------------------------------

is waqt apne 'radio set' par aap ne 'tune' kiyaa hai Vividh Bharati aur Vividh
Bharati par is samay prasaarit ho raha hai kaaryakram Bhoole Bisre Geet, jo ki
aaj samarpit hai sangeetkaar Anil Biswas ki puNya smriti ko.

--------------------------------------------------
Song: zamaane ka dastoor hai yeh puraana (Lajawab)
--------------------------------------------------

1950 ki film Lajawab ka yeh laajawaab yugal aapne sunaa Mukesh aur Lata
Mangeshkar ki yugal aawaazon mein. Prem Dhawan ka likha huya yeh geet tha.
doston, jis tarah se Anil Biswas ke sangeet nirdeshan mein Mukesh ne apna pehla
'hit' geet gaayaa tha, Theek waise hi Talat Mahmood saahab ka pehla 'hit' geet
bhi Anil da ki hi den hai. Talat saahab ne Anil da ko apna 'audition' diya tha,
aur usmein 'pass' bhi gaye the. Anil da unhe agle din aakar gaana 'record' kar
jaane ko bhi keh diya. lekin jab agle din Talat ne geet gaaya to Anil da hairaan
reh gaye yeh dekh kar ki Talat Mahmood ki aawaaz mein woh kampan Gaayab thi.
niraash hokar unhone Talat se poochha ki 'kahaan hai tumhaari aawaaz mein wo
'modulation'?' to Talat saahab ne jawaab diya ki unhone jaan boojh kar apni
aawaaz ki kampan ko kaaboo mein kiya kyunki log kehte hain ki yah kampan unke
aawaaz ki sabse baDi kamee hai. un dino yeh afvaah bhi uDee thi ki Talat Mahmood
geet gaate waqt 'nervous' ho jaate hain jisse unki aawaaz kaampne lagti hai.
Anil da ne unhe yeh saaf keh diya ki unhone Talat ko sirf aur sirf unke isi
kampan ke liye chuna hai, aur yahi kampan unhe doosre gaayakon se alag karti
hai. to doston, is tarah se film jagat ko mila ek naya paarshwa gaayak aur jise
log unki kamee maante the, wahi andaaz Talat saahab ki pehchaan banee. ismein
Anil da ka kitna baDaa haath tha, yeh to aap sun hi chuke hain. sunte hain 1950
ki film Arzoo ka geet, jo Talat aur Anil da ki joDee ka pehla pehla geet tha.
geetkaar hain Majrooh Sultanpuri.

----------------------------------------------
Song: aye dil mujhe aisi jagah le chal (Arzoo)
----------------------------------------------

1936 ke uttraardh mein Hiren Bose ke saath saath Anil da ne bhi Sagar Movietone
mein 550 rupay maasik vetan par pravesh kiya jahaan unka parichay Mehboob Khan
se huya jo pehle se hi wahaan ek 'extra' kalaakaar ke baad, nirdeshak ke roop
mein kaaryarat the. Sagar mein tab kai kaabil nirdeshakon evam lekhakon ka
bolbaala tha aur Anil da ko in sab ke saath hamesha kuchh naya karne ki lalak
rehti thi. Sagar krit Jagirdar (1937) Anil da ke sangeet se sajee pehli
'superhit' film thi. 1938 ki film Watan mein Sitara ka gaaya "kyun hamne diya
dil, tha kiska ishaara" lambe samay tak lokapriya bana raha. Sagar ki 10-11
filmon ke baad National Studios ki Mehboob Khan nirdeshit Aurat, aur Roti samet
kul 10 filmon mein sangeet diya. film Roti mein Begum Akhtar se gawaaye geet
yaadgaar ban gaye the. National Studios ke band ho jaane ke baad Bombay Talkies
mein pravesh karte huye 1943 mein Kismet, aadi mein sangeet diya Anil da ne.
Kismet ka geet to aap sun hi chuke hain, yahaan par suniye 1957 ki film Jalti
Nishani ka geet Lata Mangeshkar ki aawaaz mein. geetkaar Qamar Jalalabadi.

-----------------------------------------------
Song: rooThkar tum to chal diye (Jalti Nishani)
-----------------------------------------------

Bombay Talkies mein kaam karte huye unki sangeet baddha kee huyi filmon ki kul
sankhya 100 ko paar kar gayi thi. baad mein unhone Variety Pictures ke banner
tale5 filmon ka nirmaaN kiya. yeh filmen theen Ladli, lajawab, Badi Bahu,
Hamdard, aur Bajuband. lekin nirmata ke roop mein unki poorva patni Ashalata
Biswas ne saare laabh par apna haq jamaaye rakha. antatah saari jamaa poonji use
dekar usse hamesha ke liye Anil da ne piND chhuDaa liya. jeevikopaarjan ke liye
Anil da ne ek 'truck' Khareed kar maal Dhone ka kaam karwaaya aur mehboob Khan
ke 'studio' ki 'canteen' ka Thekaa liya aur dono mein asaphal siddha huye.
chaliye ab sunte hain 1955 ki film Jasoos ka geet talat Mahmood ki aawaaz mein.
Indeevar ka likha huya yeh geet hai.

----------------------------------
Song: jeevan hai madhuban (Jasoos)
----------------------------------

jin dino Dr Keskar ne soochana aur prasaaraN mantree ke roop mein kaarya karte
huye aakaashvaaNi se film geeton ka prasaaraN band karwa diya tha, unke sthaan
par saahityik geeton ke prasaaraN ki yojana banaayi gayi. tab Pt Narendra Sharma
likhit kuchh aise hi geet Anil da ne 'record' kiye the, jaise ki Manna Dey ka
gaaya "naach re mayoora", Lataji ka gaaya "yug ki sandhya krishak vadhu si",
Meena Kapoor ka gaaya "rakh diya nabh shoonya mein kisne tumhe mere hriday" aur
"chaumukh divaraa bar dharoongi" aadi. gaayika Meena Kapoor se unka parichay
pehli baar tab huya jab we 1948 ki film Anokha Pyar mein sangeet de rahe the.
film hetu kai geet unhone Meenaji se gawaye. haalaanki 'gramophone record' par
jaari jiye jaane hetu unk geeton ko Meenaji ki aswasthataa ke kaaraN, punah Lata
Mangeshkar se gawaaya gaya tha. yah parichay baDhta hi gaya aur Ashalata se
chhuTkaara paane ke baad Meenaji ke parivaar ke ichchha ke viruddh 19 March 1957
ko Anil da aur Meenaji ne vivah kar lee.

-------------------------------------------------
Song: aa mohabbat ki basti basaayenge ham (Fareb)
-------------------------------------------------

Lata Mangeshkar aur Kishore Kumar ki aawaazon mein 1953 ki film Fareb ka geet
aapne sunaa. geetkaar the Majrooh. doston, yeh geet Lataji aur Kishore da ka
gaaya pehla yugal geet tha. in dono ne aage chalkar asankhya yugal geet gaaye
hain, lekin iski shuruwaat Anilda ne hi karwaayi thi. 60 ke dashak ke aate aate
Anil da ka filmi safar lagbhag samaapt ho chuka tha. filmon mein badalta
maahaul, April 1960 mein baal sakhaa behnaoi Pannalal Ghosh ke mrityu tatha uske
baad 1961 mein chhote bhaai Sunil aur beTe Pradeep ki asaamayik mrityu ne unhe
hilaakar rakh diya. druDh nishchay ke saath Meena ji paarshwa gaayan tyag kar
Anil da ke saath Bambai chhoD Dilli aa gayeen. aaiye ab sunte hain Suraiya aur
Talat Mahmood ka gaaya film Waris ka geet. 1954 ki is film ke geetkaar the Qamar
Jalalabadi.

---------------------------------------------
Song: raahi matwaale tu chheD ek baar (Waris)
---------------------------------------------

Anil da ka yeh sapna tha ki Hindustani vaasya yantron jaise ki saarangi, sarod,
sitaar, dilruba, baansuri, Dholak, tablaa aadi ke saath ek Hindustani Orchestra
tayyaar kiyaa jaaye. is sapne ko saakaar karne ke liye unhone 1 March 1963 ko
aakaashvaaNi ke vaadyabrind ke nirdeshak ke roop mein kaaryabhaar sambhaalaa.
lagbhag 3 varsh ke alpakaal mein unhone vaadyavrind ki 21 rachnaayen tayyaar kar
Daaleen. aakaashvaaNi vaadyavrind se unka sthaanaantaraN aakaashvaaNi
nideshaalay mein 'Chief Producer' pad par kar diye jaane ke kaaraN unka sapna
adhoora hi reh gaya. 10 varsh tak kaarya karne ke baad 27 June 1975 mein unhone
tyaagpatra de diyaa, aur do varshon tak Nehru Vishvavidyaalay mein saanskritik
salaahkaar ke roop mein kaarya karte rahe. bhaarat ke pehle 'soap opera' Hum Log
ke sheershak geet "aayen haath uThaayen ham bhi" Anil da ki yaadgaar sangeet
rachanaa hai. kaaryakram ke aaKhir mein apko sunwa rahe hain 1951 ki film Tarana
ka woh mashahoor yugal geet Lata aur Talat ki aawaazon mein, Prem Dhawan ka
likha huya. doston, aapko yeh bataa den ki Prem Dhawan saahab Anil da ke Khaas
doston mein se the, aur in dono ne saath saath bahut saari filmon mein kiya.

---------------------------------------------
Song: seene mein sulagte hain armaan (Tarana)
---------------------------------------------

lekhan pratibha se sampanna Anil da rachit rubaaee unki yaad hamesha dilaati
rahegee - "afsos azal le chali maikhaane se, ban jaayenge kuchh der mein afsaane
se, mere geet bewajah gar yaad aa jaayen, chhalka dena ik zaraa paimaane se".
Vividh Bharati par aaj ka Bhoole Bisre Geet kaaryakram samarpit tha Anil Biswas
ki puNya smriti ko.

THE END

NB: information for the script has been taken from listeners' bulletin

#2276

From: "soojoi_india" <soojoi_india@...>
Date:: Sun Jun 7, 2009 3:01 pm
Subject:: VBLC Sangeet Ke Sitaare - Sarshar Sailani

soojoi_india

Offline

VBLC SANGEET KE SITAARE
-----------------------

EPISODE 24: SARSHAR SAILANI
---------------------------

VBLC Sangeet Ke Sitaare mein aap sabhi ka ek baar phir se haardik swaagat hai.
doston, kuchh din pahale hamne is baat ka zikr kiya tha , shaayad Chic Chocolate
waale ank mein, ki kuchh kalaakaar aise hote hain jo bhale hi swatantra
sangeetkaar ke roop mein bahut zyaada mashahoor na rahe hon lekin bataur
saazinde, sahaayak sangeetkaar yaa phir bataur sangeet sanyojak jinka bahut naam
raha hai. yeh to thi baat sangeetkaaron ke liye. Theek aisi hi baat laagoo hoti
hai geetkaaron ke liye bhi. film jagat ke aise kai geetkaar huye hain jinhe
bataur geetkaar to bahut zyaadaa lokapriya geet likhne ka avasar naheen milaa,
lekin bataur samvaad lekhak, yaa kahaanikaar, yaa phir paTkathaa lekhak bahut
zyaada khyaati milee hai. aise hi ek samvaad lekhak aur geetkaar ka zikr aaj ke
is ank mein, jo bataur samvaad lekhak to bahut mashahoor rahe, lekin bataur
geetkaar woh thoDe se kamcharchit aur doosre geetkaaron se thoDe se peechhe hi
reh gaye. aap andaazaa lagaaiye ki kaun hai woh geetkaar sunte huye unhi ke
likhe is geet ko.

--------------------------------------------------------
Song: chale aao aansoo hamaare yaad karte hain (Aabshar)
--------------------------------------------------------

Lata Mangeshkar ki aawaaz mein aur sangeetkaar Bhola Shreshtha ki banaayee dhun
par film Aabshar ke is geet ko sunkar puraane film sangeet ke jaankaar
shrotaayon ke zabaan par jhaT se is geet ke geetkaar ka naam aa gaya hogaa.
lekin bahut se aise shrotaa bhi honge jinhe bilkul andaazaa naheen ki yeh geet
kisne likha tha. bahut saari 'hit' filmon ke samvaad lekhad aur kuchh jaane
kuchh anjaane filmon ke geetkaar Sarshar Sailani hain hamaare aaj ke VBLC
Sangeet Ke Sitaare.

--------------------------------------------------
Song: dil machalne laga jaag uThi dhaDkane (Stage)
--------------------------------------------------

Sarshar Sailani ka 10 April 1969 mein nidhan ho gaya tha. yaani ki aaj se Theek
40 saal pehle woh is faani duniya ko hamesha ke liye chhoD gaye the. aaj unke
jaane ke 40 saal baad bhi woh zinda hain apne likhe huye samvaadon aur geeton ke
zariye. Bewafa, Baaz, Barsat Ki Raat, Anpadh, Aayi Milan Ki Bela, Ganga Ki
Lehren, Aapki Parchhaiyan, Majboor, Aaye Din Bahaar Ke, Gunahon Ka Devta, Aman,
Aaya Saawan Jhoom Ke, aur Maa Aur Mamta jaisi kaamyaab filmon mein unhi ke
samvaad the. in filmon ke naamon ko sunkar aap ne shaayad unki samvaad lekhak ke
roop mein lokapriyata aur star ka andaazaa lagaa liya hogaa. lekin kyunki yeh
kaaryakram hai unke geetkaarita ko nazdeek se jaanne ki, isliye unke samvaad
lekhan ko ek taraf rakhte huye unke likhe geeton par aa jaate hain aur sunwaate
hain aapko ek aur geet film Man Ka Meet se. sangeetkaar Sardul Kwatra aur aawaaz
hai Zohrabai Ambalewale ki.

----------------------------------------
Song: do din ki zindagi ko (Man Ka Meet)
----------------------------------------

Sarshar Sailani ke geeton ko sunte huye hamein yah aashcharya zaroor hota hai ki
kya kamee thi unke geeton mein ki woh apne zamaane ke doosre mashahoor
geetkaaron ki tarah khyaati naheen arjit kar sake. Sailani saahab likhte hain ki
"dariya-e-museebat mein kahin Doob jaayen, ab tere sivaa kashti-e-dil kaun
sambhaale, kismat ke andhere mein tujhe DhoonDh rahi hoon, aa jaa meri
duniya-e-tamanna ke ujaale". samvaad lekhak ke haiseeyat se Sarshar Sailani ne
bahut naam zaroor kamaaye hain, lekin geetkarita mein woh doosre geetkaaron se
peechhe hi rahe, lekin aaj ke is kaaryakram mein ham unke likhe kuchh aise
naGmen pesh kar rahe hain ki jinhe sunkar aap ko yakeen ho jaayega ki Sarshar
saahab ek behatareen geetkaar bhi rahe hain. sunte hain 1947 ki film Ek Roz ka
geet Naseem Akhtar ki aawaaz mein, sangeet Shyamsunder ka hai.

-------------------------------------------------------
Song: bhoole se kabhi yaad kar ae bhoolnewaale (Ek Roz)
-------------------------------------------------------

san 1949 mein Sarshar Sailani ne sangeetkaar Husnlal Bhagatram ke saath kam se
kam do filmon mein kaam kiya. ek to thi Naach aur doosri Rakhi. film Naach mein
Mohd Rafi aur Suraiyya ka gaaya ek yugal geet behad mashahoor huya tha. TooTe
huye dil ki pukaar ko Sarshar saahab ne kis tarah se kaaGaz par utaaraa hai,
zara is geet mein suniye. "seene mein aag bhaDakti hai, aankhon se paani behta
hai, kuchh aisi choT lagi dil par, dil ro ro kar yeh kehta hai..." kya kehta hai
dil, Khud hi sun leejiye...

-------------------------------------------
Song: ae ishq hamein barbaad na kar (Naach)
-------------------------------------------

aur film Rakhi mein Sarshar Sailani ke geet lekhan ka ek doosra hi pehlu nazar
aaya. Kamini Kaushal aur Karan Dewan abhineet is film mein Sarshar saahab ne
shuddh Hindi aur lok bhaashaa ka istemaal karte huye geet likhe, jo unke doosre
Urdu zabaan waale geet aur ghazalon se bilkul alag the. ek vidaai geet mein woh
likhte hain, "jin galiyon mein bachpan beeta kholi aankh jawaani ne, un galiyon
se kiya kinaara sakhiyon ki paTraani ne, bhaiya ka man bhar bhar aaye rot chali
maa jaayi re, baabul ka ghar chhoD ke gori ho gayi aaj paraaee re". aise bhaavuk
shabdon ko paDhkar kiski aankh na bhar aayegi! Sarshar Sailani ne aise hi
asardaar aur bhaavukta se zindagi ki sachchaaiyon ko behad Khoobsoortee ke saath
apne geeton mein ubhaaraa hai. samooh geet ke roop mein yeh vidaai geet vidaai
geeton ki shreNee mein ek alag hi mukaam rakhti hai.

------------------------------------------
Song: baabul ka ghar chhoD ke gori (Rakhi)
------------------------------------------

"mohabbat aur naakaami, jawaani aur barbaadi, inhi do chaar lafzon mein chhupi
hai daastaan meri", aisa likha tha Sarshar Sailani ne film Birha Ki Raat ki ek
Gazal mein. asaphal prem se barbaad huyi jawaani ko is Gazal mein kya Khoob
ujaagar kiya hai Sailani saahab ne. Gazal ki shuruwaati sher mein woh kehte
hain, "jahaan mein jinki ummeedon ke beDe paar hote hain, woh Khushkismat
hazaaron mein kahin do chaar hote hain". Mohd Rafi saahab ki aawaaz mein Birha
Ki Raat film ki yeh Gazal yahaan pesh-e-Khidmat hai. sangeetkaar hain Husnlal
Bhagatram.

------------------------------------------------------
Song: bahut purdard hai ae sunnewaalon (Birha Ki Raat)
------------------------------------------------------

is waqt aap ne 'tune' kiya hai VBLC Sangeet Ke Sitaare aur aaj ham is kaaryakram
mein aap ko sunwa rahe hain film jagat ke jaanemaane samvaad lekhak aur geetkaar
Sarshar Sailani ke likhe huye filmi geet aur Gazlen.

-----------------------------------------------
Song: ban ke suhagan rahi abhaagan (Aadhi Raat)
-----------------------------------------------

ek baar phir Husnlal Bhagatram ke sangeet mein aap sun rahe the Lataji ka gaaya
1950 ki film Aadhi Raat ka naGmaa. 1952 ka saal Sarshar Sailani ke liye achchha
saabit huya. is saal Raj Kapoor aur Nargis saath saath 4 filmon mein nazar aaye
- Amber, Anhonee, Ashiana, aur Bewafa. Bewafa M L Anand nirdeshit film thi aur
is film mein Raj Kapoor 'negative' kirdaar mein nazar aaye. film ke sangeet ke
liye chuna gaya mashahoor tablaa nawaaz Ustad Allah Rakha ko, jo un dino A R
Qureshi ke naam se filmon mein sangeet diya karte the. tabley mein bhale hi unka
koi saanee naheen tha, lekin bataur film sangeetkaar unhe bahut zyaada khyaati
naheen milee. unke gine chune mashahoor filmon mein Bewafa ek Khaas jagah rakhti
hai. aur isi film mein Sarshar Sailani ne na keval geet likhe, balki isi film se
woh ban gaye ek samvaad lekhak bhi. aur aage chalkar isi kshtera mein unhe
shohrat haasil huyi. Talat Mahmood ke gaaye is film ke kai geet bahut zyaada
pasand kiye gaye. yun to Lata Mangeshkar, Geeta Roy aur Shamshad Begum ne bhi
film mein geet gaaye, lekin jab bhi is film ke geet sangeet ka zikr chalta hai
to Talat saahab ke gaaye huye geeton ko sabse pehle yaad kiya jaata hai.

------------------------------------------
Song: dil matwala laakh sambhaala (Bewafa)
------------------------------------------

Talat Mahmood ki maKhmalee aawaaz, Qureshi saahab ka sangeet aur Sarshar Sailani
ke purasar bolon ne in geeton ko ek alag hi darje tak pahuncha diya tha. gaane
ka 'situation' yah hai ki naayak apni naayika ka bas ek nazar paana chaahta hai.
aise mein Sarshar saahab ke kalam chal paDte hain ki "baat karne ke liye kaun
kehta hai, na karo hamse koi baat magar dekh to lo, apne beemaar-e-mohabbat ki
tasalli ke liye, haal-e-dil poochh to lo, zaKhm-e-jigar dekh to lo, tumko fursat
ho meri jaan to idhar dekh to lo".

----------------------------------------
Song: tumko fursat ho meri jaan (Bewafa)
----------------------------------------

abhinteri Geeta Bali, jo Albela ke baad se kaafi mashahoor ho chuki theen aur
bahut saari filmon ke 'contracts' unhe mil rahe the, san 1952 mein woh film
nirmaaN ke kshetra mein utar gayeen apni bahan Sudha Bali ke saath aur sthaapit
huyi 'Bali Sisters' 'banner'. is 'banner' ki pehli film thi Ashok Kumar - Geeta
Bali abhineet Raag Rang. isse pehle Geeta Bali ne sangeetkaar Roshan ke kai
filmon mein abhinay kiya tha jaise ki Neki Aur Badi (1949), Bawre Nain (1950)
aur Bedardi (1950). isliye jab woh Khud apna film banaane lagi to Roshan saahab
ko hi uske sangeet tayyaar karne ka nimanTraN diya. Raag Rang mein Roshan ne
bahut hi Khoobsoorat sangeet diya. Lataji ki aawaaz mein is film ke gaane
mashahoor bhi huye. lekin ek geet aisa tha jise Rajkumari ne gaaya tha aur likha
kisne tha? jee haan, Sarshar Sailani ne.

-----------------------------------------------------
Song: kahin dil lagaane ka saamaan kar le (Raag Rang)
-----------------------------------------------------

Sarshar Sailani ke geet kabhi rumaaneeyat ke nashe mein hamein Doobo deti hai to
kabhi nok-jhok bhari takraar bhare geeton se hamein gudgudaa jaati hai, kabhi
zindagi ki kaDvee sachchaaiyon se hamein avagat karaati hai, to kabhi TooTe dil
ki sadaa bankar hamein rulaa jaati hai. tanhaai aur judaai ka aalam ho yaa phir
milan ke aanand ka, har rang ko apne Khayaalon se sahi rang diya hai Sarshar
Sailani ne. zara is geet ko suniye aur bataaiye ki naayika ki tanhaai ke aalam
ka kya isse behetar shabdon mein bayaan ho sakta tha! Anil Biswas ke sangeet
nirdeshan mein yeh hai 1958 ki film Sanskar ka geet jise Asha Bhosle ne gaaya
hai.

--------------------------------------------
Song: dil shaam se Dooba jaata hai (Sanskar)
--------------------------------------------

aur doston, ab samay kyunki bahut kam bacha hai is kaaryakram ka, to kyun na
jaldi jaldi Sarshar Sailani ke likhe kuchh aur geeton ki jhalakiyaan sun len...

--------------------------------------------------------
Clip: choT paDee dil par (Ek Teri Nishani)
Clip: dil lagaana tu kya jaane (Commander)
Clip: dilli se chale aaye hain (Kalakar)
Clip: ek zakhmee dil faryaad kare (Trolley Driver)
Clip: haaye kisse nazar Takra gayi (Guru Ghantal)
Clip: jawaan aankh mein kitna suroor (Sun To Le Haseena)
--------------------------------------------------------

Sarshar Sailani ka 10 April 1969 mein nidhan ho gaya. unki mrityu ke baad 1971
mein ek film pradarshit huyi Ek Thi Reeta. film mein Jaidev ka sangeet tha aur
gaane Sarshar saahab ke likhe huye the. aaj Sarshar Sailani ko samarpit VBLC
Sangeet Ke Sitaare kaaryakram ka samaapan ham unki isi aaKhri film ke ek geet se
kar rahe hain. Tanuja aur Vinod Mehra par filmaaye aur Asha Bhosle ke gaaye is
geet mein Sailani saahab likhte hain ki "kahin haath hamse chhuDaa to na loge,
kisi aur se dil lagaa to na loge". to ham to bhai yahi kahenge ki Sarshar
saahab, aap ne film jagat ko jo behetareen gaane diye hain, unse haath chhuDaana
mushkil hi naheen naamumkin hai. aap ke samvaad aur geet hamesha yaad rakhe
jaayenge, film sansaar ko aapka diya huya yogdaan ek amoolya sampad hai jo aage
aanewaali peeDhiyon ko raah dikhaati rahegi.

---------------------------------------------------------
Song: kahin haath hamse chhuDaa to na loge (Ek Thi Reeta)
---------------------------------------------------------

THE END

#2275

From: सजीव सारथी <sajeevsarathie@...>
Date:: Wed Jun 3, 2009 3:08 pm
Subject:: बहुत बहुत आभार और बधाई

sajeevsarathie

Offline

२० फरवरी को आरंभ हुई एक श्रृखला. जब शुरू किया तो कभी नहीं सोचा था की कभी इस मुकाम तक आ पायेंगें. ओल्ड इस गोल्ड आज अपने १०० वें दिन तक आ पहुंचा है. इस उपलब्धी के लिए आप सब का योगदान अमूल्य है. आप सब संगीत प्रेमी बधाई के पात्र हैं. आईये इस संगीत उत्सव की १०० वीं एतिहासिक कड़ी पर अपनी उपस्तिथि दर्ज कर इस अवसर को और भी यादगार बनायें
http://podcast.hindyugm.com/2009/06/pyar-kia-to-darna-kya-mughal-e-aazam.html

--
सजीव सारथी
हिंद युग्म
sajeevsararthie@...
www.hindyugm.com
09871123997

#2274

From: Sujoy Chatterjee <soojoi_india@...>
Date:: Thu May 28, 2009 4:14 am
Subject:: Re: u/l

soojoi_india

Offline

Hi,

The song is not long. I think either the file name is too long or the file size
is more than 5 MB. You can upload a file up to a max of 5 MB size.

Sujoy

--- On Wed, 5/27/09, surhall123 <surhall123@...> wrote:

> From: surhall123 <surhall123@...>
> Subject: [vividhbharati] u/l
> To: vividhbharati@...
> Date: Wednesday, May 27, 2009, 11:52 PM
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>       hi
>
>
>
> i want u/l one file but site not allowed show song long,
> song is 2,59 min ,
>
> dhall
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>