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#2384 From: Sudarshan Pandey <shankerjai@...>
Date:: Thu Oct 8, 2009 9:41 am
Subject:: Re: Sangeet Sarita - Anil Biswas (Episode-1) 		shankerjai
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Dear soojoi ji,
 
Now I have started to take all of your stuff belonging to our stalwarts like Anil Biswas and few forgotten personalities from the music world to my blog. This is also taken to
 
Regards
sp/kol

--- On Thu, 10/8/09, soojoi_india <soojoi_india@...> wrote:

From: soojoi_india <soojoi_india@...>
Subject: [vividhbharati] Sangeet Sarita - Anil Biswas (Episode-1)
To: vividhbharati@...
Date: Thursday, October 8, 2009, 12:48 PM

 
SANGEET SARITA - RASIKESHU
------------ --------- -----

IN CONVERSATION WITH ANIL BISWAS & MEENA KAPOOR
------------ --------- --------- --------- --------

Recorded & First Broadcast in 1997
------------ --------- --------- ----

EPISODE-1
*********

AB: Anil Biswas
TB: Tushar Bhatia

TB: shrotaaon ko Tushar Bhatia ka namaskaar! aaj jis sangeet vibhuti ke saamne baiTha hoon, unka varNan karne ke liye mere paas koi shabd nahin hai. jab raat gungunaati hain, loriyan sunaati hain, chaand ki Doli mein baiThke taaron ki Toliyaan nikalti hain, dheere dheere baadal aata hai, aur dheere dheere jaata hai, to kahin aawaaz aati hai, "yaad rakhna chaand taron is suhaani raat ko". aisa lagta hai koi nas nas mein amrit ghol gaya, koi pyaar ki boli bol gaya. doston, aaj ek bahut baDe vishvaas ke saath ye sangeet yaatra shuru ho rahi hai, apne sangeet ki boli se nas nas mein amrit gholne waale film sangeet jagat ke bheeshma pitaamah ke saath, param vidvaan, suprasiddha aur varishThatam sangeet nirdeshak, aadarNeeya, Shri Anil Biswas ji. daada, praNaam!

AB: namashkaar! aaj bahut dino ke baad mein All India Radio ke 'microphone' ke saamne baiTha huya hoon, aur ye 'programme' shuru hone jaa raha hai, jiska hamne sheershak rakha hai RASIKESHU. yah sanskrit shabd hai, matlab hai 'rasikon ko samarpit'. main chaahoonga ki Vividh BHarati jis gaane se shuru huya tha, usi gaane se is 'programme' ko shuru karen to kaisa lagega?

TB: bahut achchha lagega daada.

AB: main tumko bataata hoon ki ye shuru hone se pehle yahaan ke ek 'producer' Ninu Mazumdar mere paas aaye the gaana lekar, Narendra Sharma ji tab yaheen the, 'producer' the, aur unhone kahaa ki ye shuru ho raha hai aur aap ispe swar aarop keejiye aur ham log isi se Vividh BHarati ki shuruaat karenge. to maine gaana sunaa, aur dekha ki yeh gaana film ka nahin hai to ismein thoDaa sa rang bharte hain. to do jagah mujhe itni achchhi lagi kuch kar dikhaane ke liye, wo main tumhe bhi kahoonga aur rasik shrotaaon ko bhi kahoonga ki wo ispe zara tavajju den, aur dhyaan den aur sune. jaise ek jagah hai sam par sam, saa par saa, yehi hai na, ismein kis tarah se sam par sam aur saa par saa laaya gaya hai, is gaane ki Khaaseeyat yeh hai. to is gaane ko isi drishTikoN se sune to kuchh zyaada mazaa aayegaa. aap ye gaana shuru karenge "naach re mayoora"?

TB: jee

------------ --------- --------- --------- --------- --
Song: naach re mayoora (Non-film: Manna Dey, 1957)
------------ --------- --------- --------- --------- --

TB: daada, ab aap kyaa sunaane waale hain?

AB: 'film music' ki shuruaat se shuruaat karna chaahta hoon. inka naam Rai Chand Boral hai. unse shuruaat karna chaahta hoon kyonki unko ham film sangeet ke pitaa maante hain. aur unke baare mein jitna kahoon utna kam hai, wo ek to guNee the, Khud tablaa bajaate the, aur 'piano', dono bajaate the, aur in do cheezon ki jo Khoobiyaan hain na, yaani ki lay kaa aur sur ka, aur saahitya ka, itna Khoobsoorat 'composition' , to woh gaana hamko sunaao, "jeevan been madhur na baaje".

------------ --------- --------- --------- --------- ------
Song: jeevan been madhur na baaje (Street Singer,1938)
------------ --------- --------- --------- --------- ------

AB: aaj koi aisa lekhak hai, Narendra Sharma bhi chale gaye, lekin aaj ka koi lekhak tum mujhe de sakte ho jo pancham chheDo madhyam bole, kharaj bane gandhaar. ye likhne waala koi aisa hai? main Khaas karke shrotaaon ka tavajju chaahoonga ki isko wo dekhen ki saahitya kya hota tha us zamaane mein. main doosra gaana chaahoonga tum sunaao usko, jo aap sunenge to aapke hriday bhi sur ke hindolon mein jhoolte rahenge. "Dole Dole Dole hriday ki naiya" Vidyapati ka.

------------ --------- --------- --------- --------- -----
Song: Dole Dole Dole hriday ki naiya (Vidyapati,1937)
------------ --------- --------- --------- --------- -----

AB: abhi aapne ye do achchhe gaane R C Boral ke 'composition' mein sun liye hain, jismein pehla gaana tha K L Saigal ka aur doosra gaana tha Kanan Devi ka. inke baare mein kuchh kehna, mujhe lagta hai ki ek dhrishTataa hogi. aur ab jo geet sunaa raha hoon wo Bimal Roy ki pehli tasveer jo hai na, Humrahi, usmein Binota Bose ka gaaya huya ek chanchal shoKh 'romantic' gaana hai.

------------ --------- --------- ---------
Song: bahaar ke din aaye (Humrahi,1945)
------------ --------- --------- ---------

END OF EPISODE 1



Reply | Forward | Messages in this Topic (4)
#2383 From: Sudarshan Pandey <shankerjai@...>
Date:: Thu Oct 8, 2009 9:17 am
Subject:: Re: Ameer Ali ------------------ 'Har Cheez Yahaan Ki Phaani' 		shankerjai
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Dear all
 
This is very important stuff and I have started a news blog on such artistes, music directors, lyricists, singers etc who worked for even single film but not much people are aware of them. I have used this  on my blog
 
If Anyone of you object, I will delete it from the blog, but it will be a loss for those poeple who want to know more about likes of Ameer Ali.
 
Regards
 
sp/kol

--- On Thu, 10/8/09, Rama <ramaswamy21in@...> wrote:

From: Rama <ramaswamy21in@...>
Subject: [vividhbharati] Ameer Ali ------------------ 'Har Cheez Yahaan Ki Phaani'
To: vividhbharati@...
Date: Thursday, October 8, 2009, 11:45 AM

 
Moving forward in the series of lesser heard composers I now would like to put
forward the name of Ameer Ali.

He gave music for three films altogether. They were Pagli (1943), Naya Tarana
(1943) and Panna (1944). Pagli had three more Music Directors along with him
viz, Jhande Khan, Rashid Atre and Pandit. Govindram.' Naya Tarana' was Poona
based Navyug Company's film. Most of the songs were sung by Snehprabha Pradhan.
On searching for songs online I found these ones listed under Naya Tarana:
1). Aa Naya Taraana Gaayen
Singer: Snehaprabha Pradhan Lyricist: Wali Saheb
2). Aayi Meera Prabhu Paas Nainan Ke Saagar Mein
Singer: Snehaprabha Pradhan Lyricist: Wali Saheb
3). Hum Duniya Ke Anna Daata Hai
Singer: H Khan Mastana Lyricist: Ali Sardar Jafri
4). Hum Par Daya Karo Bhagwaan
Lyricist:Wali Saheb
5). Main To Nainon mein madira laayi re
Singer: Saroj Borker Lyricist: Wali Saheb
6). Mere Praanon Mein Bas Ke Rahe
Singer: Snehaprabha Pradhan Lyricist: Wali Saheb
7). O Insaan Bade Insaan Aa Tujhe Shisha Dikhlaaun
Singer: H Khan Mastana Lyricist: Wali Saheb
8). Yaad Koi Aa Raha Hai Kya Karoon
Singer: Snehaprabha Pradhan Lyricist: Wali Saheb

Panna had songs actually sung in the film by Shamshad Begum but the records
showed Rajkumari as the singer. Songs from Panna:

1). Har Cheez Yahaan Ki Phaani
Singer: Rajkumari Lyricist: Wali Saheb
2). Hausala Na Haar Tu Haar Jaa Bala Se
Lyricist: Wali Saheb
3). Jo Hum Pe Gujarati Hai
Singer: Rajkumari Lyricist: Wali Saheb
4). Kaali Ghata Chhaayi ho raaja
Singer: Rajkumari Lyricist: Wali Saheb
5). Le Lo Malaniya Se Haar
Singer: Rajkumari Lyricist: Wali Saheb



Reply | Forward | Messages in this Topic (5)
#2382 From: Sudarshan Pandey <shankerjai@...>
Date:: Thu Oct 8, 2009 7:32 am
Subject:: Re: UUYK - Shammi Kapoor on Shankar Jaikishan 		shankerjai
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Really I have no words to express my gratitude to Sujoi ji..
Just I can say that I am indebted to you for your very prompt action......Tumko hamari umar lag jaaye
 
Vijay ji aap bhi aanand uthaiye..
 
Regards
 
sp/kol


--- On Thu, 10/8/09, vijay kumar <vk_mutalik@...> wrote:

From: vijay kumar <vk_mutalik@...>
Subject: Re: [vividhbharati] UUYK - Shammi Kapoor on Shankar Jaikishan
To: vividhbharati@...
Date: Thursday, October 8, 2009, 2:09 PM

 
Than you very much Sujoyji
Sudarshanji aapko bahuth hi accha gift mil gaya
 
Regards
 
Vijay

--- On Wed, 7/10/09, soojoi_india <soojoi_india@ yahoo.co. in> wrote:

From: soojoi_india <soojoi_india@ yahoo.co. in>
Subject: [vividhbharati] UUYK - Shammi Kapoor on Shankar Jaikishan
To: vividhbharati@ yahoogroups. co.in
Date: Wednesday, 7 October, 2009, 10:49 PM

 
UJAALE UNKI YAADON KE - SHAMMI KAPOOR
------------ --------- --------- -------

SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
------------ --------- --------- --------- -

SK: Shammi Kapoor
NM: Nimmi Mishra

SHANKAR JAIKISHAN
************ *****

NM: sabhi shrotaaon ko namaskaar! Shammi Kapoor ji se hamaari baatchit jaari hai. us zamaane ke jo vibhinna sangeetkaar the, unki achchhi baaten hamein Shammi Kapoor ji hamein bataa rahe hain, aur unki pasand ke jo gaane hain, wo bhi ham sun rahe hain. Shammi ji, agar ham sangeetkaar Shankar Jaikishan ki baat karen to wo Prithvi Theatres se bhi juDe huye the pehle. 'theatre' mein bhi sangeet dete the.

SK: Jaikishan aur main saath mein baDe huye. ham log ham-umra the. Shankar ji bhi the 'theatre' mein.

NM: haan, pehle 'theatre' mein the, phir Raj ji ke saath...

SK: 'theatre' mein bhi Raj ji the, aur uske baad Raj ji ne unhe, pehli 'picture' jo thi, Barsat thi unki (SJ ki), meri dosti bhi unse waheen se thi. aur meri pehli 'picture' jismein unhone sangeet diya, woh thi Ujaala.

------------ --------- --------- --------- ---
Song: jhoomta mausam mast maheena (Ujaala)
------------ --------- --------- --------- ---

NM: haan, sachmuch Shammi Kapoor ji, aapke aise geeton ne logon ka man moh liya. waise aapki aur Shankar Jaikishan ki dosti to bilkul pakki thi na?

SK: bahut achchhi dosti thi, aur jaisa 'music' maine unse chaaha, har baar waisa milta raha. aap yakeen keejiyega, main samajhta hoon ki Shankar Jaikishan na hi keval kaabil aur honhaar, 'they are magicians'. aap unse kahiye ki mujhe is tarah ka gaana chaahiye, is tarah ka 'situation' hai, aur ab chaahiye, 'they will immediately make something and give it to you'. maine aisa dekha hote huye. mere liye bhi huya hai, mujhe bahut jaldi thi, aur 'outdoor' jaa raha tha, Kashmir jaa raha tha, ya Paris jaa raha tha, aur main baahar chala gaya tha, aur meri Gair haaziri mein gaane 'record' huye, 'selections' ho chuka tha 'tunes' ka lekin 'recording' ke waqt main wahaan naheen tha. aam taur par meri aadat thi ki 'I am present in the recordings', ki kis tarah se Rafi saahab ne kahaan kahaan kis tarah ki harkat leni hai, jispe main jo socha huya hai wo karoonga, ye Shankar Jaikishan ke saath dekha ki jaisa aapne chaaha ho gaya waise kaam. aur hamaari aadat thi ki jis din 'shooting' na ho, un dino itni 'picture'-en hoti bhi nahin thi, to kaafi waqt bhi apne paas hota tha, 'cricket match' bhi dekhte the, 'cricket' ke sahi yaa 'football' ke, aur shaam ko Church Gate mein Bombelli's huya karta tha, phir Gaylord aa gaya to Jaikishan ki ek jagah ho gayi, ek 'table' tha jahaan par wo 11 baje jaakar hamesha baiThta tha, wo 'table' uske liye 'reserved' rehti thi. yahaan tak ki uske guzar jaane ke baad bhi ek kaafi arse tak un logon ne wo 'table' Khaali rakhi. kisi ko baiThne nahin dete the wahaan par ki wo Jaikishan ki 'table' thi. to ham log milte the, shaam ko mil kar ke, Jai, ek 'situation' hai, tu kis kism ka gaana mujhe de sakta hai. 'Next day he would come up and say' ki ye kaisa rahega? aur wo le aaya "yaahoo, chaahe koi mujhe junglee kahe" gaana aur mujhe sunaaya. 'And the songs were created like this, by interracting with each other, by talking to each other'. aisa naheen ki kisi ne gaana likh diya, ohir usko jaake 'picturize' kar diya, aur 'dance master' ne 'dance' karwa diya. naheen, meri 'involvement' baDi 'total' huya karti thi.

NM: haan, aap 'sitting' mein baiThte the aur jab 'recording' hoti thi to aap jaate the

SK: mujhe 'telephone' pe bhi gaane diye Jaikishan ne. Junglee ka hi gaana "ahsaan tera hoga mujh par". main 'shooting' karne gaya tha, usne 'telephone' pe bataaya ki maine abhi ye gaana banaaya hai. kaisa hai? maine kaha ki ye bilkul mera hai, isey 'book' kar lo mere liye. 'Its a melody, its a beautiful melody', mujhe Khaastaur se ye isliye achchha lagta hai ki ek aadmi jo mere liye "yaahoo" kism ka gaana likh raha hai, "shabba Khair, mere yaar shabba Khair" aise gaane likh raha hai, "suku suku", aur dekhiye 'contrast' mein "ahsaan tera" is a 'melody'. 'Its such a soft song, its the capability of the music director'. kya 'contrast hai, 'style' mein.

------------ --------- --------- --------- --
Song: ahsaan tera hoga mujh par (Junglee)
------------ --------- --------- --------- --

NM: achchha "yaahoo" kiska 'idea' tha?

SK: "yaahoo" mera, kyonki isko hamne pehli baar Tumsa Nahin Dekha mein istemaal kiya tha. wo laDkaa bhaagta bhaagta laDki ke peechhe jaata hai, "sar pe Topi laal" geet se pehle, wahaan "yaahoo" ek 'expression' tha. I did the same thing in Dil Deke Dekho. wahaan bhi main bhaagte bhaagte, Asha Parekh saamne, main peechhe, aur "yaahoo" kehta hoon, fisalte huye, main laDki ko pakaD leta hoon, woh Bhangra gana, to isko maine wahaan bhi istemaal kar liya tha. to yahaan ek 'situation' ban gayi thi ki ek aadmi jo zindagi mein kabhi hansa nahin, muskuraaya nahin, zindagi mein pyaar mohabbat ka shabd tak nahin aaya, 'he was in love', aur phir wo bandha huya hai ek jagah mein, qaid hai 'because' wahaan ek 'snow storm' aa gaya hai. to Saira Banu - SHammi Kapoor, dono ek kamre mein band, Bobby ki tarah. to ek hangaama ho gaya tha dono ki zindagi mein. aur is aadmi ko pehli baar ek aisa 'expression' dene ka ittefaaq paida huya, aur woh khiDki khol ke dekhta hai ki 'storm' khatam ho gaya, wo aazaad ho gaya jaise, sab cheezon se, aur mohabbat aayi uski zindagi mein, aur woh "yaahoo" cheeKhta hai chillaata hai, 'it was a nice expression!'

NM: bahut achchhe! aur wo "yaahoo" aawaaz mein Prayag Raj ki aawaaz thi?

SK: jee haan, agar ye aawaaz Rafi saahab nikaalte to wo gaana nahin gaa sakte the. 'This is avery loud expression, very loud expression'.

------------ --------- --------- --------- ------
Song: chaahe koi mujhe junglee kahe (Junglee)
------------ --------- --------- --------- ------

NM: aur mujhe kahin aisa lagta hai ki 'theatre' mein bhi aisa 'character' aap ne kiya tha!

SK: maine?

NM: haan, Kalaakaar naaTak tha

SK: Kalaakaar mein main 'villain' tha, aur main apne pitaaji ki chhokri ko phansaataa hoon (laughs). Her name was Mumtaz, and my father was a kalaakaar, and he gets married to a beautiful gaaon ki laDki, and he was a painter. to usko jab shahar mein laate hain to shahar ki 'society and environment' ko dekh kar uski aankhen jo khul jaati hain, wo apne aap ko rok nahin sakti aur main ek 'playboy' kism ka 'character' tha, Shammi Kapoor.

NM: haan, jo aap karna chaahte the, wo aap ne khul kar kiya usmein sab.

SK: jo main karna nahin, jo main 'acting' mein karna chaahta tha.

NM: (laughs) jee haan, jo aap 'acting' mein karna chaahte the

SK: pehli baar mere liye 'role' likha gaya tha. And I was quite successful in that play.

NM: achchha, aur kaun sa gaana Shankar Jaikishan ka aapko bahut pasand hai?

SK: aur bhi hain Shankar Jaikishan ke gaane, haan, aur ek jo gaana mujhe pasand hai, wo isliye pasand hai kyonki uske saath meri bahut saari yaaden juDee huyi hain, Pagla Kahin Ka ek 'picture' thi, usak ek gaana hai "tum mujhe yun bhula na paaoge", (sings) "jab kabhi bhi sunoge geet mere, sang sang tum bhi gungunaaoge. ..."

------------ --------- --------- --------- --------- ----
Song: tum mujhe yun bhula na paaoge (Pagla Kahin ka)
------------ --------- --------- --------- --------- ----

NM: Rafi saahab ki aawaaz aapko bahut pasand thi? matlab, Rafi saahab ki aawaaz aap hi ki aawaaz thi.

SK: Rafi saahab, matlab, agar Rafi saahab na hote to main 'incomplete' hota. aur unke saath hone se meri tasveer poori ho gayi. unhone mujhe 'style' diya, jaisa main samajhta hoon ki Rafi ko 'style' O P Nayyar ne diya. Rafi saahab was a very good singer, classical singer hain, kya kya gaane gaaye hain, aur kya unki 'pitch' hai. lekin ek 'style' jo hai wo Nayyar ne unhe diya. And Rafi saahab used all those for me beautifully. He was very receptive to, jaisa ki main chaahta tha. jaise ki main ek gaane ke liye, haalaanki main bahut saare gaane ke liye yahaan naheen tha, Paris mein tha, unhone ek gaana meri Gair haaziri mein 'record' kiya, jab maine wo gaana wahaan sunaa to main dang reh gaya ki yeh gaana unhone kaise aise 'record' kar liya! jab main waaps aaya to unse maine poochha ki Rafi saahab, aapne ye gaana aise kaise gaa diya? mujhe jaise chaahiye tha, jaise maine socha tha, waise hi aapne gaaya, yeh bataaiye kaise gaaya? bole ki "paapa, maine bas socha ki SHammi Kapoor yahaan pe kee karegaa! o Shammi Kapoor haath aise phailaega, Shammi Kapoor Taang itthe philaaega, Shammi Kapoor aing karke gir jaavega, to main waise hi gaana gaata raha'. And that song was "aasmaan se aaya farishtaa".

NM: achchha is geet ki bhi baat karen to iski jab 'shooting' huyi thi to bahut mushkilen aayi thi na?

SK: mushkil yahi thi ki wo 'helicopter' thi saamne, aur 'helicopter' ki aawaaz itni thi ki, aur main 200 feet upar, to gaana kaise gaaya jaaye! lekin gaana itna mere andar huya karta tha ki mujhe 'basically sound' ki zaroorat naheen thi. to Shakti baabu, Shakti Samanta neeche se ek roomaal ki madad se mujhe 'beats' dete the, (sings) "aasmaan se ta ta ta ta ta..", bas aise hi 'beats' dete the aur maine gaana aise hi gaa diya.

------------ --------- --------- --------- --------- -----
Song: aasmaan se aaya farishtaa (An Evening in Paris)
------------ --------- --------- --------- --------- -----


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Reply | Forward | Messages in this Topic (3)
#2381 From: vijay kumar <vk_mutalik@...>
Date:: Thu Oct 8, 2009 5:09 am
Subject:: Re: UUYK - Shammi Kapoor on Shankar Jaikishan 		vk_mutalik
Offline Offline
Send Email Send Email
 
Than you very much Sujoyji
Sudarshanji aapko bahuth hi accha gift mil gaya
 
Regards
 
Vijay

--- On Wed, 7/10/09, soojoi_india <soojoi_india@...> wrote:

From: soojoi_india <soojoi_india@...>
Subject: [vividhbharati] UUYK - Shammi Kapoor on Shankar Jaikishan
To: vividhbharati@...
Date: Wednesday, 7 October, 2009, 10:49 PM

 
UJAALE UNKI YAADON KE - SHAMMI KAPOOR
------------ --------- --------- -------

SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
------------ --------- --------- --------- -

SK: Shammi Kapoor
NM: Nimmi Mishra

SHANKAR JAIKISHAN
************ *****

NM: sabhi shrotaaon ko namaskaar! Shammi Kapoor ji se hamaari baatchit jaari hai. us zamaane ke jo vibhinna sangeetkaar the, unki achchhi baaten hamein Shammi Kapoor ji hamein bataa rahe hain, aur unki pasand ke jo gaane hain, wo bhi ham sun rahe hain. Shammi ji, agar ham sangeetkaar Shankar Jaikishan ki baat karen to wo Prithvi Theatres se bhi juDe huye the pehle. 'theatre' mein bhi sangeet dete the.

SK: Jaikishan aur main saath mein baDe huye. ham log ham-umra the. Shankar ji bhi the 'theatre' mein.

NM: haan, pehle 'theatre' mein the, phir Raj ji ke saath...

SK: 'theatre' mein bhi Raj ji the, aur uske baad Raj ji ne unhe, pehli 'picture' jo thi, Barsat thi unki (SJ ki), meri dosti bhi unse waheen se thi. aur meri pehli 'picture' jismein unhone sangeet diya, woh thi Ujaala.

------------ --------- --------- --------- ---
Song: jhoomta mausam mast maheena (Ujaala)
------------ --------- --------- --------- ---

NM: haan, sachmuch Shammi Kapoor ji, aapke aise geeton ne logon ka man moh liya. waise aapki aur Shankar Jaikishan ki dosti to bilkul pakki thi na?

SK: bahut achchhi dosti thi, aur jaisa 'music' maine unse chaaha, har baar waisa milta raha. aap yakeen keejiyega, main samajhta hoon ki Shankar Jaikishan na hi keval kaabil aur honhaar, 'they are magicians'. aap unse kahiye ki mujhe is tarah ka gaana chaahiye, is tarah ka 'situation' hai, aur ab chaahiye, 'they will immediately make something and give it to you'. maine aisa dekha hote huye. mere liye bhi huya hai, mujhe bahut jaldi thi, aur 'outdoor' jaa raha tha, Kashmir jaa raha tha, ya Paris jaa raha tha, aur main baahar chala gaya tha, aur meri Gair haaziri mein gaane 'record' huye, 'selections' ho chuka tha 'tunes' ka lekin 'recording' ke waqt main wahaan naheen tha. aam taur par meri aadat thi ki 'I am present in the recordings', ki kis tarah se Rafi saahab ne kahaan kahaan kis tarah ki harkat leni hai, jispe main jo socha huya hai wo karoonga, ye Shankar Jaikishan ke saath dekha ki jaisa aapne chaaha ho gaya waise kaam. aur hamaari aadat thi ki jis din 'shooting' na ho, un dino itni 'picture'-en hoti bhi nahin thi, to kaafi waqt bhi apne paas hota tha, 'cricket match' bhi dekhte the, 'cricket' ke sahi yaa 'football' ke, aur shaam ko Church Gate mein Bombelli's huya karta tha, phir Gaylord aa gaya to Jaikishan ki ek jagah ho gayi, ek 'table' tha jahaan par wo 11 baje jaakar hamesha baiThta tha, wo 'table' uske liye 'reserved' rehti thi. yahaan tak ki uske guzar jaane ke baad bhi ek kaafi arse tak un logon ne wo 'table' Khaali rakhi. kisi ko baiThne nahin dete the wahaan par ki wo Jaikishan ki 'table' thi. to ham log milte the, shaam ko mil kar ke, Jai, ek 'situation' hai, tu kis kism ka gaana mujhe de sakta hai. 'Next day he would come up and say' ki ye kaisa rahega? aur wo le aaya "yaahoo, chaahe koi mujhe junglee kahe" gaana aur mujhe sunaaya. 'And the songs were created like this, by interracting with each other, by talking to each other'. aisa naheen ki kisi ne gaana likh diya, ohir usko jaake 'picturize' kar diya, aur 'dance master' ne 'dance' karwa diya. naheen, meri 'involvement' baDi 'total' huya karti thi.

NM: haan, aap 'sitting' mein baiThte the aur jab 'recording' hoti thi to aap jaate the

SK: mujhe 'telephone' pe bhi gaane diye Jaikishan ne. Junglee ka hi gaana "ahsaan tera hoga mujh par". main 'shooting' karne gaya tha, usne 'telephone' pe bataaya ki maine abhi ye gaana banaaya hai. kaisa hai? maine kaha ki ye bilkul mera hai, isey 'book' kar lo mere liye. 'Its a melody, its a beautiful melody', mujhe Khaastaur se ye isliye achchha lagta hai ki ek aadmi jo mere liye "yaahoo" kism ka gaana likh raha hai, "shabba Khair, mere yaar shabba Khair" aise gaane likh raha hai, "suku suku", aur dekhiye 'contrast' mein "ahsaan tera" is a 'melody'. 'Its such a soft song, its the capability of the music director'. kya 'contrast hai, 'style' mein.

------------ --------- --------- --------- --
Song: ahsaan tera hoga mujh par (Junglee)
------------ --------- --------- --------- --

NM: achchha "yaahoo" kiska 'idea' tha?

SK: "yaahoo" mera, kyonki isko hamne pehli baar Tumsa Nahin Dekha mein istemaal kiya tha. wo laDkaa bhaagta bhaagta laDki ke peechhe jaata hai, "sar pe Topi laal" geet se pehle, wahaan "yaahoo" ek 'expression' tha. I did the same thing in Dil Deke Dekho. wahaan bhi main bhaagte bhaagte, Asha Parekh saamne, main peechhe, aur "yaahoo" kehta hoon, fisalte huye, main laDki ko pakaD leta hoon, woh Bhangra gana, to isko maine wahaan bhi istemaal kar liya tha. to yahaan ek 'situation' ban gayi thi ki ek aadmi jo zindagi mein kabhi hansa nahin, muskuraaya nahin, zindagi mein pyaar mohabbat ka shabd tak nahin aaya, 'he was in love', aur phir wo bandha huya hai ek jagah mein, qaid hai 'because' wahaan ek 'snow storm' aa gaya hai. to Saira Banu - SHammi Kapoor, dono ek kamre mein band, Bobby ki tarah. to ek hangaama ho gaya tha dono ki zindagi mein. aur is aadmi ko pehli baar ek aisa 'expression' dene ka ittefaaq paida huya, aur woh khiDki khol ke dekhta hai ki 'storm' khatam ho gaya, wo aazaad ho gaya jaise, sab cheezon se, aur mohabbat aayi uski zindagi mein, aur woh "yaahoo" cheeKhta hai chillaata hai, 'it was a nice expression!'

NM: bahut achchhe! aur wo "yaahoo" aawaaz mein Prayag Raj ki aawaaz thi?

SK: jee haan, agar ye aawaaz Rafi saahab nikaalte to wo gaana nahin gaa sakte the. 'This is avery loud expression, very loud expression'.

------------ --------- --------- --------- ------
Song: chaahe koi mujhe junglee kahe (Junglee)
------------ --------- --------- --------- ------

NM: aur mujhe kahin aisa lagta hai ki 'theatre' mein bhi aisa 'character' aap ne kiya tha!

SK: maine?

NM: haan, Kalaakaar naaTak tha

SK: Kalaakaar mein main 'villain' tha, aur main apne pitaaji ki chhokri ko phansaataa hoon (laughs). Her name was Mumtaz, and my father was a kalaakaar, and he gets married to a beautiful gaaon ki laDki, and he was a painter. to usko jab shahar mein laate hain to shahar ki 'society and environment' ko dekh kar uski aankhen jo khul jaati hain, wo apne aap ko rok nahin sakti aur main ek 'playboy' kism ka 'character' tha, Shammi Kapoor.

NM: haan, jo aap karna chaahte the, wo aap ne khul kar kiya usmein sab.

SK: jo main karna nahin, jo main 'acting' mein karna chaahta tha.

NM: (laughs) jee haan, jo aap 'acting' mein karna chaahte the

SK: pehli baar mere liye 'role' likha gaya tha. And I was quite successful in that play.

NM: achchha, aur kaun sa gaana Shankar Jaikishan ka aapko bahut pasand hai?

SK: aur bhi hain Shankar Jaikishan ke gaane, haan, aur ek jo gaana mujhe pasand hai, wo isliye pasand hai kyonki uske saath meri bahut saari yaaden juDee huyi hain, Pagla Kahin Ka ek 'picture' thi, usak ek gaana hai "tum mujhe yun bhula na paaoge", (sings) "jab kabhi bhi sunoge geet mere, sang sang tum bhi gungunaaoge. ..."

------------ --------- --------- --------- --------- ----
Song: tum mujhe yun bhula na paaoge (Pagla Kahin ka)
------------ --------- --------- --------- --------- ----

NM: Rafi saahab ki aawaaz aapko bahut pasand thi? matlab, Rafi saahab ki aawaaz aap hi ki aawaaz thi.

SK: Rafi saahab, matlab, agar Rafi saahab na hote to main 'incomplete' hota. aur unke saath hone se meri tasveer poori ho gayi. unhone mujhe 'style' diya, jaisa main samajhta hoon ki Rafi ko 'style' O P Nayyar ne diya. Rafi saahab was a very good singer, classical singer hain, kya kya gaane gaaye hain, aur kya unki 'pitch' hai. lekin ek 'style' jo hai wo Nayyar ne unhe diya. And Rafi saahab used all those for me beautifully. He was very receptive to, jaisa ki main chaahta tha. jaise ki main ek gaane ke liye, haalaanki main bahut saare gaane ke liye yahaan naheen tha, Paris mein tha, unhone ek gaana meri Gair haaziri mein 'record' kiya, jab maine wo gaana wahaan sunaa to main dang reh gaya ki yeh gaana unhone kaise aise 'record' kar liya! jab main waaps aaya to unse maine poochha ki Rafi saahab, aapne ye gaana aise kaise gaa diya? mujhe jaise chaahiye tha, jaise maine socha tha, waise hi aapne gaaya, yeh bataaiye kaise gaaya? bole ki "paapa, maine bas socha ki SHammi Kapoor yahaan pe kee karegaa! o Shammi Kapoor haath aise phailaega, Shammi Kapoor Taang itthe philaaega, Shammi Kapoor aing karke gir jaavega, to main waise hi gaana gaata raha'. And that song was "aasmaan se aaya farishtaa".

NM: achchha is geet ki bhi baat karen to iski jab 'shooting' huyi thi to bahut mushkilen aayi thi na?

SK: mushkil yahi thi ki wo 'helicopter' thi saamne, aur 'helicopter' ki aawaaz itni thi ki, aur main 200 feet upar, to gaana kaise gaaya jaaye! lekin gaana itna mere andar huya karta tha ki mujhe 'basically sound' ki zaroorat naheen thi. to Shakti baabu, Shakti Samanta neeche se ek roomaal ki madad se mujhe 'beats' dete the, (sings) "aasmaan se ta ta ta ta ta..", bas aise hi 'beats' dete the aur maine gaana aise hi gaa diya.

------------ --------- --------- --------- --------- -----
Song: aasmaan se aaya farishtaa (An Evening in Paris)
------------ --------- --------- --------- --------- -----


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Reply | Forward | Messages in this Topic (3)
#2380 From: "soojoi_india" <soojoi_india@...>
Date:: Thu Oct 8, 2009 3:49 am
Subject:: UUYK - Shammi Kapoor on Shankar Jaikishan 		soojoi_india
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UJAALE UNKI YAADON KE - SHAMMI KAPOOR
-------------------------------------

SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
----------------------------------------

SK: Shammi Kapoor
NM: Nimmi Mishra

SHANKAR JAIKISHAN
*****************

NM: sabhi shrotaaon ko namaskaar! Shammi Kapoor ji se hamaari baatchit jaari
hai. us zamaane ke jo vibhinna sangeetkaar the, unki achchhi baaten hamein
Shammi Kapoor ji hamein bataa rahe hain, aur unki pasand ke jo gaane hain, wo
bhi ham sun rahe hain. Shammi ji, agar ham sangeetkaar Shankar Jaikishan ki baat
karen to wo Prithvi Theatres se bhi juDe huye the pehle. 'theatre' mein bhi
sangeet dete the.

SK: Jaikishan aur main saath mein baDe huye. ham log ham-umra the. Shankar ji
bhi the 'theatre' mein.

NM: haan, pehle 'theatre' mein the, phir Raj ji ke saath...

SK: 'theatre' mein bhi Raj ji the, aur uske baad Raj ji ne unhe, pehli 'picture'
jo thi, Barsat thi unki (SJ ki), meri dosti bhi unse waheen se thi. aur meri
pehli 'picture' jismein unhone sangeet diya, woh thi Ujaala.

------------------------------------------
Song: jhoomta mausam mast maheena (Ujaala)
------------------------------------------

NM: haan, sachmuch Shammi Kapoor ji, aapke aise geeton ne logon ka man moh liya.
waise aapki aur Shankar Jaikishan ki dosti to bilkul pakki thi na?

SK: bahut achchhi dosti thi, aur jaisa 'music' maine unse chaaha, har baar waisa
milta raha. aap yakeen keejiyega, main samajhta hoon ki Shankar Jaikishan na hi
keval kaabil aur honhaar, 'they are magicians'. aap unse kahiye ki mujhe is
tarah ka gaana chaahiye, is tarah ka 'situation' hai, aur ab chaahiye, 'they
will immediately make something and give it to you'. maine aisa dekha hote huye.
mere liye bhi huya hai, mujhe bahut jaldi thi, aur 'outdoor' jaa raha tha,
Kashmir jaa raha tha, ya Paris jaa raha tha, aur main baahar chala gaya tha, aur
meri Gair haaziri mein gaane 'record' huye, 'selections' ho chuka tha 'tunes' ka
lekin 'recording' ke waqt main wahaan naheen tha. aam taur par meri aadat thi ki
'I am present in the recordings', ki kis tarah se Rafi saahab ne kahaan kahaan
kis tarah ki harkat leni hai, jispe main jo socha huya hai wo karoonga, ye
Shankar Jaikishan ke saath dekha ki jaisa aapne chaaha ho gaya waise kaam. aur
hamaari aadat thi ki jis din 'shooting' na ho, un dino itni 'picture'-en hoti
bhi nahin thi, to kaafi waqt bhi apne paas hota tha, 'cricket match' bhi dekhte
the, 'cricket' ke sahi yaa 'football' ke, aur shaam ko Church Gate mein
Bombelli's huya karta tha, phir Gaylord aa gaya to Jaikishan ki ek jagah ho
gayi, ek 'table' tha jahaan par wo 11 baje jaakar hamesha baiThta tha, wo
'table' uske liye 'reserved' rehti thi. yahaan tak ki uske guzar jaane ke baad
bhi ek kaafi arse tak un logon ne wo 'table' Khaali rakhi. kisi ko baiThne nahin
dete the wahaan par ki wo Jaikishan ki 'table' thi. to ham log milte the, shaam
ko mil kar ke, Jai, ek 'situation' hai, tu kis kism ka gaana mujhe de sakta hai.
'Next day he would come up and say' ki ye kaisa rahega? aur wo le aaya "yaahoo,
chaahe koi mujhe junglee kahe" gaana aur mujhe sunaaya. 'And the songs were
created like this, by interracting with each other, by talking to each other'.
aisa naheen ki kisi ne gaana likh diya, ohir usko jaake 'picturize' kar diya,
aur 'dance master' ne 'dance' karwa diya. naheen, meri 'involvement' baDi
'total' huya karti thi.

NM: haan, aap 'sitting' mein baiThte the aur jab 'recording' hoti thi to aap
jaate the

SK: mujhe 'telephone' pe bhi gaane diye Jaikishan ne. Junglee ka hi gaana
"ahsaan tera hoga mujh par". main 'shooting' karne gaya tha, usne 'telephone' pe
bataaya ki maine abhi ye gaana banaaya hai. kaisa hai? maine kaha ki ye bilkul
mera hai, isey 'book' kar lo mere liye. 'Its a melody, its a beautiful melody',
mujhe Khaastaur se ye isliye achchha lagta hai ki ek aadmi jo mere liye "yaahoo"
kism ka gaana likh raha hai, "shabba Khair, mere yaar shabba Khair" aise gaane
likh raha hai, "suku suku", aur dekhiye 'contrast' mein "ahsaan tera" is a
'melody'. 'Its such a soft song, its the capability of the music director'. kya
'contrast hai, 'style' mein.

-----------------------------------------
Song: ahsaan tera hoga mujh par (Junglee)
-----------------------------------------

NM: achchha "yaahoo" kiska 'idea' tha?

SK: "yaahoo" mera, kyonki isko hamne pehli baar Tumsa Nahin Dekha mein istemaal
kiya tha. wo laDkaa bhaagta bhaagta laDki ke peechhe jaata hai, "sar pe Topi
laal" geet se pehle, wahaan "yaahoo" ek 'expression' tha. I did the same thing
in Dil Deke Dekho. wahaan bhi main bhaagte bhaagte, Asha Parekh saamne, main
peechhe, aur "yaahoo" kehta hoon, fisalte huye, main laDki ko pakaD leta hoon,
woh Bhangra gana, to isko maine wahaan bhi istemaal kar liya tha. to yahaan ek
'situation' ban gayi thi ki ek aadmi jo zindagi mein kabhi hansa nahin,
muskuraaya nahin, zindagi mein pyaar mohabbat ka shabd tak nahin aaya, 'he was
in love', aur phir wo bandha huya hai ek jagah mein, qaid hai 'because' wahaan
ek 'snow storm' aa gaya hai. to Saira Banu - SHammi Kapoor, dono ek kamre mein
band, Bobby ki tarah. to ek hangaama ho gaya tha dono ki zindagi mein. aur is
aadmi ko pehli baar ek aisa 'expression' dene ka ittefaaq paida huya, aur woh
khiDki khol ke dekhta hai ki 'storm' khatam ho gaya, wo aazaad ho gaya jaise,
sab cheezon se, aur mohabbat aayi uski zindagi mein, aur woh "yaahoo" cheeKhta
hai chillaata hai, 'it was a nice expression!'

NM: bahut achchhe! aur wo "yaahoo" aawaaz mein Prayag Raj ki aawaaz thi?

SK: jee haan, agar ye aawaaz Rafi saahab nikaalte to wo gaana nahin gaa sakte
the. 'This is avery loud expression, very loud expression'.

---------------------------------------------
Song: chaahe koi mujhe junglee kahe (Junglee)
---------------------------------------------

NM: aur mujhe kahin aisa lagta hai ki 'theatre' mein bhi aisa 'character' aap ne
kiya tha!

SK: maine?

NM: haan, Kalaakaar naaTak tha

SK: Kalaakaar mein main 'villain' tha, aur main apne pitaaji ki chhokri ko
phansaataa hoon (laughs). Her name was Mumtaz, and my father was a kalaakaar,
and he gets married to a beautiful gaaon ki laDki, and he was a painter. to usko
jab shahar mein laate hain to shahar ki 'society and environment' ko dekh kar
uski aankhen jo khul jaati hain, wo apne aap ko rok nahin sakti aur main ek
'playboy' kism ka 'character' tha, Shammi Kapoor.

NM: haan, jo aap karna chaahte the, wo aap ne khul kar kiya usmein sab.

SK: jo main karna nahin, jo main 'acting' mein karna chaahta tha.

NM: (laughs) jee haan, jo aap 'acting' mein karna chaahte the

SK: pehli baar mere liye 'role' likha gaya tha. And I was quite successful in
that play.

NM: achchha, aur kaun sa gaana Shankar Jaikishan ka aapko bahut pasand hai?

SK: aur bhi hain Shankar Jaikishan ke gaane, haan, aur ek jo gaana mujhe pasand
hai, wo isliye pasand hai kyonki uske saath meri bahut saari yaaden juDee huyi
hain, Pagla Kahin Ka ek 'picture' thi, usak ek gaana hai "tum mujhe yun bhula na
paaoge", (sings) "jab kabhi bhi sunoge geet mere, sang sang tum bhi
gungunaaoge...."

----------------------------------------------------
Song: tum mujhe yun bhula na paaoge (Pagla Kahin ka)
----------------------------------------------------

NM: Rafi saahab ki aawaaz aapko bahut pasand thi? matlab, Rafi saahab ki aawaaz
aap hi ki aawaaz thi.

SK: Rafi saahab, matlab, agar Rafi saahab na hote to main 'incomplete' hota. aur
unke saath hone se meri tasveer poori ho gayi. unhone mujhe 'style' diya, jaisa
main samajhta hoon ki Rafi ko 'style' O P Nayyar ne diya. Rafi saahab was a very
good singer, classical singer hain, kya kya gaane gaaye hain, aur kya unki
'pitch' hai. lekin ek 'style' jo hai wo Nayyar ne unhe diya. And Rafi saahab
used all those for me beautifully. He was very receptive to, jaisa ki main
chaahta tha. jaise ki main ek gaane ke liye, haalaanki main bahut saare gaane ke
liye yahaan naheen tha, Paris mein tha, unhone ek gaana meri Gair haaziri mein
'record' kiya, jab maine wo gaana wahaan sunaa to main dang reh gaya ki yeh
gaana unhone kaise aise 'record' kar liya! jab main waaps aaya to unse maine
poochha ki Rafi saahab, aapne ye gaana aise kaise gaa diya? mujhe jaise chaahiye
tha, jaise maine socha tha, waise hi aapne gaaya, yeh bataaiye kaise gaaya? bole
ki "paapa, maine bas socha ki SHammi Kapoor yahaan pe kee karegaa! o Shammi
Kapoor haath aise phailaega, Shammi Kapoor Taang itthe philaaega, Shammi Kapoor
aing karke gir jaavega, to main waise hi gaana gaata raha'. And that song was
"aasmaan se aaya farishtaa".

NM: achchha is geet ki bhi baat karen to iski jab 'shooting' huyi thi to bahut
mushkilen aayi thi na?

SK: mushkil yahi thi ki wo 'helicopter' thi saamne, aur 'helicopter' ki aawaaz
itni thi ki, aur main 200 feet upar, to gaana kaise gaaya jaaye! lekin gaana
itna mere andar huya karta tha ki mujhe 'basically sound' ki zaroorat naheen
thi. to Shakti baabu, Shakti Samanta neeche se ek roomaal ki madad se mujhe
'beats' dete the, (sings) "aasmaan se ta ta ta ta ta..", bas aise hi 'beats'
dete the aur maine gaana aise hi gaa diya.

-----------------------------------------------------
Song: aasmaan se aaya farishtaa (An Evening in Paris)
-----------------------------------------------------

Reply | Forward | Messages in this Topic (3)
#2379 From: "soojoi_india" <soojoi_india@...>
Date:: Thu Oct 8, 2009 3:48 am
Subject:: Sangeet Sarita - Anil Biswas (Episode-1) 		soojoi_india
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SANGEET SARITA - RASIKESHU
--------------------------

IN CONVERSATION WITH ANIL BISWAS & MEENA KAPOOR
-----------------------------------------------

Recorded & First Broadcast in 1997
----------------------------------

EPISODE-1
*********

AB: Anil Biswas
TB: Tushar Bhatia

TB: shrotaaon ko Tushar Bhatia ka namaskaar! aaj jis sangeet vibhuti ke saamne
baiTha hoon, unka varNan karne ke liye mere paas koi shabd nahin hai. jab raat
gungunaati hain, loriyan sunaati hain, chaand ki Doli mein baiThke taaron ki
Toliyaan nikalti hain, dheere dheere baadal aata hai, aur dheere dheere jaata
hai, to kahin aawaaz aati hai, "yaad rakhna chaand taron is suhaani raat ko".
aisa lagta hai koi nas nas mein amrit ghol gaya, koi pyaar ki boli bol gaya.
doston, aaj ek bahut baDe vishvaas ke saath ye sangeet yaatra shuru ho rahi hai,
apne sangeet ki boli se nas nas mein amrit gholne waale film sangeet jagat ke
bheeshma pitaamah ke saath, param vidvaan, suprasiddha aur varishThatam sangeet
nirdeshak, aadarNeeya, Shri Anil Biswas ji. daada, praNaam!

AB: namashkaar! aaj bahut dino ke baad mein All India Radio ke 'microphone' ke
saamne baiTha huya hoon, aur ye 'programme' shuru hone jaa raha hai, jiska hamne
sheershak rakha hai RASIKESHU. yah sanskrit shabd hai, matlab hai 'rasikon ko
samarpit'. main chaahoonga ki Vividh BHarati jis gaane se shuru huya tha, usi
gaane se is 'programme' ko shuru karen to kaisa lagega?

TB: bahut achchha lagega daada.

AB: main tumko bataata hoon ki ye shuru hone se pehle yahaan ke ek 'producer'
Ninu Mazumdar mere paas aaye the gaana lekar, Narendra Sharma ji tab yaheen the,
'producer' the, aur unhone kahaa ki ye shuru ho raha hai aur aap ispe swar aarop
keejiye aur ham log isi se Vividh BHarati ki shuruaat karenge. to maine gaana
sunaa, aur dekha ki yeh gaana film ka nahin hai to ismein thoDaa sa rang bharte
hain. to do jagah mujhe itni achchhi lagi kuch kar dikhaane ke liye, wo main
tumhe bhi kahoonga aur rasik shrotaaon ko bhi kahoonga ki wo ispe zara tavajju
den, aur dhyaan den aur sune. jaise ek jagah hai sam par sam, saa par saa, yehi
hai na, ismein kis tarah se sam par sam aur saa par saa laaya gaya hai, is gaane
ki Khaaseeyat yeh hai. to is gaane ko isi drishTikoN se sune to kuchh zyaada
mazaa aayegaa. aap ye gaana shuru karenge "naach re mayoora"?

TB: jee

--------------------------------------------------
Song: naach re mayoora (Non-film: Manna Dey, 1957)
--------------------------------------------------

TB: daada, ab aap kyaa sunaane waale hain?

AB: 'film music' ki shuruaat se shuruaat karna chaahta hoon. inka naam Rai Chand
Boral hai. unse shuruaat karna chaahta hoon kyonki unko ham film sangeet ke
pitaa maante hain. aur unke baare mein jitna kahoon utna kam hai, wo ek to guNee
the, Khud tablaa bajaate the, aur 'piano', dono bajaate the, aur in do cheezon
ki jo Khoobiyaan hain na, yaani ki lay kaa aur sur ka, aur saahitya ka, itna
Khoobsoorat 'composition', to woh gaana hamko sunaao, "jeevan been madhur na
baaje".

------------------------------------------------------
Song: jeevan been madhur na baaje (Street Singer,1938)
------------------------------------------------------

AB: aaj koi aisa lekhak hai, Narendra Sharma bhi chale gaye, lekin aaj ka koi
lekhak tum mujhe de sakte ho jo pancham chheDo madhyam bole, kharaj bane
gandhaar. ye likhne waala koi aisa hai? main Khaas karke shrotaaon ka tavajju
chaahoonga ki isko wo dekhen ki saahitya kya hota tha us zamaane mein. main
doosra gaana chaahoonga tum sunaao usko, jo aap sunenge to aapke hriday bhi sur
ke hindolon mein jhoolte rahenge. "Dole Dole Dole hriday ki naiya" Vidyapati ka.

-----------------------------------------------------
Song: Dole Dole Dole hriday ki naiya (Vidyapati,1937)
-----------------------------------------------------

AB: abhi aapne ye do achchhe gaane R C Boral ke 'composition' mein sun liye
hain, jismein pehla gaana tha K L Saigal ka aur doosra gaana tha Kanan Devi ka.
inke baare mein kuchh kehna, mujhe lagta hai ki ek dhrishTataa hogi. aur ab jo
geet sunaa raha hoon wo Bimal Roy ki pehli tasveer jo hai na, Humrahi, usmein
Binota Bose ka gaaya huya ek chanchal shoKh 'romantic' gaana hai.

---------------------------------------
Song: bahaar ke din aaye (Humrahi,1945)
---------------------------------------

END OF EPISODE 1

Reply | Forward | Messages in this Topic (4)
#2378 From: "soojoi_india" <soojoi_india@...>
Date:: Thu Oct 8, 2009 3:46 am
Subject:: Aaj Ke Mehmaan - Shabbir Kumar (Part 1-1) 		soojoi_india
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AAJ KE MEHMAAN - SHABBIR KUMAR
------------------------------

INTRO:
******

film sansaar mein har kalaakaar ka apna ek yug, apna ek daur aata hai. 80 ke
dashak mein jab Mohammad Rafi is faani duniya se chale gaye, tab talaash shuru
huyi ek aise gaayak ki jo unki jagah ko thoDa bahut bhar sake. is talaash ko
poora kiya Shabbir Kumar ne.

Clip: bol tu meeThe bol soNiye (Sohni Mahiwal)
Clip: yaad teri aayegi (Ek Jaan Hain Hum)
Clip: saari duniya ka bojh hum uThaate hain (Coolie)
Clip: jab hum jawaan honge (Betaab)
Clip: sun rubiya tumse pyar ho gaya (Mard)
Clip: tumne dee aawaaz lo main aa gaya (Betaab)

aur Shabbir Kumar maujood hain aaj Vividh BHarati ke 'studios' mein. to aaiye
sune Yunus Khan se inki baatchit ka pehla bhaag.

INTERVIEW:
**********

SK: Shabbir Kumar
YK: Yunus Khan

SK: (sings) "naam Khudaa ka le zaraa, sabak shuru kar bismillaah, bol tu meeThe
bol soNiye haaye, bhed dilon ke khol soNiye".

YK: doston namaskaar! Aaj ke Mehmaan kaaryakram mein hamaare saath ek aise
gaayak hain jinka 'career' ek dam toofaani raha hai aur jinke gaane aapke hoThon
par sajte rahe hain aur aaj bhi sajte hain. Vividh Bharati ke 'studios' mein
swaagat karte hain Shabbir KUmar saahab ka.

SK: Vividh BHarati ke jaanib se aaj mujhe sunnewaale sabhi sangeet premee,
chaahakon ko, pyaare bhaaiyon aur bahenon ko Shabbir Kumar ka aadaab,
namashkaar, sat sri akaal, aur Dheron pyaar!

YK: Shabbir saahab, aap se baatchit shuru karne se pehle main ek baat yeh kehna
chaahta hoon ki woh hamaare paDhaai ke din huya karte the jab ek ke baad ek ke
baad ek aapke toofaani gaane aaya karte the, aur ham in gaano ke zariye
lagaataar, apne paDhaai ka jo waqt hai, wo bhi taaya karte the, kyonki 'music'
jo hai ek saath chalta rehta tha, aur aaj aap saamne hain to bahut achchha lag
raha hai, bahut Khushnaseebee, aap se bahut saari baaten poochhee jaayengi,
aapke 'career' ke baare mein, aapki zindagi ke baare mein.

SK: jee jee, to aap jab apne paDhaai ke darmeeyaan mere gaane sunte the, to
aapki paDhaai mein Khalal to nahin pahunchta tha?

YK: nahin nahin, bilkul nahin, balki hamaara der tak paDhnaa jo hai woh mumkin
hota tha.

SK: achchha (laughs), matlab koi ilzaam mujh par nahin hai! (YK laughs aloud)

YK: aap par koi ilzaam nahin hai. achchha, yeh bataaiye ki ye jo 'Shabbir Kumar'
naam hai, ye thoDaa sa 'unusual' lagta hai. iski kya vajah hai?

SK: bas ye sawaal aap karte rahen, yahi iski vajah hai (YK laughs), ki ye
'Shabbir' ye 'Kumar', ye Hindu hai, ye Muslim hai, isi udheDbun mein log reh
jaayen, iske peechhe yahi vajah thi, aur zindagi mein kuchh moD aise aaye, meri
shaadi jo huyi, 'inter-caste marriage' maine kee, ek 'non-Muslim' laDki se, woh
bhi ek achchhi 'family' se, ek 'Brahmin family' se, aur ye bhi ek ittefaaq ki
Shabbir ke aage Kumar lagaanaa 1967 mein, aur meri shaadi huyi 1973 mein, to ye
bhi ek ittefaaq ki 'Kumar' kaa saathi mil gaya.

YK: kya baat hai! achchha yeh bataaiye ki aapka bachpan kis shahar mein beetaa
aur 'music' se jo aapka rishta hai wo kitna puraana hai, kis tarah se wo rishta
banaa tha?

SK: sangeet se meraa naataa amuman, jo bhi sangeet ke kshetra se hain, unse bhi
ye sawaal poochhenge to "bachpan se hi", to main bhi bachpan se hi 'music' ko
sunta aaya hoon, aur main aapko ye baat bataana chaahoonga ki meri ammi jo hain,
wo naatia kalaam bahut achchha paDhti theen, to jab wo paDhti theen to ham
chhoTe chhoTe bhaai, hamein barbas rona aa jaata tha. itna unki aawaaz mein dard
tha. shaayad wahi ek kheenchaav tha, wohi 'melody' ke andar ek taasir thi unki
aawaaz mein, wo kashish thi jisse ham kheenche gaye aur main yeh bhi kehna
chaahoonga ki isse yeh bhi baat saabit hoti hai ki jaadoo jaisi koi cheez agar
hai to wo sirf aur sirf sangeet mein hai.

YK: kya baat hai! aap kis shahar mein the un dino?

SK: main Baroda, Gujarat ka rehnewaala hoon, aur Baroda mein hi paida huya.

YK: aapne naat shareef ka zikr kiy, aur bataaya ki jab aapki ammi paDhti theen
to usak ek alag hi asar huya karta tha. alag tarah ki taasir uski huya karti
thi. aap ko kuchh laainen yaad hai is waqt? yaad kar sakte hain aap?

SK: koshish karta hoon.

YK: zaroor!

SK: (sings) "banaa de banaa de banaa de khwaaja jee, tu bigaDi Gareeb ki banaa
de khwaaja jee".

YK: kya baat hai saahab!

SK: ek aur mujhe yaad aa raha hai, (sings) "noor-e-munawwar dikhaa de mohammad
pyaare, noor-e-munawwar dikhaa de".

YK: to yeh jo 'music' ka shauk hai, isko kaise aage baDhaaya Baroda shahar mein?

SK: main aapko bataa doon, mere waalid saahab, mere 'daddy', wo Revenue
Department mein afsar the. to unka tabaadla Baroda 'district' ke gaanv mein hota
tha, to waheen unko ek ek gaanv mein teen teen chaar chaar saal guzaarne paDte
the. to ham poori 'family' ke saath unke saath rehte the gaanv mein. aur gaanv
mein maine 7 jamaat tak to waheen paDhaa hoon. matlab wahaan baDi mushkil se
kisi ke paas 'radio transistor' huya karta tha.

YK: sahi baat hai

SK: to subah subah main aur meri baDi bahan Radio Ceylon sunne ke liye unke
wahaan chale jaate the. to 'radio' sunne ke lihaaz se, ghar ke saare kaam bhi
kiya karte the. wo bhi dekhte the ki inke badaa shauk hai, inke yahaan 'radio'
nahin hai, inko gaane sunna hai aur ye gaane sunne ke liye aate hain, to wo is
tarah hamaara istakbaal karte the ki wo hamse bahut se kaam karwa lete the aur
iske badle hamein 'radio' sunne ko milta tha.

YK: ek junoon tha 'radio' sunna

SK: ek junoon tha

YK: kaun se gaane us waqt bajaa karte the? kin gaanon ka wo daur tha?

SK: mujhe yaad hai ki us waqt main ba-mushkil 7/8 saal ka tha, meri baDi bahanj
do saal mujhse baDi hain, to gaanv ke log shaam ko chauraahe par baiThte hai, to
chauraahe par baiTh kar kehte the ki 'Sheikh saahab, aap apne bachchon ko
bulaaiye, kuchh sunenge unse'.

YK: achchha!

SK: to aam ki 'season' huya karti thi to baDe bhar bhar ke aam rakhte the
hamaare liye. main aur meri bahan jaate the to woh log Gujarati mein kehte the
'Shabbir Kumar', arey main Shabbir Kumar nahin tha us waqt, (YK laughs aloud),
'Shabbir, chal ek geet thamaa de'. to mujhe yaad hai ek geet us waqt main aur
meri bahan gaaya karte the, (sings) "zaraa saamne to aao chhaliye, chhup chhup
chhalne mein kya raaz hai....".

YK: kya baat hai! Janam Janam Ke Phere film ka yeh gaana hai aur aaj bhi suno to
ek jaadoo sa asar hai is gaane mein. to ye the aapke bachpan ke din aur inaam
mein aam mila karte the.

SK: aam mila karte the (both laughs)

YK: taaleem lene ka mauka wahaan mila tha? Baroda mein?

SK: nahin, wahaan gaanv mein sangeet ka chalan to baDaa kam tha, 'daddy' bhi
Khilaaf the, Khilaaf isliye the ki wo chaahte the ki main paDhoon, wo achchhe
'post' par the, Government Servant the, to chaahte the ki beTaa aap paDhaai kar
leejiye jab tak main hoon 'post' mein, achchhi 'post' pe lagaa doonga, to gaane
ke maahaul se door, is wajah se shaayad 'transistor' nahin basaaya tha, kyunki
jaante the ki gaane ka shauk baDaa hai in bachchon ko

YK: phir paDhaai nahin karenge

SK: haan, wo bahut achchha gaate the, wo unke doston se lihaaz rehta tha, us
lihaaz se, 'border cross' nahin huyi, mushkil se 'continuous 10 minute' unse
baat hoti hogi, itna lihaaz rehta tha, ek adab rehti thi.

YK: aaj ke bachchon ko yeh baat kitni hairatangez lagti hogi ki aapko 10 minute
tak baat karne ka mauka nahin mila, itna lihaaz...

SK: waqt badal chuka hai, aur ab to mera beTaa mujhe yahaan chhoDne aaya hai,
aap dekhiye wo 'tall' hai (laughs), aur ham baap beTe dost ki tarah rehte hain.

YK: pehle jaisa dabdabaa aur wo jo thoDaa lihaaj hai wo Khatm huya.

SK: jee, waqt ke saath

YK: cheezen badal jaati hain

SK: haan

YK: Shabbir saahab, ham yahaan ek gaana sunte hain, koi gaana 'play' karte hain,
uske baad aage ki baaten kee jaayengi. to bachpan ke us daur ke naam aap kaun sa
gaana 'dedicate' karna chaahenge?

SK: "wo jab yaad aaye, bahut yaad aaye".

---------------------------------------------------
Song: wo jab yaad aaye, bahut yaad aaye (Parasmani)
---------------------------------------------------

YK: Paramani ka yeh gaana suna, Laxmikant Pyarelal ka yeh gaana tha aur bachpan
ke us daur ke naam aapne yeh gaana 'dedicate' kiya jab 'transistor' par aap
gaane suna karte the. tab kya aapne socha tha ki yahi 'transistor' logonke
gharon mein hoga aur wo bachcha jo doosron ke gaane gaaya karta tha, aam inaam
mein mila karte the, us bachche ki aawaaz usi 'transistor' se poore desh aur
poori duniya mein goonjengi?

SK: nahin! yeh to maine khwaabon khayaal mein nahin socha tha, kyonki mera itna
baDaa khwaab nahin tha, itni oonchi uDaan bhi nahin thi meri.

YK: bahut achchhi baat kahee aapne, chhoTe chhoTe sapne, chhoTi chhoTi
tamannaaen huya karti theen.

SK: jee, to agar maine maqsad banaa liya hota apna, ki main baqaayda mausiqee ki
taaleem lekar aata, lekin mera door door tak koi maqsad tha hi nahin kyonki is
oonchaai tak chhoona meri soch ke baahar tha. to mera ek shauk tha paDhaai ke
saath saath 'drawing' karna, 'painting' karna, to maine yeh socha tha ki aage
agar main kuchh banna chaahoon to ek achchha 'painter' banna chaahoonga. yeh
mera ek 'aim' tha.

YK: lekin phir yeh zindagi kaise is moD par aa gayi? mausiqee ke moD par zindagi
aapko kis tarah se le aayi?

SK: kehte hain ki, hamne bahut se logon se poochha, ham jiski ibaadat karte
hain, ham jise allaah, eeshwar yaa God kehte hain, wo 'super power' jo hai, uska
wajood hai ya nahin, to bahut se aalim logon se poochha, kis wo aasmaan ke upar
hai, yaa wo Gaayabaanaa jo taaqat hai, jisne saari qaayanaat banaaee, jise log
maante hain, to kya 'proof' hai, to us aalim ne mujhe jawaab diya ki iska
'proof' itna hi de sakta hoon ki insaan jo chaahta hai wo nahin hota.

YK: kya baat hai!

SK: to main banna chaahta tha 'painter', aur main ban gaya 'singer', wo bhi
filmon ka 'singer' banoonga, ye kabhi nahin socha tha, to yeh uparwaale pe hai,
jisko wo chaahe wo nawaaz deta hai.

YK: kya baat hai, kya baat hai! 'school' ki paDhaai Khatm hone tak aapka jo
'music' ka shauk tha wo kitna parwaan chaDh chuka tha, aur 'painting' bhi haavi
thi yaa wo peechhe hoti jaa rahi thi?

SK: 'painting' meri jaari thi, kyonki jaisa ki maine bataaya ki 'radio
programme' subah se shuru hote the, jinke yahaan main 'radio', jab main Baroda
shahar mein aaya gaaonv se, phir mere maamaa jo hain, unke yahaan 'radio' huya
karta tha, to main 'drawing' kaa saara saranjaam lekar wahaan pahunch jaata tha,
aur unka 'radio on' hota tha aur mere haath mere 'brush' aur 'kalam' par chalne
lagte the. to jab tak gaane bajte the, main 'painting' karta rehta tha. to is
tarah main apna shauk bhi poora karta tha, aur 1967 mein sabse pehle maine apna
'stage programme' kiya, baqaaydaa, matlab, 'with orchestra'.

YK: to yeh aapke liye bahut baDaa moD saabit huya hoga ki baqaaydaa 'orchestra'
ke saath gaanaa, aur itne saare logon ko 'face' karna apne aap mein bahut
chunauti ka kaam hai, 'challenge' ka kaam hai.

SK: bilkul bilkul!

YK: kitni mehnat, kitna Dar, kitni hichak ismein shaamil thi?

SK: ye to main nahin keh sakta ki hichak thi ya Dar tha, lekin mujhe zimmedaari
dee gayi thi ki saahab aapko ek gaana gaana hai, yaani 'orchestra' ka teen
ghanTe ka 'programme' huya karta tha, aur kaafi 'singers' huya karte the, to
mujhe sirf ek gaana diya gaya tha shuru mein, aur mera ek yeh raha hai ki mujhe
jo zimmedaari dee jaaye, usko main baKhoobi nibhaayun. to yeh meri koshish thi
ki main ek gaane ko achchhe se achchha anjaam de sakoon.

YK: aur ye kaun sa gaana tha?

SK: aur yeh bhi main aapko bataayun ki ye jo gaane ki shuruaat kee maine 1967
mein, uske baraabar 14 saal ke baad maine unhi 'producer director' ka gaana
gaaya, unhi 'music director' ka gaana gaaya, aur unhi 'song writer' ka gaana
gaaya, yaani mahaan 'song writer' Anand Bakshi saahab, aur 'music director'
Laxmikant Pyarelal, aur J Om Prakash ji ne ibteda kee thi 'stage' par gaane ki,
aur film ka naam tha Aaye Din Bahaar Ke, aur gaane ke bol "mere dushman tu meri
dosti ko tarse".

YK: ham chaahte hain ki jo gaana aapne 'stage' par gaaya tha, wo aap yahaan
gaayen.

SK: (sings) "mere dushman tu meri dosti ko tarse..."

-----------------------------------------------------
Song: mere dushman tu meri dosti (Aaye Din Bahaar ke)
-----------------------------------------------------

YK: kya 'response' mila tha is gaane ko gaane ke baad?

SK: 'response' to kya bataayun aapko, us 'orchestra' mein ek 'senior singer' the
jo Rafi saahab ke gaane gaaya karte the. us zamaane mein Teesri Manzil ke gaane,
aur Brahmachari ke gaane, aur saare gaane bahut chal rahe the. to wo nahin
chaahte the ki ye jo 'hit numbers' hain, wo koi 'singer' aakar nahin gaa le,
isliye mujhe ek hi gaana diya jaata tha, baaki wo doosre 'senior singers' gaaya
karte the. lekin bahut se 'shows' karne ke baad bahut se log mujhe mile, bahut
se chaahnewaale mile, aur unhone kaha ki saahab, ham aate hain jahaan par aapke
'shows' ka 'announce' hota hai, wahaan aate hain aur poochhte hain ki wo Shabbir
Kumar ka "mere dushman" waala gaana ho gaya hai yaa abhi honewaala hai.

YK: kya baat hai!

SK; to ek gaana wo hota tha aur aaKhir mein mujhe 'entry' dee jaati thi. to
sunkaar, sunne waale, 'audience' yahi kehte the ki agar hamein pataa chale ki
aapka gaana ho gaya hai to ham chale jaate the. to is tarah logon ne chaahat
dee, pyar diya aur hauslaa diya, aur safar shuru huya, lekin main aapko bataayun
ki '67 se pehle, ye '66 ki baat hai ki maine kabhi apni aawaaz 'mike' par suni
nahin thi. aur 'struggle' ka daur tha, paDhaai ka daur tha, aur meri ek aadat
thi ki main kisi ko keh nahin saktatha ki mujhe gaane ka shauk hai aur mujhe
gaane ka mauka den aap. to mere dost mujhe suna karte the, kabhi baiThe hain to
kehte the ki ye gaana sunaao yaa wo gaana sunaao. to mere dost kehte the ki
yaar, ham itne saare 'orchestra' sunne jaate hain, to tum jaisa Rafi saahab ko
gaane waala aisa hamne paaya nahin kahin pe. to tum kyon nahin koshish karte ho
'orchestra' mein? maine kahaa 'nahin, 'orchestra' mein gaana mere liye.. bas
shaukiya taur pe gaa liya'. to ek din main aur mere dost chahal kadmi karte huye
guzar rahe the Baroda shahar mein, wahaan par kuchh bheeD ikaTThi huyi thi, aisa
'round' banaakar, 'mike' lekar, pehle aise nahin huya karti thi, wo bhoomle...

YK: jee jee, wo gol aur...

SK: haan, to hamne jaakar dekha ki kya ho raha hai, kyon bheeD ikaTTha huyi hai.
to us waqt kuchh 48 hours, 52 hours kuchh 'cycling' ka, 'non-stop cycle'
chalaana...

YK: mere Khayaal se film Shor mein jiska istemaal kiya gaya tha

SK: haan, Shor mein istemaal huya tha, waisa hi. to ek shaKhs 'cycle' chalaa
raha tha, 'cycle' pe nahaana hota hai, 'cycle' pe khaana hota hai, aur beech
mein ek banda huya karta tha jo 'announce' karta hai kuchh 'funds' karne ke
liye, kuchh chanda ikaTTha karne ke liye. hm aise dekh rahe the to mere dost ne
kahaa ki 'Shabbir, iske paas 'mike' bhi hai, aur kyon na ham yahaan koshish
karen, yahaan to koi Tokne waala hai nahin! balki wo chaahenge ki beech mein koi
'mimicry' karne waala ho, koi gaane waala ho. to wahaan par beech mein maine
'mike' liya aur gaaya maine. kisi ne suna, nahin suna, 'expose' huya, kuchh
pataa nahin, maine gaana gaaya, phir wahaan se nikal gaye. phir mera wo dost
doosre din (laughs) phir usi raaste se, kehne laga ki kal hamne yahaan gaana
gaaya tha, aaj bhi isi raste se chalte hain. log tujhe dekhenge ki yeh wahi
laDka hai. maine kahaa ki 'nahin nahin, aisa nahin karte hain'. lekin wo dost
mujhe phir se doosre din usi raaste se lekar gaya, tere gaane ka kuchh to
'reaction' huya hoga. tu wahaan gaya to kisi kutte ne bhi nahin poochha na?
(both laughs) aise bahut se mazedaar kisse hain!

YK: kya baat hai! bahut hi 'dramatic situation' hai yeh. to is tarah se
'orchestra' mein aap gaate rahe, afi saahab ke gaane aap gaaya karte the aur
zaahir hai ki Rafi saahab aapke liye ek aadarsh ki tarah rahe honge, un dino
kabhi mulaqaat ka koi mauka mila? ki shahar mein Rafi saahab hon yaa aaspaas
Rafi saahab hon aur aap pahunch gaye hon?

SK: yeh huya hai aur bahut achchha Khoobsoorat mauka mujhe mila tha, main 1977
ki baat kar raha hoon.

YK: uske 10 saal baad ki

SK: usse pehle bhi main Rafi saahab se milaa hoon. 1972 mein March maheene mein
mila tha mujhe yaad hai.

YK: yeh pehla mauka tha?

SK: yeh pehla mauka tha

YK: to pehle pehle mauke ke baare mein bataaiye.

SK: Poona ke andar ek 'orchestra' bahut mashoor huya, Melody Makers. jismein se
Sudesh Bhosle bhi aaye the. to ek baar main Baroda se Poona 'show' karne gaya
tha. to wo 'group' waale 'show' karke 'theatre' mein sunne ke liye aaye honge ki
Gujarat se 'orchestra' aaya hai. to sunne aaye hain, mujhe sunaa, mera gaana
unko achchha lagaa, mujhe 'card' diya aur poochha ki agar ham bulaaen to kya aap
hamaare 'programme' mein aa sakte hain? maine 'haan' keh diya, haan kehne mein
kya jaata hai! maine haan keh diya ki ek aur mujhe bulaaenge. kuchh roz ke baad
unka mere paas Khat aaya ki hamaare Melody Makers ke 4 'shows' lagaataar hain
aur aapko aana hai. to Poona jaane ke liye Baroda se Bombay aana paDta hai aur
Dadar se 'train change' karni paDti hai. to main hamesha wahaan se aata tha,
Poona jaata tha, waapas 'shows' karke lauTta tha, to subah jaise aaya Bombay,
Bombay Central pahuncha 'local train' se, saamaan 'cloak room' mein jamaa karke,
Bombay Central ke peechhe 'famous' Tardeo Studio tha, 'walking distance' pe,
main wahaan chalaa jaata tha, wahaan par pan ka ek galla hai, unse main poochhta
tha ki aaj yahaan kinka 'recording' chal raha hai. main poochh kar chala jaata
tha, main chaahta tha ki mujhe andar jaane ko mil jaaye, koi filmi hasti mujhe
dikh jaaye, is tarah yeh silsila chalta raha aur 1972 ka wahi March ka maheena
tha, saamaan jamaa karke paidal chal kar us paan waale bhaiya se poochha 'bhai
saahab aaj kiska 'recording' hai? bole aaj LP ka 'take' hai. achchha, mujhe
Laxmikant Pyarelal ji se bhi milne ki chaahat thi, itne baDe 'music director'
yahaan hain, mujhe kaash andar jaane ko mil jaaye! to maine 'suddenly' poochha
ki 'singer' kaun hain? bole ki abhi Rafi saahab gaaDi se utar kar andar gaye
hain.

YK: kya baat hai

SK: to abhi aap samajh sakte honge ki meri kya...

YK: kaifeeyat huyi hogi

SK: zahani kaifeeyat kya hogi. to maine Thaan liya ki aaj to main kisi bhi halat
mein, chaahe kitni bhi der ho jaaye, main har haalat mein Rafi saahab ko dekh
kar hi jaayunga. Laxmikant Pyarelal ji se bhi mil kar jaayunga. main khaDaa
raha, us paan waale se bhi kahaa ki meri andar jaane ki agar koi soorat ban sake
to aap dekhen. to itne mein ek 'artiste' Suresh Soni nikle, jo Baroda mein
'orchestra' mein mere saath 2 saal bajaa chuke the. unko LP ke 'troupe' mein 'as
a drummer chance' mil gaya tha. ittefaaq se uska nikalna, aur mujhe dekhna, aur
ek dam se 'arey Shabbir yahaan kaise?' maine kahaa aise aise. kahaa ki tere guru
abhi abhi andar gaye hain. maine kahaa 'Suresh, please aap kaise bhi karke mujhe
andar le jaaiye'. bolaa 'Thahar, main kuchh koshish karta hoon' aur wo andar
gaye, kisi se 'permission' le aaye aur 'studio' mein le jaakar ek jagah mujhe
biThaa diya. 'visitors' ke liye ek 'sofa' rakha huya hai, wahaan biThaa diya,
aur mere paas aur bhi do 'visitors' baiThe huye the. to main wahaan baiTh gaya.
mujhe 'drawing' ka shauk tha to mere paas 'sketch book, pen' rehti thi.

YK: kya baat hai

SK: to main aise baiTha tha, Rafi saahab 'rehearsal' karne 'hall' mein aaye,
saari 'musicians' ke saath. to wo 'rehearsal' kar rahe the to maine unka
'sketch' kiya. aur uske baad unhone 'take' kiya, 'recording' huyi, film ka naam
tha Paise Ki Gudiya. to us film ka gaana tha, 'take' kiya, 'recording' huyi,
uske baad wo gaana 'screen' par sunte hain, to aur 10 minute khaDe rahe wahaan
par, to maine unki tasveer muqammil kar lee. to unhone Singapore ki ek 'shirt'
pehni huyi thi, us 'design' ki. to woh baahar aaye, unka 'scretary' Zaheer unke
saath tha. to aur bhi jo do 'visitors' baiThe huye the, ek 'couple' tha, wo unse
milne ke liye khaDe huye to Zaheer ne unko rok diya, haTiye haTiye. maine kya
kiya ki us 'sketch' ko lekar seedhe Rafi saahab ke saamne khaDaa ho gaya. "abhi
banaaya hai, achchha hai achchha hai", apni narm aawaaz mein Rafi saahab ne
kahaa.

YK: kya baat hai, kya baat hai!

SK: to yeh meri unse pehli mulaaqaat thi.

YK: itni 'emotional' mulaaqaat ko aapne itni tafseel se bataayi, aisa lag raha
tha ki jaise hamaari mulaaqaat Rafi saahab se ho rahi ho. ham bhi utne hi
beqaraar the aur ham bhi aapke saath wahaan maujood the. Rafi saahab par ek
gaana sunenge, aur phir 1977 ki baat karenge. to bataaiye ki kaun sa gaana
sunaaya jaaye.

SK: wahi gaana, jo pehli baar maine unko 'live recording' pe dekha. Paise Ki
Gudiya. (sings) "koi phool na khilta, ye kali bhi na khilti, zindagi bhi na
milti, agar tu na hoti"

-------------------------------------------
Song: koi phool na khilta (Paise Ki Gudiya)
-------------------------------------------

To be continued...

Reply | Forward | Messages in this Topic (1)
#2377 From: "soojoi_india" <soojoi_india@...>
Date:: Thu Oct 8, 2009 3:45 am
Subject:: Re: Ameer Ali ------------------ 'Har Cheez Yahaan Ki Phaani' 		soojoi_india
Offline Offline
Send Email Send Email
  
Hi,

Does it mean that the labels on the records are incorrect? Or Rajkumari had
actually sung for the gramophone record version as in those days songs were
recorded twice. Like several songs of Anil Biswas were sung by Meena Kapoor in
the film, but Lata's voice appeared on the gramophone records.

Regards,
Sujoy


--- In vividhbharati@..., Naresh Khattar <nkmuzic@...> wrote:
>
> This is a major goof up...no?  Anyone else can also recall  such goof ups in
> past?
> Naresh
>
> On Thu, Oct 8, 2009 at 8:15 AM, Rama <ramaswamy21in@...> wrote:
>
> >
> >
> > Panna had songs actually sung in the film by Shamshad Begum but the records
> > showed Rajkumari as the singer. Songs from Panna:
> >
> >
> >
> >
> >
>

Reply | Forward | Messages in this Topic (5)
#2376 From: Naresh Khattar <nkmuzic@...>
Date:: Thu Oct 8, 2009 3:06 am
Subject:: Re: Ameer Ali ------------------ 'Har Cheez Yahaan Ki Phaani' 		nareshkhattar
Offline Offline
Send Email Send Email
 
This is a major goof up...no? Anyone else can also recall such goof ups in past?

Naresh

On Thu, Oct 8, 2009 at 8:15 AM, Rama <ramaswamy21in@...> wrote:



Panna had songs actually sung in the film by Shamshad Begum but the records
showed Rajkumari as the singer. Songs from Panna:





Reply | Forward | Messages in this Topic (5)
#2375 From: "Rama" <ramaswamy21in@...>
Date:: Thu Oct 8, 2009 2:45 am
Subject:: Ameer Ali ------------------ 'Har Cheez Yahaan Ki Phaani' 		ramaswamy21in
Online Online
Send Email Send Email
  
Moving forward in the series of lesser heard composers I now would like to put
forward the name of Ameer Ali.

He gave music for three films altogether. They were Pagli (1943), Naya Tarana
(1943) and Panna (1944). Pagli had three more Music Directors along with him
viz, Jhande Khan, Rashid Atre and Pandit. Govindram.' Naya Tarana' was Poona
based Navyug Company's film. Most of the songs were sung by Snehprabha Pradhan.
On searching for songs online I found these ones listed under Naya Tarana:
1). Aa Naya Taraana Gaayen
Singer: Snehaprabha Pradhan Lyricist: Wali Saheb
2). Aayi Meera Prabhu Paas Nainan Ke Saagar Mein
Singer: Snehaprabha Pradhan Lyricist: Wali Saheb
3). Hum Duniya Ke Anna Daata Hai
Singer: H Khan Mastana Lyricist: Ali Sardar Jafri
4). Hum Par Daya Karo Bhagwaan
Lyricist:Wali Saheb
5). Main To Nainon mein madira laayi re
Singer: Saroj Borker Lyricist: Wali Saheb
6). Mere Praanon Mein Bas Ke Rahe
Singer: Snehaprabha Pradhan Lyricist: Wali Saheb
7). O Insaan Bade Insaan Aa Tujhe Shisha Dikhlaaun
Singer: H Khan Mastana Lyricist: Wali Saheb
8). Yaad Koi Aa Raha Hai Kya Karoon
Singer: Snehaprabha Pradhan Lyricist: Wali Saheb

Panna had songs actually sung in the film by Shamshad Begum but the records
showed Rajkumari as the singer. Songs from Panna:

1). Har Cheez Yahaan Ki Phaani
Singer: Rajkumari Lyricist: Wali Saheb
2). Hausala Na Haar Tu Haar Jaa Bala Se
                   Lyricist: Wali Saheb
3). Jo Hum Pe Gujarati Hai
Singer: Rajkumari Lyricist: Wali Saheb
4). Kaali Ghata Chhaayi ho raaja
Singer: Rajkumari Lyricist: Wali Saheb
5). Le Lo Malaniya Se Haar
Singer: Rajkumari Lyricist: Wali Saheb

Reply | Forward | Messages in this Topic (5)
#2374 From: Sudarshan Pandey <shankerjai@...>
Date:: Wed Oct 7, 2009 10:24 am
Subject:: Re: UUYK - Shammi Kapoor on O P Nayyar 		shankerjai
Offline Offline
Send Email Send Email
 
Thank You Sir,
 
 I will be sending Sharda's transcripts to her as well as post them on her blog as well. And Fans of SJ are waiting for SK on SJ which I will post them to the Group as well to my one of the blogs on SJ. But take your time. After all we have to look after our Roji-roti also.
 
Dada you are doing splending job.
 
Regards
 
sp/kol

--- On Wed, 10/7/09, Sujoy Chatterjee <soojoi_india@...> wrote:

From: Sujoy Chatterjee <soojoi_india@...>
Subject: Re: [vividhbharati] UUYK - Shammi Kapoor on O P Nayyar
To: vividhbharati@...
Date: Wednesday, October 7, 2009, 11:52 AM

 
Dear Sudarshan ji,

I had gone home (Guwahati) for Durga Puja and I am back again. The episode of Shammi Kapoor on Shankar Jaikishan will be posted soon. Once this series gets completed, I shall start with Sharda. Many more transcripts are pending at my end, not getting enough time due to heavy work load at office. Then I have the Old is Gold series on Hind Yugm as well :-)

I shall post transcripts of all programmes one by one. Pls give me some more time.

Thanks & regards,
Sujoy Chatterjee

--- On Tue, 10/6/09, Sudarshan Pandey <shankerjai@yahoo. com> wrote:

> From: Sudarshan Pandey <shankerjai@yahoo. com>
> Subject: Re: [vividhbharati] UUYK - Shammi Kapoor on O P Nayyar
> To: vividhbharati@ yahoogroups. co.in
> Date: Tuesday, October 6, 2009, 4:33 PM
>
>
>
>
>
>
>
>
>
>
>
>
>  
>
>
>
>
>
> Dear Sujoi ji,
>  
> After a very long gap you have appeared here.....When
> are you giving us stuff about Shammi Kapoor on Shankar
> Jaikishan. I am very eagerly waiting for that.
>  
> Secondly a very nice programme UUYK is running
> featuring Sharda.....when we would get it from you
> Sir,
>  
> You are the only hope?
>  
> Regards
> sp/kol
>
> --- On Tue, 10/6/09, soojoi_india <soojoi_india@
> yahoo.co. in> wrote:
>
>
> From: soojoi_india <soojoi_india@ yahoo.co. in>
> Subject: [vividhbharati] UUYK - Shammi Kapoor on O P
> Nayyar
> To: vividhbharati@ yahoogroups. co.in
> Date: Tuesday, October 6, 2009, 1:54 PM
>
>
>  
>
> UJAALE UNKI YAADON KE - SHAMMI KAPOOR
> ------------ --------- --------- -------
>
> SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
> ------------ --------- --------- --------- -
>
> SK: Shammi Kapoor
> NM: Nimmi Mishra
>
> O P NAYYAR
> **********
>
> NM: sabhi shrotaaon ko namaskaar! Shammi Kapoor ji se
> hamaari baatchit jaari hai. Shammi Kapoor ji, ap bataa rahe
> the ki aapki jo filmen theen unmein koi
> 'choreographer' naheen hota tha. aapko shuru se hi
> 'dance' ka bahut shauk tha, aur aap Khud hi uska
> riyaaz karte the.
>
> SK: mujhe 'dance' ka itna shauk tha ki jab main
> apne [itaaji ke 'theatre' mein kaam karta tha, to
> Nargis ji ne mujhe...
>
> NM: haan, main wahi jaanna chaah rahi thi
>
> SK: Nargis ji ne ek 'gramophone record player
> present' kiya. aur usek saath kuchh 'records'
> bhi Khareed ke diye the.
>
> NM: 'piece records' Khareed ke diye the.
>
> SK: 'I could not afford', meri tankhwaa hi 50 rupay
> ki thi. lekin mujhe
> itna shauk tha 'music' ka ki jab ham
> 'outstation' jaaya karte the 'tour' pe,
> jahaan par bhi ham 'perform' karte rehte the, jis
> ghar mein rehte the, raat ko jab 11/12 baje 'show'
> khatam hota, nahaa dho kar khaana vaana khaa ke, us ghar ke
> 'terrace' pe jaake 'record player' bajaata
> tha, akele. aur uska 'music' main sunta hi naheen
> tha, uspe 'dance' karta tha. aur 'dance'
> bhi, mujhe 'steps' vagerha naheen aate na, mujhe
> 'dance' karna naheen aata, main uspe 'musical
> expressions' deta, ki us 'music' ki jo harkaten
> hain, Jazz Music ho, Beat Music ho yaa Samba, main unhe
> 'expressions' deta tha ki kis tarah se main isko
> 'express' kar sakoon 'camera' ke liye, yeh
> maine bahut zyaada kiya tha aur mujhe is cheez ko istemaal
> karne ka mauka kai saal tak naheen mila. ek ghuTaa huya ek
> cheez, jab koi cheez aapke andar bahut dino se
> 'dormant' rahe, 'film industry' mein mujhe
> Tumsa Nahin Dekha ke zariye 'music director' O P
> Nayyar ke saath juDaa, unhone jo 'music' diya,
> mere andar ke jo kiwaaDe the, wo khul gaye, andar jo
> 'expressions' thi jo maine tab kiye huye the,
> 'theatre' ke zamaane mein, 'they came out and I
> started dancing, I started singing, and I started
> everything, and eventually I became very popular'.
>
> ------------ --------- --------- --------- ----
> Song: sar par Topi laal (Tumsa Nahin Dekha)
> ------------ --------- --------- --------- ----
>
> SK: O P Nayyar saahab ke saath mera ek aisa rishta raha hai
> jo main kabhi bhool naheen sakta, kyonki unki bhi pehli
> 'picture' thi jo wo tayyaar kar rahe the, yahaan pe
> ek 'studio' tha, Worli mein, to unko ek
> 'ffer' diya gaya tha, to main bhi jaakar baiTha tha,
> unke saath baiThta tha, sunta tha, main tab
> 'theatre' mein tha. aur mujhe bhi us
> 'picture' ke liye, wo Pancholi saahab ki
> 'picture' thi, jismein Nutan theen. mujhe us
> 'picture' ke liye 'offer' diya gaya, lekin
> baad mein 'eventually' nikaal diya gaya, kyonki
> mujhe kai baar logon ne nikaala hai,
> kabhi Naushad saahab ne, kabhi Pancholi saahab ne, aur
> usmein Nasir Khan ko le aaye, Dilip saahab ke chhoTe bhaai.
> kyonki meri zindagi mein mere liye jo likha gaya tha wo hona
> tha. to mera Nayyar saahab ke saath parichay us waqt ka hai,
> aur uske baad karte karte karte karte ek 'picture'
> Hum Sab Chor Hain, usmein unhone 'music' diya tha,
> usmein mera 'hero' ka 'role' naheen tha, I S
> Johar ki 'picture' thi, lekin jab unhone Tumsa Nahin
> Dekha mein mere liye 'music' diya tab baat ban gayi.
> us 'picture' ne mujhe mauka diya ki main apna ek
> 'style' banaa sakoon, main apne baal kaaT diye,
> chhoTe chhoTe baal rakhe, 'jean' veen pahanna shuru
> kiya,
>
> NM: check shirts
>
> SK: haath vaath phailaaye, aur sar par Topi laal pahanna
> shuru kiya, 'rest is history', lekin mujhe Nayyar
> saahab ke gaane bahut hi pasand the. ek hai Kashmir Ki Kali,
> "deewana hua baadal"
>
> ------------ --------- --------- --------- ---
> Song: deewana hua baadal (Kashmir Ki
> Kali)
> ------------ --------- --------- --------- ---
>
> NM: achchha Nayyar saahab ki jo ek Khaas 'style'
> thi ghoDe ki Taapon ki aawaaz
>
> SK: Nayyar saahab ki?
>
> NM: jaa haan
>
> SK: naheen naheen, Naushad saahab ne bahut kee thi
>
> NM: Naushad saahab ne kee thi, lekin Nayyar saahab ne bahut
> zyaadaa..
>
> SK: (sings) "o bachpan ke din bhula na dena" Tak
> Tak Tak Tak. 'They used it beautifully' .
>
> NM: lekin "taareef karoon kya uski" ke baare mein
> kuchh bataaiye. ye kaise gaana 'record' huya?
>
> SK: is gaane ki 'choreography' maine Khud kee, aur
> ek 'boat' ke andar. maine yeh sochkar ki kaise
> karoonga, tab uske baad ye gaana 'record' huya.
> bahut Khoobsoorat gaana tha. aap yakeen keejiye ki Nayyar
> saahab ne hamein 'music' ke liye, Shakti baabu, ab
> naheen rahe, Shakti baabu, Sharmila aur main, unke
> 'office' gaye raat ke 8 baje, ki ham aapko
> 'music' sunaaenge aaj. Kashmir Ki Kali, 'songs
> selection' ke liye. aur wahaan par
> unke Asha theen, Asha Bhosle, aur Nayyar saahab ke
> 'writer'...
>
> NM: S H Bihari
>
> SK: Bihari, wo bhi the, aur nahaa dho kar aaye the,
> 'shooting' ke baad, tab Nayyar ne kahaa ki 'main
> shuru ho jaayun?' 'jee haan, aap shuru ho jaaiye,
> sunaaiye kya kya aapne tayyaar kiya hai'. He started
> with "deewana hua baadal", 'second' jo
> sunaaeethi "taareef karoon kya uski", aisa karte
> karte karte 50 'tunes' hamein sunaaee, 50
> 'tunes' mein se 8 gaane maine chune, unhone kahaa
> 'namashkaar' aur chal diye. 'This was how I
> selected the songs of Kashmir Ki Kali'. '8 songs in
> 2 hours, the whole music of Kashmir Ki Kali was ready'.
>
>
> NM: uske baare mein bataaiye ki "taareef karoon kya
> uski" filmaane mein bahut mushkil huyi?
>
> SK: naheen, 'boat' ke andar ek aadmi kya kya, baDi
> 'constricted area' hota hai, 'restrictions'
> hoti hai 'movement' mein, lekin us waqt maine soch
> rakha tha ki main yahaan se yahaan jaayunga, yahaan haath
> phailaayunga, paani mein yun
> karoonga, phir 'last line' mein gaana
> 'repeat' hoti hai, to 'last' mein main paani
> mein kood jaata hoon.
>
> NM: pehle se tayyari thi dimaag mein
>
> SK: jee, bilkul!
>
> NM: Kashmir Ki Kali ka gaana hamne sunva diya aapki pasand
> par. achchha, aur kaun sa gaana O P Nayyar ke sangeet mein
> jo aapko bahut pasand hai?
>
> SK: ek unka gaana hai Naya Daur ka, jo main samajhta hoon
> ek 'trend set' kar diya tha, Dholak ka aur
> 'rhythm' ka, "uDe jab jab zulfen teri".
> Punjabi folk ka Nayyar saahab ne bahut Khoobsoorat istemaal
> kiya hai.
>
> ------------ --------- --------- --------- --
> Song: uDe jab jab zulfen teri (Naya Daur)
> ------------ --------- --------- --------- --
>
> SK: aur ek aur gaana tha unka, "tum rooTh ke mat
> jaana", Phagun 'picture' thi.
>
> NM: wo bhi Punjabi folk.
>
> SK: (sings) "tumse kya shikwaa deewaaan tha
> deewaana"
>
> NM: bahut achchha gaana hai.
>
> ------------ --------- --------- -------
> Song: tum
> rooTh ke mat jaana (Phagun)
> ------------ --------- --------- -------
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>



Reply | Forward | Messages in this Topic (4)
#2373 From: Sujoy Chatterjee <soojoi_india@...>
Date:: Wed Oct 7, 2009 2:52 am
Subject:: Re: UUYK - Shammi Kapoor on O P Nayyar 		soojoi_india
Offline Offline
Send Email Send Email
  
Dear Sudarshan ji,

I had gone home (Guwahati) for Durga Puja and I am back again. The episode of
Shammi Kapoor on Shankar Jaikishan will be posted soon. Once this series gets
completed, I shall start with Sharda. Many more transcripts are pending at my
end, not getting enough time due to heavy work load at office. Then I have the
Old is Gold series on Hind Yugm as well :-)

I shall post transcripts of all programmes one by one. Pls give me some more
time.

Thanks & regards,
Sujoy Chatterjee

--- On Tue, 10/6/09, Sudarshan Pandey <shankerjai@...> wrote:

> From: Sudarshan Pandey <shankerjai@...>
> Subject: Re: [vividhbharati] UUYK - Shammi Kapoor on O P Nayyar
> To: vividhbharati@...
> Date: Tuesday, October 6, 2009, 4:33 PM
>
>
>
>
>
>
>
>
>
>
>
>
> 
>
>
>
>
>
>                   Dear Sujoi ji,
> 
> After a very long gap you have appeared here.....When
> are you giving us stuff about Shammi Kapoor on Shankar
> Jaikishan. I am very eagerly waiting for that.
> 
> Secondly a very nice programme UUYK is running
> featuring Sharda.....when we would get it from you
> Sir,
> 
> You are the only hope?
> 
> Regards
> sp/kol
>
> --- On Tue, 10/6/09, soojoi_india <soojoi_india@
> yahoo.co. in> wrote:
>
>
> From: soojoi_india <soojoi_india@ yahoo.co. in>
> Subject: [vividhbharati] UUYK - Shammi Kapoor on O P
> Nayyar
> To: vividhbharati@ yahoogroups. co.in
> Date: Tuesday, October 6, 2009, 1:54 PM
>
>
> 
>
> UJAALE UNKI YAADON KE - SHAMMI KAPOOR
> ------------ --------- --------- -------
>
> SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
> ------------ --------- --------- --------- -
>
> SK: Shammi Kapoor
> NM: Nimmi Mishra
>
> O P NAYYAR
> **********
>
> NM: sabhi shrotaaon ko namaskaar! Shammi Kapoor ji se
> hamaari baatchit jaari hai. Shammi Kapoor ji, ap bataa rahe
> the ki aapki jo filmen theen unmein koi
> 'choreographer' naheen hota tha. aapko shuru se hi
> 'dance' ka bahut shauk tha, aur aap Khud hi uska
> riyaaz karte the.
>
> SK: mujhe 'dance' ka itna shauk tha ki jab main
> apne [itaaji ke 'theatre' mein kaam karta tha, to
> Nargis ji ne mujhe...
>
> NM: haan, main wahi jaanna chaah rahi thi
>
> SK: Nargis ji ne ek 'gramophone record player
> present' kiya. aur usek saath kuchh 'records'
> bhi Khareed ke diye the.
>
> NM: 'piece records' Khareed ke diye the.
>
> SK: 'I could not afford', meri tankhwaa hi 50 rupay
> ki thi. lekin mujhe
>  itna shauk tha 'music' ka ki jab ham
> 'outstation' jaaya karte the 'tour' pe,
> jahaan par bhi ham 'perform' karte rehte the, jis
> ghar mein rehte the, raat ko jab 11/12 baje 'show'
> khatam hota, nahaa dho kar khaana vaana khaa ke, us ghar ke
> 'terrace' pe jaake 'record player' bajaata
> tha, akele. aur uska 'music' main sunta hi naheen
> tha, uspe 'dance' karta tha. aur 'dance'
> bhi, mujhe 'steps' vagerha naheen aate na, mujhe
> 'dance' karna naheen aata, main uspe 'musical
> expressions' deta, ki us 'music' ki jo harkaten
> hain, Jazz Music ho, Beat Music ho yaa Samba, main unhe
> 'expressions' deta tha ki kis tarah se main isko
> 'express' kar sakoon 'camera' ke liye, yeh
> maine bahut zyaada kiya tha aur mujhe is cheez ko istemaal
> karne ka mauka kai saal tak naheen mila. ek ghuTaa huya ek
> cheez, jab koi cheez aapke andar bahut dino se
> 'dormant' rahe, 'film industry' mein mujhe
> Tumsa Nahin Dekha ke zariye 'music director' O P
> Nayyar ke saath juDaa, unhone jo 'music' diya,
>  mere andar ke jo kiwaaDe the, wo khul gaye, andar jo
> 'expressions' thi jo maine tab kiye huye the,
> 'theatre' ke zamaane mein, 'they came out and I
> started dancing, I started singing, and I started
> everything, and eventually I became very popular'.
>
> ------------ --------- --------- --------- ----
> Song: sar par Topi laal (Tumsa Nahin Dekha)
> ------------ --------- --------- --------- ----
>
> SK: O P Nayyar saahab ke saath mera ek aisa rishta raha hai
> jo main kabhi bhool naheen sakta, kyonki unki bhi pehli
> 'picture' thi jo wo tayyaar kar rahe the, yahaan pe
> ek 'studio' tha, Worli mein, to unko ek
> 'ffer' diya gaya tha, to main bhi jaakar baiTha tha,
> unke saath baiThta tha, sunta tha, main tab
> 'theatre' mein tha. aur mujhe bhi us
> 'picture' ke liye, wo Pancholi saahab ki
> 'picture' thi, jismein Nutan theen. mujhe us
> 'picture' ke liye 'offer' diya gaya, lekin
> baad mein 'eventually' nikaal diya gaya, kyonki
> mujhe kai baar logon ne nikaala hai,
>  kabhi Naushad saahab ne, kabhi Pancholi saahab ne, aur
> usmein Nasir Khan ko le aaye, Dilip saahab ke chhoTe bhaai.
> kyonki meri zindagi mein mere liye jo likha gaya tha wo hona
> tha. to mera Nayyar saahab ke saath parichay us waqt ka hai,
> aur uske baad karte karte karte karte ek 'picture'
> Hum Sab Chor Hain, usmein unhone 'music' diya tha,
> usmein mera 'hero' ka 'role' naheen tha, I S
> Johar ki 'picture' thi, lekin jab unhone Tumsa Nahin
> Dekha mein mere liye 'music' diya tab baat ban gayi.
> us 'picture' ne mujhe mauka diya ki main apna ek
> 'style' banaa sakoon, main apne baal kaaT diye,
> chhoTe chhoTe baal rakhe, 'jean' veen pahanna shuru
> kiya,
>
> NM: check shirts
>
> SK: haath vaath phailaaye, aur sar par Topi laal pahanna
> shuru kiya, 'rest is history', lekin mujhe Nayyar
> saahab ke gaane bahut hi pasand the. ek hai Kashmir Ki Kali,
> "deewana hua baadal"
>
> ------------ --------- --------- --------- ---
> Song: deewana hua baadal (Kashmir Ki
>  Kali)
> ------------ --------- --------- --------- ---
>
> NM: achchha Nayyar saahab ki jo ek Khaas 'style'
> thi ghoDe ki Taapon ki aawaaz
>
> SK: Nayyar saahab ki?
>
> NM: jaa haan
>
> SK: naheen naheen, Naushad saahab ne bahut kee thi
>
> NM: Naushad saahab ne kee thi, lekin Nayyar saahab ne bahut
> zyaadaa..
>
> SK: (sings) "o bachpan ke din bhula na dena" Tak
> Tak Tak Tak. 'They used it beautifully' .
>
> NM: lekin "taareef karoon kya uski" ke baare mein
> kuchh bataaiye. ye kaise gaana 'record' huya?
>
> SK: is gaane ki 'choreography' maine Khud kee, aur
> ek 'boat' ke andar. maine yeh sochkar ki kaise
> karoonga, tab uske baad ye gaana 'record' huya.
> bahut Khoobsoorat gaana tha. aap yakeen keejiye ki Nayyar
> saahab ne hamein 'music' ke liye, Shakti baabu, ab
> naheen rahe, Shakti baabu, Sharmila aur main, unke
> 'office' gaye raat ke 8 baje, ki ham aapko
> 'music' sunaaenge aaj. Kashmir Ki Kali, 'songs
> selection' ke liye. aur wahaan par
>  unke Asha theen, Asha Bhosle, aur Nayyar saahab ke
> 'writer'...
>
> NM: S H Bihari
>
> SK: Bihari, wo bhi the, aur nahaa dho kar aaye the,
> 'shooting' ke baad, tab Nayyar ne kahaa ki 'main
> shuru ho jaayun?' 'jee haan, aap shuru ho jaaiye,
> sunaaiye kya kya aapne tayyaar kiya hai'. He started
> with "deewana hua baadal", 'second' jo
> sunaaeethi "taareef karoon kya uski", aisa karte
> karte karte 50 'tunes' hamein sunaaee, 50
> 'tunes' mein se 8 gaane maine chune, unhone kahaa
> 'namashkaar' aur chal diye. 'This was how I
> selected the songs of Kashmir Ki Kali'. '8 songs in
> 2 hours, the whole music of Kashmir Ki Kali was ready'.
>
>
> NM: uske baare mein bataaiye ki "taareef karoon kya
> uski" filmaane mein bahut mushkil huyi?
>
> SK: naheen, 'boat' ke andar ek aadmi kya kya, baDi
> 'constricted area' hota hai, 'restrictions'
> hoti hai 'movement' mein, lekin us waqt maine soch
> rakha tha ki main yahaan se yahaan jaayunga, yahaan haath
> phailaayunga, paani mein yun
>  karoonga, phir 'last line' mein gaana
> 'repeat' hoti hai, to 'last' mein main paani
> mein kood jaata hoon.
>
> NM: pehle se tayyari thi dimaag mein
>
> SK: jee, bilkul!
>
> NM: Kashmir Ki Kali ka gaana hamne sunva diya aapki pasand
> par. achchha, aur kaun sa gaana O P Nayyar ke sangeet mein
> jo aapko bahut pasand hai?
>
> SK: ek unka gaana hai Naya Daur ka, jo main samajhta hoon
> ek 'trend set' kar diya tha, Dholak ka aur
> 'rhythm' ka, "uDe jab jab zulfen teri".
> Punjabi folk ka Nayyar saahab ne bahut Khoobsoorat istemaal
> kiya hai.
>
> ------------ --------- --------- --------- --
> Song: uDe jab jab zulfen teri (Naya Daur)
> ------------ --------- --------- --------- --
>
> SK: aur ek aur gaana tha unka, "tum rooTh ke mat
> jaana", Phagun 'picture' thi.
>
> NM: wo bhi Punjabi folk.
>
> SK: (sings) "tumse kya shikwaa deewaaan tha
> deewaana"
>
> NM: bahut achchha gaana hai.
>
> ------------ --------- --------- -------
> Song: tum
>  rooTh ke mat jaana (Phagun)
> ------------ --------- --------- -------
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
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>
>
>
>

Reply | Forward | Messages in this Topic (4)
#2372 From: Sudarshan Pandey <shankerjai@...>
Date:: Tue Oct 6, 2009 11:03 am
Subject:: Re: UUYK - Shammi Kapoor on O P Nayyar 		shankerjai
Offline Offline
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Dear Sujoi ji,
 
After a very long gap you have appeared here.....When are you giving us stuff about Shammi Kapoor on Shankar Jaikishan. I am very eagerly waiting for that.
 
Secondly a very nice programme UUYK is running featuring Sharda.....when we would get it from you Sir,
 
You are the only hope?
 
Regards
sp/kol


--- On Tue, 10/6/09, soojoi_india <soojoi_india@...> wrote:

From: soojoi_india <soojoi_india@...>
Subject: [vividhbharati] UUYK - Shammi Kapoor on O P Nayyar
To: vividhbharati@...
Date: Tuesday, October 6, 2009, 1:54 PM

 
UJAALE UNKI YAADON KE - SHAMMI KAPOOR
------------ --------- --------- -------

SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
------------ --------- --------- --------- -

SK: Shammi Kapoor
NM: Nimmi Mishra

O P NAYYAR
**********

NM: sabhi shrotaaon ko namaskaar! Shammi Kapoor ji se hamaari baatchit jaari hai. Shammi Kapoor ji, ap bataa rahe the ki aapki jo filmen theen unmein koi 'choreographer' naheen hota tha. aapko shuru se hi 'dance' ka bahut shauk tha, aur aap Khud hi uska riyaaz karte the.

SK: mujhe 'dance' ka itna shauk tha ki jab main apne [itaaji ke 'theatre' mein kaam karta tha, to Nargis ji ne mujhe...

NM: haan, main wahi jaanna chaah rahi thi

SK: Nargis ji ne ek 'gramophone record player present' kiya. aur usek saath kuchh 'records' bhi Khareed ke diye the.

NM: 'piece records' Khareed ke diye the.

SK: 'I could not afford', meri tankhwaa hi 50 rupay ki thi. lekin mujhe itna shauk tha 'music' ka ki jab ham 'outstation' jaaya karte the 'tour' pe, jahaan par bhi ham 'perform' karte rehte the, jis ghar mein rehte the, raat ko jab 11/12 baje 'show' khatam hota, nahaa dho kar khaana vaana khaa ke, us ghar ke 'terrace' pe jaake 'record player' bajaata tha, akele. aur uska 'music' main sunta hi naheen tha, uspe 'dance' karta tha. aur 'dance' bhi, mujhe 'steps' vagerha naheen aate na, mujhe 'dance' karna naheen aata, main uspe 'musical expressions' deta, ki us 'music' ki jo harkaten hain, Jazz Music ho, Beat Music ho yaa Samba, main unhe 'expressions' deta tha ki kis tarah se main isko 'express' kar sakoon 'camera' ke liye, yeh maine bahut zyaada kiya tha aur mujhe is cheez ko istemaal karne ka mauka kai saal tak naheen mila. ek ghuTaa huya ek cheez, jab koi cheez aapke andar bahut dino se 'dormant' rahe, 'film industry' mein mujhe Tumsa Nahin Dekha ke zariye 'music director' O P Nayyar ke saath juDaa, unhone jo 'music' diya, mere andar ke jo kiwaaDe the, wo khul gaye, andar jo 'expressions' thi jo maine tab kiye huye the, 'theatre' ke zamaane mein, 'they came out and I started dancing, I started singing, and I started everything, and eventually I became very popular'.

------------ --------- --------- --------- ----
Song: sar par Topi laal (Tumsa Nahin Dekha)
------------ --------- --------- --------- ----

SK: O P Nayyar saahab ke saath mera ek aisa rishta raha hai jo main kabhi bhool naheen sakta, kyonki unki bhi pehli 'picture' thi jo wo tayyaar kar rahe the, yahaan pe ek 'studio' tha, Worli mein, to unko ek 'ffer' diya gaya tha, to main bhi jaakar baiTha tha, unke saath baiThta tha, sunta tha, main tab 'theatre' mein tha. aur mujhe bhi us 'picture' ke liye, wo Pancholi saahab ki 'picture' thi, jismein Nutan theen. mujhe us 'picture' ke liye 'offer' diya gaya, lekin baad mein 'eventually' nikaal diya gaya, kyonki mujhe kai baar logon ne nikaala hai, kabhi Naushad saahab ne, kabhi Pancholi saahab ne, aur usmein Nasir Khan ko le aaye, Dilip saahab ke chhoTe bhaai. kyonki meri zindagi mein mere liye jo likha gaya tha wo hona tha. to mera Nayyar saahab ke saath parichay us waqt ka hai, aur uske baad karte karte karte karte ek 'picture' Hum Sab Chor Hain, usmein unhone 'music' diya tha, usmein mera 'hero' ka 'role' naheen tha, I S Johar ki 'picture' thi, lekin jab unhone Tumsa Nahin Dekha mein mere liye 'music' diya tab baat ban gayi. us 'picture' ne mujhe mauka diya ki main apna ek 'style' banaa sakoon, main apne baal kaaT diye, chhoTe chhoTe baal rakhe, 'jean' veen pahanna shuru kiya,

NM: check shirts

SK: haath vaath phailaaye, aur sar par Topi laal pahanna shuru kiya, 'rest is history', lekin mujhe Nayyar saahab ke gaane bahut hi pasand the. ek hai Kashmir Ki Kali, "deewana hua baadal"

------------ --------- --------- --------- ---
Song: deewana hua baadal (Kashmir Ki Kali)
------------ --------- --------- --------- ---

NM: achchha Nayyar saahab ki jo ek Khaas 'style' thi ghoDe ki Taapon ki aawaaz

SK: Nayyar saahab ki?

NM: jaa haan

SK: naheen naheen, Naushad saahab ne bahut kee thi

NM: Naushad saahab ne kee thi, lekin Nayyar saahab ne bahut zyaadaa..

SK: (sings) "o bachpan ke din bhula na dena" Tak Tak Tak Tak. 'They used it beautifully' .

NM: lekin "taareef karoon kya uski" ke baare mein kuchh bataaiye. ye kaise gaana 'record' huya?

SK: is gaane ki 'choreography' maine Khud kee, aur ek 'boat' ke andar. maine yeh sochkar ki kaise karoonga, tab uske baad ye gaana 'record' huya. bahut Khoobsoorat gaana tha. aap yakeen keejiye ki Nayyar saahab ne hamein 'music' ke liye, Shakti baabu, ab naheen rahe, Shakti baabu, Sharmila aur main, unke 'office' gaye raat ke 8 baje, ki ham aapko 'music' sunaaenge aaj. Kashmir Ki Kali, 'songs selection' ke liye. aur wahaan par unke Asha theen, Asha Bhosle, aur Nayyar saahab ke 'writer'...

NM: S H Bihari

SK: Bihari, wo bhi the, aur nahaa dho kar aaye the, 'shooting' ke baad, tab Nayyar ne kahaa ki 'main shuru ho jaayun?' 'jee haan, aap shuru ho jaaiye, sunaaiye kya kya aapne tayyaar kiya hai'. He started with "deewana hua baadal", 'second' jo sunaaeethi "taareef karoon kya uski", aisa karte karte karte 50 'tunes' hamein sunaaee, 50 'tunes' mein se 8 gaane maine chune, unhone kahaa 'namashkaar' aur chal diye. 'This was how I selected the songs of Kashmir Ki Kali'. '8 songs in 2 hours, the whole music of Kashmir Ki Kali was ready'.

NM: uske baare mein bataaiye ki "taareef karoon kya uski" filmaane mein bahut mushkil huyi?

SK: naheen, 'boat' ke andar ek aadmi kya kya, baDi 'constricted area' hota hai, 'restrictions' hoti hai 'movement' mein, lekin us waqt maine soch rakha tha ki main yahaan se yahaan jaayunga, yahaan haath phailaayunga, paani mein yun karoonga, phir 'last line' mein gaana 'repeat' hoti hai, to 'last' mein main paani mein kood jaata hoon.

NM: pehle se tayyari thi dimaag mein

SK: jee, bilkul!

NM: Kashmir Ki Kali ka gaana hamne sunva diya aapki pasand par. achchha, aur kaun sa gaana O P Nayyar ke sangeet mein jo aapko bahut pasand hai?

SK: ek unka gaana hai Naya Daur ka, jo main samajhta hoon ek 'trend set' kar diya tha, Dholak ka aur 'rhythm' ka, "uDe jab jab zulfen teri". Punjabi folk ka Nayyar saahab ne bahut Khoobsoorat istemaal kiya hai.

------------ --------- --------- --------- --
Song: uDe jab jab zulfen teri (Naya Daur)
------------ --------- --------- --------- --

SK: aur ek aur gaana tha unka, "tum rooTh ke mat jaana", Phagun 'picture' thi.

NM: wo bhi Punjabi folk.

SK: (sings) "tumse kya shikwaa deewaaan tha deewaana"

NM: bahut achchha gaana hai.

------------ --------- --------- -------
Song: tum rooTh ke mat jaana (Phagun)
------------ --------- --------- -------



Reply | Forward | Messages in this Topic (4)
#2371 From: "soojoi_india" <soojoi_india@...>
Date:: Tue Oct 6, 2009 4:54 am
Subject:: UUYK - Shammi Kapoor on O P Nayyar 		soojoi_india
Offline Offline
Send Email Send Email
  
UJAALE UNKI YAADON KE - SHAMMI KAPOOR
-------------------------------------

SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
----------------------------------------

SK: Shammi Kapoor
NM: Nimmi Mishra

O P NAYYAR
**********

NM: sabhi shrotaaon ko namaskaar! Shammi Kapoor ji se hamaari baatchit jaari
hai. Shammi Kapoor ji, ap bataa rahe the ki aapki jo filmen theen unmein koi
'choreographer' naheen hota tha. aapko shuru se hi 'dance' ka bahut shauk tha,
aur aap Khud hi uska riyaaz karte the.

SK: mujhe 'dance' ka itna shauk tha ki jab main apne [itaaji ke 'theatre' mein
kaam karta tha, to Nargis ji ne mujhe...

NM: haan, main wahi jaanna chaah rahi thi

SK: Nargis ji ne ek 'gramophone record player present' kiya. aur usek saath
kuchh 'records' bhi Khareed ke diye the.

NM: 'piece records' Khareed ke diye the.

SK: 'I could not afford', meri tankhwaa hi 50 rupay ki thi. lekin mujhe itna
shauk tha 'music' ka ki jab ham 'outstation' jaaya karte the 'tour' pe, jahaan
par bhi ham 'perform' karte rehte the, jis ghar mein rehte the, raat ko jab
11/12 baje 'show' khatam hota, nahaa dho kar khaana vaana khaa ke, us ghar ke
'terrace' pe jaake 'record player' bajaata tha, akele. aur uska 'music' main
sunta hi naheen tha, uspe 'dance' karta tha. aur 'dance' bhi, mujhe 'steps'
vagerha naheen aate na, mujhe 'dance' karna naheen aata, main uspe 'musical
expressions' deta, ki us 'music' ki jo harkaten hain, Jazz Music ho, Beat Music
ho yaa Samba, main unhe 'expressions' deta tha ki kis tarah se main isko
'express' kar sakoon 'camera' ke liye, yeh maine bahut zyaada kiya tha aur mujhe
is cheez ko istemaal karne ka mauka kai saal tak naheen mila. ek ghuTaa huya ek
cheez, jab koi cheez aapke andar bahut dino se 'dormant' rahe, 'film industry'
mein mujhe Tumsa Nahin Dekha ke zariye 'music director' O P Nayyar ke saath
juDaa, unhone jo 'music' diya, mere andar ke jo kiwaaDe the, wo khul gaye, andar
jo 'expressions' thi jo maine tab kiye huye the, 'theatre' ke zamaane mein,
'they came out and I started dancing, I started singing, and I started
everything, and eventually I became very popular'.

-------------------------------------------
Song: sar par Topi laal (Tumsa Nahin Dekha)
-------------------------------------------

SK: O P Nayyar saahab ke saath mera ek aisa rishta raha hai jo main kabhi bhool
naheen sakta, kyonki unki bhi pehli 'picture' thi jo wo tayyaar kar rahe the,
yahaan pe ek 'studio' tha, Worli mein, to unko ek 'ffer' diya gaya tha, to main
bhi jaakar baiTha tha, unke saath baiThta tha, sunta tha, main tab 'theatre'
mein tha. aur mujhe bhi us 'picture' ke liye, wo Pancholi saahab ki 'picture'
thi, jismein Nutan theen. mujhe us 'picture' ke liye 'offer' diya gaya, lekin
baad mein 'eventually' nikaal diya gaya, kyonki mujhe kai baar logon ne nikaala
hai, kabhi Naushad saahab ne, kabhi Pancholi saahab ne, aur usmein Nasir Khan ko
le aaye, Dilip saahab ke chhoTe bhaai. kyonki meri zindagi mein mere liye jo
likha gaya tha wo hona tha. to mera Nayyar saahab ke saath parichay us waqt ka
hai, aur uske baad karte karte karte karte ek 'picture' Hum Sab Chor Hain,
usmein unhone 'music' diya tha, usmein mera 'hero' ka 'role' naheen tha, I S
Johar ki 'picture' thi, lekin jab unhone Tumsa Nahin Dekha mein mere liye
'music' diya tab baat ban gayi. us 'picture' ne mujhe mauka diya ki main apna ek
'style' banaa sakoon, main apne baal kaaT diye, chhoTe chhoTe baal rakhe, 'jean'
veen pahanna shuru kiya,

NM: check shirts

SK: haath vaath phailaaye, aur sar par Topi laal pahanna shuru kiya, 'rest is
history', lekin mujhe Nayyar saahab ke gaane bahut hi pasand the. ek hai Kashmir
Ki Kali, "deewana hua baadal"

------------------------------------------
Song: deewana hua baadal (Kashmir Ki Kali)
------------------------------------------

NM: achchha Nayyar saahab ki jo ek Khaas 'style' thi ghoDe ki Taapon ki aawaaz

SK: Nayyar saahab ki?

NM: jaa haan

SK: naheen naheen, Naushad saahab ne bahut kee thi

NM: Naushad saahab ne kee thi, lekin Nayyar saahab ne bahut zyaadaa..

SK: (sings) "o bachpan ke din bhula na dena" Tak Tak Tak Tak. 'They used it
beautifully'.

NM: lekin "taareef karoon kya uski" ke baare mein kuchh bataaiye. ye kaise gaana
'record' huya?

SK: is gaane ki 'choreography' maine Khud kee, aur ek 'boat' ke andar. maine yeh
sochkar ki kaise karoonga, tab uske baad ye gaana 'record' huya. bahut
Khoobsoorat gaana tha. aap yakeen keejiye ki Nayyar saahab ne hamein 'music' ke
liye, Shakti baabu, ab naheen rahe, Shakti baabu, Sharmila aur main, unke
'office' gaye raat ke 8 baje, ki ham aapko 'music' sunaaenge aaj. Kashmir Ki
Kali, 'songs selection' ke liye. aur wahaan par unke Asha theen, Asha Bhosle,
aur Nayyar saahab ke 'writer'...

NM: S H Bihari

SK: Bihari, wo bhi the, aur nahaa dho kar aaye the, 'shooting' ke baad, tab
Nayyar ne kahaa ki 'main shuru ho jaayun?' 'jee haan, aap shuru ho jaaiye,
sunaaiye kya kya aapne tayyaar kiya hai'. He started with "deewana hua baadal",
'second' jo sunaaeethi "taareef karoon kya uski", aisa karte karte karte 50
'tunes' hamein sunaaee, 50 'tunes' mein se 8 gaane maine chune, unhone kahaa
'namashkaar' aur chal diye. 'This was how I selected the songs of Kashmir Ki
Kali'. '8 songs in 2 hours, the whole music of Kashmir Ki Kali was ready'.

NM: uske baare mein bataaiye ki "taareef karoon kya uski" filmaane mein bahut
mushkil huyi?

SK: naheen, 'boat' ke andar ek aadmi kya kya, baDi 'constricted area' hota hai,
'restrictions' hoti hai 'movement' mein, lekin us waqt maine soch rakha tha ki
main yahaan se yahaan jaayunga, yahaan haath phailaayunga, paani mein yun
karoonga, phir 'last line' mein gaana 'repeat' hoti hai, to 'last' mein main
paani mein kood jaata hoon.

NM: pehle se tayyari thi dimaag mein

SK: jee, bilkul!

NM: Kashmir Ki Kali ka gaana hamne sunva diya aapki pasand par. achchha, aur
kaun sa gaana O P Nayyar ke sangeet mein jo aapko bahut pasand hai?

SK: ek unka gaana hai Naya Daur ka, jo main samajhta hoon ek 'trend set' kar
diya tha, Dholak ka aur 'rhythm' ka, "uDe jab jab zulfen teri". Punjabi folk ka
Nayyar saahab ne bahut Khoobsoorat istemaal kiya hai.

-----------------------------------------
Song: uDe jab jab zulfen teri (Naya Daur)
-----------------------------------------

SK: aur ek aur gaana tha unka, "tum rooTh ke mat jaana", Phagun 'picture' thi.

NM: wo bhi Punjabi folk.

SK: (sings) "tumse kya shikwaa deewaaan tha deewaana"

NM: bahut achchha gaana hai.

-------------------------------------
Song: tum rooTh ke mat jaana (Phagun)
-------------------------------------

Reply | Forward | Messages in this Topic (4)
#2370 From: सजीव सारथी <sajeevsarathie@...>
Date:: Mon Sep 28, 2009 5:05 am
Subject:: मिलये लन्दन ड्रीम्स के गायक अभिजीत घोषाल से आज 		sajeevsarathie
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दोस्तों, आप सब को सबसे पहले तो विजय दशमी और दुर्गा पूजा की ढेरों शुभकामनाएं....एक दिन देरी से आपको लिख रहा हूँ क्योंकि आप को इस अवसर पर एक ख़ास तोहफा देने का उद्देश्य था मेरा, सा रे गा मा में लगातार ११ बार चैम्पियन बनने का रिकॉर्ड कायम करने वाले जबरदस्त गायक अभिजित घोषाल जो कि अब एक बड़ी फिल्म लन्दन ड्रीम्स के लिए भी गा चुके हैं...से कल मेरी और सुजॉय की बात हुई, उसी बातचीत का हिस्सा और उस ताज़ा तरीन गीत को आप सुन सकते हैं TST के आज के एपिसोड में -

http://podcast.hindyugm.com/2009/09/abhijit-ghoshal-in-conversation-london.html

जरूर पढियेगा....अब आप पूछेंगें दुर्गा पूजा पर विशेष क्या है, है न....आपके लिए ख़ास पॉडकास्ट कवि सम्मलेन जिसका इस बार विडियो भी बनाया गया है....और थीम है -"शक्ति". रश्मि जी और खुशबू जी का ये आयोजन आपको खूब भायेगा...

http://podcast.hindyugm.com/2009/09/podcast-kavi-sammelan-shakti-special.html

महफिल-ए-ग़ज़ल में तनहा जी लाये हैं अनवर और मेहदी हसन को महफिल में -

http://podcast.hindyugm.com/2009/09/blog-post_22.html

http://podcast.hindyugm.com/2009/09/blog-post_25.html

सुनो कहानी में इस बार हैं हरिशंकर परसाई की कहानी बोर

http://podcast.hindyugm.com/2009/09/listen-bore-by-harishankar-parsai.html

ओल्ड इस गोल्ड पर इन दिनों जारी है लता के कुछ बेहद दुर्लभ से गीत
http://podcast.hindyugm.com/?cx=partner-pub-9993819084412964:kw52fxuglx0&cof=FORID:11&ie=UTF-8&q=RARE+SONGS+OF+LATA&sa=इस+वेबसाइट+में+खोजें

आज हम सब की प्यारी गायिका लता जी का जन्मदिन भी है....मनाईये उनका जन्मदिन आवाज़ के साथ सुजॉय के इन बेमिसाल आलेखों को पढ़कर

--
सजीव सारथी
हिंद युग्म
sajeevsararthie@...
www.hindyugm.com
09871123997

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#2369 From: santosh kumar <surhall123@...>
Date:: Mon Sep 21, 2009 2:38 pm
Subject:: Re: UUYK - Shammi Kapoor on Naushad 		surhall123
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hi
   can you have in mp3  vb up to now upto over 400 show,.
 i give you picture actor shimim kapoor this show you show .
 
dhall

--- On Mon, 9/21/09, soojoi_india <soojoi_india@...> wrote:

From: soojoi_india <soojoi_india@...>
Subject: [vividhbharati] UUYK - Shammi Kapoor on Naushad
To: vividhbharati@...
Received: Monday, September 21, 2009, 7:23 PM

 
UJAALE UNKI YAADON KE - SHAMMI KAPOOR
------------ --------- --------- -------

SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
------------ --------- --------- --------- -

SK: Shammi Kapoor
NM: Nimmi Mishra

NAUSHAD
*******

NM: sabhi shrotaaon ko namaskaar! Ujaale Unki Yaadon ke, aaj ham is kaaryakram mein swaagat karte hain mashoor, jaanemaane abhinetaa Shammi Kapoor ka. jis tarah aasmaan mein chamakte sitaare ham sabhi ke aakarshaN kaa kendra rehte hain, unke baare mein ham zyaada se zyaada jaanna chaahte hain, usi tarah filmi duniya mein jo sitaare hain, wo ham sabhi ko aakrishT karte haun, chaahte hain ki unke baare mein ham zyaada se zyaada jaane, unki ruchiyon ke baare mein, unke kaam ke baare mein, to Shammi Kapoor saahab se jab ham yahaan baatchit karne aaye to unhone kahaa ki unki sangeet mein bahut ruchi hai. sangeet hi unka jeevan hai aur wahi unko urjaa deta hai, aur jeene ki ek taaqat deta hai. aur filmi duniya ke jitne baDe baDe sangeetkaar hain, bhale hi unhone unki filmon mein sangeet na diya ho, unka sangeet unhe bahut achchha lagta hai, to sab se pehle Shammi Kapoor ji, namaskaar, swaagat hai aapka is kaaryakram mein.

SK: namaskaar! mujhe sangeet se baDaa pyaar raha, hamesha, aur aaj main samajhta hoon meri zindagi mein jo 'music directors' aaye hain, jinke saath maine kaam kiya hai, aur jinke saath maine kaam naheen bhi kiya hai, main unke baare mein, apani pasand ke jo do teen gaane, wo sunaana chaahoonga, alag alag 'music directors' ka. aur main shuru karna chaahoonga Naushad saahab se. maine Naushad saahab ke saath kabhi kaam naheen kiya, shaayad unhone mujhe Theek naheen samjha (laughs), ek baat to sach hai, haqeeqat thi, bahut bahut saal pehle ek 'picture' aayi thi, uska naam tha Shabaab. Sadiq saahab ki 'picture' thi, usmein 'music' Naushad saahab ka tha, 'heroine' Nutan theen, aur us 'picture' ka mahurat mujh pe huya tha kyonki main us 'picture' ka 'hero' tha. wahaan meri pehli mulaaqaat Naushad saahab ke saath huyi. phir uske baad kuchh huya, kya huya, Baiju Bawra chal gayi, mujhe us 'picture' se nikaal diya gaya, aur Bharat Bhushan aa gaye us 'picture' mein. lekin Naushad saahab ki izzat aur qadr main jaanta hoon, aur hamesha unke saath baDaa pyaar rahaa. jab bhi mile baDe pyar se mile aur mere kaam ki unhone bahut tareef kee. aaj main unke teen gaane aapko sunaana chaahoonga jo meri pasand ke hain.

NM: waise to Naushad saahab ke sabhi gaane itne achchhe hain ki kisko sunwaaen kisko na sunwaaen.

SK: "tu ganga ki mauj main jamuna ka dhaara"

NM: Baiju Bawra

SK: waah waah waah waah

NM: par aap keh rahe hain to Baiju Bawra kaa gaana ham apne shrotaaon ko sunwa rahe hain.

------------ --------- --------- --------- --------- --------- -
Song: tu ganga ki mauj main jamuna ka dhaara (Baiju Bawra)
------------ --------- --------- --------- --------- --------- -

NM: achchha aapke bachpan ki baat karen, aap ne to shaastriya sangeet seekha hai na?

SK: jee haan, woh bhi ittefaaq ki baat yeh hai ki ghar mein meri maataaji ne, unko baDaa shauk tha, Raj ji ke liye 'masterji' rakhe gaye the, Jagannath Prasad ji bahut baDe achchhe guru, bahut naamcheen, yun samajh leejiye ki maine us zamaane mein unse baDe kisi guru ka naam naheen sunaa tha. hamaare wahaan bagal mein, 'neighbourhood' mein Saigal saahab rehte the, Matunga mein, aur wo bhi unse Thumri aur Gazal aur gaane sunte seekhte the. tp ye 'masterji' Raj ji ke liye rakhe gaye the, phir Raj ji mashgul ho gaye kaam mein, to Raj ji baahar ho gaye, ek din main 'school' se lauTaa to maa ne pakaD liya ki 'Shammi, baiTh jaa wahaan par, 'masterji' aaye huye hain'. main baiTh gaya 'and for the next 5 years I learnt music from Pandit Jagannath Prasad ji'. uske baad bhi jab main waapas aata 'shooting' se, tab tak Shashi tak pahunch gaye the, bahut koshish kiya unhone bhi lekin lakeer seedhee naheen huyi. to mujhe 'music' ka shauk hai, 'music' seekha hai maine.

NM: matlab aap bahut achchhe shishya the, bahut man lagaa kar seekha aapne

SK: bahut, abhi bhi mujhe unhone jo raag raaginiyaan seekhaaee thi, wo yaad hain mujhe.

NM: kaun sa raag sabse achchha lagta tha aapko?

SK: khambaavati

NM: khambaavati, bahut mushkil raag hai

SK: mushkil raag hai, (sings this raag).

NM: kyaa baat hai! Shammi Kapoor saahab, aapne khambaavati raag ka zikr kiya to mujhe yaad aaya Ustad Vilayat Hussain Khan saahab ka gaaya raag khambaavati, ek jhalak thoDi si sun lete hain.

------------ --------- --------- --------- --------- ----
Raag Khambavati - Vocal (Ustad Vilayat Hussain Khan)
------------ --------- --------- --------- --------- ----

NM: bahut hi sundar, yaani ki jo bhi cheezen bachpan mein seekhee hai, waisi ki waisi ab bhi dil-o-dimaaG par taazee...

SK: 'cycle' chalaana ek baar kisi ne seekh liya to wo bhoolta naheen.

NM: achchhaa riyaaz bhi karte the jab guruji chale jaate the to?

SK: jee bilkul bilkul

NM: phir agle aakar wo sunte the. us zamaane mein to guru aapki ek "saa" nikalte hi pehchaan jaate the ki aap ne riyaaz kiya ya naheen. to unke bahut priya rahe honge aap?

SK: jee, unhone Nutan ji ko bhi seekhaaya, Mukesh ji ko bhi, bahut hi qaabil 'master' ji the, ab to naheen rahe.

NM: to pareekshaaen to koi naheen dee hongi, bas seekhte jaate the?

SK: jee naheen, pareekshaa yahi thi ki jo main tumhe kahoon, tum usko 'improve' karo. 'use improvise, learn how to improvise'. ye jo sa re ga ma pa dha ni sa, saat sur hain, usi upar neeche gaate rahoge to usi raT mein reh jaaoge. 'Later learnt to compose and I think', baDe had tak, kuchh cheezen 'improvise' karti hai zindagi mein bhi, 'you learn to improvise'. maine apni 'acting' mein aisa kiya huya hai, maine apni gaano ke harakton mein aisa kiya, meri zindagi mein koi 'choreographer' naheen aaya, koi 'dance master' naheen aaya ye kehne ke liye ki 'one two three four, one two three four' karo, main Khud karta tha, phir 'improvise' karta tha. yahaan tak ki ki us gaane ka do teen 'take' ho jaaye, pichhle do 'take' mein maine kya kiya tha mujhe Khud naheen maaloom, kyonki har 'take' mein kuchh alag kar deta tha. 'These things help you in life'. wo ek jaD si ban jaati hai.

NM: Shammi Kapoor saahab, ham log Naushad saahab ki baat kar rahe the.

SK: kya kamaal ke gaane the saahab, sab 'classical', 'and he used classical so beautifully' . unki wo film thi "madhuban mein raadhika naachi re"

NM: Kohinoor

SK: kya baat hai kya baat hai

------------ --------- --------- --------- --------- -
Song: madhuban mein raadhika naachi re (Kohinoor)
------------ --------- --------- --------- --------- -

NM: sangeet ka shauk to Shammi Kapoor ji poore parivaar mein hi tha aapke, jaisa ki aapke maataaji ko shauk tha, aur Raj saahab ko bhi sangeet ka shauk tha, aur pitaaji bhi aapke sangeet mein bahut ruchi rakhte the na?

SK: tabhi maine bataaya ki Shashi Kapoor ki lakeer sirf seedhee naheen ho sakee, wo bechaara naheen gaa sakaa, naheen gaa sakaa. 'My father was very fond of singing, he belongs to an era' jahaan par 'great singers' the, Pankaj Mullick, K L Saigal, K C Dey, R C Boral kaa sangeet. 'He tried his best for Shashi', wo baiThta bhi tha wahaan par, do teen sur idhar udhar ho jaati thi, phir uski aankh mein se aansoo nikal jaate the.

NM: haan yeh sab bhagwaan gale mein sur deta hai, aap isey maanjh kar achchha kar sakte hain, aap gaa sakte hain, par uparwaale ki kripaa hoti hai tabhi sangeet aata hai. sangeet ki to kya baat hai, agar sangeet se jeevan se juDaa huya hai to jeevan bhi sureela ho jaata hai. to Shammi Kapoor ji, ham log Naushad saahab ki apki pasand ke gaane sun rahe hain, aur Naushad saahab ke sangeet ki to kya baat thi, jahaan ek taraf 'classical music' itni sundartaa se filmon mein prayog mein laaye, apne geeton mein, aur waheen 'melody' bhi jo thi wo laajawaab thi.

SK: 'melody' mein bhi wo Noorjehan se jo gaane gawaaye the wo laajawaab tha, "aawaaz de kahaan hai".

NM: jee

------------ --------- --------- --------- -
Song: aawaaz de kahaan hai (Anmol Ghadi)
------------ --------- --------- --------- -

NM: achchha Naushad saahab jo hain, Uttar Pradesh ke lok sangeet ka bhi bahut achchha prayog kiya. aise koi gaane hain jo aapko pasand hain, lok sangeet par.

SK: naheen. unke itne gaane pasand hai ki 24 ghanTe main aapko sunaa saktaa hoon (NM laughs).

NM: log 24 ghanTe sunte hi rahenge, unhe itna achchha lagegaa ki Shammi Kapoor sangeetkaaron ki baat kar rahe hain, achchhe gaane sunne ko milenge, hamaari baatchit ye jaari rahegi.


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#2368 From: "soojoi_india" <soojoi_india@...>
Date:: Mon Sep 21, 2009 1:53 pm
Subject:: UUYK - Shammi Kapoor on Naushad 		soojoi_india
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UJAALE UNKI YAADON KE - SHAMMI KAPOOR
-------------------------------------

SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
----------------------------------------

SK: Shammi Kapoor
NM: Nimmi Mishra


NAUSHAD
*******

NM: sabhi shrotaaon ko namaskaar! Ujaale Unki Yaadon ke, aaj ham is kaaryakram
mein swaagat karte hain mashoor, jaanemaane abhinetaa Shammi Kapoor ka. jis
tarah aasmaan mein chamakte sitaare ham sabhi ke aakarshaN kaa kendra rehte
hain, unke baare mein ham zyaada se zyaada jaanna chaahte hain, usi tarah filmi
duniya mein jo sitaare hain, wo ham sabhi ko aakrishT karte haun, chaahte hain
ki unke baare mein ham zyaada se zyaada jaane, unki ruchiyon ke baare mein, unke
kaam ke baare mein, to Shammi Kapoor saahab se jab ham yahaan baatchit karne
aaye to unhone kahaa ki unki sangeet mein bahut ruchi hai. sangeet hi unka
jeevan hai aur wahi unko urjaa deta hai, aur jeene ki ek taaqat deta hai. aur
filmi duniya ke jitne baDe baDe sangeetkaar hain, bhale hi unhone unki filmon
mein sangeet na diya ho, unka sangeet unhe bahut achchha lagta hai, to sab se
pehle Shammi Kapoor ji, namaskaar, swaagat hai aapka is kaaryakram mein.

SK: namaskaar! mujhe sangeet se baDaa pyaar raha, hamesha, aur aaj main samajhta
hoon meri zindagi mein jo 'music directors' aaye hain, jinke saath maine kaam
kiya hai, aur jinke saath maine kaam naheen bhi kiya hai, main unke baare mein,
apani pasand ke jo do teen gaane, wo sunaana chaahoonga, alag alag 'music
directors' ka. aur main shuru karna chaahoonga Naushad saahab se. maine Naushad
saahab ke saath kabhi kaam naheen kiya, shaayad unhone mujhe Theek naheen samjha
(laughs), ek baat to sach hai, haqeeqat thi, bahut bahut saal pehle ek 'picture'
aayi thi, uska naam tha Shabaab. Sadiq saahab ki 'picture' thi, usmein 'music'
Naushad saahab ka tha, 'heroine' Nutan theen, aur us 'picture' ka mahurat mujh
pe huya tha kyonki main us 'picture' ka 'hero' tha. wahaan meri pehli mulaaqaat
Naushad saahab ke saath huyi. phir uske baad kuchh huya, kya huya, Baiju Bawra
chal gayi, mujhe us 'picture' se nikaal diya gaya, aur Bharat Bhushan aa gaye us
'picture' mein. lekin Naushad saahab ki izzat aur qadr main jaanta hoon, aur
hamesha unke saath baDaa pyaar rahaa. jab bhi mile baDe pyar se mile aur mere
kaam ki unhone bahut tareef kee. aaj main unke teen gaane aapko sunaana
chaahoonga jo meri pasand ke hain.

NM: waise to Naushad saahab ke sabhi gaane itne achchhe hain ki kisko sunwaaen
kisko na sunwaaen.

SK: "tu ganga ki mauj main jamuna ka dhaara"

NM: Baiju Bawra

SK: waah waah waah waah

NM: par aap keh rahe hain to Baiju Bawra kaa gaana ham apne shrotaaon ko sunwa
rahe hain.

----------------------------------------------------------
Song: tu ganga ki mauj main jamuna ka dhaara (Baiju Bawra)
----------------------------------------------------------

NM: achchha aapke bachpan ki baat karen, aap ne to shaastriya sangeet seekha hai
na?

SK: jee haan, woh bhi ittefaaq ki baat yeh hai ki ghar mein meri maataaji ne,
unko baDaa shauk tha, Raj ji ke liye 'masterji' rakhe gaye the, Jagannath Prasad
ji bahut baDe achchhe guru, bahut naamcheen, yun samajh leejiye ki maine us
zamaane mein unse baDe kisi guru ka naam naheen sunaa tha. hamaare wahaan bagal
mein, 'neighbourhood' mein Saigal saahab rehte the, Matunga mein, aur wo bhi
unse Thumri aur Gazal aur gaane sunte seekhte the. tp ye 'masterji' Raj ji ke
liye rakhe gaye the, phir Raj ji mashgul ho gaye kaam mein, to Raj ji baahar ho
gaye, ek din main 'school' se lauTaa to maa ne pakaD liya ki 'Shammi, baiTh jaa
wahaan par, 'masterji' aaye huye hain'. main baiTh gaya 'and for the next 5
years I learnt music from Pandit Jagannath Prasad ji'. uske baad bhi jab main
waapas aata 'shooting' se, tab tak Shashi tak pahunch gaye the, bahut koshish
kiya unhone bhi lekin lakeer seedhee naheen huyi. to mujhe 'music' ka shauk hai,
'music' seekha hai maine.

NM: matlab aap bahut achchhe shishya the, bahut man lagaa kar seekha aapne

SK: bahut, abhi bhi mujhe unhone jo raag raaginiyaan seekhaaee thi, wo yaad hain
mujhe.

NM: kaun sa raag sabse achchha lagta tha aapko?

SK: khambaavati

NM: khambaavati, bahut mushkil raag hai

SK: mushkil raag hai, (sings this raag).

NM: kyaa baat hai! Shammi Kapoor saahab, aapne khambaavati raag ka zikr kiya to
mujhe yaad aaya Ustad Vilayat Hussain Khan saahab ka gaaya raag khambaavati, ek
jhalak thoDi si sun lete hain.

----------------------------------------------------
Raag Khambavati - Vocal (Ustad Vilayat Hussain Khan)
----------------------------------------------------

NM: bahut hi sundar, yaani ki jo bhi cheezen bachpan mein seekhee hai, waisi ki
waisi ab bhi dil-o-dimaaG par taazee...

SK: 'cycle' chalaana ek baar kisi ne seekh liya to wo bhoolta naheen.

NM: achchhaa riyaaz bhi karte the jab guruji chale jaate the to?

SK: jee bilkul bilkul

NM: phir agle aakar wo sunte the. us zamaane mein to guru aapki ek "saa" nikalte
hi pehchaan jaate the ki aap ne riyaaz kiya ya naheen. to unke bahut priya rahe
honge aap?

SK: jee, unhone Nutan ji ko bhi seekhaaya, Mukesh ji ko bhi, bahut hi qaabil
'master' ji the, ab to naheen rahe.

NM: to pareekshaaen to koi naheen dee hongi, bas seekhte jaate the?

SK: jee naheen, pareekshaa yahi thi ki jo main tumhe kahoon, tum usko 'improve'
karo. 'use improvise, learn how to improvise'. ye jo sa re ga ma pa dha ni sa,
saat sur hain, usi upar neeche gaate rahoge to usi raT mein reh jaaoge. 'Later 
learnt to compose and I think', baDe had tak, kuchh cheezen 'improvise' karti
hai zindagi mein bhi, 'you learn to improvise'. maine apni 'acting' mein aisa
kiya huya hai, maine apni gaano ke harakton mein aisa kiya, meri zindagi mein
koi 'choreographer' naheen aaya, koi 'dance master' naheen aaya ye kehne ke liye
ki 'one two three four, one two three four' karo, main Khud karta tha, phir
'improvise' karta tha. yahaan tak ki ki us gaane ka do teen 'take' ho jaaye,
pichhle do 'take' mein maine kya kiya tha mujhe Khud naheen maaloom, kyonki har
'take' mein kuchh alag kar deta tha. 'These things help you in life'. wo ek jaD
si ban jaati hai.

NM: Shammi Kapoor saahab, ham log Naushad saahab ki baat kar rahe the.

SK: kya kamaal ke gaane the saahab, sab 'classical', 'and he used classical so
beautifully'. unki wo film thi "madhuban mein raadhika naachi re"

NM: Kohinoor

SK: kya baat hai kya baat hai

-------------------------------------------------
Song: madhuban mein raadhika naachi re (Kohinoor)
-------------------------------------------------

NM: sangeet ka shauk to Shammi Kapoor ji poore parivaar mein hi tha aapke, jaisa
ki aapke maataaji ko shauk tha, aur Raj saahab ko bhi sangeet ka shauk tha, aur
pitaaji bhi aapke sangeet mein bahut ruchi rakhte the na?

SK: tabhi maine bataaya ki Shashi Kapoor ki lakeer sirf seedhee naheen ho sakee,
wo bechaara naheen gaa sakaa, naheen gaa sakaa. 'My father was very fond of
singing, he belongs to an era' jahaan par 'great singers' the, Pankaj Mullick, K
L Saigal, K C Dey, R C Boral kaa sangeet. 'He tried his best for Shashi', wo
baiThta bhi tha wahaan par, do teen sur idhar udhar ho jaati thi, phir uski
aankh mein se aansoo nikal jaate the.

NM: haan yeh sab bhagwaan gale mein sur deta hai, aap isey maanjh kar achchha
kar sakte hain, aap gaa sakte hain, par uparwaale ki kripaa hoti hai tabhi
sangeet aata hai. sangeet ki to kya baat hai, agar sangeet se jeevan se juDaa
huya hai to jeevan bhi sureela ho jaata hai. to Shammi Kapoor ji, ham log
Naushad saahab ki apki pasand ke gaane sun rahe hain, aur Naushad saahab ke
sangeet ki to kya baat thi, jahaan ek taraf 'classical music' itni sundartaa se
filmon mein prayog mein laaye, apne geeton mein, aur waheen 'melody' bhi jo thi
wo laajawaab thi.

SK: 'melody' mein bhi wo Noorjehan se jo gaane gawaaye the wo laajawaab tha,
"aawaaz de kahaan hai".

NM: jee

----------------------------------------
Song: aawaaz de kahaan hai (Anmol Ghadi)
----------------------------------------

NM: achchha Naushad saahab jo hain, Uttar Pradesh ke lok sangeet ka bhi bahut
achchha prayog kiya. aise koi gaane hain jo aapko pasand hain, lok sangeet par.

SK: naheen. unke itne gaane pasand hai ki 24 ghanTe main aapko sunaa saktaa hoon
(NM laughs).

NM: log 24 ghanTe sunte hi rahenge, unhe itna achchha lagegaa ki Shammi Kapoor
sangeetkaaron ki baat kar rahe hain, achchhe gaane sunne ko milenge, hamaari
baatchit ye jaari rahegi.

Reply | Forward | Messages in this Topic (2)
#2367 From: सजीव सारथी <sajeevsarathie@...>
Date:: Sun Sep 20, 2009 7:19 am
Subject:: लता की एल्बम और कुछ नयी चुनौतियाँ 		sajeevsarathie
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दोस्तों,
एक और संगीतमय सप्ताह मुबारक हो आपको...

इस माह की फीचर्ड एल्बम है लता मंगेशकर की "सादगी"

सुनिए दीपाली के साथ http://podcast.hindyugm.com/2009/09/featured-album-saadgii-by-lata.html

सुनो कहानी में ज़रा मुस्कराईये इस बार काका हाथरसी और अनुराग जी के साथ

http://podcast.hindyugm.com/2009/09/listen-pyar-kiya-to-marna-kya-by-kaka.html

महफिले-ए-ग़ज़ल में जमा हुए फैज़, नुसरत साहब,
http://podcast.hindyugm.com/2009/09/kab-yaad-men-tera-saath-nahi-nusrat.html
और पंकज और गोरखपुरी भी...
http://podcast.hindyugm.com/2009/09/blog-post_15.html

नए सुर ताल में "लव खिचडी" का एक मस्त भरा गीत 
http://podcast.hindyugm.com/2009/09/blog-post_17.html

और इस माह के लिए है हमारे सभी संगीत कारों के लिए एक नयी चुनौती...तैयार है आप सब
http://podcast.hindyugm.com/2009/09/compose-ramdhari-singh-dinkar-poem-win.html
 
ओल्ड इस गोल्ड ने शुरू किया अपने तीसरे दशक का सफ़र स्वप्न मजूषा जी के पसंदीदा गीतों के साथ -

हम है माता-ए-कूचा...
बा होशो-हवास में ...
हरे कांच की चूडियाँ...
जीवन से भरी तेरी ऑंखें...
संसार से भागे फिरते हो...
मैं तेरे प्यार में ...
मिलते ही ऑंखें दिल हुआ

इन नवरातों पर आपके मन की सब मुरादें पूरी ही, दुर्गा पूजा, दशहरा और ईद की ढेरों शुभकामनाएं आप सब को


--
सजीव सारथी
हिंद युग्म
sajeevsararthie@...
www.hindyugm.com
09871123997

Reply | Forward | Messages in this Topic (1)
#2366 From: "soojoi_india" <soojoi_india@...>
Date:: Sat Sep 19, 2009 12:10 pm
Subject:: VB Anniversary Special Programme 		soojoi_india
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Hi all,

3rd October being the Birthday of Vividh Bharati, the channel is going to
broadcast a special programme from 12 to 1:30 pm. This programme shall be
presented by Kumar Sanu & Alka Yagnik.

If you have any questions that you would like to ask these popular singers, do
send an email to specialvbs@... by 22nd Sept.

So, hurry up guys, any questions that you have been thinking to ask Alka Yagnik
and/or Kumar Sanu, this is a golden opportunity.

Selected emails shall find place in that programme.

Thanks & Regards,
Sujoy Chatterjee

Reply | Forward | Messages in this Topic (1)
#2365 From: "soojoi_india" <soojoi_india@...>
Date:: Sat Sep 19, 2009 12:05 pm
Subject:: UUYK - Shammi Kapoor on R D Burman 		soojoi_india
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UJAALE UNKI YAADON KE - SHAMMI KAPOOR
-------------------------------------

SHAMMI KAPOOR ON VARIOUS MUSIC DIRECTORS
----------------------------------------

SK: Shammi Kapoor
NM: Nimmi Mishra


R D BURMAN
**********

NM: shrotaaon namaskaar! sangeet ke baare mein hamaare Shammi Kapoor ji se jo
baatchit chal rahi hai wo jaari hai, aur Shammi Kapoor ji sangeet se bahut
gehraaee se juDe hain. sab sangettkaaron ko yaad kar rahe hain, unki sangeet
rachnaaen hamein sunvaa rahe hain, to Shammi Kapoor ji, aaj kis sangeetkaar ki
baari hai?

SK: aaj main R D Burman ke 'music' pe aa raha hoon. uska jo gaana hai R D Burman
ka, wo Javed ka likha huya hai, wo 1942 'picture' ka gaana, wo bangaali baabu ne
gaaya tha

NM: haan haan, Kumar Sanu ka gaaya, "ek laDki ko dekha to aisa lagaa".

SK: 'yes', kya gaana hai saahab, 'it was written by Javed', wohi aaj bhi gaane
likh raha hai.

NM: jee, wo jo 'lyrics' hote the, jeevan se juDe hote the. swar ke saath saath
bol bhi bahut asar karti thi.

SK: kya kamaal ka likha hai Javed ne

---------------------------------------------------------
Song: ek laDki ko dekha to aisa lagaa (1942 A Love Story)
---------------------------------------------------------

NM: Teesri Manzil film ke gaane bahut hi mashahoor huye aur aaj bhi bahut hi,
unki ek bahut hi maasoomeeyat kahen, ki asar kahen, ki uski 'melody' kahen, us
'film' ki jab 'shooting' ho rahi thi, yaa un gaano ki jab 'sitting' ho rahi thi,
tab aap ne kaisa mehsoos kiya tha us waqt, R D Burman saahab ke saath?

SK: Nasir mera baDaa kareeb aur jigri dost hai. pehli 'picture direct' kee thee
Tumsa Nahin Dekha, jiska main 'hero' tha, phir Dil Deke Dekho mein bhi main
'hero' tha, phir usne Dev Anand ko le liya, Jab Pyar Kisi Se Hota Hai, bahut hi
baDhiyaa 'music' tha us 'picture' ka. Khair, ek arse ke baad ham phir saath mein
aaye, Nasir aur main, Teesri Manzil ke liye. to Nasir ne kaha ki is film ke liye
ek naya 'music director' lete hain. maine kahaa achchhi baat hai. unhone kaha ki
mujhe bhi shauk hai, tujhe bhi shauk hai, 'why should we take Shankar Jaikishan
only?' bole ki R D Burman ko lete hain. to ek din ham sab 'sitting' pe baiThe.
Pancham ne gaana shuru kiya, (sings), "deewaana mujhsa naheen is ambar ke
neeche", aur main gaa uThaa, (sings) "e kaanchhaa malai sunko tara khasai
deona...". woh paagal ho gaya, uThke bhaag gaya wahaan se. (NM laughs). kehne
laga ki main 'music' naheen doongaa. maine yeh gaana Darjeeling mein suna tha,
isliye mujhe yaad reh gaya tha.

--------------------------------------------
Song: deewaana mujhsa naheen (Teesri Manzil)
--------------------------------------------

NM: Teesri Manzil ki koi ek Khaas yaadgaar ghaTanaa?

SK: bahut saari yaaden hain us 'picture' ke saath, is picture ka pehla gaana
'picturise' kar rahe the "o haseena zulfonwaali", aur wo gaana Khatam kiya hi
tha ki 'my wife fell sick'. Geeta fell sick, aur phir main ghar chalaa aaya tha
yahaan pe, 'and she died'. wo 'picture' ruk gayi, 'shooting' ruk gayi, Nasir ne
'set' lagaaye rakha Mehboob Studio mein teen maheene tak. aur teen maheenon tak
maine 'shooting' naheen kee. 'I was not in that mental state', aur phir jab main
Theek ho gaya, mujhe lagaa ki ab main 'shooting' kar sakta hoon, main gaya 'set'
pe aur tab wo gaana 'picturise' hona tha, (sings) "tumne mujhe dekha".

---------------------------------------
Song: tumne mujhe dekha (Teesri Manzil)
---------------------------------------

SK: 'R D Burman, to my understanding, is one of the best music directors' jisne
sahi upayog kiya 'of technique, of mod music, of beat music, percussions', uska
baDaa Khoobsooratee se istemaal kiya usne. wo Khud bhi gaata tha, aur un sab ko
'blend' karna, 'he made such brilliant songs', ek wo Amar Prem ka gaana hai
"chingaari koi bhaDke", kyaa baat hai saahab, 'soft', 'R D Burman has given such
soft songs'.

--------------------------------------
Song: chingaari koi bhaDke (Amar Prem)
--------------------------------------

NM: achchha, aapki sangeet se itni 'bonding' hai to aapne kabhi 'music
direction' ki naheen sochee?

SK: naheen Theek hai, maine haath pair jo failaaya, Taange vaange jo hilaayi (NM
laughs)...

NM: lekin abhi kabhi naheen lagta ki 'music' mein jab aap ko itni samajh hai,
seekha hai..

SK: 'retired' main, dil to bahut kuchh ko karta hai

NM: dil thoDe baDaa hota hai, dil ki to umar naheen hoti, wo thoDe 78 ka hot hai

SK: ab ye hai, isi mein waqt nikal jaata hai

NM: Shammi Kapoor ji, main aap ka ishaara samajh gayi, 'computer' ki taraf aapka
ishaara hai, yeh aapko 'busy' rakhta hai, aur jahaan tak hamaari jaankaari hai,
aap 'first internet user' hain.

SK: ye bahut kaam ki cheez hai, yahi mujhe 'busy' rakhta hai. 'I was very
fortunate that I got associated with people at the time' jab logon ko maaloom hi
naheen tha ki ye cheez hai kya. mujhe maaloom tha kyonki main 'already member'
tha, 'already net' pe tha. hindustaan ko VSNL ne diya 'net' 1995 mein. main 1991
mein chala gaya tha, main Apple user hoon, main Eagle ka 'member' raha hoon
America mein. wahaan 'net' pe kya ho raha hai main wo dekhta tha. to isliye wo
sab kuchh. yahaan par maine IUC banaaya tha, Internet users Club, us samay
Chairman tha main. aur ye ek achchhi 'hobby' hai, isi ne achchha saath diya hai
mera.

NM: aur sab gaane apne pasand ke aap ne ismein 'load' kar rakha hai.

SK: 4 hard disks hain, 2000 giga bytes.

NM: ek jamaa poonji ki tarah hai.

SK: main ek gaane ki baat kehna chaah raha tha, wo Suhaag Raat 'picture' ki hai,
Geeta ki, (sings) "rum jhoom matwaare baadal chhaa gaye, balam ji tori yaad
dilaa gaye, saawan ke din aa gaye". kyaa 'music' hai!

NM: Geeta ji ke saath koi film naheen kee aap ne?

SK: 3/4 picture-en kee

NM: kaun kaun si theen?

SK: Coffee House thi, Miss Coca Cola thi, Mohar thi, jismein Madan Mohan ka
'music' tha

NM: jee haan

SK: aur Rangeen Raat

NM: kabhi aapki shaadi huyi thi, Coffee House ke dauraan?

SK: Rangeen Raat

NM: wo bhi ek Khaas yaadgaar ghaTanaa hai shaadi, faTaafaT. wo bhi ek 'pillar of
strength' Geeta Bali ji

SK: 'She was a very strong person, pretty but strong. She shouldn't have gone
like that.' Tumsa Nahin Dekha ki 'shooting' pe ham gaye huye the. to Ambassador
'hotel' sabse baDaa 'hotel' tha. raat ko 11/12 baje khaana vaana khaake Geeta
aur main baahar baiThe huye the, aur maine kahaa ki 'picture' agar naheen
chalee, ab kya karoonga main bataa detaa hoon. Tumsa Nahin Dekha agar naheen
chalee to main 'industry' chhoD doonga. main Assam chalaa jaayunga, ghoDe pe
baiTh ke 'tea estate' mein 'manager' ban jaayenge, ek 'hat' hogaa, haath mein ek
chaabuk hogi, (NM laughs), aur tum chalogi? bolee ki main chaloongi lekin uski
zaroorat naheen paDegi.

NM: matlab unhe vishvaas tha aap par. achchha paDhne ka bhi shauk tha aapko
sangeet ke saath saath?

SK: haan

NM: abhi bhi hai?

SK: abhi bhi hai lekin aankhen saath naheen deti, 'I get tired'.

NM: 'computer' ke saamne baiThne se bahut saari jaankaari milti hai aur aapko
bahut shauk bhi hai. aur isse koi thakaan naheen hoti, 'refresh' hote jaate
hain.

SK: naheen to aadmi saThiyaa jaata hai, 'I am active only because of this'.

NM: gaana sunte huye zindagi bahut achchhi tarah se chalti jaati hai. 'music' jo
hai ek taaqat hai.

SK: bilkul, 'especially classical music'. Amir Khan, Bade Ghulam Ali Khan ko
abhi bhi sunta hoon to paagal ho jaata hoon.

NM: Amir Khan saahab ko saamne se sunaa aapne?

SK: haan, saamne se sunaa hai Amir Khan saahab ko, Firaaq saahab ko sunaa hai,
Omkar Nath Thakur ko suna hai, Bade Ghulam Ali ko sunaa hai, aur baiThke do do
ghanTe sunaa hai.

NM: Bade Ghulam Ali Khan saahab ki Thumri Khaas taur par...

SK: aa haa

NM: koi Thumri yaad aa rahi hai?

SK: (sings) "kaa karoon sajani aaye na baalam".

--------------------------------------------------------------
Clip: kaa karoon sajani (Thumri by Ustad Bade Ghulam Ali Khan)
--------------------------------------------------------------

Reply | Forward | Messages in this Topic (1)
#2364 From: Sudarshan Pandey <shankerjai@...>
Date:: Fri Sep 18, 2009 1:49 pm
Subject:: Re: Lata Mangeshkar Award to Yunus Khan 		shankerjai
Offline Offline
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My Heartiest Congratulation to Yunus Sahab
Now a days he is fantastic with Ujaale Unki Yaadon ke with Sharda....
 
Three Cheers!!!
 
sp/kol

--- On Thu, 9/17/09, soojoi_india <soojoi_india@...> wrote:

From: soojoi_india <soojoi_india@...>
Subject: [vividhbharati] Lata Mangeshkar Award to Yunus Khan
To: vividhbharati@...
Date: Thursday, September 17, 2009, 10:51 PM

 
dear friends,
HURRRRRRRRRY. ......... ....
A VERY GOOD NEWS........ ....
LATA DINANATH SANGRAHALAYA INDORE HAS ANNOUNCED TO GIVE THIS YEAR'S LATA MANGESHKAR AWARD FOR CONTIBUTION IN THE FIELD OF ART AND CULTURE TO YUNUS KHAN,THE POPULAR ANNOUNCER OF VIVIDH BHARATI MUMBAI ALONG WITH FOUR OTHER JOURNALISTS. ......... .....
CONGRATULATIONS TO YUNUS......
KEEP IT UP YUNUS....... WE ARE PROUD OF YOU
you can congratulate him at yunusmumbai@ gmail.com or vbsmumbai@gmail. com

Regards,
mahendra modi
channel head
vividhbharati
mumbai



Reply | Forward | Messages in this Topic (3)
#2363 From: Kaustubh Pingle <kcpingle@...>
Date:: Fri Sep 18, 2009 8:27 am
Subject:: Re: Lata Mangeshkar Award to Yunus Khan 		kcpingle
Offline Offline
Send Email Send Email
 
Congrats !!!!!!


On Thu, Sep 17, 2009 at 5:51 PM, soojoi_india <soojoi_india@...> wrote:

dear friends,
HURRRRRRRRRY..............
A VERY GOOD NEWS............
LATA DINANATH SANGRAHALAYA INDORE HAS ANNOUNCED TO GIVE THIS YEAR'S LATA MANGESHKAR AWARD FOR CONTIBUTION IN THE FIELD OF ART AND CULTURE TO YUNUS KHAN,THE POPULAR ANNOUNCER OF VIVIDH BHARATI MUMBAI ALONG WITH FOUR OTHER JOURNALISTS...............
CONGRATULATIONS TO YUNUS......
KEEP IT UP YUNUS....... WE ARE PROUD OF YOU
you can congratulate him at yunusmumbai@... or vbsmumbai@...

Regards,
mahendra modi
channel head
vividhbharati
mumbai



Reply | Forward | Messages in this Topic (3)
#2362 From: "martin_chal" <martin_chal@...>
Date:: Thu Sep 17, 2009 3:25 pm
Subject:: Role of All India Radio in Disaster Management 		martin_chal
Offline Offline
Send Email Send Email
  
Role of All India Radio in Disaster Management.

By,  Mr.Ashok Kumar Panigrahi, Mr.Bharat Bajaj,  & Mr V R Hari.

Courtesy www.i4donline.net

     This story helps us rediscover the power of a small local radio station of
ALL INDIA RADIO  to address the call of the distressed .

It is selected from the October 2008 issue of www.i4donline.net

           You can read it on http://www.friendsofprasarbharati.org/radio.htm

Reply | Forward | Messages in this Topic (1)
#2361 From: "soojoi_india" <soojoi_india@...>
Date:: Thu Sep 17, 2009 1:51 pm
Subject:: Lata Mangeshkar Award to Yunus Khan 		soojoi_india
Offline Offline
Send Email Send Email
  
dear friends,
HURRRRRRRRRY..............
A VERY GOOD NEWS............
LATA DINANATH SANGRAHALAYA INDORE HAS ANNOUNCED TO GIVE THIS YEAR'S LATA
MANGESHKAR AWARD FOR CONTIBUTION IN THE FIELD OF ART AND CULTURE TO YUNUS
KHAN,THE POPULAR ANNOUNCER OF VIVIDH BHARATI MUMBAI ALONG WITH FOUR OTHER
JOURNALISTS...............
CONGRATULATIONS TO YUNUS......
KEEP IT UP YUNUS....... WE ARE PROUD OF YOU
you can congratulate him at yunusmumbai@... or vbsmumbai@...

Regards,
mahendra modi
channel head
vividhbharati
mumbai

Reply | Forward | Messages in this Topic (3)
#2360 From: Sudarshan Pandey <shankerjai@...>
Date:: Tue Sep 15, 2009 9:20 am
Subject:: Re: Re: VB in Metros 		shankerjai
Offline Offline
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Dear Sujoy ji,
 
You have option at least there to switch over, But idhar to Kolkatans have no option. What about my request to write a letter. I am still waiting. Did you not open your personal mail box?
 
Aawashyakata hi Aawishkar ki Janani hai. may be one day like mobile, we would be able to have pocket DTH.
 
Regards
sp/kol

--- On Tue, 9/15/09, Sujoy Chatterjee <soojoi_india@...> wrote:

From: Sujoy Chatterjee <soojoi_india@...>
Subject: Re: [vividhbharati] Re: VB in Metros
To: vividhbharati@...
Date: Tuesday, September 15, 2009, 1:24 PM

 
Hi,

In Chandigarh, Can you believe on sundays, SMS Ke Bahaane programme is relayed from 12 to 12:15 and again from 12:30 to 12:45, as they have some local sponsored programs. I have stopped tuning to Chandigarh, instead I tune in to FM Shimla which broadcasts VB without any ads & local programmes.

Sudarshanji, your P-DTH concept is really nice.

Regards
Sujoy

--- On Mon, 9/14/09, Sudarshan Pandey <shankerjai@yahoo. com> wrote:

> From: Sudarshan Pandey <shankerjai@yahoo. com>
> Subject: Re: [vividhbharati] Re: VB in Metros
> To: vividhbharati@ yahoogroups. co.in
> Date: Monday, September 14, 2009, 11:02 PM
>
>
>
>
>
>
>
>
>
>
>
>
>  
>
>
>
>
>
> Upto some extent it is not bad
> and can be adjusted if important prog like Aap ki Farmaish,
> Chhayageet, Bhoole Bisre Geet etc etc are broadcasted on FM.
> Programmes in local language also need to be popularised. So
> wait for the day to come when pocket DTH are available. Till
> Then .....
>  
> Regards
> sp/kol
>
> --- On Mon, 9/14/09, ngopakumar2002
> <n_gopan@hotmail. com> wrote:
>
>
> From: ngopakumar2002 <n_gopan@hotmail. com>
> Subject: [vividhbharati] Re: VB in Metros
> To: vividhbharati@ yahoogroups. co.in
> Date: Monday, September 14, 2009, 3:07 PM
>
>
>  
>
> --- In vividhbharati@
> yahoogroups. co.in, hildebrand victor <hildebrand_
> us@...> wrote:
> >
> > Even where Vividh Bharti is played on FM many times I
> see mumbai centre's programmes are not played at some
> times and local programs are placed. I feel the same feed
> should be played everywhere. its very annoying to listen to
> local programs when you know better programs are being
> played by mumbai station.
> > What is opinion of other friends on this?
> > Hildebrand
> >
> >
> >
> >
> > See the Web&#39;s breaking stories, chosen by
> people like you. Check out Yahoo! Buzz. http://in.buzz.
> yahoo.com/
> >
>
> You're right Hiderbrand. Years back, local Vividh
> Bharati
> stations played lot of Hindi programmes from Mumbai. Now
> these stations are upgraded to FM and concentrated in
> programmes in local languages. Pahle Vividh Bharati sunne
> mein jo maza tha aaj nahin.
>
> gop
>
>
>
> Messages
> in this topic (7) Reply (via web
> post) | Start
> a new topic
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> | Members
> | Calendar
>
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> Change
> settings via the Web (Yahoo! ID required)
> Change settings via email: Switch delivery to Daily Digest | Swit
>
>
>
>
>
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>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>
>



Reply | Forward | Messages in this Topic (13)
#2359 From: Sudarshan Pandey <shankerjai@...>
Date:: Tue Sep 15, 2009 9:03 am
Subject:: Re: Re: VB in Metros 		shankerjai
Offline Offline
Send Email Send Email
 
No2. Ujaale Unki Yaadon ke is strong candidate. We can compromise for others. But it is my personal view
 
Regards
sp/kolkata

--- On Tue, 9/15/09, Srinivas Rao <omnishri@...> wrote:

From: Srinivas Rao <omnishri@...>
Subject: Re: [vividhbharati] Re: VB in Metros
To: vividhbharati@...
Date: Tuesday, September 15, 2009, 3:19 PM

 
Add to the listst:

1) Jaymala
2) Ujale Unki Yaadon Ki
3) Aaj Ke Fankaar
4) Hawa Mahal

cheers
Srinivas

On 9/14/09, Sudarshan Pandey <shankerjai@yahoo. com> wrote:
> Upto some extent it is not bad and can be adjusted if important prog like
> Aap ki Farmaish, Chhayageet, Bhoole Bisre Geet etc etc are broadcasted on
> FM. Programmes in local language also need to be popularised. So wait for
> the day to come when pocket DTH are available. Till Then .....
>
> Regards
> sp/kol
>
> --- On Mon, 9/14/09, ngopakumar2002 <n_gopan@hotmail. com> wrote:
>
>
> From: ngopakumar2002 <n_gopan@hotmail. com>
> Subject: [vividhbharati] Re: VB in Metros
> To: vividhbharati@ yahoogroups. co.in
> Date: Monday, September 14, 2009, 3:07 PM
>
>
>
>
>
>
> --- In vividhbharati@ yahoogroups. co.in, hildebrand victor <hildebrand_
> us@...> wrote:
>>
>> Even where Vividh Bharti is played on FM many times I see mumbai centre's
>> programmes are not played at some times and local programs are placed. I
>> feel the same feed should be played everywhere. its very annoying to
>> listen to local programs when you know better programs are being played by
>> mumbai station.
>> What is opinion of other friends on this?
>> Hildebrand
>>
>>
>>
>>
>> See the Web&#39;s breaking stories, chosen by people like you. Check out
>> Yahoo! Buzz. http://in.buzz. yahoo.com/
>>
>
> You're right Hiderbrand. Years back, local Vividh Bharati stations played
> lot of Hindi programmes from Mumbai. Now these stations are upgraded to FM
> and concentrated in programmes in local languages. Pahle Vividh Bharati
> sunne mein jo maza tha aaj nahin.
>
> gop
>
>
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#2358 From: Srinivas Rao <omnishri@...>
Date:: Tue Sep 15, 2009 6:19 am
Subject:: Re: Re: VB in Metros 		srirrao
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Add to the listst:

1) Jaymala
2) Ujale Unki Yaadon Ki
3) Aaj Ke Fankaar
4) Hawa Mahal

cheers
Srinivas

On 9/14/09, Sudarshan Pandey <shankerjai@...> wrote:
> Upto some extent it is not bad and can be adjusted if important prog like
> Aap ki Farmaish, Chhayageet, Bhoole Bisre Geet etc etc are broadcasted on
> FM. Programmes in local language also need to be popularised. So wait for
> the day to come when pocket DTH are available. Till Then .....
>
> Regards
> sp/kol
>
> --- On Mon, 9/14/09, ngopakumar2002 <n_gopan@...> wrote:
>
>
> From: ngopakumar2002 <n_gopan@...>
> Subject: [vividhbharati] Re: VB in Metros
> To: vividhbharati@...
> Date: Monday, September 14, 2009, 3:07 PM
>
>
>
>
>
>
> --- In vividhbharati@ yahoogroups. co.in, hildebrand victor <hildebrand_
> us@...> wrote:
>>
>> Even where Vividh Bharti is played on FM many times I see mumbai centre's
>> programmes are not played at some times and local programs are placed. I
>> feel the same feed should be played everywhere. its very annoying to
>> listen to local programs when you know better programs are being played by
>> mumbai station.
>> What is opinion of other friends on this?
>> Hildebrand
>>
>>
>>
>>
>> See the Web&#39;s breaking stories, chosen by people like you. Check out
>> Yahoo! Buzz. http://in.buzz. yahoo.com/
>>
>
> You're right Hiderbrand. Years back, local Vividh Bharati stations played
> lot of Hindi programmes from Mumbai. Now these stations are upgraded to FM
> and concentrated in programmes in local languages. Pahle Vividh Bharati
> sunne mein jo maza tha aaj nahin.
>
> gop
>
>
>
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#2357 From: Sujoy Chatterjee <soojoi_india@...>
Date:: Tue Sep 15, 2009 4:24 am
Subject:: Re: Re: VB in Metros 		soojoi_india
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Hi,

In Chandigarh, Can you believe on sundays, SMS Ke Bahaane programme is relayed
from 12 to 12:15 and again from 12:30 to 12:45, as they have some local
sponsored programs. I have stopped tuning to Chandigarh, instead I tune in to FM
Shimla which broadcasts VB without any ads & local programmes.

Sudarshanji, your P-DTH concept is really nice.

Regards
Sujoy

--- On Mon, 9/14/09, Sudarshan Pandey <shankerjai@...> wrote:

> From: Sudarshan Pandey <shankerjai@...>
> Subject: Re: [vividhbharati] Re: VB in Metros
> To: vividhbharati@...
> Date: Monday, September 14, 2009, 11:02 PM
>
>
>
>
>
>
>
>
>
>
>
>
> 
>
>
>
>
>
>                   Upto some extent it is not bad
> and can be adjusted if important prog like Aap ki Farmaish,
> Chhayageet, Bhoole Bisre Geet etc etc are broadcasted on FM.
> Programmes in local language also need to be popularised. So
> wait for the day to come when pocket DTH are available. Till
> Then .....
> 
> Regards
> sp/kol
>
> --- On Mon, 9/14/09, ngopakumar2002
> <n_gopan@hotmail. com> wrote:
>
>
> From: ngopakumar2002 <n_gopan@hotmail. com>
> Subject: [vividhbharati] Re: VB in Metros
> To: vividhbharati@ yahoogroups. co.in
> Date: Monday, September 14, 2009, 3:07 PM
>
>
> 
>
> --- In vividhbharati@
> yahoogroups. co.in, hildebrand victor <hildebrand_
> us@...> wrote:
> >
> > Even where Vividh Bharti is played on FM many times I
> see mumbai centre's programmes are not played at some
> times and local programs are placed. I feel the same feed
> should be played everywhere. its very annoying to listen to
> local programs when you know better programs are being
> played by mumbai station.
> > What is opinion of other friends on this?
> > Hildebrand
> >
> >
> >
> >
> > See the Web&#39;s breaking stories, chosen by
> people like you. Check out Yahoo! Buzz. http://in.buzz.
> yahoo.com/
> >
>
> You're right Hiderbrand. Years back, local Vividh
> Bharati
>  stations played lot of Hindi programmes from Mumbai. Now
> these stations are upgraded to FM and concentrated in
> programmes in local languages. Pahle Vividh Bharati sunne
> mein jo maza tha aaj nahin.
>
> gop
>
>
>
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> in this topic (7) Reply (via web
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Reply | Forward | Messages in this Topic (13)
#2356 From: hildebrand victor <hildebrand_us@...>
Date:: Mon Sep 14, 2009 5:01 pm
Subject:: Re: Re: VB in Metros 		hildebrand_us
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>You're right Hiderbrand. Years back, local Vividh Bharati stations played >lot of Hindi programmes from Mumbai. Now these stations are upgraded >to FM and concentrated in programmes in local languages. Pahle Vividh >Bharati sunne mein jo maza tha aaj nahin.

So true gop ji. The variety is reduced and there is an overdose of four major singers only.

HB


From cricket scores to your friends. Try the Yahoo! India Homepage!

Reply | Forward | Messages in this Topic (13)
#2355 From: Sudarshan Pandey <shankerjai@...>
Date:: Mon Sep 14, 2009 5:32 pm
Subject:: Re: Re: VB in Metros 		shankerjai
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Upto some extent it is not bad and can be adjusted if important prog like Aap ki Farmaish, Chhayageet, Bhoole Bisre Geet etc etc are broadcasted on FM. Programmes in local language also need to be popularised. So wait for the day to come when pocket DTH are available. Till Then .....
 
Regards
sp/kol

--- On Mon, 9/14/09, ngopakumar2002 <n_gopan@...> wrote:

From: ngopakumar2002 <n_gopan@...>
Subject: [vividhbharati] Re: VB in Metros
To: vividhbharati@...
Date: Monday, September 14, 2009, 3:07 PM

 
--- In vividhbharati@ yahoogroups. co.in, hildebrand victor <hildebrand_ us@...> wrote:
>
> Even where Vividh Bharti is played on FM many times I see mumbai centre's programmes are not played at some times and local programs are placed. I feel the same feed should be played everywhere. its very annoying to listen to local programs when you know better programs are being played by mumbai station.
> What is opinion of other friends on this?
> Hildebrand
>
>
>
>
> See the Web&#39;s breaking stories, chosen by people like you. Check out Yahoo! Buzz. http://in.buzz. yahoo.com/
>

You're right Hiderbrand. Years back, local Vividh Bharati stations played lot of Hindi programmes from Mumbai. Now these stations are upgraded to FM and concentrated in programmes in local languages. Pahle Vividh Bharati sunne mein jo maza tha aaj nahin.

gop

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