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   Description : Kidar Sharma

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Thanks for ur mail Naresh.
BTW, I have uploaded the text of all episodes of this prog aired till
now in the files section. Go to Transcripts->Ujale Unki Yadon Ke.
File name is pyarelal.txt

Bye
Sujoy

--- In vividhbharati@..., "Naresh Khattar"
<nareshkhattar@s...> wrote:
> Soojoi this is a very intresting article. Congrats for the good
work.
>
> Naresh
>   ----- Original Message -----
>   From: soojoi_india
>   To: vividhbharati@...
>   Sent: Monday, April 25, 2005 9:20 PM
>   Subject: [vividhbharati] UUYK - Pyarelal - Next Part
>
>
>
>   Remembering Mohd Rafi, Pyarelal discloses that Rafi sahab never
>   cancelled any recording not only for them but also for any music
>   director. Even during fever or ill health, he used to come for
>   recording.
>
>   When LP composed the song "Oooo....Khilauna jaankar tum to mera
dil
>   tod jaati ho", they were very nervous thinking about the
possibility
>   that this song would turn into comedy if audience in the theatre
>   makes fun of the "ooo...." part. But nothing of that sort
happened.
>   Rafi sahab sang it so perfectly that no one even dared to laugh
at
>   it, and this song became a huge hit.
>
>   In the title song of Patthar Ke Sanam, the antara goes like
>   this "Ahsaan tera, dil mein liye, chalte rahe, angaaron par". The
>   tune rises upwards from "ahsaan tera" to "dil mein liye"
to "chalte
>   rahe" to "angaaron par". This style of antara is basically the
style
>   of Mehdi Hasan's ghazals. LP applied this concept in this song.
No
>   body understood the Mehdi Hasan principle and the song turned out
to
>   be one of the evergreen hits of Rafi sahab.
>
>
>   Three favourite Lata numbers of Pyarelal are:
>
>   1. Jeevan dor tumhi sang baandhi
>   2. Koi mere maathe ki bindiya sajaa de re
>   3. Aayegi jaroor chitthi mere naam ki sab dekhna
>
>   LP used to visit the Mangeshkar house since their age of 7-8
years.
>   They used to go to meet Baal saheb (Hridaynath Mangeshkar).
Pyarelal
>   feels that Hridaynath is not only a great composer, but also a
great
>   singer. He doesn't undertand why he never sang. They arranged
music
>   of 2-3 songs for Hridaynath. Pyarelal was 11 years old that time.
>   Pyarelal admits that it was of immense help to them visiting the
>   Mangeshkar house as they could meet and listen to great musical
>   personalities there, some names being Dagar Bandhu, Ram Narayan,
>   Husnlal, Amir Khan Sahab of Pakistan and so on, who used to visit
>   Lataji's place. LP also heard a lot of Maharashtrian music and
Natya
>   sangeet there.
>
>   Before the recording of the song "Yeh dil tum bin kahin lagta
naheen
>   hum kya karen", LP borrowed some amount from both Lata Mangeshkar
and
>   Mohd Rafi to meet the expenses. After the recording was over,
>   Pyarelal said to them, "Main aap logon ka paisa waapas naheen
>   karnewala hoon kyun ki iska koi keemat naheen hai. Un dono ne
humein
>   bahut aashirwaad diya aur kaha ki khush raho".
>
>   Speaking about Lata Mangeshkar's greatest skill, Pyarelal says
that
>   she sings every song in a very simple manner. Citing example of
the
>   song, "Mere laadlon phoolo phalo", he says, "Woh bolon ko bahut
>   simplicity ke saath gaati hain, woh chahti to 'laadlon' is word
ko
>   style ke saath gaa sakti theen, lekin naheen, woh jitna simple
>   tareeke se ho sake gaati hain".
>
>   Pyarelal recalls memories of the Filmfare Award function of 1970
when
>   it was declared that Lata Mangeshkar won't be accepting the award
any
>   more - "Aapko pata hoga ki aakhri baar Lataji ne 'aap mujhe
achchhe
>   lagne lage' is geet ke liye award liya tha. yeh geet tha 1969 ka
>   jiska award 1970 ke function mein unhe milna tha. Unhone yeh tay
kar
>   liya tha ki iske baad woh award naheen lengi. Unhone ek letter
likha
>   Filmfare ko ki unka naam nomination mein na daala jaaye. Us award
>   function mein unhe 'achchha to hum chalte hain' yeh geet gaana
tha.
>   Unhone apna bag microphone par latka diya. Is geet mein
>   jaise 'ta...ta' bola jaata hai, waise hi unhone gaaya aur gaana
>   khatam hote hi unhone microphone par se apna bag uthaya aur
seedhe
>   stage se neeche utar gayeen. Unka sense of humour ghazab ka hai.
>   Kuchh der baad unka letter padhaa gaya ki iske baad Lataji koi
award
>   naheen lengi. She is great great great!"
>
>
>
>
>
> --------------------------------------------------------------------
----------
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Service.

Aaj ka yeh karyakram samarpit hai film jagat ke suprasiddha
sangeetkaar jodi Shankar Jaikishen

ke Shankar ki smriti ko.

Song: Tum jo hamare meet na hote (Aashiq)

Sangeetkaar Shankar ka poora naam tha Shankarsinh Ramsinh
Raghuvanshi. Unka janm 15

October 1922 ko Madhya Pradesh mein huya tha. Unke pita ko rozi roti
kamaane ke silsile se

Hyderabad jaana padaa. Waheen Shankar ka bachpan beeta. Bachpan se hi
Shankar ke do

shauk the - kasrat aur sangeet. Chhote se umra mein hi unhone tabla
vaadan mein zabardast

haath jamaa liya tha. Shuruwaati taalin unhe mili Baba Nasir Khan
saheb se. Unske baad apni

lagan aur mehnat se tabley mein dakshata haasil kee. Sangeetkaar
usnlal Bhagatram se unhone

cine-sangeet ki baarikiyon ko seekha. Jaipur gharaane ke Krishnan
Kutti se unhone seekha

Kathak. Ek ghumattu natya mandali mein, jiske maalik the Satyanarayan
aur Hemwati, shaamil

ho gaye. Phir uske baad unhone 75 rupay prati maah ke hisaab se
Prithvi Theatres ki naukri kar

lee. Wahan ek harmonum vaadak ki zaroorat thee. Shankar ki madad se
Jaikishen ko yeh jagah

mil gayi. Shankar aur Jaikishen, dono ko abhinay ka shauk tha.
Prithvi Theatres ki naatak

Pathaan mein dono ne abhinay kiya. r K Films ke banner taley bani
film Aag mein Shankar ne ek

machhuwaare ka role ada kiya to Jaikishen ne Shree 420 aur Begunaah
jaisi filmon mein abhinay

kiya. Film Begunaah ka geet "Aye pyaase dil bezubaan" Mukesh ki awaaz
mein Jaikishen par hi

filmaya gaya tha. Sangeet Shankar aur Jaikishen ke roohon mein basaa
huya tha. Dono ke

raaste ek the aur manzil bhi ek thee.

Song: Taqdeer kahaan le jaayegi maloom naheen (Saanjh Aur Savera)

Taqdeer Shankar Jaikishen ko kahaan le gayee, yeh hum sab jaante
hain. Shankar Jaikishen,

sangeet jagat ke genius, unka na keval Bhartiya sangeet balki
paashchaatya sangeet ki bhi gehri

samajh thee. Shankar poornata mein, perfection mein vishvaas rakhte
the. Shankar Opera House

theatre ke paas hi ek jagah kasrat karne jaaya karte the. Waheen unki
mulaaqaat huyi Duttaram

se jinhone unse tabla aur dholak ki baarikiyaan seekhee. Duttaram ek
baar Shankar ko

Chandrabadan Bhatt ki ek Gujarati naatak dikhaane le gaye jahaan unki
mulaaqaat huyi Jaikishen

se. Shankar aur jaikishen pehle dost bane aur phir ek vyavsaayik
sambandh ban gaya. RK Films

ki doosri film Barsat mein Shankar Jaikishen ko swatantra roop se
sangeet dene ka mauka mil

gaya aur shuru ho gayi unke geeton ki barsaat jo aaj tak shrotaaon ke
dilon ko bheego rahi hai.

Song: Barsaat mein humse mile tum (Barsat)

Barsat film ke gaane behad lokpriya huye. Iske baad Shankar Jaikishen
ki vyastata bhi badhti

gayee. Film Awara ke baad dono ne yeh tay kar liya ki apne apne
pasand ke anuroop we dono

alag alag kaam karenge, par har geet mein naam dono ka hoga. Kuchh ek
apvaadon ko chhodkar

Jaikishen Hasrat Jaipuri ke geeton ko sangeet dene lage jab ki
Shankar Shailendra ke geeton ko.

Song: Sab kuchh seekha humne na seekhee hoshiyaari (Anari)

Shankar ko kai vaadya yantra bajaane mein mahaarath haasil thee.
Tabla, dholak aur pakhawaj

par to unka adhikaar tha hi, iske alawa piano, harmonium, sitar aur
violin par bhi siddhahasth the.

Song: Ruk jaa raat theher jaa re chanda (Dil Ek Mandir)

Jaikishen ke liye Shankar ek maarg-darshak pita jaise the. Shankar ke
tudak mizaaj ke hote

huye bhi Jaikishen ne apne antim saans tak kabhi unke khilaaf kuchh
naheen kaha aur na hi kahi

unke dil ko thes pahunchaya. Woh yahi maante rahe ki woh jo kuchh bhi
hain Shankar ki wajah

se hain. We dono mitra se bhi badhkar sage bhaiyon jaise the.
Jaikishen ne kabhi Shankar ke

sammaan ko thes naheen pahunchaya chaahe paristhiti kitne hi viparit
kyun na rahi ho.

Song: Jeena isi ka naam hai (Anari)

Naayika pradhaan filmon mein nritya ke mahatwa ko jankar Shankar ne
Kathak seekha. Jaikishen

bhi nritya geeton ke sanyojan mein Shankar ka loha maante the.

Chori Chori...

Clip: Manbhavan ke ghar jaaye gori (Chori Chori)

Ujala...

Clip: Tera jalwa jisne dekha woh tera ho gaya (Ujala)

Rajkumar...

Clip: Naach re mann bathamma (Rajkumar)

aur Mere Huzoor...

Clip: Jhanak jhanak tori baaje payaliya (Mere Huzoor)

Yeh aur aisi anek filmen saakshi hain Shankar ke nritya geet tayyaar
karne ki pratibha ke.

Song: Ghungharwa mora chham chham baaje (Zindegi)

Shankar bahut hi vyavasthit tareeke se kaam karte the. Subah dus baje
rehearsal room mein

ghus jaate aur shaam saat baje tak sangeet sarjan ka kaam karte.

Song: Raat ke humsafar thak ke ghar ko chale (An Evening in Paris)

Bhairavi, Darbari Kalra, Shankara aur Bhimpalasi Shankar ke pasandida
raagon mein se the. In

raagon ka istemaal kar aur uchit vaadya yantron ka prayog kar meethe
se meethe geet banate.

Song: Dost dost na raha (Sangam)

Shankar aur Jaikishen ko Bharat sarkaar ne Padmashree se sammanit
kiya hai. Unke geeton ko

kul milakar 27 Filmfare award mile hain. Unke swarbaddha geeton ko
gaakar Manna Dey ne do

baar Rashtriya Puraskaar jeete.

Song: Yeh raat bheegi bheegi (Chori Chori)

Jaikishen Shankar se 10 saal chhote the. 4 November 1932 ko janme
Jaikishen Panchal ne

sangeet ki taalim Wadilal, Prem Shankar nayak aur Vinayak Rao Tembe
se liya. Raagon ki agar

baat kee jaaye to Jaikishen ke manpasand raagon mein se the Bhairavi,
Yaman Kalyan,

Bageshwari, Tilak, aur Shodh Kalyan. Geeton ke saath saath filmon ke
background music

tayyaar karne mein Jaikishen ko nipoornta haasil thee. Unke paarshwa
sangeet ko kaafi sarahna

mili hai. Do dashakon tak ek saath karne ke baad 12 Sitamber 1971 ko
peeliya se aakraant hone

ke baad apne saathi Shankar ko akela chhodkar Jaikishen is duniya se
vidaa le liya aur chale

gaye bahut bahut door.

Song: Yaad kiya dil ne kahaan ho tum (Patita)

39 varsh ki alpaayu mein Jaikishen ne is duniya ko chhod diya par
unka sangeet yugon yugon tak

hamare beech rahegi. Jaikishen ke jaane ke baad Shankar ne apne naam
ke saath unka naam

jode rakha aur kuchh ek filmon mein sangeet diya.

Song: Jaane kahaan gaye woh din (Mera Naam Joker)

Jaikishen ke jaane ke 16 saal baad 26 April 1987 ko Shankar ne bhi is
duniya ko alvida keh diya

aur chal pade apni mahayatra par. Shankar Jaikishen ki amar jodi ne
jo amar sangeet ki rachna

kee hai woh yugon yugon tak aise hi taaze hawa ke jhonke ki tarah
taazi rahegi jise duniya kabhi

na bhula paayegi.

Song: Tum mujhe yun bhula na paayoge (Pagla Kahinka)

THE END

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   Description : Shankar (of Shankar Jaikishen)

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Hello,

This email message is a notification to let you know that
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   File        : /Transcripts of VB Programmes/Aaj Ke
Fankaar/Singers/YYYYMMDD_Sudesh_Bhosle
   Uploaded by : soojoi_india <soojoi_india@...>
   Description : Sudesh Bhosle

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BASED ON AN INTERVIEW OF SUDESH BHOSLE IN "HAMARE MEHMAAN" PROGRAMME
ON VIVIDH BHARATI MUMBAI BROADCAST ON 27 APRIL 2005 (INTERVIEWER:
NIMMI MISHRA). SONGS SELECTED BY THE TRANSCRIPTOR.

Aaj Ke Fankaar mein aaj baaten ek bahumukhi pratibha ki, jo ek
paarshwa gaayak hone ke saath saath ek uchcha koti ke mimicry artiste
bhi hain aur ek painter bhi.

Song: Say Shava shava (Kabhi Khushi Kabhie Gham)

Jee haan, hamare aaj ke fankaar aur koi naheen, hamare aaj ke fankaar
hain Sudesh Bhosle.

Song: Meri dukaan pe aana meri jaan (Pyar Ka Devta)

Bachpan mein Sudesh Bhosle bahut hi shaant aur sharmile swabhaav ke
the. Unke shabdon mein us samay unki awaaz ladkeeyon jaisi thee, woh
apni awaaz ko bina badle hi jab Lataji ke gaane gaate the to log
hairaan reh jaate the. Mimicry ki beej shayad tabhi se unmein panap
rahi thee.

Song: Jeenewaalon jeevan chhuk chhuk gaadi ka hai khel (Indrajeet)

Sudesh Bhosle Goa mein Panaji ke paas Shiroda naamak chhote se jagah
se taallukh rakhte hain. Unko sangeet virasat mein hi mila. Unke
mataji Suman Bhosle ek gaayika theen aur unki naani Durgabai
Shirodkar Agra gharane ki achchhi gayika theen. Aur isi tarah sangeet
Sudesh Bhosle ke khoon mein bhi pahunch gaya.

Song: Chal chal ri chal meri Ram Pyari (Akayla)

Sudesh Bhosle ke pita N R Bhosle film publicity ka kaam karte the.
Filmon ke posters aur hoardings banaane ka kaam tha unka. Jahaan ek
or apne maata aur naaniji se Sudesh ko mila sangeet, waheen apne pita
se unhe mila painting ke gun. San 1974 mein Sudesh Bhosle ne apna
pehla filmi poster paint kiya Rajesh Khanna aur Hema Malini abhineet
film Prem Nagar ke liye. Phir 1974 se lekar 1982 tak unhone kai
filmon ke posters aur hoardings paint kiye jinmein shaamil hain
Julie, Swayambar aur Swag Nark jaisi filmen.

Song: Kabhi khushiyon ki sargam likhenge (Mrityudaata)

College ke dino mein unko yeh khayaal aaya ki jis kalakaar ke geet
woh gaaye woh usi kalakaar ke andaaz mein gaaya jaana chahiye. Is
tarah se unki mimicry ki shuruwaat huyi. Pehli baar unka stage
performance 26 January ke ek jalse mein huya, jab unko bina poochhe
hi ilaake ke logon ne unka naam announce karwa diya. Unhone Kishore
Kumar ka gaaya "wada tera wada" gaaya jiski logon ne behad sarahna
kee.

Song: Naina ho gaye baawre tere sang nain ladaake (Phool Bane
Angaaren)

Sudesh Bhosle speaks: Muqaddar Ka Sikander film maine dekha aur usse
bahut prabhaavit huya, har artiste ne bahut achchha abhinay kiya tha,
khaas kar Amitji ka role mujhe bahut pasand aaya tha. Yeh film
dekhkar main college gaya, ek ladki aa rahi thee to maine yunhi keh
diya "Aye Zohra jaan, darwaza khol de" (in AB's style). Ladki ne
naheen suna par mere doston ne kaha ki yeh tumne bilkul Amitabh
Bachchan jaisa bola hai. Mujhe yakeen naheen huya. Waheen mere doston
mein ek Dev Anand sahab ke bade fan the, usne Dev sahab ki nakal
karte huye mujhse kuch sawaal kiye aur maine Amiji ke style mein
jawaab diya. Usey umne record kiya tha aur jab maine woh recording
suni to mujhe bhi laga ki main Amitji jaisa hi bola hai. Waheen se
shuru huyi. Phir mujhe ek baar kisi college function mein gaane ke
liye bulaya, jab announce huya ki yeh ladka Amitabh Bachchan ki
mimicry karega to bachchon ne yakeen naheen kiya kyunki us samay tak
kisine unki nakal naheen kar paayi thee. Jaise hi maine Amar Akbar
Anthony ka ek dialogue bolna shuru kiya hall mein pin-drop silence ho
gaya, once more once more ke shor se hall goonjne lagaa. Usi din
mujhe confidence aa gaya.

Song: Ya Ali ya Ali mera naam hai Ali (Ajooba)

Doston, Ajooba film ka yeh geet tha Sudesh Bhosle ki awaaz mein jo
inka Amitabh Bachchan ke liye gaaya huya pehla gaana tha. Amitabh
Bachchan ke liye Sudesh Bhosle jaisa playback aur kisi bhi gaayak ne
naheen de paaya hai. Film Hum ke baad Amitji ne yeh kaha tha ki ab
aage se main naheen gayunga, ab Sudesh Bhosle hi mere liye gaayega.
To sunte hai film Hum ka wohi geet jisne hungama macha diya tha.

Song: Chumma chumma de de (Hum)

Doston, film Baghban mein Amitabh Bachchan ne khud kuch gaane gaaye
the aur Sudesh Bhosle ne bhi ek gaana gaaya tha. Par majaal hai kisi
ki jo bataa sake ki kaun sa geet kisne gaaya tha!

Song: Meri makhna meri soniye (Baghban)

Sudesh Bhosle speaks: 1982 mein main ek show ka anchoring aur
compering kar raha tha,  Melody Makers Orchestra ki nazar mujhpar
padee aur mujhse poochha kihamare saath shows karoge? Main turant
raazi ho gaya. Yeh wohi orchestra hai jise Kishore Kumar apne shows
mein le jaate the. Aur is tarah se mujhe Kishore Kumar se milne ka
mauka mil gaya. Paanch saal tak main unke saath kaam kiya, unke shows
ka main anchoring karta aur unhe inroduce bhi karta. Mera first
foreign tour tha 1984 mein Hema Malini, Helen aur Asrani ke saath
Fiji mein.

Song: Raat kal tumhari mujhe yaad aa gayi (Dil Hi To Hai)

Sudesh Bhosle speaks: 1986 mein Ashaji mera ek show dekhne aayi
theen. Unhone organizer se poochha ki yeh naya ladka kaun hai, achcha
gaa raha hai. Isi dauraan ek baar Ashaji ke saath ek studio mein
mulaqaat ho gayi. Unhone mujhse kaha ki maine suna hai aap Sachinda
ki bahut achchhi copy karte ho, ek baar suna do. Main ghabra gaya ki
Ashaji ke saamne kaise gaayunga. Wahaan na koi musician tha, na kuch
tha. Maine aankh band kar lee aur Amar Prem film ka geet "Doli mein
bithaike kahaar" sunaya. Jab maine aankhen kholi to Ashaji apne dono
haathon se apne chehre ko dhake huye theen, jab unhone apne haath
neeche kiye to unke gaalon se aansoo beh rahe the. Unhone kahaa ki
mujhe aisa lagaa ki jaise mere saamne Dada khade hokar gaana gaa rahe
hain. Unhone tabhi ek cassette mein us gaane ko record karwaya aur R
D Burman sahab ko ghar jaakar sunwaya. Agle din R D Burman ka phone
aaya ki apna passport lekar aa jaao. Main doosre din gaya to unhone
mujhse kaha "Mere baap ki awaaz mein gaate ho?" (in Pancham's voice &
style). Phir un dono ke saath mujhe Hongkong le gaye aur unke saath
gaane ka mauka diya. Wahaan par maine jab Burman dada ka gaaya "Sun
mere bandhu re" gaaya to R D Burman stage par aa ge aur mujhse lipat
kar rone lage. Usi din unhone mujhse promise kiya ki India lautkat
woh mujhe film mein gaane ka chance denge. Unhone apni baat rakhi aur
film Zalzala ka ek Holi geet mujhse gawaya.

Song: Holi aayi re aayi re (Zalzala)

Chaahe abhineta ki awaaz ho ya gaayakon ki, Sudesh Bhosle behad
khoobsurti ke saath sabhi ki mimicry bahut hi dakshata se karte hain.
Logon ko we khoob hansaate hain lekin kabhi kisi kalaakaar ka mazaak
naheen karte. Sanjeev Kumar ke nidhan ke baad unhone unki paanch
adhuri filmon ko dub karne mein madad kee apne isi mimicry ke jaadooi
andaaz ka sahara lekar. Yeh filmen theen Love and God, Qatl, Do Waqt
Ki Roti, Oonch Neech Beech, aur Professor Ki Biwi. Beharhal aayiye
sune Jhankaar Beats film ka yeh shirshak geet jise unhone Panchamda
ke andaaz mein gaaya hai.

Song: Jhankaar Beats (Jhankaar Beats)

Filmi abhinetaaon ke dialogues ki to woh poori kaamyaabi ke saath
mimicry karte hi hain, unhone kai abhinetaaon ke liye aisa paarshwa
gaayan kiya hai ki aisa lagta hai maano abhineta khud gaa rahe hain.
Kuch naam ginaaye aapko?

Raj Kumar, film Saudagar...

Clip: Imli ka boota beri ka ped (Saudagar)

Nana Patekar, film Krantiveer...

Clip: Maine dekha jab teri nazron ke through (Krantiveer)

Anupam Kher, film Shreeman Ashiq...

Clip: Ladki ladki (Shreeman Ashiq)

Lekin Amitabh Bachchan ke liye kiye gaye unke playback ki to kya baat
hai!

Song: Ek Punjaban kudi Punjaban (Major Saab)

Sudesh Bhosle ki patni ek pianist hain. Unki beti Shruti sangeet aur
nritya seekh rahi hain jab ki unke bete Siddhant bhi classical music
ki training le raha hai. Sudesh Bhosle ke shabdon mein woh naheen
chaahte ki unka beta bhi woh galti kare jo unhone kiya hai. Lekin hum
to Sudesh Bhosle se yahi kahenge ki unki isi galti ki wajah se hi
laakhon log unke chaahnewaale ban gaye hain. Hum unhe dete hain ek
ujjwal bhavishya ke liye dheron shubhkaamnaayen.

Song: Main rab rab kardee (Mrityudaata)

THE END

Sargam Ke Sitaare, Film Sangeet ke is sureele safarnaame mein hamaare
aaj ke humsafar hain guzre zamaane ke mashoor

mausikaar Sajjad Hussain jinhe hum Sajjad ke naam se bhi jaante hain.
Aayiye aaj is karyakram mein sune Sajjad sahab ke geet aur

unse judee kuch yaaden.

Song: Mujhme samaa gaye sajan...mera jahaan basaa diya (Sangdil)

Ek se ek amar geeton ke rachaita- Sajjad Hussain, ek se ek yaadgaar
dhuno ke shrashta- Sajjad Hussain, solah saazon ko bajaane

mein nipoorn- Sajjad Hussain, jinke gaane aaj bhi ek taaze hawa ke
jhonke ki tarah hamare dil ko mehka deti hai. Aayiye sune

barson puraana yeh khoobsurat sadaabahaar naghma.

Song: Yeh hawa yeh raat yeh chandni (Sangdil)

Sajjad Hussain ka janm 15 June 1919 ko Madhya Pradesh ke Sitamu mein
huya tha. Unke pita Malwa ke darbaar mein gaayak the.

Is tarah se balak Sajjad ka apne pita ke saath darbaar mein aana
jaana tha aur waheen we mahaan gaayak aur sangeetagyon ke

sangsparsh mein aaye. Inhi dino unhone Mandolin yantra ko dekha aur
hairaani ki baat yeh hai ki sirf 14 saal ki umra mein unhone

khud ek mandolin yantra hi bana daala. Waheen se unki sangeet yatra
shuru ho gayi aur yahi mandolin baad mein unke rache

sangeet ki jaan ban gayi. Aayiye isi mandolin ki jadoo ka asar sune
is geet mein jise Sajjad sahab ne Arabian maahaul mein behad

kaamyaabi se dhaala tha.

Song: Aye dilruba nazren mila (Alif Laila)

Apni kismat aazmaane ke liye Sajjad Hussain bhi san 1937 mein Bambai
aa gaye aur adakaara Meena Kumari ke waalid sahab Mir

Ali Baksh ke sahaayak ban gaye. 5 saal baad bataur swatantra
sangeetkaar Sajjad Hussain ko mauka mila Shaukat Hussain ki film

Dost mein sangeet dene ka. Is film ke gaane behad maqbool huye, khaas
kar Noorjehan ka gaaya yeh naghma...

Song: Badnaam mohabbat kaun kare (Dost)

Dost, Sainya, Hulchul jaisi filmon mein Sajjad Hussain ne madhur
sangeet diye. Par we bataur film sangeetkaar ek lambi paari

naheen khel sake aur na hi top ke sangeetkaaron ki shreni mein
pahunch paaye. Iske mukhya do kaaran the, pehla unki

atispashtavaadita aur doosra unka swaabhimaani hona. Film industry ke
chaaplusi aur chaalaaki bhare maahaul mein we apne aap ko

fit naheen paate the aur kisi ke saath kaam karte samay apne shart
rakh dete the. Nateeja yeh huya ki dheere dheere unhe filmon

mein kaam milne kam ho gaye. Par unhone kabhi apne aadarshon se
samjhauta naheen kiya. Unhone kabhi kisi geetkaar ke saath

jodi bhi naheen banayi. Geet agar achchha ho to kisi bhi geetkaar ke
bolon ko unhone apna madhur sangeet diya.

Song: Yeh kaisi ajab daastaan ho gayi hai (Rustam Sohrab)

Ek baar Kalkatta ke ek sangeet sammelan mein Ustad Mallikarjun
Mansoor ki mulaaqaat huyi Sajjad Hussain ke saath. Us

sammelan mein Sajjad sahab ne apne mandolin par Raag Malkons aur
Harikons bajaaya, aur aisa bajaaya ki sunnewaale stabdh reh

gaye. Ustad Mallikarjun ne unki behad sarahna kee aur unse kaha ki
aapne Harikons jaisa katheen raag bajaya aur woh bhi ek

videshi mandolin jaise yantra par. Sajjad Hussain ek sachchaa sangeet
aaraadhak pehle the aur ek film sangeetkaar baad mein.

Song: Aaja basaa len nayaa sansaar (Sangdil)

Is samay aapne tune kiya hai Bharat ka sarvaadhik lokpriya radio
channel Vividh Bharati aur is par aap sun rahe hain karyakram

Sargam Ke Sitaare, jismein hamare aaj ke sitaare hain guzre zamaane
ke mashoor sangeetkaar Sajjad Hussain.

Song: Kaali kaali raat yeh (Saiyan)

TO BE COMPLETED SOON!!!!

Hello,

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----- Original Message -----

From: soojoi_india

To: vividhbharati@...

Sent: Monday, April 25, 2005 9:20 PM

Subject: [vividhbharati] UUYK - Pyarelal - Next Part

Remembering Mohd Rafi, Pyarelal discloses that Rafi sahab never
cancelled any recording not only for them but also for any music
director. Even during fever or ill health, he used to come for
recording.

When LP composed the song "Oooo....Khilauna jaankar tum to mera dil
tod jaati ho", they were very nervous thinking about the possibility
that this song would turn into comedy if audience in the theatre
makes fun of the "ooo...." part. But nothing of that sort happened.
Rafi sahab sang it so perfectly that no one even dared to laugh at
it, and this song became a huge hit.

In the title song of Patthar Ke Sanam, the antara goes like
this "Ahsaan tera, dil mein liye, chalte rahe, angaaron par". The
tune rises upwards from "ahsaan tera" to "dil mein liye" to "chalte
rahe" to "angaaron par". This style of antara is basically the style
of Mehdi Hasan's ghazals. LP applied this concept in this song. No
body understood the Mehdi Hasan principle and the song turned out to
be one of the evergreen hits of Rafi sahab.


Three favourite Lata numbers of Pyarelal are:

1. Jeevan dor tumhi sang baandhi
2. Koi mere maathe ki bindiya sajaa de re
3. Aayegi jaroor chitthi mere naam ki sab dekhna

LP used to visit the Mangeshkar house since their age of 7-8 years.
They used to go to meet Baal saheb (Hridaynath Mangeshkar). Pyarelal
feels that Hridaynath is not only a great composer, but also a great
singer. He doesn't undertand why he never sang. They arranged music
of 2-3 songs for Hridaynath. Pyarelal was 11 years old that time.
Pyarelal admits that it was of immense help to them visiting the
Mangeshkar house as they could meet and listen to great musical
personalities there, some names being Dagar Bandhu, Ram Narayan,
Husnlal, Amir Khan Sahab of Pakistan and so on, who used to visit
Lataji's place. LP also heard a lot of Maharashtrian music and Natya
sangeet there.

Before the recording of the song "Yeh dil tum bin kahin lagta naheen
hum kya karen", LP borrowed some amount from both Lata Mangeshkar and
Mohd Rafi to meet the expenses. After the recording was over,
Pyarelal said to them, "Main aap logon ka paisa waapas naheen
karnewala hoon kyun ki iska koi keemat naheen hai. Un dono ne humein
bahut aashirwaad diya aur kaha ki khush raho".

Speaking about Lata Mangeshkar's greatest skill, Pyarelal says that
she sings every song in a very simple manner. Citing example of the
song, "Mere laadlon phoolo phalo", he says, "Woh bolon ko bahut
simplicity ke saath gaati hain, woh chahti to 'laadlon' is word ko
style ke saath gaa sakti theen, lekin naheen, woh jitna simple
tareeke se ho sake gaati hain".

Pyarelal recalls memories of the Filmfare Award function of 1970 when
it was declared that Lata Mangeshkar won't be accepting the award any
more - "Aapko pata hoga ki aakhri baar Lataji ne 'aap mujhe achchhe
lagne lage' is geet ke liye award liya tha. yeh geet tha 1969 ka
jiska award 1970 ke function mein unhe milna tha. Unhone yeh tay kar
liya tha ki iske baad woh award naheen lengi. Unhone ek letter likha
Filmfare ko ki unka naam nomination mein na daala jaaye. Us award
function mein unhe 'achchha to hum chalte hain' yeh geet gaana tha.
Unhone apna bag microphone par latka diya. Is geet mein
jaise 'ta...ta' bola jaata hai, waise hi unhone gaaya aur gaana
khatam hote hi unhone microphone par se apna bag uthaya aur seedhe
stage se neeche utar gayeen. Unka sense of humour ghazab ka hai.
Kuchh der baad unka letter padhaa gaya ki iske baad Lataji koi award
naheen lengi. She is great great great!"

----- Original Message -----

From: soojoi_india

To: vividhbharati@...

Sent: Monday, April 25, 2005 9:17 PM

Subject: [vividhbharati] Sargam Ke Sitare - K L Saigal

BASED ON THE MARATHI PROGRAMME ON K L SAIGAL (MADHUKAR SHYAM HAMARE
CHOR) BROADCAST ON VIVIDH BHARATI PUNE ON 17 APRIL 2005 TO MARK THE
BIRTH CENTENARY OF THE LEGEND

Hindi film sangeet ki neev rakhne wale fankaaron ki kshreni mein ek
naam aisa hai jinke awaaz ki chamak tees ke dashak se lekar

aaj tak waisa hi kaayam hai jo aaj bhi sunnewaale ko mantra-mugdh kar
deta hai.

Song: Ek bungla bane nyaara (Meri Bahen)

Is fankaar ka janm aaj se sau saal pehle huya aur jinke guzre aaj
paanch dashak ho chuke hain. Pandrah saal lambi apne saangeetik

jeevan mein unhone apne kala ki aisi sugandhi bikheri ki aaj bhi woh
mahak barkaraar hai duniya ki fizaayon mein. Woh aur koi

naheen, hamaare aaj ke Sargam Ke Sitare hain mahaan kalakaar Kundan
Lal Saigal.

Song: Karoon kya aas niraas bhayi (Dushman)

K L Saigal ne logon par aisa jadoo kiya ki poora desh unke deewane ho
gaye, woh ek prerna stambh ban gaye. Sajjad, Roshan aur O

P Nayyar jaise sangeetkaar aur Talat Mahmood, Mukesh, Kishore Kumar
aur yahaan tak ki Lata Mangeshkar ke ekmatra prernastrot

ban gaye.

Song: Main kya janoo kya jadoo hai (Zindagi)

1931 mein pehli bolti film bani Alam Ara, aur Saigal sahab ka aagaman
huya uske doosre hi saal 1932 mein jab unhone New Theatres

ki film Mohabbat Ki Ansoo mein ek chhota sa role ada kiya.

Song: Do naina matwale tihare hum par zuloom kare (My Sister)

K L Saigal ka janm pita Amirchand aur maa Kesar Kaur ke ghar 4 April
1904 ko Jammu mein huya. Bachpan se hi apne bhole surat

ki wajah se Ram Leela mein we Sita ki bhumika nibhaaya karte the.
Unki pratibha ko dekhkar unki mataji unhe protsaahit kiya karti

theen. Unhone Sufi sant Salman Yusuf se Sufiana riyaaz seekha. Pita
ki mrityu ke baad unpar zimmedaari aa gayi aur we Jalandhar,

Moradabad, aur Lucknow hote huye Kalkatta aa pahunche. Is dauraan
unhone kabhi salesman ka kaam kiya to kabhi railway mein

time keeper ka. Kalkatta mein hi unki mulaaqaat ho gayi apne
Jalandhar parichit Harish Chandra Bali se jinhone unhe New Theatres

le gaye aur shuru ho gayi unke jeeva ki agli paari. 1932 mein
Mohabbat Ke Ansoo mein kaam karneke baad 1933 mein unka pehla

gair filmi record release huya. Suniye usi ka ek geet.

Song: Jhulna jhulaao ri (Non-film)

1933 mein New theatres ki film Puran Bhagat mein K L Saigal ke gaaye
do geet the jo kaafi lokpriya huye. Is film mein unke saath

the Krishna Chandra Dey jinhone baaki geeton ko gaaya. Suniye Raag
Bihad par aadhaarit Puran Bhagat film ka yeh geet.

Song: Radha Rani de daaro na bansuri mori (Puran Bhagat)

San 1934 mein aayi film Yahudi Ki adki jo sahi maaine mein K L Saigal
ki pehli badi film thee. Raag Bhimpalasi par aadhaarit Ghalib

ki ek ghazal Saigal ki awaaz mein is film mein shobha paayee jise
logon ne behad pasand kiya. Jaante hain woh ghazal kaun si

thee?

Song: Nuktachi hai gham-e-dil (Yahudi Ki Ladki)

1934 mein hi bani film Chandidas jisme Saigal sahab nazar aaye nayika
Uma Shashi ke saath. Is film ko behad kaamyaabi mili aur K

L Saigal-Uma Shashi ki hit jodi ban gayi. Is film ki ek aur khaas
baat yeh rahi ki iske geeton ne film sangeet ko ek naye mukaam par

laa khadaa kiya. Ab tak film sangeet theatre sangeet par hi adharit
huya karta tha, lekin is film ke geeton ne film sangeet ko ek alag

ek nayi pehchaan dilwaaee. Khol, manjire aur mridang jaise vaadyon ka
istemaal kiya gaya tha iske geeton mein. Suniye K L Saigal

aur Uma Shashi ka gaaya yeh geet.

Song: Prem nagar mein basaayungi ghar main (Chandidas)

K L Saigal ki filmon ki fehrist mein shaayad sabse hit film rahi hai
1935 mein New Theatres ki banner taley bani film Devdas. Kedar

Sharma ke bol aur Timir Baran ke sangeet ke zariye Saigal saahab ke
gaaye is film ke yaadgaar naghmein pahunche ghar ghar mein.

Song: Baalam aaye baso more mann mein (Devdas)

Film Devdas ke Bangla version mein K L Saigal ne Kavi guru
Rabindranath Tagore ki ek rachna ko swar diya tha, suniye usi ki ek

jhalak.

Song: Golaap hoye uthuk phoole (Devdas-Bangla)

Chandidas aur Devdas ki apaar kaamyaabi ne K L Saigal ko superstar
banaa diya. 1935 mein unki Asha Rani se vivaah huya aur woh

apne parivaar ke saath hansi khushi din beetaane lage.

Song: Jagat mein prem hi prem bhara hai

isi dauraan New Theatres ke sangeetkaar Rai Chand Boral ne pehli baar
paarshwa gaayan shuru kiya film Dhup Chhaon mein aur K L

Saigal ne gaaya pehla play backed song.

Song: Andhe ki laathi tu hi hai (Dhoop Chhaon)

R C Boral speaks: Main aaj is industry mein 40 saal se hoon. Us
zamaane mein outdoor par bhi recording karni padtee thee. Fil

Street Singer mein to kabhi sadkon par, kabhi trck ke upar, kuchh
chalte chalte record karna padaa tha.

Aayiye sune film Street Singer ki aisi hi ek thumri.

Song: Babul mora naihar chhut hi jaaye (Street Singer)

Vividh Bharati par is samay aapne tune kiya hai karyakram Sargam Ke
Sitare jismein hamare aaj ke sitaare hain mahaan fankaar

Kundan Lal Saigal.

Song: Jeevan bhi madhur na baje (Street Singer)

San 1938 mein K L Saigal Allahabad mein aayojit Prayag Sangeet
Samaroh mein shaamil huye. Unke gaaye geeton ko sunkar

wahaan maujood Ustad Faiyaz Khan, Abdul Karim Khan, Bal Gandharva,
aur Pt Omkar Nath bhaav vibhor ho gaye. Aisa kaha jaata

hai ki Saigal sahab ki awaaz mein Raag Darbari sunkar Faiyyaz Khan ne
unhe kaha tha ki "bete, aisa kuchh naheen hai jo main

tumhe ab seekha sakoon"

Song: Deewana hoon raat se main begaana hoon (Zindagi)

Lori ki baat chale aur K L Saigal ke gaaye loriyon ka zikr na ho, yeh
to ho hi naheen sakta. Film Zindegi mein Kedar Sharma ka likha

aur Saigal sahab ka gaaya "Soja rajkumari" jaisi lori aaj tak doosra
naheen ban paaya hai. Is mein Saigal sahab ke "so jaa" kehne ka

andaaz behad niraala hai, aap khud hi suniye.

Song: Sojaa rajkumari (Zindagi)

San 1940-41 ke dauraan Dwitiya Vishva Yudh shuru gaya aur Kalkatta
mein jaatiya dange shuru ho gaye. Is damaadol mein New

Theatres dheere dheere band ho gayi. K L Saigal Bambai aa gaye aur
Ranjit Studios mein shaamil ho gaye. Bhakt Surdas thee

Saigal sahab ki pehli film Ranjit Studios ke liye.

Song: Madhukar shyam hamare chor (Bhakt Surdas)

1943 mein Ranjit Studios ki banner par bani film Tansen jismein K L
Saigal nazar aaye abhinetri Khurshid ke saath. Film behad

kaamyaab. Iske sangeetkaar the Khemchand Prakash, jinhone shastriya
sangeet ka aisa jadoo is film mein dikhaya ki is film ke

gaane amar ho gaye.

Song: Diya jalaao jagmag jagmag (Tansen)

Ustad Allahdiya Khan ki bandishon par aadharit yeh dhrupad...

Song: Sapta suran teen graam (Tansen)

Khurshid ke saath Raag Tilak Kamod par aadhaarit isi film ka yeh
geet...

Song: Bhool jayyo na (Tansen)

Film Tansen ki safalta se prerit hokar nirmata A K Kardar ne apni
agli film Shahjehan ke liye Saigal sahab ko chun liya. Is film mein

sangeet de rahe the naye sangeetkaar Naushad. Saigal sahab in dino
sharaab ke nashe mein yun apne aapko bekhud kar diya tha ki

unki haalat bigadti chali gayi.

Song: Karo mei jannat ke nazaare (Shahjehan)

Shayar Khumar Barabankvi aur is film se apna career shuru karnewale
naye geetkaar aur shayar Majrooh Sultanpuri ki rachnaayon ko

apni awaaz se amar banaya K L Saigal ne.

Song: Haaye haaye yeh zaalim zamana (Shahjehan)

Film Shahjehan mein Saigal sahab aur saathiyon ka gaaya huya ek geet
mein hai jismein Mohd Rafi sahab ne chorous mein apni

awaaz milaayee thee. Suniye woh geet.

Song: Mere sapnon ki rani Ruhi Ruhi Ruhi (Shahjehan)

Shahjehan hi K L Saigal sahab ki aakhri film thee. Is fil ke ek geet
ke recording se judee ek ghatna bataarahe hain is film ke

sangeetkaar Naushad.

Naushad speaks: "Jab dil hi toot gaya", is geet ki recording par
Saigal sahab aaye. Unhone kaha ki main chauki par baithkar hi

gayunga. To unke liye chauki mangwaya gaya, unhone galaa saaf kiya
aur apni driver ko bulakar kaha "jaayo mera kaala paanch le

aayo". Hum sab hairaan ho gaye ki yeh kaala paanch kya hai. kaala
paanch to ek raag ka naam hai. Driver kala paanch le aaya, aur

aigal sahab ne peena shuru kiya. Saath hi saath gaate bhi chale gaye,
ek ke baad ek take hota gaya, par we santusht naheen huye,

is tarah ek samay ke baad we aur gaane ki sthiti mein naheen the.
Agle din jab phir we aaye to maine kahaa ki pehle aap mujhe ek

take de deejiye, phir aap peena shuru kijiye, main kuchh naheen
kahunga. To unhone bina peeye ek take de diya aur phir peene lage

aur gaate rahe. Agle din unhone bina peeye wala version suna aur
kahaa ki "dekha maine kaha tha ki peekar hi main achchha gaata

hoon". Maine kaha ki Saigal sahab, yeh version aapka bina peeye wala
version tha. We hairaan rahe gaye. Maine kaha ki aap bina

peeye hi achchha gaate hain, jin logon ne aap se yeh kaha hai ki
peeye bagair aapki awaaz naheen khulti, woh aapke dost naheen

hai. Saigal sahab ne mujhse kaha ki "AGAR YEHI BAAT MUJHSE PEHLE KISI
NE KAHAA HOTA TO SHAYAD KUCHH DIN AUR

JEE LETA"

Song: Jab dil hi toot gaya (Shahjehan)

Aur 18 January 1947 ko 42 varsh ki aayu mein Saigal sahab is duniya
se apni antim yatra par chal pade.

Song: Chaah barbaad karegi humein maloom na tha (Shahjehan)

Hindi Film Sangeet ko pehli baar lokpriyata ki shikhar ka nazaara
karwaane ke liye Saigal sahab ke yogdaan ko hamesha yaad kiya

jaayega.

Song: Aye dil-e-bekaraar jhoom (

K L Saigal ka andaaz aisa anokha tha ki kai bade bade fankaaron ne
unke naqsh-e-kadam par chalkar apna career shuru kiya,

jinmein shaamil hain Mukesh, Kishore Kumar, C H Atma, Jagmohan aur
Surendra jaise naam.

Manna Dey Speaks: Mere chachaji K C Dey ke saath Saigal sahab ka
uthna baithna hota tha, yeh mere doston ko pataa tha, is liye

we hamesha mujhe Saigal sahab ke geet gaakar sunaane ko kehte the.
Main unhi ke geeton ko gaakar kai baar college functions

jeete.

Song: Chhupo na chhupo na humse chhupo na (My Sister)

Apne 15 saal ke chhote se filmi safar mein K L Saigal ne aise amar,
meethe aur yaadgaar gaane humein diye hain jo unke jaane ke

itne saalon ke baad bhi unhe hamaare hi beech mein jeevit kar rakhe
huye hain. Aise mahaan kalakaar is duniya se jaakar bhi apni

kala ke zariye zinda rehte hain aur hamesha zinda rahenge. Kundal Lal
Saigal ki smriti ko sahasra naman.

Song: Kyun mujhse khafa hai tu kya maine kiya hai (My Sister)

THE END

Remembering Mohd Rafi, Pyarelal discloses that Rafi sahab never
cancelled any recording not only for them but also for any music
director. Even during fever or ill health, he used to come for
recording.

When LP composed the song "Oooo....Khilauna jaankar tum to mera dil
tod jaati ho", they were very nervous thinking about the possibility
that this song would turn into comedy if audience in the theatre
makes fun of the "ooo...." part. But nothing of that sort happened.
Rafi sahab sang it so perfectly that no one even dared to laugh at
it, and this song became a huge hit.

In the title song of Patthar Ke Sanam, the antara goes like
this "Ahsaan tera, dil mein liye, chalte rahe, angaaron par". The
tune rises upwards from "ahsaan tera" to "dil mein liye" to "chalte
rahe" to "angaaron par". This style of antara is basically the style
of Mehdi Hasan's ghazals. LP applied this concept in this song. No
body understood the Mehdi Hasan principle and the song turned out to
be one of the evergreen hits of Rafi sahab.


Three favourite Lata numbers of Pyarelal are:

1. Jeevan dor tumhi sang baandhi
2. Koi mere maathe ki bindiya sajaa de re
3. Aayegi jaroor chitthi mere naam ki sab dekhna

LP used to visit the Mangeshkar house since their age of 7-8 years.
They used to go to meet Baal saheb (Hridaynath Mangeshkar). Pyarelal
feels that Hridaynath is not only a great composer, but also a great
singer. He doesn't undertand why he never sang. They arranged music
of 2-3 songs for Hridaynath. Pyarelal was 11 years old that time.
Pyarelal admits that it was of immense help to them visiting the
Mangeshkar house as they could meet and listen to great musical
personalities there, some names being Dagar Bandhu, Ram Narayan,
Husnlal, Amir Khan Sahab of Pakistan and so on, who used to visit
Lataji's place. LP also heard a lot of Maharashtrian music and Natya
sangeet there.

Before the recording of the song "Yeh dil tum bin kahin lagta naheen
hum kya karen", LP borrowed some amount from both Lata Mangeshkar and
Mohd Rafi to meet the expenses. After the recording was over,
Pyarelal said to them, "Main aap logon ka paisa waapas naheen
karnewala hoon kyun ki iska koi keemat naheen hai. Un dono ne humein
bahut aashirwaad diya aur kaha ki khush raho".

Speaking about Lata Mangeshkar's greatest skill, Pyarelal says that
she sings every song in a very simple manner. Citing example of the
song, "Mere laadlon phoolo phalo", he says, "Woh bolon ko bahut
simplicity ke saath gaati hain, woh chahti to 'laadlon' is word ko
style ke saath gaa sakti theen, lekin naheen, woh jitna simple
tareeke se ho sake gaati hain".

Pyarelal recalls memories of the Filmfare Award function of 1970 when
it was declared that Lata Mangeshkar won't be accepting the award any
more - "Aapko pata hoga ki aakhri baar Lataji ne 'aap mujhe achchhe
lagne lage' is geet ke liye award liya tha. yeh geet tha 1969 ka
jiska award 1970 ke function mein unhe milna tha. Unhone yeh tay kar
liya tha ki iske baad woh award naheen lengi. Unhone ek letter likha
Filmfare ko ki unka naam nomination mein na daala jaaye. Us award
function mein unhe 'achchha to hum chalte hain' yeh geet gaana tha.
Unhone apna bag microphone par latka diya. Is geet mein
jaise 'ta...ta' bola jaata hai, waise hi unhone gaaya aur gaana
khatam hote hi unhone microphone par se apna bag uthaya aur seedhe
stage se neeche utar gayeen. Unka sense of humour ghazab ka hai.
Kuchh der baad unka letter padhaa gaya ki iske baad Lataji koi award
naheen lengi. She is great great great!"

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BASED ON THE MARATHI PROGRAMME ON K L SAIGAL (MADHUKAR SHYAM HAMARE
CHOR) BROADCAST ON VIVIDH BHARATI PUNE ON 17 APRIL 2005 TO MARK THE
BIRTH CENTENARY OF THE LEGEND

Hindi film sangeet ki neev rakhne wale fankaaron ki kshreni mein ek
naam aisa hai jinke awaaz ki chamak tees ke dashak se lekar

aaj tak waisa hi kaayam hai jo aaj bhi sunnewaale ko mantra-mugdh kar
deta hai.

Song: Ek bungla bane nyaara (Meri Bahen)

Is fankaar ka janm aaj se sau saal pehle huya aur jinke guzre aaj
paanch dashak ho chuke hain. Pandrah saal lambi apne saangeetik

jeevan mein unhone apne kala ki aisi sugandhi bikheri ki aaj bhi woh
mahak barkaraar hai duniya ki fizaayon mein. Woh aur koi

naheen, hamaare aaj ke Sargam Ke Sitare hain mahaan kalakaar Kundan
Lal Saigal.

Song: Karoon kya aas niraas bhayi (Dushman)

K L Saigal ne logon par aisa jadoo kiya ki poora desh unke deewane ho
gaye, woh ek prerna stambh ban gaye. Sajjad, Roshan aur O

P Nayyar jaise sangeetkaar aur Talat Mahmood, Mukesh, Kishore Kumar
aur yahaan tak ki Lata Mangeshkar ke ekmatra prernastrot

ban gaye.

Song: Main kya janoo kya jadoo hai (Zindagi)

1931 mein pehli bolti film bani Alam Ara, aur Saigal sahab ka aagaman
huya uske doosre hi saal 1932 mein jab unhone New Theatres

ki film Mohabbat Ki Ansoo mein ek chhota sa role ada kiya.

Song: Do naina matwale tihare hum par zuloom kare (My Sister)

K L Saigal ka janm pita Amirchand aur maa Kesar Kaur ke ghar 4 April
1904 ko Jammu mein huya. Bachpan se hi apne bhole surat

ki wajah se Ram Leela mein we Sita ki bhumika nibhaaya karte the.
Unki pratibha ko dekhkar unki mataji unhe protsaahit kiya karti

theen. Unhone Sufi sant Salman Yusuf se Sufiana riyaaz seekha. Pita
ki mrityu ke baad unpar zimmedaari aa gayi aur we Jalandhar,

Moradabad, aur Lucknow hote huye Kalkatta aa pahunche. Is dauraan
unhone kabhi salesman ka kaam kiya to kabhi railway mein

time keeper ka. Kalkatta mein hi unki mulaaqaat ho gayi apne
Jalandhar parichit Harish Chandra Bali se jinhone unhe New Theatres

le gaye aur shuru ho gayi unke jeeva ki agli paari. 1932 mein
Mohabbat Ke Ansoo mein kaam karneke baad 1933 mein unka pehla

gair filmi record release huya. Suniye usi ka ek geet.

Song: Jhulna jhulaao ri (Non-film)

1933 mein New theatres ki film Puran Bhagat mein K L Saigal ke gaaye
do geet the jo kaafi lokpriya huye. Is film mein unke saath

the Krishna Chandra Dey jinhone baaki geeton ko gaaya. Suniye Raag
Bihad par aadhaarit Puran Bhagat film ka yeh geet.

Song: Radha Rani de daaro na bansuri mori (Puran Bhagat)

San 1934 mein aayi film Yahudi Ki adki jo sahi maaine mein K L Saigal
ki pehli badi film thee. Raag Bhimpalasi par aadhaarit Ghalib

ki ek ghazal Saigal ki awaaz mein is film mein shobha paayee jise
logon ne behad pasand kiya. Jaante hain woh ghazal kaun si

thee?

Song: Nuktachi hai gham-e-dil (Yahudi Ki Ladki)

1934 mein hi bani film Chandidas jisme Saigal sahab nazar aaye nayika
Uma Shashi ke saath. Is film ko behad kaamyaabi mili aur K

L Saigal-Uma Shashi ki hit jodi ban gayi. Is film ki ek aur khaas
baat yeh rahi ki iske geeton ne film sangeet ko ek naye mukaam par

laa khadaa kiya. Ab tak film sangeet theatre sangeet par hi adharit
huya karta tha, lekin is film ke geeton ne film sangeet ko ek alag

ek nayi pehchaan dilwaaee. Khol, manjire aur mridang jaise vaadyon ka
istemaal kiya gaya tha iske geeton mein. Suniye K L Saigal

aur Uma Shashi ka gaaya yeh geet.

Song: Prem nagar mein basaayungi ghar main (Chandidas)

K L Saigal ki filmon ki fehrist mein shaayad sabse hit film rahi hai
1935 mein New Theatres ki banner taley bani film Devdas. Kedar

Sharma ke bol aur Timir Baran ke sangeet ke zariye Saigal saahab ke
gaaye is film ke yaadgaar naghmein pahunche ghar ghar mein.

Song: Baalam aaye baso more mann mein (Devdas)

Film Devdas ke Bangla version mein K L Saigal ne Kavi guru
Rabindranath Tagore ki ek rachna ko swar diya tha, suniye usi ki ek

jhalak.

Song: Golaap hoye uthuk phoole (Devdas-Bangla)

Chandidas aur Devdas ki apaar kaamyaabi ne K L Saigal ko superstar
banaa diya. 1935 mein unki Asha Rani se vivaah huya aur woh

apne parivaar ke saath hansi khushi din beetaane lage.

Song: Jagat mein prem hi prem bhara hai

isi dauraan New Theatres ke sangeetkaar Rai Chand Boral ne pehli baar
paarshwa gaayan shuru kiya film Dhup Chhaon mein aur K L

Saigal ne gaaya pehla play backed song.

Song: Andhe ki laathi tu hi hai (Dhoop Chhaon)

R C Boral speaks: Main aaj is industry mein 40 saal se hoon. Us
zamaane mein outdoor par bhi recording karni padtee thee. Fil

Street Singer mein to kabhi sadkon par, kabhi trck ke upar, kuchh
chalte chalte record karna padaa tha.

Aayiye sune film Street Singer ki aisi hi ek thumri.

Song: Babul mora naihar chhut hi jaaye (Street Singer)

Vividh Bharati par is samay aapne tune kiya hai karyakram Sargam Ke
Sitare jismein hamare aaj ke sitaare hain mahaan fankaar

Kundan Lal Saigal.

Song: Jeevan bhi madhur na baje (Street Singer)

San 1938 mein K L Saigal Allahabad mein aayojit Prayag Sangeet
Samaroh mein shaamil huye. Unke gaaye geeton ko sunkar

wahaan maujood Ustad Faiyaz Khan, Abdul Karim Khan, Bal Gandharva,
aur Pt Omkar Nath bhaav vibhor ho gaye. Aisa kaha jaata

hai ki Saigal sahab ki awaaz mein Raag Darbari sunkar Faiyyaz Khan ne
unhe kaha tha ki "bete, aisa kuchh naheen hai jo main

tumhe ab seekha sakoon"

Song: Deewana hoon raat se main begaana hoon (Zindagi)

Lori ki baat chale aur K L Saigal ke gaaye loriyon ka zikr na ho, yeh
to ho hi naheen sakta. Film Zindegi mein Kedar Sharma ka likha

aur Saigal sahab ka gaaya "Soja rajkumari" jaisi lori aaj tak doosra
naheen ban paaya hai. Is mein Saigal sahab ke "so jaa" kehne ka

andaaz behad niraala hai, aap khud hi suniye.

Song: Sojaa rajkumari (Zindagi)

San 1940-41 ke dauraan Dwitiya Vishva Yudh shuru gaya aur Kalkatta
mein jaatiya dange shuru ho gaye. Is damaadol mein New

Theatres dheere dheere band ho gayi. K L Saigal Bambai aa gaye aur
Ranjit Studios mein shaamil ho gaye. Bhakt Surdas thee

Saigal sahab ki pehli film Ranjit Studios ke liye.

Song: Madhukar shyam hamare chor (Bhakt Surdas)

1943 mein Ranjit Studios ki banner par bani film Tansen jismein K L
Saigal nazar aaye abhinetri Khurshid ke saath. Film behad

kaamyaab. Iske sangeetkaar the Khemchand Prakash, jinhone shastriya
sangeet ka aisa jadoo is film mein dikhaya ki is film ke

gaane amar ho gaye.

Song: Diya jalaao jagmag jagmag (Tansen)

Ustad Allahdiya Khan ki bandishon par aadharit yeh dhrupad...

Song: Sapta suran teen graam (Tansen)

Khurshid ke saath Raag Tilak Kamod par aadhaarit isi film ka yeh
geet...

Song: Bhool jayyo na (Tansen)

Film Tansen ki safalta se prerit hokar nirmata A K Kardar ne apni
agli film Shahjehan ke liye Saigal sahab ko chun liya. Is film mein

sangeet de rahe the naye sangeetkaar Naushad. Saigal sahab in dino
sharaab ke nashe mein yun apne aapko bekhud kar diya tha ki

unki haalat bigadti chali gayi.

Song: Karo mei jannat ke nazaare (Shahjehan)

Shayar Khumar Barabankvi aur is film se apna career shuru karnewale
naye geetkaar aur shayar Majrooh Sultanpuri ki rachnaayon ko

apni awaaz se amar banaya K L Saigal ne.

Song: Haaye haaye yeh zaalim zamana (Shahjehan)

Film Shahjehan mein Saigal sahab aur saathiyon ka gaaya huya ek geet
mein hai jismein Mohd Rafi sahab ne chorous mein apni

awaaz milaayee thee. Suniye woh geet.

Song: Mere sapnon ki rani Ruhi Ruhi Ruhi (Shahjehan)

Shahjehan hi K L Saigal sahab ki aakhri film thee. Is fil ke ek geet
ke recording se judee ek ghatna bataarahe hain is film ke

sangeetkaar Naushad.

Naushad speaks: "Jab dil hi toot gaya", is geet ki recording par
Saigal sahab aaye. Unhone kaha ki main chauki par baithkar hi

gayunga. To unke liye chauki mangwaya gaya, unhone galaa saaf kiya
aur apni driver ko bulakar kaha "jaayo mera kaala paanch le

aayo". Hum sab hairaan ho gaye ki yeh kaala paanch kya hai. kaala
paanch to ek raag ka naam hai. Driver kala paanch le aaya, aur

aigal sahab ne peena shuru kiya. Saath hi saath gaate bhi chale gaye,
ek ke baad ek take hota gaya, par we santusht naheen huye,

is tarah ek samay ke baad we aur gaane ki sthiti mein naheen the.
Agle din jab phir we aaye to maine kahaa ki pehle aap mujhe ek

take de deejiye, phir aap peena shuru kijiye, main kuchh naheen
kahunga. To unhone bina peeye ek take de diya aur phir peene lage

aur gaate rahe. Agle din unhone bina peeye wala version suna aur
kahaa ki "dekha maine kaha tha ki peekar hi main achchha gaata

hoon". Maine kaha ki Saigal sahab, yeh version aapka bina peeye wala
version tha. We hairaan rahe gaye. Maine kaha ki aap bina

peeye hi achchha gaate hain, jin logon ne aap se yeh kaha hai ki
peeye bagair aapki awaaz naheen khulti, woh aapke dost naheen

hai. Saigal sahab ne mujhse kaha ki "AGAR YEHI BAAT MUJHSE PEHLE KISI
NE KAHAA HOTA TO SHAYAD KUCHH DIN AUR

JEE LETA"

Song: Jab dil hi toot gaya (Shahjehan)

Aur 18 January 1947 ko 42 varsh ki aayu mein Saigal sahab is duniya
se apni antim yatra par chal pade.

Song: Chaah barbaad karegi humein maloom na tha (Shahjehan)

Hindi Film Sangeet ko pehli baar lokpriyata ki shikhar ka nazaara
karwaane ke liye Saigal sahab ke yogdaan ko hamesha yaad kiya

jaayega.

Song: Aye dil-e-bekaraar jhoom (

K L Saigal ka andaaz aisa anokha tha ki kai bade bade fankaaron ne
unke naqsh-e-kadam par chalkar apna career shuru kiya,

jinmein shaamil hain Mukesh, Kishore Kumar, C H Atma, Jagmohan aur
Surendra jaise naam.

Manna Dey Speaks: Mere chachaji K C Dey ke saath Saigal sahab ka
uthna baithna hota tha, yeh mere doston ko pataa tha, is liye

we hamesha mujhe Saigal sahab ke geet gaakar sunaane ko kehte the.
Main unhi ke geeton ko gaakar kai baar college functions

jeete.

Song: Chhupo na chhupo na humse chhupo na (My Sister)

Apne 15 saal ke chhote se filmi safar mein K L Saigal ne aise amar,
meethe aur yaadgaar gaane humein diye hain jo unke jaane ke

itne saalon ke baad bhi unhe hamaare hi beech mein jeevit kar rakhe
huye hain. Aise mahaan kalakaar is duniya se jaakar bhi apni

kala ke zariye zinda rehte hain aur hamesha zinda rahenge. Kundal Lal
Saigal ki smriti ko sahasra naman.

Song: Kyun mujhse khafa hai tu kya maine kiya hai (My Sister)

THE END

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Aaj Ke Fankaar aaj kendrit hai sangeetkaar Vishal Bharadwaj par.

Song: Goli maar bheje mein (Satya)

Bijnour Vishvavidyalay se Vishal Bharadwaj ne jo kuchh seekha hai,
unse unhone apne kadam jamaaye hain jinhe dagmagana

mushkil hai.

Song: Chal padee chal padee (Dil Pe Mat Le Yaar)

Vishal Bharadwaj ka bachpan Uttar Pradesh ke Bijnaur mein beeta. Unke
pita Ram Bharadwaj isi samay geetkaar huya karte the.

Jurm Aur Saza, Zindegi Aur Toofan jaisi filmon mein unhone gaane
likhe. Ashcharya ki baat yeh hai ki Vishal ka zindegi mein sabse

badaa sapna tha ek cricketer banne ka. Unhone under-19 team mein apne
rajya ko represent bhi kiya tha. Haalaanki unke pita

chaahte the ki Vishal ek sangeetkaar bane, unhone apne bete ko
cricket khelne se naheen roka. Apne pita ki akasmaat mrityu se

Vishal Bharadwaj ke upar zimmedarion ka pahaad toot padaa. Woh Dilli
aakar kaam ki talash karne lage. Dilli ke Pragati Maidan

mein aksar honewale jalson mein we harmonium bajaane lage. Dilli
Doordarshan ke karyakramon mein bhi sangeet sanchaalan ka

kaam kiya. Isi dauraan CBS company ke R V S Malik ki nazar un par
padee aur unhone apni company mein unhe bataur musician

rakh liya. Aadmi ki kismat usey kahaan se kahaan le jaa sakti hai koi
naheen keh sakta.

Song: Sapne mein milti hai (Satya)

Mann mein vishvaas, lagan aur mehnat karne ki chaahat lekar Vishal
Bharadwaj jaldi hi Dilli se kalanagri Mumbai chale aaye aur

filmon se naata jod liya.

Song: Chhod aaye hum woh galiyaan (Maachis)

Mumbai mein har kisi ko kaam ki talaash karni padtee hi hai, Vishal
Bharadwaj ko bhi karna padaa. Par woh kehte hain na ki jo sona

hota hai woh kundan bhi ban hi jaata hai.

Song: Geela geela paani (Satya)

Jaanemaane gaayak Suresh Wadekar ne Vishal Bharadwaj ko filmkaar
Gulzar se milwaya. Gulzar sahab un dino apni nayee film

Maachis par kaam kar rahe the. Sona sone ko pehchaan hi leta hai, aur
Gulzar sahab ne bhi Vishaal ke pratibha ko pehchaan liya

aur unhe Maachis ke sangeet ka bhaar de diya.

Song: Chappa chappa charkha chale (Maachis)

Kehte hain na ki jab tak koi safal naheen ho jaata, usey koi naheen
poochhta. Filmfare award ke milne se pehle tak har koi Vishal

Bharadwaj se munh pherte rahe aur jaise unhe award mila wohi log
shubhkaamnaaon ke saath guldaste bhejne lage. Khair, yeh to

duniya ka niyam hai, aur isiliye Vishal ne bhi isey apne dil pe
naheen liya.

Song: Dil pe mat le yaar (Dil Pe Mat Le Yaar)

Par yahi chubhan josh bankar Vishal Bharadwaj mein panapne lagee, aur
kuchh kar dikhaane ki chaahat sadaa unke mann mein

rehne lagee. Maachis ke adbhut sangeet se prabhaavit hokar Kamal
Haasan ne unhe Chachi 420 ke sangeet ka daayitwa de diya.

Uparwala jab deta hai tab chhappad phaadke deta hai. Ram Gopal Verma
ne Vishal ko diya Satya ka sangeet aur Gulzar ne ek baar

phir apni film Hu Tu Tu ke sangeet ki zimmedaari unhe saunpi. Aur is
tarah se Vishal Bharadwaj ka sangeet jaldhaara ki tarah behne

lagaa.

Song: Chhai chhappa chhai (Hu Tu Tu)

Maachis ke hit hone ke baad Vishal Bharadwaj ke raaste kai offers
aaye, par unhone yeh nirnay kar liya tha ki jo bhi kaam karenge

achchha karenge.  Unke shabdon mein, agar kaam achchha ho to kam
paise koi maaine naheen rakhta.

Song: Kuchh tere dil ne kaha (Tere Mere Sapney)

To yeh tha Aaj Ke Fankaar, jo kendrit tha sangeetkaar Vishal
Bharadwaj par. Ab yeh karyakram samaapt karne ki deejiye ijaazat,

namaskaar.

THE END

Sabhi sunnewaalon ko namaskaar.

Song: Aaj hamare mann mein sakhi bansuri bajaye koi (Aan)

Hamare aaj ke fankaar hain suprasiddha shaayar aur geetkaar Shakeel
Badayuni.

Song: Teri mehfil mein kismat aazmaakar hum bhi dekhenge (Mughal-e-
Azam)

Shakeel Badayuni ke likhe filmi geet jitne lokpriya hain utne hi
lokpriya hain unke gaaye gair filmi ghazlen.

Song: Door hai manzil raahen hai mushkil aalam hai tanhayee ka (Non-
film Ghazal)

Shakeel Badayuni ka janm Uttar Pradesh ke Badayun mein 3 August 1916
ko huya tha. Shakeel sahab ke pita ne unhe Arbi, Farsi,

Hindi aur Urdu ki taalim dilwayi. Lucknow us samay guni shayaron ki
nagri huya karti thee. Unke aas paas literary mahaul tha. Apni

paarivaarik prishthabhoomi mein bji shayari ka maahaul tha jisne unhe
aage badhne mein madad kee.

Song: Bachpan ke din bhula na dena (Deedar)

Us samay shayari paarampaarik huya karti thee. Shakeel sahab Hazrul
Zia-Ul Qadri se kaafi prabhaavit the. Jab we Aligarh University

mein padh rahe the unhone Inter University Shayari Competition mein
apne university ko jeet hasil karwaayi. Yeh baat thee san 1936

ki. College ki is dino mein Shakeel sahab waqt aur haalaat parlikha
karte the. Baad mein zindegi ke naazuk vishayon par apni shayari

o dhaala.

Song: Jogan ban jayungi saiyan tore kaaran (Shabaab)
Song: Chaudhveen ka chaand ho (Chaudhveen Ka Chaand)
Song: Hamare dil se na jaana dhokha na khaana duniya badi beimaan
(Udan Khatola)

Padhaai khatam kar unhone Dilli mein Supply Department mein naukri
kar lee. Saath saath unhone apni shayari ko bhi jaari rakha aur

unki shohrat badhti chali gayi. Sabhi khoobiyaan liye Shakeel sahab
ki shayari badhti rahi unchaaiyon par.

Song: Do sitaaron ka zameen par (Kohinoor)

Shakeel Badayuni ke jeevan mein naya mod aaya us samay jab unhone
naukri chhodkar 1946 mein Mumbai ka rukh kar liya. Yahaan

aakar we apne kalam ka kamaal dikhaane lage filmi geeton mein. Kisi
bhi situation ya mood ko bade kaamyaabi ke saath pesh karke

we aam janta ke bhi pasandida geetkaar ban gaye.

Song: Tu ganga ki mauj (Baiju Bawra)
Song: Panchhi ban mein piya piya gaane lagaa (Babul)
Song: Nagri nagri dware dware ghumoon re sanvariya (Mother India)

Sangeetkaar Naushad sahab ke saath unki jodi khoob jamee. Shakeel
Badayuni aur Naushad ki jodi film sangeet itihaas ki prachalit

jodiyon mein se ek hai. Naushad sahab ki sureeli dhun aur Shakeel
sahab ke asardaar bolon se sajee is mashoor bhajan ki to kya

baat hai. Pesh kiya hai Rafi sahab ne.

Song: O duniya ke rakhwale (Baiju Bawra)

Kai baar Shakeel Badayuni ko Filmfare Puraskaar se sammaanit kiya
gaya.

Song: Kahin deep jale kahin dil (Bees Saal Baad)
Song: Jaanewaale se mulaaqaat na hone payee (Amar)
Song: Mera bichhda yaar mila de (Sohni Mahiwal)

Shakeel Badayuni ke shayari ki, unke geeton ki ek alag hi style raha
hai. Unka andaaz baras dar baras bilkul waisa hi hai.

Song: Yeh zindegi ke mele (Mela)

Hamare aaj ke fankaar the geetkaar aur shayar Shakeel Badayuni. Ab
deejiye ijaazat, namaskaar.

THE END

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Sargam Ke Sitaare, aaj is kaaryakram mein baaten aaj ke daud ke ek
behad pratibhaavaan sangeetkaar ki

Song: Dil hai chhota sa chhoti si aasha (Roja)

Ek aise sangeetkaar jinka sangeet kisi ajooba se kam naheen

Song: Ajooba hai (Jeans)

Ek aise sangeetkaar jinke sangeet se kabhi taaze phoolon ki khushboo
aati hai to kabhi awaara bhanwron ki mand gunjan

Song: Awara bhanwren jo haule haule gaaye (Sapney)

Aur ek aise sangeetkaar jinke sangeet se maano bahaaron ka mausam
chhaa jaata hai, jinke sangeet se ek alag hi samaa bandh

jaata hai

Song: Rut aa gayi re rut chha gayi re (1947 Earth)

To aayiye aaj Sargam Ke Sitaare mein baaten karen is daud ke
suprasiddh sangeetkaar A R Rahman ki, aur sune unke dwara

swarbaddh kiye kuchh sumadhur geet

Song: Jiya jale jaan jale naino tale (Dil Se)

A R Rahman ka poora naam hai Allah Rakha Rahman aur unka asli naam
hai A S Dilip Kumar. Unka janm 6 January 1966 ko huya

tha. Unke pita K A Shekhar bhi ek musician the. Unhone sangeetkaar
Salil Choudhury ko kai Malayalam filmon ke sangeet mein

assist kiya. Bachpan se hi A R Rahman sangeet ki taraf aakrisht the
aur bahut chhote umra se hi keyboard par practice kiya karte

the. Bade hokar we Ilaya Raja aur Ramesh Naidu jaise dakshin ke
sthaapit sangeetkaaron ke sahaayak bane.

Song: Mukaala muqaabla hoga (Humse Hai Muqaabla)

A R Rahman ko London ke Oxford University ke antargat Trinity Music
College mein ek scholarship mil gayi aur woh Western

Classical Music mein degree karne wahaan chale gaye. 1991 mein waapas
aakar unhone apne hi ghar mein ek recording studio khola

jiska naam unhone diya Panchatan studio.

Song: Taal se taal mila (Taal)

Unhone apni career ki shuruwaat vigyaapano mein jingles banaane ke
kaam se kiya. Phir unhone do gair filmi albums banaaye jo

lokpriya saabit naheen huye, aur woh ek baar phir ad-jingles ki or
laut gaye. Kuchh samay baad ek award ceremony mein unki

mulaaqaat ho gayi dakshin ke jaane-maane filmkaar Maniratnam se
jinhone unke jingles sune huye the and jab unhe yeh pataa chala

ki unhone apna recording studio bhi khola huya hai, unhone apni agli
Tamil film Roja ke sangeet ka daayitwa unhe de diya. 1992 mein

bani is film ke gaano ke zariye A R Rahman ghar ghar pahunch gaye.

Song: Yeh haseen vaadiyaan yeh khula aasmaan (Roja)

Film Roja ke sangeet ke liye A R Rahman ko mila Bharat Sarkar ka
Rajat Kamal Puraskaar. Us samay unki aayu thee 25 varsh.

Tabhi log samajh gaye the ki aage chalkar A R Rahman ek uchcha koti
ke sangeetkaar bannewale hain.

Song: Dheeme dheeme gaayun (Zubeida)

Roja ke baad 1994 mein Maniratnam ki agli film bani Bombay jo ek
Hindu-Muslim prem kahani par aadhaarit tha. Roja ke sangeet ki

safalta ke baad Maniratnam ne Bombay ke sangeet ka bhaar bhi A R
Rahman ko hi saunpaa. Is film ke gaane to hit huye hi, A R

Rahman ko is film ke theme music ke liye bhi bahut sarahna mili.

Song: Kehna hi kya ke nain ek anjaan se jaa mile (Bombay)

1995 mein Ram Gopal Verma ki film Rangeela mein sangeet tayyar kiya A
R Rahman ne. Usi saal Yash Chopra ki film Dilwale

Dulhaniya Le Jayenge bhi release huyi jiske sangeetkaar Jatin Lalit
ko mila Filmfare ka sarvashresth sangeetkaar ka puraskaar, jabki

Rangeela ke liye A R Rahman ko mila Filmfare ka R D Burman Award.

Song: Kya karen kya na karen (Rangeela)

Phir uske baad Maniratnam ki hi ek aur film Dil Se mein unhone kaam
kiya aur isi film mein unhone gaaya apna pehla solo Hindi filmi

geet, aur is tarah sangeetkaar ke saath saath woh ban gaye ek
paarshwa-gaayak.

Song: Dil se re dil se re (Dil Se)

A R Rahman ke sangeet ki visheshtaaen hain digital aur computerised
technology ka istemaal, tatha shastriya sangeet, loksangeet

aur pashchatya sangeet ka sahi mishran. Sound engineering mein woh
paardarshi hain. Woh ek prayogdharmi sangeetkaar hain jo

aksar apne geeton mein alag alag experiments karke adbhut sangeet
tayyaar karte hain. Suniye raag Bhairavi par aadharit Asha

Bhosle ki awaaz mein film Thakshak ka yeh geet.

Song: Mujhe rang de (Thakshak)

Unki isi prayog dharmi drishtibhangi ko dhyaan mein rakhte huye Aamir
Khan aur Ashutosh Govarikar apni mahatwakaanshi film

Lagaan ke liye unhe chuna aur ismein koi shaque naheen hai ki we unke
aashaon par poori tarah se khare utre.

Song: Radha kaise na jale (Lagaan)

A R Rahman ko Padmashree se sammanit kiya gaya hai, iske alawa Madhya
Pradesh sarkaar ki taraf se Lata Mangeshkar

puraskaar se bhi nawaza gaya hai. Sirf hamare desh mein hi naheen, A
R Rahman ki khyaati poore vishwa mein fail chuki hai.

Unhone ek Chinese film ka bhi sangeet tayyar kiya hai. Yeh film hai
He Ping ki Warriors Of Heaven And Earth. Baharhaal aayiye

sune film Sapney ka yeh sundar geet.

Song: Chanda re chanda re kabhi to zameena par aa (Sapney)

Film sangeet ke aakash ka ek chamakta sitara hain A R Rahman jinki
chamak din ba din badhti chalee jaa rahi hai. Vividh Bharati

parivaar ki or se ek behad ujjwal bhavishya ke liye hum unhe dete
hain hamari haardik shubhkaamnaayen.

Song: Yeh tara woh tara har tara (Swades)

Sargam Ke Sitaare, is karyakram mein hamare aaj ke sitaare the
suprasiddha sangeetkaar A R Rahman. Ab deejiye ijaazat,

namaskaar.

THE END

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Hi,

Unluckily I cud listen to only the 1st 30 mins of this prog
yesterday. Its an old prog but a very nice one with Lata speaking
about Sajjad. If someone is having the recording of this prog, pls
upload it so that it can be trascripted.

BTW, I will post the transcript of 1st half of this prog later today.

Today's Jaimala Gold will be presented by Shankar, whose transcript
has been posted few weeks back.

Bye
Sujoy

It seems that Shamshad Begum is going be next on Ujaale Unki Yaadon
Ke. Though VB has not disclosed it fully, but gave an indication in
yesterday's Patrawali that a long interview with SB is going to be on
air soon.

So, lets wait & see.

Sujoy

Clip: Ho jaa rangeela re (Rangeela)

Sabhi sunnewaalon ko Nimmi Mishra ka namaskaar. Hamare aaj ke sitaare
film sangeet ki akash ka woh chamakta sitara hain jinki awaaz ka
jadoo har umra ke sunnewaalon par huya hai.

Clip: Le gayi le gayi (Dil To Paagal Hai)

Dil ki gehraai mein utarnewaali, har bhaav, har rang ko ujaagar
karnewaali yeh awaaz hai paarshwa-gaayika Asha Bhosle ki.

Clip: Tanha tanha yahaan pe jeena (Rangeela)

Asha Bhosle ke awaaz ki agar hum taarif karen to shaayad shabd bhi
pheeke pad jaaye unki awaaz ki chamak ke saamne. Aur yeh chamak din
ba din badhti chali gayi hai alag alag rang badalkar, theek waise
jaise koi chitrakaar alag alag rangon se apne chitra ko sundarta
pradaan karta jaa raha ho.

Song: Husn ke laakhon rang (Johny Mera Naam)

Ashaji ki awaaz aisi hai ki kabhi sharaab aur suroor ki maadakta hai
to kabhi maa ki lori ki mamta. Vedna aur udaasi bhare geeton mein
jaan daal deti hai unki awaaz.

Song: Pawan more angna mein dheere dheere aana (

Ashaji ke puraane gaano mein bhaavon ki gehraai ko unhone aisi
sundarta se vyakt kiya hai ki unke awaaz ke bholepan se sehsa yeh
vishvaas hi naheen hota ki ek hi awaaz mein itni saari khoobiyaan ho
sakti hai.

Asha Bhosle speaks: Mujhe shuru se hi har bhaasha se lagaav raha hai.
Maine alag alag praanton ke bhashaaon mein gaaye hain, kahaan tak
safal huyi hoon yeh to aap hi bataa sakte hain. Suniye kuchh aise hi
geeton ke namoone. Yeh hai Punjabi geet...

Clip: Main to challiyaan (Punjabi Song)

Gujarati...

Clip: Thaari baanki re paayal (Gujarati Song)

Rajasthani...

Clip: O rang rangeelo aati jo (Rajasthani Song)

aur yeh Bangali geet...

Clip: Aami khaataar paataay cheyechhilaam (Bangla Song)

Bhojpuri...

Clip: Jiyara kasak masak mo rahe (Bhojpuri song)

Asha Bhosle se baatchit kar rahe hain Gulzar aur R D Burman

RDB: Aapko yaad hai koi geet jo aapne kafi mehnat se gaaya hoga?

Asha: Haan, ek geet aapne todi mein banaya tha. Waise todi mein dha
se pancham lagana chaahiye, par filmi geet mein agar poora ka poora
raag waise hi rakh diya jaaye to us raag par aadharit sabhi geet ek
jaise hi lagenge. Thodi bahut change karke agar geeton ko dhaala
jaaye to ek nayapan bhi aata hai aur sunne mein bhi achchha lagta hai.

Gulzar: Haan sahi baat hai, agar classical music par film ban rahi
hai tab alag bat hai.

Asha: "Yeh bheeni bheeni bhor", is ka ek antara hai...

Song: Bheeni bheeni bhor aayi

Gulzar: Sone ki chamak ki similies hamare filmi geetonmein kaafi
paaya jaata hai. Lekin kehte hain na ki "All that glitters is not
gold", shaadi mein gotedaar chunri dekhne ko milti hai.

Asha: Lekin aapne to baadal ko jo gota lagaya tha?

Gulzar: Mujhe lagta tha ki gote ki jo chunri hai woh bahut hi
khoobsurat hai.

Asha Bhosle ki awaaz Bharatiya naari ki har ek roop ko saakaarkarti
hai. Phir chaahe woh kisi gaaon ki bholi bhaali baalaa ho ya phir
kisi disco club ki maaadakta liye koi dancer.

Song: O panchhi pyaare (Bandini)
Song: Aayiye meherbaan (Howrah Bridge)

Dukhon mein doobi asahaay naari ki maanviya peeda ko saakaar karti
hai Ashaji ki dardeelee awaaz, jiski gehraai mein Bhartiya stree ki
vedna ki pukaar hai.

Song: Thukra na de jahaan ko kahin bedili se hum

Asha Bhosle speaks: Main hamesha yahi kehti hoon ki playback singing
bhi itna aasaan naheen hai. Har singer ko classical music seekhna
chaahiye naheen to baad mein awaaz utni achchhi naheen rehti.

Song: Jhoothe naina boley saanchi batiyaan (Lekin)

Gulzar: Aapko pataa hai chaand par kisne sabse pehle kadam rakha tha?
neil Armstrong. Unke baad Edwin ne doosra kadam rakha, bas ek step se
woh peechhe the, aur dekhiye sabhi Armstrong ki hi baat karte hain,
Edwin, jo unke peechhe hi the, unko kisi ne yaad naheen rakha. Aap
dono ki achievement bhi waisi hi hain.

RDB laughs

Asha: Mujhe koi gila naheen hai

Gulzar: Naheen, yeh to fakra ki baat hai ki woh aap ki badi bahen hai.

Clip: Sili hawa chhoo gayi (Libaas)

Asha hums "Sili hawa chhoo gayi, sila badan chhil gaya, geeli nadi ke
pare, geela sa chaand hil gaya". Mujhe samajh naheen aata ki kabhi
chaand ko aapne geela kaha, kabhi shakkar, to kabhi mishri ka tukda,
aap kya kya kehte hain chaand ko! Mujhe aap dono se yahi shikaayat
hai ki saare achchhe achchhe geet aap didi ko hi dete hain.

Gulzar: Aisi baat naheen hai, film Khushboo ka geet "Ghar jayegi doli
chadh jayegi" jab maine likha to maine kaha ki yeh aap hi gaayengi.

RDB: Maine kaha tha ki film mein ise heroine Hema Malini gaayengi to
phir Ashaji kaise gaa sakti hain, par inhone aapka naam hi suggest
kiya.

Song: Mera kuchh saamaan tumhare paas padaa hai (Ijaazat)

Vividh Bharati par is samay aap sun rahe hain karyakram Sargam Ke
Sitaare jismein hamare aaj ke sitare hain Asha Bhosle.

Song: Dil cheez kya aap meri jaan leejiye (Umraojaan)

Asha Bhosle speaks: Kudrat ne jo mujhe awaaz dee hai, uski khoobiyon
ko Nayyar sahab ne pehchaana aur apne geeton mein istemaal kiya.
Sachchhai jo hai, usey maan lene mein koi buraayi naheen hai. Manzil
mein pahunchkar raahvar ko bhoola dena yeh meri aadat mein naheen.

Song: Aankhon se jo utri hai dil mein (Phir Wohi Dil Laya Hoon)

Ashaji ke awaaz ki kuchh visheshtaayen hain unke gale ki harkat,
awaaz ka nukeelapan aur tees upjaane ki unki kshamata. Unke awaaz ki
khanak har ek geet ko laajawaab bana deti hai.

Song: Paan khaaye saiyaan hamaar (Teesri Kasam)

Umra ke saath saath Ashaji ki janmajaat sumadhur awaaz nikharti chali
jaa rahi hai. Umra ke har padaav par unki awaaz ek alag hi jadoo
dikhaati chali jaa rahi hai. Ashaji aaj bhi us padaav par khadeen
hain jahaan se aankhen sapne dekhna shuru karti hai.

Asha Bhosle speaks: Log kehte hain ki meri awaaz ab bhi pehle jaisa
hi hai, mujhe naheen pataa. Par haan, main apne aap ko maintain karne
ki koshish karti hoon.

Song: Jab chhaaye mera jadoo koi bach na paaye (Lootmaar)

Ashaji ki awaaz mein jitni vividhtaayen hain, un sabka kahan, tulna
bauni, sab kuchh khatam ho jaati hai unki awaaz ke aage.

Song: Main pyar ka rahi hoon (Ek Musafir Ek Haseena)

Ashaji ke gaaye vividh rangi geet zindegi se jud jaate hain. Ek
chitrakaar jaise alag alag rangon se apne tasveer ko sajaata hai,
waise hi Ashaji ne apna sangeetmay jeevan ko ranga hai alag alag
rangon ke gaane gaakar.

Song: Zindegi ke rang kai hain (Aadmi Aur Insaan)

Asha Bhosle speaks: Gaana chaahe happy ho ya sad, classical ho ya
comedy, har tarah ke geet maine gaaye hain. Maaf keejiye, yeh main
naheen sunnewaale kehte hain. Is taarif ke zyaada haqdaar hain Nayyar
sahab jinhone mujhe alag alag tarah ke geet gaane ka mauka diya hai.

Song: aayo huzoor tumko sitaaron mein le chaloon (Kismat)

Asha Bhosle speaks: Phool ki to sabhi taarif karte hain, par usko
khilaane mein jo maali din raat mehnat karta hai, usko koi yaad
naheen karta, uske baare mein koi naheen sochta. Usi tarah kisi bhi
geet ki safalta ke peechhe jitna haath gaayak-gaayika ka hota hai,
usse kahin zyaada haath hota hai uske geetkaar aur sangeetkaar ka.

Song: Tora mann darpan kehlaaye (Neelkamal)

Ashaji ki awaaz ko sunkar hairaan huye bina naheen raha jaata. Kya
yeh wohi awaaz hai jo kabhi kisi ke dardeele avsaad bhare dil ko
bayaan karti hai to kabhi kisi ke nasheele mann ki maadakta? Kabhi
yeh awaaz allahrpan se bhar deta hai dil to kabhi utni hi sanjeedgi
se.

Song: Yeh kya jagah hai doston (Umraojaan)

Itni bahurangi awaaz autr iske itne saare aayaam, jiski chamak badhti
hi chali jaa rahi hai. Ashaji ke liye hamari yehi duya hai ki aise hi
apni awaaz ka jadoo woh dikhaati rahe, woh gaaye aur bas gaati hi
chali jaayen.

Song: Gaa mere mann gaa, yunhi beetaaye jaa din zindegi ke (Lajwanti)

Sargam Ke Sitare mein aaj ke sitare the gaayika Asha Bhosle. Is
karyakram ka aalekh tayyaar kiya Nimmi Mishra ne aur prastuti Yunus
Khan aur Nimmi Mishra kee. Ab deejiye ijaazat, namaskaar.

THE END

Hi ,

In first week of May, I will be officially launching a web-site dedicated to movies and music, named cinema-sangeet.com

http://www.cinema-sangeet.com

Even now, the site is on-line and active but a few things remain to be
done.

Would like to know your comments and suggestions to improve
site-features on my e-mail
Dr Mandar

Its really amazing to find that 3 out of 8 songs in Chitralok (prog
of newly released songs) were by none other than Lata Mangeshkar,
last week. The songs were from Veer Zaara, Lucky (duet with Adnan
Sami), and Bewafa (Kaise piya se main kahoon).

Do you know what is common about Bhoole Bisre Geet (Songs of 30s, 40s
& 50s) and Chitralok (newly released songs), the two diametrically
opposite progs? Its Lata & Asha numbers that find place in both these
progs.

Waiting for Page3 songs on VB!!!!

Sujoy

BASED ON AN INTERVIEW OF RICHA SHARMA IN "INSE MILIYE" PROGRAMME
BROADCAST ON 13 APRIL 2005. SONGS SELECTED BY THE TRANSCRIPTOR.

Namaskaar, hamaare aaj ke fankaar hain paarshwa-gaayika Richa Sharma.

Song: Kya boya tha aur kya paaya soche baagbaan (Baghban)

Richa Sharma Faridabad ke ek Brahmin parivaar se taallukh rakhti
hain. Unke pita Pandit Dayashankar Upadhyay ek katha vaachak hain
jinko apne vaachan mein gaayiki ka sahara lena hi padta. Unke dadaji
bhi ek gaayak the, ghar mein bhajan krtan ka parivesh tha. Is tarah
Richa Sharma ko sangeet viraasat mein hi mili.

Song: Chhalka chhalka re kalse ka paani (Saathiya)

Richa ne aath varsh ki aayu se hi bhajan gaana shuru kiya aur dheere
dheere sangeet mein doobti chali gayeen aur ek din yeh nishchit kar
liya ki unhe ek gaayika hi banna hai. Aayiye ab sune Shankar
Mahadevan ke saath unka gaaya film Kuch Na Kaho ka yeh geet

Song: Kehti hai yeh hawa (Kuch Na Kaho)

Richa Sharma ne apni pehli taalim lee apne pita se. Kai dhaarmik
anushthaano mein unhone gaana shuru kiya. Phir sangeet ki vidhivat
shiksha ka shubharambh kiya Dilli ke Gandharva Vidyalay se. Aur aage
chalkar Pandit Aaskaran Sharma ko gurudhaaran kiya. Richa Sharma se
judee kuchh aur baaten hum aapko batayenge, lekin ussey pehle suniye
film Ab Ke Baras ka yeh geet jise Richa ne Sukhwindara Singh aur
Sunidhi Chauhan ke saath milkar gaaya hai.

Song: Aaya maahi aaya maahi (Ab Ke Baras)

Richa ne kabhi yeh naheen socha tha ki unhe Mumbai aana hai ya phir
ek playback singer banna hai. Unka lakshya tha bas ek gayika banna.
Lekin unke gaayki ko sunkar logon ne unhe kahaa ki unhe kuchh aur
karna chaahiye. Aur tab unhone raasta pakdaa Mumbai nagri ka. Richa
Sharma ko pasand hai light music par unka yeh bhi maanna hai ki
pasand chaahe kisi bhi sangeet ka ho par har aadhaar mazboot honi
chaahiye aur jiske liye shastriya sangeet seekhna behad zaroori hai.

Song: Tohe leke sanwariya nikal chali re (Soch)

Richa Sharma ka pehla filmi geet tha Sawan Kumar Tak ke liye. Huya
yun ki woh Mata ki chauki ka ek programme kar rahi theen. Sawan Kumar
ne unhe suna aur unke gayiki se prabhaavit hokar unko yeh vaada kar
diya ki apne film mein unhe gaane ka mauka zaroor denge. Sawan Kumar
ne apna vaada poora kiya jab unhone Richa Sharma se gawaaya apni film
Salma Pe Dil Aa Gaya ka yeh background song. Sangeetkaar Aadesh
Srivastava.

Song: Mohabbat aisi mehendi hai (Salma Pe Dil Aa Gaya)

Richa Sharma ek versatile singer hain. Aayiye kuch aise geeton ke
namoone sune jisse aapko is baat ka andaaza ho jaayega. Yeh hai film
Zubeida se ek thumri jise sunkar Richa Sharma ke shastriya gaayan
mein dakshata ka anumaan lagaaya jaa sakta hai.

Song: Saiyan chhodo mori baiyaan (Zubeida)

Lalit Sen ke sangeet nirdeshan mein film Hera Pheri ka yeh masti
bhara geet.

Song: Tun tunak tun (Hera Pheri)

Film Tarkeib ka yeh thirakta huya naghma

Song: Dupatte ka pallu (Tarkeib)

Paarshwa gaayan ke saath saath Richa Sharma bahut saare stage shows
aur anchoring bhi karti hain. Unko to aapne televison par Antakshari
karte huye dekha hi hoga.

Song: Kamli kamli (Deewanapan)

Hamare aaj ke fankaar theen paarshwa-gayika Richa Sharma. Unko Vividh
Bharati parivaar ki or se bahut bahut shubhkaamnaayen. Ab yeh
karyakram yaheen khatam hota hai, namaskaar.

THE END

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Sunnewaalon ko Kamal Sharma ka namaskaar. Pachaas aur saath ka dashak
film sangeet itihaas ka swarn yug maana jaata hai, jis samay film
sangeet apne poore nikhaar par tha. Meethe dhun aur saral khoobsurat
bolon se sajte the geet. Aur aise hi meethe gaano ko rachne ke liye
shrey jaata hai us samay ke geetkaar, sangeetkaar aur gayakon ko. Aaj
is karyakram mein ek aise hi sangeetkaar ki baaten jinhone us swarn-
yug mein apni anokhi aur bilkul alag style se na keval apna pehchaan
banaya balki shrotaaon ke dilon mein ek atut jagah bhi banaayi jo aaj
tak kaayam hai.

Song: Laakhon hai nigaah mein (Phir Wohi Dil Laya Hoon)

Jee haan, hamaare aaj ke Sargam Ke Sitaare hain suprasiddha
sangeetkaar O P Nayyar.

Song: Dil ki awaaz bhi sun (Humsaya)

O P Nayyar speaks: Main yahaan aaya tha ek actor banne par ban gaya
ek sangeetkaar. Sangeet bhi ek kala hai. Ek kavi ya ek chitrakaar ki
tarah ek sangeetkaar bhi apni kalpana se apne kala ka srijan karta
hai. Filmi sangeetkaaron ke liye yeh sirf ek kalaa hi naheen balki
vyaapaar bhi hai. Isliye sangeetkaar ko kai baaton ka dhyaan rakhna
padtaa hai.Kahaani aur situation ke mutaabik aasaan bol ho, aasaan
dhune ho, aasaan theka ho jise aawaam saadgi se gaa sake. Kam se kam
saaz istemaal karke kaise geet ko sundar banaya jaa sakta hai yahi
sangeetkaar ko dhyaan mein rakhna chaahiye.

Song: Tu hai mera prem devta (Kalpana)

O P Nayyar speaks: Geetkaar aur shaayaron ka kaam kaafi mushkil hota
hai kyunki unhe baar baar wohi gine chune filmi situations par gaane
likhne padte hain. Film line ek commercial line hai aur sabhi chaahte
hai ki jaldi jaldi sab kaam ho jaaye. Par kuchh bade bade producers
bhi hain jinke saath kaam karte karte kai tajurbe hote hain. Hum
sangeetkaar bhi chaahte hain ki variety karte rahe aur naye naye
dhune banaate rahe.

Song: Hai duniya usi ki zamaana usi ka (Kashmir Ki Kali)

O P Nayyar speaks: Aanewaale samay mein film music aur bhi rich hoga
ismein koi sandeh naheen hai. Jo naye naye techniques ubhar rahe hain
usse sangeet mein novelty laaya jaa sakta hai. Film producers agar
chaahe to bahut kuchh kiya jaa sakta hai.

Song: Kajra mohabbatwala akhiyon mein aisa daala (Kismat)

O P Nayyar speaks: Main is line mein aaya tha san 1939 mein. Pehle
main All India Radio Lahore mein gaaya karta tha. Apne College ke
zamaane se main gaa raha hoon, radio par bhi main gaata hi tha. Par
dekhiye baad mein main ban gaya music director.

Song: Jaayiye aap kahaan jaayenge (Mere Sanam)

Is samay aapne tune kiya hai Bharat ka sabse lokpriya radio channel
Vividh Bharati aur aap sun rahe hain Sargam Ke Sitaare jismein aaj
hamaare beech hain suprasiddha sangeetkaar O P Nayyar aur unke
swarbaddha kiye kuchh sumadhur naghmein.

Song: Huzurewaala jo ho ijaazat (

Isse pehle ki Nayyar sahab apne pasand ke geeton ka silsila jaari
rakhe, aayiye hum nazar daalen unke rache kuch aur jaane-maane geeton
par.

Song: Ek pardesi mera dil le gaya (Phagun)
Song: Dekho kasam se kehti hoon tunse haan (Tumsa Naheen Dekha)
Song: Boojh mera kya naam re (CID)
Song: Babuji dheere chalna (Aar Paar)
Song: Chain se humko kabhi (Praan Jaaye Par Vachan Na Jaaye)
Song: Roop tera aisa darpan mein na samaay (Ek Baar Muskurado)
Song: Sun mere sajna sun re (Nishchay)

O P Nayyar speaks: Kehte hain waqt ek aisa panchhi hai jo kisi ke
haath naheen aata. Mre saath bhi kuchh aisa hi huya. Kab aaya aur kab
chalaa gaya kuchh pataa hi naheen chalaa. Aapne mere kai mujre sune
honge par jo mujra main aapko sunwaane jaa raha hoon woh mujhe khaas
pasand hai. Harmonum aur table ka sundar istemaal aur sone pe suhaaga
Ashaji ki awaaz. Suniye film Dil Aur Mohabbat ka yeh mujra aur dob
jaayiye ismein.

Song: Bade khoobsurat bade hi haseen (Dil Aur Mohabbat)

O P Nayyar speaks: Agar achchhe bol ho, achchhi dhune ho, aur achchhi
awaaz ho to geet sunnewaalon ko pasand aa hi jaati hai. Par filmi
geet abhinay aur situation par bhi mukhtasar hoti hai.

Song: Mera naam Chin Chin Chu (Howra Bridge)

O P Nayyar speaks: Ab jo geet main aapko sunnane jaa raha hoon woh
hai film Mohabbat Zindegi Hai ka ek geet. Mujhe yeh kehte huye zara
bhi jhijhak naheen ho rahi hai ki maine is geet ke liye kuchh khaas
mehnat naheen kiya. Yeh geet khoobsurat ban padaa hai iske bolon se
jinhe likha hai S H Bihari ne, aur iske awaaz se jo hai Ashaji ki.

Song: Raaton ko chori chori bole mora kangna (Mohabbat Zindegi Hai)

O P Nayyar speaks: Guru Dutt sahab ki ek film mein main sangeet de
raha tha, film thee Bahaaren Phir Bhi Aayengi. Is film mein geet likh
rahe the Kaifi Azmi sahab. Is film ke title song ke liye mukhra
suggest kiya tha Guru Dutt sahab ne hi, "Badal jaaye agar maali,
chaman rehta naheen khaali, bahaaren phir bhi aati hain, bahaaren
phir bhi aayengi". Is geet ki recording bhi ho gayi, par film ke
release hone se pehle hi Dutt sahab hum sabko chhodkar is duniya se
chale gaye. Kisko pataa tha ki unka yeh geet unhi par laagoo ho
jaayega! Suniye Kaifi Azmi ka likha aur Mahendra Kapoor ka gaaya yeh
geet. Mahendra Kapoor ne bahut hi khoobsurti se isey gaaya hai.

Song: Badal jaaye agar maali (Bahaaren Phir Bhi Aayengi)

O P Nayyar speaks: Ab main aapko film Sawan Ki Ghata ka ek gaana
sunwaayunga. S H Bihari ne isey likha tha. Sach maaniye to is geet ke
bolon se inspire hokar hi maine iski dhun tayyaar kee thee.

Song: Honthon pe hansee aankhon mein nashaa (Sawan Ki Ghata)

O P Nayyar speaks: Main hoon rahi janam janam se, chalna mera kaam
hai. Chaahe koi saath rahe ya na rahe, mujhe to bas chalte hi jaana
hai, kyun ki main hoon raahi janam janam se.

Song: Chal akela tera mela peechhe chhoota rahi (Sambandh)

To yeh the sangeetkaar O P Nayyar aur unke rache gaane aaj ke Sargam
Ke Sitaare karyakram mein. Is karyakram ko tayyaar karne mein vishesh
sehyog mila Rakesh Joshi ka aur Vividh Bharati ki or se ise aap ke
liye prastut kiya Kamal Sharma ne. Ab deejiye ijaazat, namaskaar.

THE END

Hello,

This email message is a notification to let you know that
a file has been uploaded to the Files area of the vividhbharati
group.

   File        : /Transcripts of VB Programmes/Sargam Ke Sitaare/Music
Directors/20050409_O_P_Nayyar
   Uploaded by : soojoi_india <soojoi_india@...>
   Description : O P Nayyar

You can access this file at the URL

http://in.groups.yahoo.com/group/vividhbharati/files/Transcripts%20of%20VB%20Pro\
grammes/Sargam%20Ke%20Sitaare/Music%20Directors/20050409_O_P_Nayyar

To learn more about file sharing for your group, please visit

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Regards,

soojoi_india <soojoi_india@...>

Also explore your possibility of getting these songs in the following
grp:

http://groups.yahoo.com/group/sangeet_ke_sitare

Sujoy

--- In vividhbharati@..., zain ullah <zainullahs@y...>
wrote:
>
> Could you kindly send me the following Indian songs
> through my email, which I have not been able to find
> here in Pakistan despite efforts:-
>
> 1) Film " Tum na Mano :
>    Song by Asha Bhosle
>    Wordings are " Mere Jehan mein tum piar leke aye"
>
> 2) Film " Benazir"
>    Song by Lata and Asha Bhosle
>    wordings are " Mubarak hai woh dil jis ko kisi  say
> piar ho jaye"
>
> I shall be be very grateful for this act of kindness
>
> Zainullah Khan
> <zainullahs@y...>
> Peshawar, Pakistan
>
> --- soojoi_india <soojoi_india@y...> wrote:
>
> >
> > Sabhi sunnewaalon ko Kamal Sharma ka namaskaar. Yun
> > to film sangeet
> > sansaar mein ek se ek diggaj sangeetkaar aaye hain,
> > lekin aaj jis
> > sangeetkaar
> >
> > ka zikr is karyakram mein hum karne jaa rahe hain,
> > unki baat hi kuchh
> > alag hai.
> >
> > Agar unke geeton mein Bhartiya shastriya sangeet aur
> > lok sangeet ki
> > chhata
> >
> > hai to filmi geeton mein paashchaatya dhuno ki lehar
> > bhi wohi lekar
> > aaye the.
> >
> > Song: Eena Meena Deeka (Asha)
> >
> > Film Asha ke is thirakte geet ke sangeetkaar C
> > Ramchandra se judee
> > kuchh
> >
> > baaten aur yaaden lekar hum aaj haazir huye hain. To
> > aayiye Sargam Ke
> > Sitare
> >
> > mein aaj sune Chitalkar Ramchandra ke gaaye aur
> > swarbaddha kiye kuch
> > geet.
> >
> > Song: Meri jaan Sunday ke Sunday (Shehnai)
> >
> > C Ramchandra ka janm Maharashtra ke Putnatambe mein
> > 12 January 1918
> > ko
> >
> > huya tha. Unke pita Railway mein Assistant Station
> > Master ki naukri
> > kiya karte
> >
> > the. Apne bete ki sangeet ke prati lagaav ko dekhkar
> > unhe Nagpur ke
> > ek
> >
> > sangeet vidyalay mein bharti karwa diya. Phir unhone
> > Pune mein
> > Vinayakbua
> >
> > Patwardhan se Gandharva Mahavidyalaya music school
> > mein sangeet ki
> > shiksha
> >
> > praapt kee.Un dino mook filmon ka daud tha, we
> > Kolhapur aa gaye aur
> > kai
> >
> > filmon mein abhinay kiya. Par unki kismat mein to
> > likha tha
> > sangeetkaar bankar
> >
> > chamakna.
> >
> > Song: Dekh humein awaaz na dena o bedard zamaane
> > (Amardeep)
> >
> > Tab ki Bambai aur aaj ki Mumbai mein aane ke baad C
> > Ramchandra Sohrab
> >
> > Modi ki Minerva Movietone mein shaamil ho gaye
> > jahaan we Habeeb Khan,
> >
> > Hugan aur Meersahab jaise sangeetagyon ke sahaayak
> > ban gaye. Hugan se
> >
> > unhone western music seekha jo baad mein unke
> > sangeet nazar aane
> > lagaa.
> >
> > Song: Main hoon ek khalasi, mera naam hai Bhimpalasi
> > (Sargam)
> >
> > Song: Mr John Baba Khan ya Lala Roshandan (Barish)
> >
> > C Ramchandra ne teen aur naamon se bhi sangeet diya
> > tha. Shyamoo ke
> > naam
> >
> > se (Yeh Hai India Duniya), Ram Chitalkar ke naam se
> > (Suhi Jeevan,
> > Badla, Mr.
> >
> > Jhatpat, Bahadur, Dosti), aur Annasaheb ke naam se
> > (Bahadur Pratap,
> >
> > Matwale, Madadgaar). Sangeetkaar ke roop mein unki
> > pehli film thee
> > Tamil film
> >
> > Jayakkodi aur Vanamohini. Anil Biswas, Basant
> > Prakash, Dhaniram,
> > Vasant
> >
> > Desai aur O P Nayyar jaise sangeetkaaron ke saath
> > unhone kaam kiya
> > aur
> >
> > sangeet srijan mein mahtwapoorna yogdaan kiya.Unke
> > sangeet se sajee
> > pehli
> >
> > Hindi film thee Sukhi Jeevan. Sachin Dev Burman aur
> > O P Nayyar ki
> > tarah unki
> >
> > shuruwaat bhi sukhad naheen rahi. Logon ke dilon
> > mein jagah banaane
> > ke liye
> >
> > unhe bhi kadee mehnat aur jaddojahad karni padee.
> > Lekin ek baar
> > kaamyaabi
> >
> > ki raah par chal nikle to phir kabhi peechhe mudkar
> > naheen dekhe.
> >
> > Song: Jhukti hai duniya jhukanewala chahiye (Sagaai)
> >
> > Shuruwaati dino mein unhone kai filmon mein sangeet
> > diya jinmein se
> > kuchh ke
> >
> > naam hain Sagai, Namuna, Ustad pedro, Hungama,
> > Shagufa, 26 January,
> >
> > vagerah. Par jin do filmon ke sangeet se we
> > kaamyaabi ke shikhar ko
> > chhuaan,
> >
> > woh do filmen theen Shehnai aur Albela. Film Albela
> > ke geeton ne us
> > film ko
> >
> > chaar chaand lagaaye. Saare gaane hit huye aur gali
> > gali bajne lage.
> > Cinema
> >
> > gharon mein log khade hokar in geeton ke saath
> > jhoomne ki bhi baat
> > maani
> >
> > jaati hai. Aayiye sune is film ka ek geet jise aaj
> > ki peedhee bhi
> > bade pyar se
> >
> > sunti hai aur uske saath jhoomti hai. Isey C
> > Ramchandra ne Lata
> > Mangeshkar
> >
> > ke saath Chitalkar ke naam se gaaya. To suniye film
> > Albela ka yeh
> > albela geet.
> >
> > Song: Shola jo bhadke (Albela)
> >
> > C Ramchandra ne apne sangeet mein naye naye prayog
> > kiye hain.
> > Gujarati
> >
> > garba ko Hindi film sangeet mein pehli baar wohi
> > laaye the, film thee
> > Nastik aur
> >
> > geet tha "Kanha bajaye bansuri". Film Shehnai mein
> > "Aana meri jaan
> > Sunday ke
> >
> > unday" mein Goan sangeet ka prabhaav tha to film
> > Yasmeen ke is geet
> > mein
> >
> > Arabian sangeet ki mithaas aur mandolin yantra ka
> > dilkash istemaal
> > kiya.
> >
> > Song: Bechain nazar betaab jigar (Yasmeen)
> >
> > Doston, Vividh Bharati par aap sun rahe hain Sargam
> > Ke Sitare, C
> > Ramchandra
> >
> > ke gaaye aur swarbaddha kiye huye geet.
> >
> > Song: Maar gayo re more dil pe katari (Nadiya Ke
> > Paar)
> >
> > Sangeetkaar C Ramchandra ke sumadhur sangeet se
> > sajee ek film aayi
> > thee
> >
> === message truncated ===
>
>
> __________________________________________________
> Do You Yahoo!?
> Tired of spam?  Yahoo! Mail has the best spam protection around
> http://mail.yahoo.com

Could you kindly send me the following Indian songs
through my email, which I have not been able to find
here in Pakistan despite efforts:-

1) Film " Tum na Mano :
    Song by Asha Bhosle
    Wordings are " Mere Jehan mein tum piar leke aye"

2) Film " Benazir"
    Song by Lata and Asha Bhosle
    wordings are " Mubarak hai woh dil jis ko kisi  say
piar ho jaye"

I shall be be very grateful for this act of kindness

Zainullah Khan
<zainullahs@...>
Peshawar, Pakistan

--- soojoi_india <soojoi_india@...> wrote:

>
> Sabhi sunnewaalon ko Kamal Sharma ka namaskaar. Yun
> to film sangeet
> sansaar mein ek se ek diggaj sangeetkaar aaye hain,
> lekin aaj jis
> sangeetkaar
>
> ka zikr is karyakram mein hum karne jaa rahe hain,
> unki baat hi kuchh
> alag hai.
>
> Agar unke geeton mein Bhartiya shastriya sangeet aur
> lok sangeet ki
> chhata
>
> hai to filmi geeton mein paashchaatya dhuno ki lehar
> bhi wohi lekar
> aaye the.
>
> Song: Eena Meena Deeka (Asha)
>
> Film Asha ke is thirakte geet ke sangeetkaar C
> Ramchandra se judee
> kuchh
>
> baaten aur yaaden lekar hum aaj haazir huye hain. To
> aayiye Sargam Ke
> Sitare
>
> mein aaj sune Chitalkar Ramchandra ke gaaye aur
> swarbaddha kiye kuch
> geet.
>
> Song: Meri jaan Sunday ke Sunday (Shehnai)
>
> C Ramchandra ka janm Maharashtra ke Putnatambe mein
> 12 January 1918
> ko
>
> huya tha. Unke pita Railway mein Assistant Station
> Master ki naukri
> kiya karte
>
> the. Apne bete ki sangeet ke prati lagaav ko dekhkar
> unhe Nagpur ke
> ek
>
> sangeet vidyalay mein bharti karwa diya. Phir unhone
> Pune mein
> Vinayakbua
>
> Patwardhan se Gandharva Mahavidyalaya music school
> mein sangeet ki
> shiksha
>
> praapt kee.Un dino mook filmon ka daud tha, we
> Kolhapur aa gaye aur
> kai
>
> filmon mein abhinay kiya. Par unki kismat mein to
> likha tha
> sangeetkaar bankar
>
> chamakna.
>
> Song: Dekh humein awaaz na dena o bedard zamaane
> (Amardeep)
>
> Tab ki Bambai aur aaj ki Mumbai mein aane ke baad C
> Ramchandra Sohrab
>
> Modi ki Minerva Movietone mein shaamil ho gaye
> jahaan we Habeeb Khan,
>
> Hugan aur Meersahab jaise sangeetagyon ke sahaayak
> ban gaye. Hugan se
>
> unhone western music seekha jo baad mein unke
> sangeet nazar aane
> lagaa.
>
> Song: Main hoon ek khalasi, mera naam hai Bhimpalasi
> (Sargam)
>
> Song: Mr John Baba Khan ya Lala Roshandan (Barish)
>
> C Ramchandra ne teen aur naamon se bhi sangeet diya
> tha. Shyamoo ke
> naam
>
> se (Yeh Hai India Duniya), Ram Chitalkar ke naam se
> (Suhi Jeevan,
> Badla, Mr.
>
> Jhatpat, Bahadur, Dosti), aur Annasaheb ke naam se
> (Bahadur Pratap,
>
> Matwale, Madadgaar). Sangeetkaar ke roop mein unki
> pehli film thee
> Tamil film
>
> Jayakkodi aur Vanamohini. Anil Biswas, Basant
> Prakash, Dhaniram,
> Vasant
>
> Desai aur O P Nayyar jaise sangeetkaaron ke saath
> unhone kaam kiya
> aur
>
> sangeet srijan mein mahtwapoorna yogdaan kiya.Unke
> sangeet se sajee
> pehli
>
> Hindi film thee Sukhi Jeevan. Sachin Dev Burman aur
> O P Nayyar ki
> tarah unki
>
> shuruwaat bhi sukhad naheen rahi. Logon ke dilon
> mein jagah banaane
> ke liye
>
> unhe bhi kadee mehnat aur jaddojahad karni padee.
> Lekin ek baar
> kaamyaabi
>
> ki raah par chal nikle to phir kabhi peechhe mudkar
> naheen dekhe.
>
> Song: Jhukti hai duniya jhukanewala chahiye (Sagaai)
>
> Shuruwaati dino mein unhone kai filmon mein sangeet
> diya jinmein se
> kuchh ke
>
> naam hain Sagai, Namuna, Ustad pedro, Hungama,
> Shagufa, 26 January,
>
> vagerah. Par jin do filmon ke sangeet se we
> kaamyaabi ke shikhar ko
> chhuaan,
>
> woh do filmen theen Shehnai aur Albela. Film Albela
> ke geeton ne us
> film ko
>
> chaar chaand lagaaye. Saare gaane hit huye aur gali
> gali bajne lage.
> Cinema
>
> gharon mein log khade hokar in geeton ke saath
> jhoomne ki bhi baat
> maani
>
> jaati hai. Aayiye sune is film ka ek geet jise aaj
> ki peedhee bhi
> bade pyar se
>
> sunti hai aur uske saath jhoomti hai. Isey C
> Ramchandra ne Lata
> Mangeshkar
>
> ke saath Chitalkar ke naam se gaaya. To suniye film
> Albela ka yeh
> albela geet.
>
> Song: Shola jo bhadke (Albela)
>
> C Ramchandra ne apne sangeet mein naye naye prayog
> kiye hain.
> Gujarati
>
> garba ko Hindi film sangeet mein pehli baar wohi
> laaye the, film thee
> Nastik aur
>
> geet tha "Kanha bajaye bansuri". Film Shehnai mein
> "Aana meri jaan
> Sunday ke
>
> unday" mein Goan sangeet ka prabhaav tha to film
> Yasmeen ke is geet
> mein
>
> Arabian sangeet ki mithaas aur mandolin yantra ka
> dilkash istemaal
> kiya.
>
> Song: Bechain nazar betaab jigar (Yasmeen)
>
> Doston, Vividh Bharati par aap sun rahe hain Sargam
> Ke Sitare, C
> Ramchandra
>
> ke gaaye aur swarbaddha kiye huye geet.
>
> Song: Maar gayo re more dil pe katari (Nadiya Ke
> Paar)
>
> Sangeetkaar C Ramchandra ke sumadhur sangeet se
> sajee ek film aayi
> thee
>
=== message truncated ===


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