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Namaskaar, aaj ka yeh karyakram kendrit hai is daud ke lokpriya
sangeetkaar jodi Jatin Lalit par.

Song: Woh Sikander hi doston kehlata hai (Jo Jeeta Wohi Sikander)

Yuva sangeetkaar jodi Jatin Lalit ka taallukh sangeetmay parivaar se
to hai par parivaar ki taraf se is kshetra mein jaane ke liye unhe
koi badhaawa naheen mila. Parivaar chaahti thee ki dono bhai kisi aur
kshetra mein jaaye. Par sangeet ke prati unki rujhaan unhe isi taraf
badhne ke liye prerit karti rahi. Aur 1989 mein Jatin Lalit ke
dilkash dhuno mein sajkar release huyi ek gair filmi album - Rhythms
of Love, jiske kuchh gaane baad mein film Yaara Dildara mein shaamil
kar lee gayi.

Song: Tum hi hamari ho manzil my love (Yaara Dildara)

Iske do saal baad, unke kisi dost ne Jatin Lalit ke baare mein
Mansoor Khan ko bataaya. Unhone jab unki dhune suni to is kadar
prabhaavit huye ki apni agli film mein unhe sangeet dene ka adhikaar
de diya, aur woh film thee Jo Jeeta Wohi Sikander.

Song: Jawaan ho yaaron yeh tumko huya kya (JJWS)

Jo Jeeta Wohi Sikander ek blockbuster film saabit huyi aur is
kaamyaabi mein Jatin Lalit ke sangeet ka yogdaan kam naheen tha. Is
film ke gaane shrotaaon ko khoob pasand aaye.

Song: Pehla nasha pehla khumaar (JJWS)

1992 mein behad kaamyaab saabit huyi Jo Jeeta Wohi Sikander. Isi saal
Jatin Lalit ke sangeet se saji do aur hit filmen aayi. Inmein ek thee
Khilaadi, jismein Jatin Lalit ne apni pratibha ka loha ek baar phir
manwaya.

Song: Waada raha sanam honge juda na hum (Khilaadi)

Aur doosri film thee Raju Ban Gaya Gentleman. Is film ke gaane bhi
khoob pasand kiye gaye.

Song: Loveria huya (Raju Ban Gaya Gentleman)

Uske baad 1995 mein Jatin Lalit ke sumadhur geeton ke saath super-
duper hit film aayi Dilwale Dulhaniya Le Jaayenge.

Song: Tujhe dekha to yeh jaana sanam (DDLJ)

Is film ke baad Jatin Lalit ko sangeet premiyon ne hi dil se naheen
lagaaya balki film nirmata aur nirdeshakon ki we pehli pasand ban
gaye. Aur we ek ke baad ek hit filmein dete chale gaye. Yeh filmen
hain Yes Boss...

Song: Main koi aisa geet gaayun (Yes Boss)

Pyar Kiya To Darna Kya...

Song: O o jaanejaana (PKTDK)

Pyar To Hona Hi Tha...

Song: Pyar to hona hi tha (PTHHT)

Kuch Kuch Hota Hai...

Song: Tum paas aaye yun muskuraaye (KKHH)

aur Mohabbatein...

Song: Humko humhi se churaalo (Mohabbatein)

Jatin Lalit ki dhuno mein taazgi to hai hi, madhurta aur komalta bhi
hai jo seedhe dil mein utar jaati hai.

Song: Mere khwaabon mein jo aaye (DDLJ)

Jatin Lalit ko stardom ki raah par le jaanewaali film thee Dilwale
Dulhaniya Le Jaayenge, jismein Karan Johar Assistant Dircetor ke roop
mein kaam kar rahe the. 1998 mein jab Karan Johar ne swatantra roop
se film nirdeshit kee to unhone sangeetkaar chuna Jatin Lalit ko,
film thee Kuch Kuch Hota Hai.

Song: Koi mil gaya (KKHH)

Karan Johar ki agli film Kabhi Khushi Kabhie Gham mein bhi Jatin
Lalit ka sumadhur sangeet raha.

Song: Bole choodiyan bole kangna (K3G)

Jatin Lalit ke sangeet se sajee kuchh aur filmon ke naam hain Phir
Bhi Dil Hai Hindustani, Khoobsurat, arfarosh, Sangharsh, aur Silsila
Hai Pyar Ka.

Song: Yeh silsila hai pyar ka yeh chalta rahega (SHPK)

Jatin Lalit dwaara sangeetbaddha kiye huye geeton ka silsila yunhi
chalta rahe, unhe kaamyaabi aur shohrat ki bulandiyaan naseeb ho,
Vividh Bharati parivaar ki or se unhe hamari yahi shubhkaamnaayen
hain.

Song: Zara sa jhoom loon main (DDLJ)

THE END

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1985

Fauji jawaano, aap sab ko Majrroh Sultanpuri ka aadaab. Aaj mujhe
aapse rubaru hokar behad khushi ho rahi hai. Aap jis dileri se hamare
watan ki khidmat kar rahe hain, humein aap pe bahut fakr hai. Aaj is
mehfil mein main apne pasand ke chand naghmein aapko sunwaane jaa
raha hoon. Aaghaaz karta hoon Mehboob sahab ki film Andaz ke ek
naghme se. Yeh meri doosri hit film thee aur 1947 ke partition ke
baad ki yeh meri pehli hit film thee. Naushad sahab ki tarz aur
Mukesh ki awaaz.

Song: Tu kahe agar jeevan bhar (Andaz)

Ab pesh-e-khidmat hai Pancham, Kishore aur mere combination ka ek
naghma, film Mere Jeevan Saathi.

Song: O mere dil ke chain (Mere Jeevan Saathi)

Pancham-Kishore ke baad ab baari hai O P Nayyar aur marhoom Rafi
sahab ki.

Song: Jawaniya yeh yeh mast mast (Tumsa Naheen Dekha)

Missed out...

Song: Din pyar ke aayenge sajaniya (Saverewali Gaadi)

Missed out...

Song: Kya huya tera vaada (Hum Kisi Se Kam Naheen)

Aapne story aur dialogue writer Salim Javed ki jodi ke baare mein to
suna hi hoga. Wahi Javed hain jaane-maane shayar aur geetkaar Javed
Akhtar. Suniye unka likha aur Pancham ka swarbaddh kiya film Saagar
ka geet.

Song: Sagar kinare dil yeh pukaare (Saagar)

Missed out...

Song: Aaja re pardesi (Madhumati)

Jawaano, aap to jaanbaaz veer sipaahi hain jinhe koi gham chhoo hi
naheen sakti. Phir bhi agar kabhi aapko gham ka saamna karna pade to
is geet ko zaroor yaad keejiyega.

Song: Rahi manwa dukh ki chinta kyun sataati hai (Dosti)

THE END

Song: Sun mere bandhu re (Sujata)

Hamare aaj ke fankaar hain paarshwa-gaayak Sachin Dev Burman.

The song "Sun mere bandhu re..." continues.

Jee haan, sangeetkaar ke roop mein prasiddha Sachin Dev Burman ki
paarshwa gaayiki hi hai hamare aaj ke is karyakram ka aakarshan.

Song: Allah megh de paani de chhaya de

Sachin Dev Burman, Bengal ke Bhatiyali sangeet ka ek vishisht sur, jo
baad mein Bharat ka sur ban gaya. Aise bahut kam log hain jo Burman
dada ke gaayiki se vistrit roop se parichit hon. Aur thoda bahut hain
bhi to unka gyaan "Sun mere bandhu re" aur "Mere saajan hain us paar"
jaise do-ek geeton tak hi jawaab de jaate hain. Hum bas yahi kehna
chaahte hain ki Manipur ki dharti se uthe yeh Bhatiyali gaayak bas do-
teen geeton se hi pehchaane naheen jaane chaahiye. Aayiye aaj is
karyakram mein Sachinda ke amar awaaz mein kuchh aise geet sune
jinmein se shaayad kuchh aapne pehle sune ho aur kuchh shayad aaj
pehli baar sunenge.

Song: Meri duniya hai maa tere aanchal mein (Talash)
Song: Dheere se jaana bagiyan mein re bhanwra
Song: Doli mein bithaay ke kahaar (Amar Prem)

Ab prashna yeh uthta hai ki S D Burman ke gaayiki ki shuruwaat kahaan
se huyi? Iske uttar mein kuchh vismaykar tathya saamne aate hain.
Iska ek saadharan sa uttar yeh ho sakta hai ki unhone apne hi sangeet
nirdeshan mein "Mere saajan hain us paar" jaise kisi geet ko gaakar
gaayak bane honge, par naheen. Unhone apne career ki shuruwaat hi kee
thee bataur gaayak, saal tha 1941 aur film thee Taj mahel. Is film
mein unhone sangeetkaar Madhulal D Master ke liye gaane gaaye aur
geet tha yeh.

Song: De dee pyar ki nishaani...Taj mahal mere Taj (Taj Mahal)
Song: Chale chalo prem ke saathi (Taj Mahal)

Yahaan yeh ullekhniya ho jaata hai aapko bataana ki bataur
sangeetkaar Burman dada ne pehli baar kaam kiya tha san 1946 ki film
Shikari mein. Bambai aane se pehle we Bhatiyali gayak the par Bambai
aane ka unka kaaran tha ek sangeetkaar banna. Par aaj hum sirf gaayak
S D Burman ki hi baaten karenge.

Song: Prem ke pujari hum hain (Prem Pujari)

Doston, aisa do baar huya hai ki kisi sangeetkaar ko sarvashreshtha
gaayak ka Rashtriya Puraskaar mila ho. San 1969 mein film Aradhana
aur san 1972 mein film Zindegi Zindegi ke liye gaane gaakar, aur dono
baar yeh puraskaar mila Sachin da ko.

Song: Kaahe ko roye chaahe jo hoye (Aradhana)

oston, sankhya ke hisaab se agar hum dekhen to bhale hi dada ne kam
geet gaaye hain, par adaayiki aur bhaav sampreshanta ki drishti se
dekhen to aisi gayiki shayad hi kisi aur gaayak ki awaaz mein sunne
ko mile. Aur yahi kaaran hai ki Talat Mehmood ki tarah S D Burman ke
gaaye geet cover versions ke shikaar naheen huye.

Song: Wahaan kaun hai tera musafir jayega kahaan (Guide)

Burman dada ke geeton mein kabhi kisi maanjhi ka Bhatiyali sangeet
ubharkar saamne aata hai to kabhi vida hoti naayika ki vedna aur
kabhi bhhokhe pyaase honthon aur pet ki pukaar. Samvedna bhare sur hi
Sachin da ke sangeet aur gayiki kivishstayen hain. Bimalda ki film,
Bengal ke gareeb

gaaon ka chitran, aur Sachinda ki marmsparshi sangeet aur awaaz,
maanjhi ka sangharsh maano sajeev hokar hamare aankhon ke saamne aa
khade hote hain.

Song: O re maanjhi, mere saajan hain us paar (Bandini)

Agar hum Bimalda ki film Bandini ke is geet ko Sachin da ke gayiki ka
sabse kaamyaab geet kahen to shaayad unke prashansak humse naraaz ho
jaayenge. Par sach to yahi hai ki yeh geet unke gayiki ka pehchaan
ban gaya hai, keval isliye naheen ki is geet ko sunte hi abhinetri
Nutan ka peela padta chehra aankhon ke saamne aa jaata hai, sirf
isliye bhi naheen ki is geet ki baandgi humein ek maanjhi ki athah
parishram bhari zindegi ka ahsaas karaati hai, balki isliye ki is
geet mein Sachin Dev Burman ke aatma ka uchchhas hai, itne dil se,
itni aantarik bhaav se gaaya huya shayad hi koi aur geet hoga. Apne
shrotaaon ke liye unki awaaz se yeh shabd ubharte hain...

Song: Man ki kitaab se tu mera naam hi mita dena, gun to na koi bhi
avgun mere bhula dena (Bandini)

Par yeh kaise mumkin hai doston, Burman dada ke geet-sangeet ko kaise
bhulaya jaa sakta hai. Aise meethe, sureele, dharti se jude geet
sangeet ke rachaita ko bhulaya naheen jaata, dharti ki hi tarah woh
hamesha humse jude hi rehte hain. Vividh Bharati parivaar ki or se
Burman dada ki sangeet saadhna ko vinamra naman.

Song: Rongeela rongeela rongeela re (Bangla Folk Song)

THE END

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Sargam Ke Sitare mein aaj baaten ek anoothe sangeetkaar ki, ek aise
sangeetkaar jinka bilkul league se hatkar style hai, jinhone quantity
se zyada quality par dhyaan diya hai, aur jitne bhi gaane rache hain,
har ek geet apne aap mein ek misaal ban gaya hai. Aaj hum baat kar
rahe hain jaane-maane sangeetkaar Ismail Darbar ka.

Song: Khushi ne hamari humein maar daala (Devdas)

Ismail Darbar ke pita Hussain clarionet aur saxophone vaadak rahe
hain. Laxmikant Pyarelal ke Pyarelal ke pita Pt Ram Prasad ka bhi
saannidhya unhe praapt huya jinse unhone violin bajana seekha.

Ismail Darbar speaks: Sangeet to mere khoon mein hi tha, mujhe piano
seekhne ka bada shauk tha, par un dino hamari haisiyat naheen thee ki
piano khareed sake, usey rakhne tak ki jagah naheen thee hamare ghar
mein. Isliye maine violin seekhne ka nishchay kiya. Maine kabhi
Indian classical music ki training naheen lee, maine western
classical music seekha hai.

Song: Main aashiqui main deewangee (Deewangee)

Ismail Darbar khud sangeetkaar banne se pehle musician huya karte
the. Unhone kai diggaj sangeetkaaron ko assist kiya jinmein Laxmikant
Pyarelal ke alawa Kalyanji Anandji, Bappi Lahiri, Rajesh Roshan,
Anand Milind, Nadeem Shravan, Jatin Lalit aur A R Rahman shaamil hain.

Ismail Darbar speaks: Mujhe Laxmikant Pyarelal ke wahaan ghutan si
hoti thee, kyunki we mujhse kaafi senior the aur bachpan se main unhe
jaanta tha, to unke saath kaam karte huye main free naheen ho paata
aur ek ghutan si hoti thee.Maine sabse zyada kaam kiya hai Bappi
Lahiri ke saath.

Song: Woh ishq ka matlab samjhega (Tera Jadoo Chal Gaya)

Ismail Darbar safalta ki pehli seedhee par chadhe jab unhone
sangeetkaar Jatin-Lalit ke liye film Khamoshi mein violin ke pieces
bajaaye aur film ka background music tayyaar karne mein yogdaan kiya.
Unhone TV serial Ittefaq ka bhi shirshak sangeet tayyaar kiya. 1995
mein Ram Gopal Verma ki film Rangeela mein unhe break milte milte reh
gaya jo A R Rahman ke paas chala gaya. Unhe kaamyaabi ki bulandiyon
par pahunchane mein unki pratibha ke alawa agar kisi ka haath raha
hai to woh hai filmkaar Sanjay Leela Bhasali ka, jinki film Hum Dil
De Chuke Sanam mein sangeet dekar we ghar ghar mein pahunch gaye.
Unse Ismail Darbar ki mulaaqaat kaise huyi, aayiye sune swayam Darbar
sahab se.

Ismail Darbar speaks: Kunal Ganjawala, jinka aaj kaafi naam ho chuka
hai, un dino unhe koi naheen jaanta tha. Unhone mera naam Sanjay ko
recommend kiya tha. Huya yun ki Kunal unke paas kaam dhoondne gaya
tha, to Sanjay ne unse kaha ki abhi mujhe gayak ki zaroorat naheen
hai, agar tum kisi sangeetkaar ko jaante ho to bataao. Is tarah se
Kunal ke zariye mujhe Sanjay se milne ka mauka mila. Main unke ghar
pahunch gaya mere album ka tape lekar. Sanjay ne mujhse kaha ki mujhe
aapka naam "Ismail Darbar" bahut pasand aaya. Unhone mere
orchestration ki taarif to kee par kaha ki aapka sangeet A R Rahman
se bahut milta julta hai. Maine kaha ki jinhone yeh album mujhse
banwaayi hai unhone hi mujhe Rahman ka style follow karne ko kaha
tha, aur kisi ke style ko follow karna apne style se zyaada mushkil
hota hai. Uske baad maine Sanjay ko mere saat geeton ki dhune
sunwaayi aur unhe pasand aa gayi. Unmein se ek geet tha "Chaand
chhupa badal mein" jise HDDCS mein rakha gaya.

Song: Chhand chhupa badal mein (HDDCS)

Ismail Darbar speaks: Isi film ka ek aur geet "tadap tadap ke is dil
se aah nikalti rahi", is geet ki ahmiyat ka mujhe us waqt ahsaas huya
jab Sanjay ne isey 9 baar suna, main to apni hi struggle mein ghoom
raha tha.

Song: Tadap tadap ke is dil se aah nikalti rahi (HDDCS)

Apne radio set par is waqt aapne tune kiya hai Bharat ka sarvaadhik
lokpriya radio channel Vividh Bharati, aur Vividh Bharati par is
samay aap sun rahe hain Pitara ke antargat Sargam Ke Sitare. Hamare
aaj ke sitaare hain jaane-maane sangeetkaar Ismail Darbar.

Song: Pyar se pyare tum ho sanam (Deewangee)

Ismail Darbar ne orchestra ke saath vistaarit kaam kiya hai. Woh
aasaani se apne kaam se santusht naheen hote, aur kisi bhi tarah ka
samjhauta apne sangeet ke saath naheen karte.

Ismail Darbar speaks: Haal hi mein bani Subhash Ghai ki film Kisna ka
title song, maine badi mehnat se banayi. Yeh ek pure Indian dance
number hai, aur ek aise dance number ke andar western classical music
ko daalna bahut mushkil hota hai.

Song: Woh Kisna hai (Kisna)

Hum Dil De Chuke Sanam se lekar Devdas tak, Ismail Darbar ke geeton
se unke pukhta shaili aur anoothe style ka pataa chalta hai. Yun to
kai directors ke saath unhone kaam kiya, par unki tuning Sanjay Leela
Bhansali ke saath sabse achchhi rahi hai.

Song: Bairi piya badaa bedardi (Devdas)

Sanjay Leela Bhansali ke saath Ismail Darbar ki tuning itni achchhi
jamti hai ki we ek doosre ko badi sehajta se geeton mein pher badal
karne ke sujhaav dete hain. Maslan, Hum Dil De Chuke Sanam film ke ek
geet "Ankhon ki gustakhiyaan maaf ho" mein Ismail Darbar ne geet
approve ho jaane ke baad bhi uske mukhde ke female words badalwa
diye. Waise hi Sanjay Leela Bhansali ne bhi Devdas ke geet "Dola re
dola re" mein kuchh pher badal kee.

Ismail Darbar speaks: Mera gaana tha "dhola re dhola re", par Sanjay
ne suggest kiya "dola re dola re"

Song: Dola re dola re (Devdas)

Ismail Darbar ne kul paanch filmon mein ab tak sangeet diya hai,
jinke naam hain Hum Dil De Chuke Sanam, Tera Jadoo Chal Gaya,
Deewangee, Devdas aur Kisna. Yun to unke paas kai offers aate hain,
par we pasand karte hain chuninda kaam karna.

Ismail Darbar speaks: Maine Devdas ke baad 30 filmen chhodee jab ki
producers mujhe munh-maangi keemat dene ko tayyar ho rahe the. Lekin
maine yahi socha ki agar Sanjay ne mujhe Hum Dil De Chuke Sanam aur
Devdas na diya hota to mujhe yeh 30 offers naheen milte. Meri
wafadari Sanjay ke saath hamesha rahegi kyunki unhone mujhe us waqt
kaam diya jab mujhe kaam ki sabse zyada zaroorat thee aur mujh jaise
naye sangeetkaar par unhone bharosa karke itna bada risk liya.

Doston, hum yahi kaamna karte hain ki Ismail Darbar ke meethe geeton
ki barsaat yunhi humpar hoti rahegi. Unhe hamari or se ek behad
ujjwal bhavishya ki haardik shubhkaamnaayen.

Song: Dholi thaaro dhol baaje (HDDCS)

THE END

BASED ON THE SPECIAL MARATHI PROGRAMME "YAADEN TALAT" ON TALAT
MEHMOOD BROADCAST ON VIVIDH BHARATI PUNE ON 9 MAY 2005 ON HIS DEATH
ANNIVERSARY

Namaskaar, hamare aaj ke Sargam Ke Sitare hain film jagat ke
suprasiddha paarshwa-gaayak Talat Mehmood. Aayiye sune unse judee
kuchh baaten aur unke gaaye kuchh sadabahaar naghmein.

Song: Tasveer banata hoon tasveer naheen banti (Baradari)

Talat Mehmood ka film sangeet jagat mein us samay padaarpan huya jab
film sangeet ka sunehra daud bas shuru hi huya tha. 1950 se lekar
1965 tak ke 15 saalon mein unhone ek se ek sumadhur geet gaaye aur
film sangeet ko samriddha kiya.

Song: Ae mere dil kahin aur chal (Dil-e-Nadaan)

Talat Mehmood ki awaaz mein makhmal ki komalta thee. Film sangeet ke
us daud mein ek se ek diggaj gaayak the jaise Mukesh, Mohd Rafi,
Hemant Kumar, Manna Dey aur Kishore Kumar. Lekin apni anokhi aur
bilkul alag awaaz ke zariye Talat Mehmood ne bhi apni alag pehchaan
banaayi.

Song: Mohabbat hi jo na samjhe (Parchhaiyan)

Yun to Talat Mehmood ke gaaye romantic gaane bhi kya khoob lagte
hain, par dardeele geeton mein unki awaaz to maano jadoo kar deti hai
aur kar deti hai aisi geeton ko jeevant.

Song: Shaam-e-gham ki kasam (Footpath)
Song: Phir wohi shaam wohi gham wohi tanhai hai (Dil-e-Nadan)
Song: Jaayen to jaayen kahaan (taxi Driver)

Talat Mehmood ka janm 24 February 1924 ko Lucknow mein huya tha. Unka
electrical saamaanon ka ek dukaan tha. Apni high school ki shiksha
unhone Aligarh se poori kee. Un dino K L Saigal se we itne

prabhaavit the ki sangeet ko hi apna pesha banane ki unhone thaani
aur Lucknow ke Morris college mein daakhil ho gaye. Uske baad we jud
gaye Lucknow aur Lahore ck ke Akashvani se.

Talat Mehmood speaks: Aap ko taajjub hoga yeh jaankar ki maine apni
career ki shuruwaat All India Radio Lucknow mein kiya tha. 1939 mein
maine pehli baar programme pesh kiya, ek ghazal thi "Chhaani jo khaak
humne..." jise maine gaaya tha. Uske baad Kalkatta, Dilli, Lahore aur
Peshawar mein bhi karyakram kiye.

Song: Jalte hain jiske liye (Sujata)

1941 mein HMV naye singers ki khoj kar rahi thee. Un dino Talat sahab
radio par gaa hi rahe the. Is company ki nazar unki awaaz par pad
gayi aur apne album ke liye HMV ne Talat Mehmood ko teen geeton ka
contract sign karwa liya. Un teen geeton mein se ek geet tha yeh...

Song: Sab din ek samaan naheen tha (Non-film)

Uske baad san 1944 mein sangeetkaar Kamal Dasgupta ne Talat sahab se
kuchh gaane gawaaye jinmein se ek geet behad lokpriya huya aur jisse
Talat Mehmood ka naam pahunch gaya Kalkatta Ke New Theatres. Uske
baad kya huya, woh hum aapko baad mein bataayenge, pehle suniye Kamal
Dasgupta ke sangeet-nirdeshan mein Talat Mehmood ka gaaya wohi
lokpriya geet.

Song: Tasveer teri dil mera behla na sakegi (Non-film)

Haan to doston, is geet ke baad Talat Mehmood ke liye New Theatres ke
darwaaze khul gaye. Unhone New Theatres ke kai filmon mein abhinay
kiya jinmein shaamil hain Rajlakshmi aur Tum Aur Main. Unhone Tapan
Kumar ke naam se kai Bangla filmen bhi kee. Waheen unki mulaaqaat
huyi K L Saigal se jinhe we apna guru maante the. 1947 mein New
Theatres band ho gayi aur Talat Mehmood ko Kalkatta chhod Bambai aana
padaa. Yahaan aane ke baad we mile sangeetkaar Anil Biswas se. Talat
Mehmood Bambai mein filmon mein abhinay karna chaahte the. Lekin jab
Anilda ne unke makhmali awaaz ko suna to unse abhinay ke baare mein
sochna hi band karne ko kaha. Talat Mehmood ne apna pehla audition
test diya 1950 ki film Arzoo ke ek geet ka, jiske baad Anilda ne unse
agle hi din recoding ke liye aane ko kaha. Jab Talat agle din
recording par pahunche to unki awaaz bilkul alag thee. Unke awaaz
mein jo vibration pichhle din thi, woh gaayab thi. Anilda unpar gussa
ho gaye aur unse poochha ki woh aisa kyun gaa rahe ho, tumhare awaaz
mein woh modulation kahaa hai?. Talat boley ki unhone jaan-boojhkar
apne awaaz ki kampan ko kaabu mein rakha kyun log unse kehte hain ki
yahi kampan unke awaaz ki sabse badi khaami hai. Yeh sunkar Anilda ne
unhe bahut daanta aur kaha ki unse waise hi gaane ke liye kaha jaisa
we pichhle din gaa rahe the. Doston yeh kahani thee film Arzoo ke "Ae
dil mujhe aisi jagah le chal jahan koi
na ho" geet kee jiska shumaar Talat Mehmood aur Anilda ke sabse hit
gaano mein hota hai.

Song: Ae dil mujhe aisi jagah le chal (Arzoo)

Iske baad Anil Biswas ke sangeet digdarshan mein Talat Mehmood ne ek
se ek kaamyaab geet gaaye. Aayiye sune kuchh aisi hi geeton ke ansh.

Song: Tera khayal dil se mitaya nahi abhi (Doraha)
Song: Rahi matwale (Waris)
Song: Seene mein sulagte hain armaan (Tarana)
Song: Jeevan hai madhuban (Jasoos)
Song: Mohabbat tark kee maine (Doraha)

Anil Biswas ke hi sangeet nirdeshan mein 1951 ki film Aaram mein
Talat Mehmood ne na keval gaane gaaye balki film mein abhinay bhi
kiya.

Song: Shukriya ae pyar tera (Aaram)

Doston, 1950 ki film Arzoo mein Talat Mehmood ne Dilip Kumar ka
paarshwagaayan kiya tha. Iske baad kuchh samay ke liye we ban gaye
the Dilip sahab ki on-screen awaaz. 1950 mein hi Naushad sahab ne
unse gawaya film Babul mein aur nayak the ek baar phir Dilip Kumar.
Suniye Shamshad Begum ke saath gaaya yeh yugal geet.

Song: Milte hi ankhen dil huya deewana kisi ka (Babul)

Talat Mehmood ke awaaz ka jadoo Anil Biswas aur Naushad ke baad
sangeetkaar Khemchand Prakash par bhi huya jinhone 1950 ki Raj Kapoor
aur Nargis abhineet film Jaan Pehchaan mein unhe gawaya. Suniye Talat
Mehmood aur Geeta Dutt ka gaaya isi film ka ek geet.

Song: Armaan bhare dil ki lagan tere liye hai (Jaan Pehchaan)

Talat Mehmood ne filmi aur gair filmi halke phulke geeton ke saath
saath ghazlen bhi khoob gaaye hain. Ghazal samrat Mehdi Hasan sahab
jab ek show ke dauraan Talat Mehmood ka gaaya huya ghazal "Husnwaalon
ko na dil do yeh mita dete hain" gaaya to hall 'once more' 'once
more' ki shor se goonj utha.

Song: Husnwaalon ko na dil do (Non-film Ghazal)

Jab ghazal ki baat chhid hi gayi hai to aayiye kyun na film Mirza
Ghalib ki yeh sadabahaar ghazal sun le jise Talat Mehmood ne Suraiyya
ke saath milkar gaaya hai. Sangeetkaar Ghulam Mohammad.

Song: Dil-e-nadaan tujhe huya kya hai (Mirza Ghalib)

Yun to Talat Mehmood ne kai gaayikaaon ke saath gaane gaaye hain
jaise Surayya, Shamshad Begum, Geeta Dutt aur Asha Bhosle, par Lata
mangeshkar ke saath unke gaaye yugal geet behad lokpriya saabit huye.
Ek taraf Lataji ki khanakti awaaz aur doosri or unki makhmali rumaani
awaaz aur nateeja ek se ek superhit geet. Suniye aise hi kuchh
naghmein. Yeh film Usne Kaha Tha ka geet, sangeetkaar Salil
Choudhury...

Song: Aha rimjhim ke yeh pyare pyare geet (Usne Kaha Tha)

Film Chhaya, sangeet ek baar phir Salil da ka...

Song: Itna na mujhse tu pyar badha (Chhaya)

Sangeetkaar Madan Mohan ke sangeet nirdeshan mein film Jahan Ara ka
naghma...

Song: Ae sanam aaj yeh kasam khaayen (Jahan Ara)

Film Sangdil, sangeet Sajjad Hussain ka...

Song: Yeh hawa yeh raat yeh chandni (Sangdil)

1965 ke baad film sangeet par pashchtya sangeet aur orchestration
haavi hone lagaa, geeton mein shabdon ki komalta kam aur sangeet ka
shor sharaba zyaada hone laga. Talat Mehmood ki makhmali awaaz aur
unki gayiki ka andaaz is parivartan ko sweekar na kar paaya aur
dheere dheere unhone film sangeet jagat se sanyaas le liya. Aaj se
saat saal pehle 9 May 1998 ko Tatal sahab is duniya ko chhod bahut
hale gaye. Lekin unhone film sangeet mein jo yogdaan kiya hai film
sangeet ke itihaas mein woh hamesha swarnakshoron mein likha jaayega.
is mahaan gaayak ki sangeet sadhna ko Vividh Bharati parivaar ki or
se vinamra naman.

Song: Haaye ankhon mein masti sharaab ki (Chhaya)

Sargam Ke Sitare, is karyakram mein aaj hamare sitaare the
suprasiddha gaayak Talat Mehmood. Is karyakram ke liye aalekh tayyaar
kiya Prabha Joshi ne. Ab deejiye ijaazat, namaskaar.

THE END

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   Description : Talat Mehmood

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1988

Mere fauji bhaiyon, aap sab ko mera namaskaat. Aaj mujhe bahut khushi
ho raho hai is programme mein aapke liye kuchh geet pesh kar raha
hoon. Aap log kaisi paristhitiyon mein rehte hain, maine personally
nazdiki se dekha hai jab humlog Indo-Pak aur Indo-Chinese war ke
samay aapki seva mein gaye the. Indo-Pak war ke samay main unil Dutt
aur Nargisji ke saath gaya tha. Jab Ladakh ki rajdhani Leh par
pahunchne ke liye hum military helicopter par baithe to dekha ki
pichhle hisse mein ration ki boriyaan aur bhed-bakriyaan ladee huyi
theen. Phir bhed bakriyon ko parachute ki madad se utaara jaa raha
tha. Nargisji ke bhai Anwar Hussain ne kaha ki shayad humein bhi bhed-
bakriyon ki tarah parachute mein baandhkar utaar denge. Jab hum Leh
pahunche to humein yeh bataya gaya ki kaafi oonchaai pe hone ki wajah
se yahaan oxygen level kaafi low hai, isliye hum jo bhi kare aahista
aahista kare nahin to sar chakra jaayega. Jab hamara prograame shuru
huya to shehnai vaadak ne aisi taan upar ko lagaayi ki taan upar ki
upar hi reh gayi. Hum logon ne zyadatar chhote chhote skits kiye jo
in jawano ko sabse zyada pasand aaye. Aayie ab ek geet sunte hain
film Kabuliwala se, "Aye mere pyare watan tujhpe dil qurbaan"

Song: Aye mere pyare watan (Kabuliwala)

Ab main aapko ek doosri border, Indo-Chinese border, ka ek kissa
sunaata hoon, jab hum Nathula pass ke kareeb aap logon ke liye
programme karne gaye the. Is baar Kishore Kumar mere saath
the.Prograame khatam hone ke baad Kishoreda ne kaha ki jab itne door
aaye hain to border dekhkar hi jaayenge. Army ke officers ne bataya
ki woh kaafi khatarnaak jagah hai, barf se dhaka hoga aur border ka
koi clear demarkation naheen hai, sirf Pt Nehru ki ek statue haijise
seema samajh liya jaata hai. Par Kishoreda ke zid ke aage unhe jhukna
padaa aur hum sab border dekhne gaye. Wahaan pahunchkar Kishoreda ko
kya soojhi, woh oonche suron mein gaane lage. Chinese soldiers jo
pahadi ke dhalaan waale side mein the, bandook taakar upar aa gaye.
Hamare PRO ne mike par chillakar kaha ki yeh fauji naheen hai,
kalakaar hai. Phir unhone Kishoreda ko samjhaya ki kuchh bhi ho sakta
tha. Humein yeh ahsaas huya ki kya cheez hoti hai yeh border. Jab
Kishore Kumar ki baat chal hi padee hai to kyun na meri film Pavitra
Paapi ka yeh geet sun liya jaaye.

Song: Teri duniya se hoke majboor chala (Pavitra Paapi)

Mere fauji bhaiyon, Shaheed Bhagat Singh ke jeevan par aadharit ek
film Manoj Kumar ne banayi thee, maine usmein geet likhe aur sangeet
bhi diya tha. Yeh meri khushnaseebi hai ki Bhagat Singh ki maa se
milne ka ittefaaq huya. Hum us gaaon mein gaye the jahaan Bhagat
Singh ki maa rehti theen. Unse hum log mile aur Bhagat Singh ke
jeevan se judee kai baaten unhone humein batayi. Unki ek baat jo mere
dil ko chhoo gayi, woh yeh tha phaansi se ek din pehle woh apne bete
se milnejab jail gayeen to unke aankhon mein aansoo aa gaye. Tab
Bhagat Singh ne unse kaha ki "Maa, mat ro, agar tum royogi to koi bhi
maa apne bete ko quebani ki raah par naheen bhej paayegi". Isi baat
se prerit hokar maine is film Shaheed mein yeh geet likha "Tu na rona
ke tu hai Bhagat Singh ki maa, marke bhi tera lal marega naheen,
ghodi chadhke to laate hain dulhan sabhi, hanskar har koi phaansi
chadhega naheen"

Song: Ae watan ae watan tujhko meri kasam (Shaheed)

Isi film Shaheed ka mera likha ek aur geet hai jo bahut mashoor huya
tha, "Mera rang de basanti chola". Basanti rang qurbani ka hota hai.
Ae maa, tu mera chola basanti ang mein rang de, mujhe qurbaan hone
jaana hai is desh ki khaatir, bas yehi ek armaan hai mera, tu rang de
basanti chola.

Song: Mera rang de basanti chola (Shaheed)

Bhagat Singh ke gaaon mein ek ladkee thee jo unse bahut pyar karti
thee, par na to usne kabhi apne pyar ka aadhaar kiya aur na hi Bhagat
Singh ne kabhi us or dekha. Bhagat Singh ka ek hi pyar tha, apne deh
ke prati. Maine us ladkee ke jasbaaton ko ek geet mein pieerone ki
koshish kee hai, jise Lata ne gaaya hai, aap bhi suniye.

Song: Jogi, hum to lut gaye tere pyar mein (Shaheed)

Fauji bhaiyon, ek aur geet jo main aapko sunwana chahta hoon, "Seene
mein sulagte hain armaan", yeh geet hai film Tarana ka jisi sangeet
tayyaar kee hai Anil Biswas ne. Lata aur Talat Mehmood ka gaaya yeh
geet aap bhi suniye.

Song: Seene mein sulagte hain armaan (Tarana)

Maine takreban sabhi bade bade producers aur directors ke saath kaam
kiya hai. is waqt Raj Kapoor ka naam ubharkar saamne aa raha hai.
Unki film Jaagte Raho mein maine ek bhngra type ka geet likha tha.
Mujhe pata hai ki fauji bhaiyon ko bhangra type ke gaane pasand aate
hain, to suniye Jaagte Raho film ka yeh geet.

Song: De ki main jhhoth boliyan koi na (Jaagte Raho)

Fauji bhaiyon, aaj hamara desh har kshetra mein kaafi aage badh chuka
hai. Phir bhi aise kai kaam hain jo humein poore karne hain. Film Hum
Hindustani mein mera geet hai jismein yahi paigaam hai.

Song: Chhodo kal ki baaten (Hum Hindustani)

Aur ab chalte chalte ek sher arz karna chahta hoon - Mere desh ke
veer jawanohum sabhi tumhare saath hain, In do haathon mein tumhare
Bharat ke kadodon haath hain, Tum raho jahaan hamari dua tumhare
saath hai, Hum tumhare saath hain, hum tumhare saath hain. Namaskaar,
Jai Hind.

THE END

__________________________________________________
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1988

Mere fauji bhaiyon, aap sab ko mera namaskaat. Aaj mujhe bahut khushi
ho raho hai is programme mein aapke liye kuchh geet pesh kar raha
hoon. Aap log kaisi paristhitiyon mein rehte hain, maine personally
nazdiki se dekha hai jab humlog Indo-Pak aur Indo-Chinese war ke
samay aapki seva mein gaye the. Indo-Pak war ke samay main unil Dutt
aur Nargisji ke saath gaya tha. Jab Ladakh ki rajdhani Leh par
pahunchne ke liye hum military helicopter par baithe to dekha ki
pichhle hisse mein ration ki boriyaan aur bhed-bakriyaan ladee huyi
theen. Phir bhed bakriyon ko parachute ki madad se utaara jaa raha
tha. Nargisji ke bhai Anwar Hussain ne kaha ki shayad humein bhi bhed-
bakriyon ki tarah parachute mein baandhkar utaar denge. Jab hum Leh
pahunche to humein yeh bataya gaya ki kaafi oonchaai pe hone ki wajah
se yahaan oxygen level kaafi low hai, isliye hum jo bhi kare aahista
aahista kare nahin to sar chakra jaayega. Jab hamara prograame shuru
huya to shehnai vaadak ne aisi taan upar ko lagaayi ki taan upar ki
upar hi reh gayi. Hum logon ne zyadatar chhote chhote skits kiye jo
in jawano ko sabse zyada pasand aaye. Aayie ab ek geet sunte hain
film Kabuliwala se, "Aye mere pyare watan tujhpe dil qurbaan"

Song: Aye mere pyare watan (Kabuliwala)

Ab main aapko ek doosri border, Indo-Chinese border, ka ek kissa
sunaata hoon, jab hum Nathula pass ke kareeb aap logon ke liye
programme karne gaye the. Is baar Kishore Kumar mere saath
the.Prograame khatam hone ke baad Kishoreda ne kaha ki jab itne door
aaye hain to border dekhkar hi jaayenge. Army ke officers ne bataya
ki woh kaafi khatarnaak jagah hai, barf se dhaka hoga aur border ka
koi clear demarkation naheen hai, sirf Pt Nehru ki ek statue haijise
seema samajh liya jaata hai. Par Kishoreda ke zid ke aage unhe jhukna
padaa aur hum sab border dekhne gaye. Wahaan pahunchkar Kishoreda ko
kya soojhi, woh oonche suron mein gaane lage. Chinese soldiers jo
pahadi ke dhalaan waale side mein the, bandook taakar upar aa gaye.
Hamare PRO ne mike par chillakar kaha ki yeh fauji naheen hai,
kalakaar hai. Phir unhone Kishoreda ko samjhaya ki kuchh bhi ho sakta
tha. Humein yeh ahsaas huya ki kya cheez hoti hai yeh border. Jab
Kishore Kumar ki baat chal hi padee hai to kyun na meri film Pavitra
Paapi ka yeh geet sun liya jaaye.

Song: Teri duniya se hoke majboor chala (Pavitra Paapi)

Mere fauji bhaiyon, Shaheed Bhagat Singh ke jeevan par aadharit ek
film Manoj Kumar ne banayi thee, maine usmein geet likhe aur sangeet
bhi diya tha. Yeh meri khushnaseebi hai ki Bhagat Singh ki maa se
milne ka ittefaaq huya. Hum us gaaon mein gaye the jahaan Bhagat
Singh ki maa rehti theen. Unse hum log mile aur Bhagat Singh ke
jeevan se judee kai baaten unhone humein batayi. Unki ek baat jo mere
dil ko chhoo gayi, woh yeh tha phaansi se ek din pehle woh apne bete
se milnejab jail gayeen to unke aankhon mein aansoo aa gaye. Tab
Bhagat Singh ne unse kaha ki "Maa, mat ro, agar tum royogi to koi bhi
maa apne bete ko quebani ki raah par naheen bhej paayegi". Isi baat
se prerit hokar maine is film Shaheed mein yeh geet likha "Tu na rona
ke tu hai Bhagat Singh ki maa, marke bhi tera lal marega naheen,
ghodi chadhke to laate hain dulhan sabhi, hanskar har koi phaansi
chadhega naheen"

Song: Ae watan ae watan tujhko meri kasam (Shaheed)

Isi film Shaheed ka mera likha ek aur geet hai jo bahut mashoor huya
tha, "Mera rang de basanti chola". Basanti rang qurbani ka hota hai.
Ae maa, tu mera chola basanti ang mein rang de, mujhe qurbaan hone
jaana hai is desh ki khaatir, bas yehi ek armaan hai mera, tu rang de
basanti chola.

Song: Mera rang de basanti chola (Shaheed)

Bhagat Singh ke gaaon mein ek ladkee thee jo unse bahut pyar karti
thee, par na to usne kabhi apne pyar ka aadhaar kiya aur na hi Bhagat
Singh ne kabhi us or dekha. Bhagat Singh ka ek hi pyar tha, apne deh
ke prati. Maine us ladkee ke jasbaaton ko ek geet mein pieerone ki
koshish kee hai, jise Lata ne gaaya hai, aap bhi suniye.

Song: Jogi, hum to lut gaye tere pyar mein (Shaheed)

Fauji bhaiyon, ek aur geet jo main aapko sunwana chahta hoon, "Seene
mein sulagte hain armaan", yeh geet hai film Tarana ka jisi sangeet
tayyaar kee hai Anil Biswas ne. Lata aur Talat Mehmood ka gaaya yeh
geet aap bhi suniye.

Song: Seene mein sulagte hain armaan (Tarana)

Maine takreban sabhi bade bade producers aur directors ke saath kaam
kiya hai. is waqt Raj Kapoor ka naam ubharkar saamne aa raha hai.
Unki film Jaagte Raho mein maine ek bhngra type ka geet likha tha.
Mujhe pata hai ki fauji bhaiyon ko bhangra type ke gaane pasand aate
hain, to suniye Jaagte Raho film ka yeh geet.

Song: De ki main jhhoth boliyan koi na (Jaagte Raho)

Fauji bhaiyon, aaj hamara desh har kshetra mein kaafi aage badh chuka
hai. Phir bhi aise kai kaam hain jo humein poore karne hain. Film Hum
Hindustani mein mera geet hai jismein yahi paigaam hai.

Song: Chhodo kal ki baaten (Hum Hindustani)

Aur ab chalte chalte ek sher arz karna chahta hoon - Mere desh ke
veer jawanohum sabhi tumhare saath hain, In do haathon mein tumhare
Bharat ke kadodon haath hain, Tum raho jahaan hamari dua tumhare
saath hai, Hum tumhare saath hain, hum tumhare saath hain. Namaskaar,
Jai Hind.

THE END

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   Description : Prem Dhawan - 1988

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Hello,

This email message is a notification to let you know that
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   File        : /Transcripts of VB Programmes/Aaj Ke
Fankaar/Lyricists/20050507_Prem_Dhawan
   Uploaded by : soojoi_india <soojoi_india@...>
   Description : Prem Dhawan

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grammes/Aaj%20Ke%20Fankaar/Lyricists/20050507_Prem_Dhawan

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soojoi_india <soojoi_india@...>

Doston namakaar, haazir hai Amarkant lekar Aaj Ke Fankaar.

Song: Jogi, hum to lut gaye tere pyar mein (Shaheed)

Hamare aaj ke fankaar hain geetkaar-sangeetkaar Prem Dhawan.

The song" Jogi hum to lut gaye...." continues.

Prem Dhawan speaks: Aap sab ko mera namaskaat. Aaj mujhe bahut khushi
ho raho hai is programme mein aapke liye kuchh geet

pesh kar raha hoon.

Song: Seene mein sulagte hain armaan (Tarana)

Doston aapko yaad hoga ki kabhi tafsil ke saath humne aapko Prem
Dhawan dwara prastut karyakram sunwaya tha. Vividh Bharati

sangrahalay se humne Prem Dhawan ke kuchh recording khoj laaye hain
jinke kuchh ansh is karyakram mein aapko sunwa rahe

hain.

Prem Dhawan speaks: Manoj Kumar ki film Shaheed, jo Bhagat Singh par
bani thee, maine usmein geet likhe aur sangeet bhi diya

tha. Yeh meri khushnaseebi hai ki Bhagat Singh ki maa se milne ka
ittefaaq huya. Hum us gaaon mein gaye the jahaan Bhagat

Singh ki maa rehti theen. Unse hum log mile aur Bhagat Singh ke
jeevan se judee kai baaten unhone humein batayi. Unki ek baat jo

mere dil ko chhoo gayi, woh yeh tha phaansi se ek din pehle woh apne
bete se milnejab jail gayeen to unke aankhon mein aansoo aa

gaye. Tab Bhagat Singh ne unse kaha ki "Maa, mat ro, agar tum royogi
to koi bhi maa apne bete ko quebani ki raah par naheen bhej

paayegi". Isi baat se prerit hokar maine is film Shaheed mein yeh
geet likha "Tu na rona ke tu hai Bhagat Singh ki maa, marke bhi

tera lal marega naheen, ghodi chadhke to laate hain dulhan sabhi,
hanskar har koi phaansi chadhega naheen"

Song: Tu na rona ke tu hai Bhagat Singh ki maa (Shaheed)

Isi film Shaheed ka mera likha ek aur geet hai jo bahut mashoor huya
tha, "Mera rang de basanti chola". Basanti rang qurbani ka hota

hai. Ae maa, tu mera chola basanti ang mein rang de, mujhe qurbaan
hone jaana hai is desh ki khaatir, bas yehi ek armaan hai mera,

tu rang de basanti chola.

Song: Mera rang de basanti chola (Shaheed)

Prem Dhawan ka janm Lahore mein huya tha. Unke pita Lahore Jail ke
jailor the. Is wajah se Prem Dhawan ko kai rajnaitik hastiyon

se milne ka mauka mila. Woh communist vichaardhara ke samarthak the.
We IPTA ke sakriya sadasyon mein se the. Unhone Pandit

Ravi Shankar se sangeet aur Ravi Shankar ke bhai Uday Shankar se
nritya seekha. Aapko yeh jaankar taajjub hogi ki Prem Dhawan

ek geetkaar aur sangeetkaar hone ke saath saath kai filmon mein
nritya nirdeshan bhi kiya aur film Goonj Uthi Shehnai mein unhone

abhinay bhi kiya tha. Beherhaal aayiye sune unka likha film Sawan ka
yeh khoobsurat duet, Mohd Rafi aur Shamshad Begum ki

awaazon mein.

Song: Bheega bheega pyar ka samaa (Sawan)

Prem Dhawan speaks: Main apni graduation poori kar Indian Peoples
Theatre ke naam se ek troupe banayi aur Pt Ravi Shankar aur

Sachin Shankar ke saath milkar Punjabi mein karyakram pesh karne lage
poore desh mein ghoom ghoom kar, aur apni sanstha ke

liye chanda ikattha karte zaroorat-mand logon ki seva ke liye. Par
1947 mein riots shuru ho gaye aur hamare tours bhi band ho gaye.

Chanda collect karna bhi band ho gaya. Humne faisla kiya ki theatre
ko band kar diya jaaye. Theatre band hone ke baad filmwalon ne

bulaya. Meri pehli film thee Bombay Talkies ki Ziddi. Usmein ek geet
tha "Chanda re jaa re" jise Lata ne gaaya tha. Us samay Lata

bhi nayi nayi thee. Yeh Mahel film ke pehli baat hai. Yeh geet mere
career ka ek landmark geet tha aur Lata ka bhi.

Song: Chanda re ja re (Ziddi)

Prem Dhawan speaks: Sangeetkaar Anil Biswas ke saath mera combo kaafi
achchha raha hai. Ek film thee Lajawab jiska mera kiha

ek geet main aapko sunwana chahta hoon jise gaaya hai Lata ne aur bol
hain "Zamane ka dastoor hai yeh purana..."

Song: Zamane ka dastoor hai yeh purana (Lajawab)

Prem Dhawan geet lekhan mein to siddha-hasth the hi, kuchh filmon
mein sangeet dekar bhi unhone dhoom machaa dee thee.

Shaheed aur Pavitra Paapi unke sangeet se saje do hit filmon ke naam
hain. Unke sangeet ki khaasiyat hai Punjab ke lok dhuno ka

khoobsurat prayog.

Prem Dhawan speaks: Mujhe filk muisc ka shauk hai. Main jagah jagah
se filk tunes ikattha karta tha. Main gaaon gaaon ghoomkar

jab prograames pesh kiya karta tha, tab wahaan ke local folk singers
se milta aur unse geet sunta. Isi ka influence aapko mere

sangeet mein dekhne ko milta hai.

Song: Shada shadak dil kare dhak dhak (Pavitra Paapi)
Song: Le de saiyan odhni Punjabi siledaar (Pavitra Paapi)

Doston, bhale hi Prem Dhawan ne filmon mein sangeet diya aur kuchh ek
filmon ka nritya nirdeshan bhi kiya, par unki prasiddhi unke

geetlekhan se hi huyi. Aayiye kuchh aur aise naghmon ki jhalkiyaan
sune jinke bol unki beshkeemti kalam se nikli.

Song: Haaye jiya roye (Milan)
Song: Halke halke chalo sanvre (Tangewali)
Song: Jahaan daal daal par sone ki chidiya (Sikander-e-Azam)
Song: Sab kuch luta ke hosh mein aaye (Ek Saal)
Song: Teri duniya se door chale hoke majboor humein yaad rakhna
(Zabak)

Apne geeton aur sangeet se we apne chahnewalon ke dilon mein hamesha
zinda rahenge. Film sangeet jagat mein unka

mahatwapurna yogdaan bholnewali naheen hai.

Song: Allah hi allah kar pyare bhai (Pavitra Paapi)

Geetkaar-sangeetkaar Prem Dhawan par kendrit tha Aaj Ke Fankaar. Ab
deejiye Amarkant ko ijaazat, namaskaar.

Song: Teri duniya se hoke majboor chala (Pavitra Paapi)

THE END

Aaj ke Fankaar mein aaj zikr is daud ke jaane-maane geetkaar Sudhakar
Sharma ki.

Song: Choodi khankaayi re (Yeh Hai Jalwa)

Geetkaar Sudhakar Sharma Haryana se taallukh rakhte hain. Unke pita
Dilli mein adhyaapak rahe hain. Isliye Sudhakar Sharma ki padhaai
likhaayi bhi Dilli mein hi huya. Geetkaar Shailendra ki rachnaaon se
prabhaavit Sudhakar apni padhaai poori kar Mumbai ka raasta pakda.
Mumbai pahunchkar unk kya huya yeh hum aapko abhi bataayenge, lekin
usse pehle sunwaate hain Sudhakar Sharma ka likha film Chori Chori
Chupke Chupke ka yeh geet.

Song: Rag rag mein is tarah tu samaane laga (Chori Chori Chupke
Chupke)

Mumbai aane ke baad Sudhakar Sharma ne pehle do saal paani dhone ka
kaam kiya, phir uske baad unhe kisi ke ghar par gaadi dhone aur saaf
karne ka kaam mila. Par woh ghar kisi aur ka naheen, balki
sangeetkaar jodi Shankar Jaikishen ke Shankar ka tha. Dedh saal tak
woh waheen gaadi saaf karte rahe aur Shankar ko yeh pataa bhi naheen
tha. Dedh saal baad jab unhe unke khwaabon ka pata chala to unhone
Sudhakar ko apne office le gaye aur geetkaar Shailendra aur Hasrat
Jaipuri se milwaya jinse unko film geet lekhan ke kai tips seekhne ko
mile. In mahaan geetkaaron ke saath mulaaqaat ne to maano unke
zindegi ko hi badal daala.

Song: Tune zindegi mein aake zindegi ho, zindegi badal dee (Humraaz)

Bataur sangeetkaar Sudhakar Sharma ka pehla film tha Gori, jise
unhone khud nirdeshit bhi kiya, aur jiske sangeetkaar the Shankar
Jaikishen. Shankar ne is film mein sangeet dene ke liye Sudhakar
Sharma se ek rupay liye the. Unhone kaha ki jo kal tak meri naukri
karta tha aaj main uski naukri kar raha hoon. Aayiye isi film ka ek
geet sune.

Song: Dekho na babu meri mast adaayon ko (Gori)

Shankar Jaikishen ke alawa, Sudhakar Sharma ne Kalyanji Anandji aur
Laxmikant Pyarelal jaise sangeetkaaron ke liye bhi gaane likhe hain.
Unka maanna hai ki pehle ke zamaanemein geetkaar-sangeetkaar ki
jodiyaan hoti thee par ab aisa naheen hai. Bhale hi unhone
sangeetkaar Himesh Reshammiya ke saath anek filmon mein kaam kiya
hai, par unki yeh jodi zyaada dino tak tik naheen paayi.

Song: Ankhon se kaajal ki tarah (Chura Liya Hai Tumne)

Sudhakar Sharma ne film Pyar Kiya To Darna Kya mein tha mein geet
likhe jiska ek geet tha "Odh lee chunariya maine tere naam ki". Is
geet ke baare mein Sudhakar Sharma ne humein bataya ki ek baar Ajmer
Sharif ke dargaah pe jaakar Peer baba ke liye unke zubaan se yun
nikla ki "Tere pyar mein doob gaya hoon, main khud ko hi bhool gaya
hoon, odh lee chunariya maine tere naam ki". Aur isi pankti ko geet
ke roop mein pirokar jab Salman Khan aur Kajol ne parde par gaaya to
chaaron or unke naam ke danke bajne lage. Kumar Sanu aur Alka Yagnik
ke awaaz mein tha yeh geet jinhe Sudhakar Sharma apne liye bahut
lucky maante hain.

Song: Odh lee chunariya (Pyar Kiya To Darna Kya)

Is geet ko jab Sudhakar Sharma ne likha tha tab kai logon ne yeh kaha
tha ki aaj ke yug mein chunariya jaise shabd kisi geet ko kaamyaab
naheen kar sakte. Par logon ne chunri, bindiya, kaajal jaise shabd
waale geeton ko khoob saraha aur Sudhakar Sharma ban gaye chunariya
expert.

Song: Teri chunariya dil le gayi (Hello Brother)

Sudhakar Sharma ke anusaar ek shaayar ki aamad hoti hai, woh ek sher
likhta hai aur kai maheeno tak use arz karta rehta hai aur logon ki
wah wah leta hai. Ek kavi apni rachna apni kalpana se karta hai jo
duniya se pare hota hai, uske vishay zyaadtar praakritik aur tanhaai-
yukt hote hain. Jab ki ek geetkaar vatavaran aur samay ko dhyaan mein
rakhte huye samaaj ke nazdik rehkar gaane likhta hai, uske gaane
samaaj ke aam logon se judaa hota hai.

Song: Sanam mere humraaz (Humraaz)

Waise to geetkaar Shailendra aur Hasrat Jaipuri unke aadarsh geekaar
hain, par Shambhu Sen ka likha huya "Navkalpana navroop se rachna
rachi jab naar ki" yeh geet unhe behad pasand hai. Unke shabdon mein
unhone pandrah dino tak koshish kee, tab jaakar is geet jaisa ek geet
likh paaye.

Song: Patang jaisa dole re dupatta mera malmal ka (Mehboob Mere
Mehboob)

Hamare aaj ke fankaar the geetkaar Sudhakar Sharma. ividh Bharati ki
or se unhe hum dete hain dheron shubhkaamnaayen, namaskaar.

THE END

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Aaj Ke Fankaar aaj samarpit hai paarshwa gaayak aur sangeetkaar
Pankaj Mallick ki smriti ko.

Song: Yeh kaun aaj aaya savere savere (Nartaki)

Pankaj Mallick Hindi aur Bangla geeton ka ek viral swar hain. Kabhi
unki awaaz mein pighle huye sone ki lau hai to kabhi sardi ke

narm dhup ki komalta. Ek or jahaan unhone Rabindra Sangeet ko apne
sangeet ka aadhaar banaya waheen doosri or pashchimi

sangeet se ek ashcharya rach diya.

Song: Piya milan ko jaana (Kapalkundala)

Pankaj Mallick ka janm 20 April 1904 ko Kolkata mein huya tha. Unhone
sangeet ki shiksha paayee Durgadas Banerjee aur

Dinendranath Tagore se. Doston woh daud tha jab Kalkatta mein naya
naya radio station khula tha. We radio se jud gaye aur anek

karyakramon mein bahut saare gair filmi gaane gaaye. Yahaan tak ki
apne jeevan ke antim dino tak poori nishtha ke saath radio ke

saath jude rahe. Suniye unka gaaya ek sadaa bahaar gair filmi geet.

Song: Tere mandir ka hoon deepak jal raha (Non-film)

Pankaj Mallick ka sangeet ke saath judaav behad mazboot tha. Har geet
ko bade hi tanmayta ke saath rachte the. Unke mann mein

sangeet ki koi seemaayen naheen thee. Bahut hi saralta ke saath gaane
banate the. Saadgi aur prayogdharmi hote huye bhi aaj bhi

unka sangeet guni shrotaaon ko sukoon dete hain.

Song: Mujhe bhool jaana inhe na bhulana, yeh raaten (Non-film)

Pankaj Mallick jitne achchhe gaayak the, usse bhi achchhe sangeetkaar
the. Unko apni awaaz ko lekar bahut moh naheen tha.

Song: Aayi bahaar aaj gulshan mein liye phoolon ka haar (Millionaire)

Agar hum unki sangeet yatra par nazar daalen to paayenge ki unke
swarbaddha kiye zyaadatar geet Kundan Lal Saigal ne gaaye.

Maslan yeh geet jise woh khud gaa sakte the, par gaaya Saigal ne.

Song: So jaa rajkumari (Zindagi)

Pankaj Mallick sangeetkaar ke roop mein Kalkatta ke New Theatres ke
saath jeevan bhar jude rahe aur uski filmon ko apne

geet-sangeet se lokpriya banaya. Us samay Kalkatta Hindi filmon ka ek
mukhya kendra ban gaya tha.

Song: Chale pawan ki chaal (Doctor)

Pankaj Mallick ne paarshwa-sangeet ko ek oonchi muqaam tak pahunchaya
hai. Aise sur-saadhak kam hi milte hain. Lok-sangeet,

shashtriya sangeet, Rabindra Sangeet aur Pashchimi sangeet ka sundar
samaavesh unke sangeet ki khaasiyat thee. Aaj ke is high

tech sangeet ke yug mein bhale hi tachniqi drishti se unka sangeet
utkrisht na lage, par unki kalaatmak oonchaaiyon ko chhoo paana

lagbhag asambhav hai.

Song: Prem ka naata chhoota (Nartaki)

Pankaj Mallick ne Hindi aur Bangla filmi aur gair filmi geeton mein
apni awaaz aur sangeet diya hai. Aayiye ab sunte hain unki ek

durlabh rachna. Jab we Akshwani Kalkatta mein kaaryarat the, har saal
Durga Puja ke uplakshya par prasaarit honewale Mahishasur

Mardini sangeetrupak mein gaya karte the aur yeh karyakram bilkul
live prasaarit hota tha. Aayiye sune usi karyakram ka ek ansh.

Song: Rupang dehi jayang dehi (Mahishahsur Mardini - Radio prog)

Pankaj Mallick sangeet jagat ka woh chamakta sitara hain jo anantkaal
tak apne prakash se sangeet jagat ko aalokit karti rahegi.

Song: Jise meri yaad na aaye, haaye dil na usey bhulaaye (Non-film)

Vividh Bharati ki or se Pankaj Mallick ko smriti suman.

THE END

Namaskaar doston, haazir hai Amarkant lekar Aaj Ke Fankaar.

Song: Yahaan wahaan jahaan tahaan - Pradeep version (Jai Santoshi Maa)

Jee haan doston, yahaan wahaan jahaan tahaan bas ek hi sangeetkaar ke
charche hone lage the jab ek sangeetkaar ne film Jai

Santoshi Maa ke safal geeton ke jhande gaadhe the. Us sangeetkaar ka
naam hai C Arjun.

Song: Yahaan wahaan jahaan tahaan - Mahendra Kapoor version (Jai
Santoshi Maa)

Aaj is karyakram mein hum aapko sunwa rahe hain sangeetkaar C Arjun
ke swarbadha kiye huye kuchh naghmein. Yeh baat sach

hai ki film Jai Santoshi Maa ke geeton ne unhe beshumaar prasiddhi
dilwaayi, par yeh katai sach naheen ki usse pehle C Arjun ko koi

jaanta naheen tha ya unke sangeet mein mithaas naheen thee.

Song: Bahut khoobsurat hai ankhen tumhari (Susheela)
Song: Bemurabbat bewafa begaana (Susheela)
Song: Mere anchal ka diya tu (Susheela)

Yeh the film Susheela ke geet jise logon ne khoob pasand kiya, lekin
Jai Santoshi Maa ke gaano ne C Arjun ko kaamyaabi ki

bulandiyon tak pahunchaya, is film ke geet aaj bhi ghar ghar mein
bade hi bhakti bhaav ke saath sune jaate hain.

Song: Karti hoon tumhara vrat main sweekar karo maa (Jai Santoshi Maa)

Jab sangeetkaar C Arjun ke sangeetbaddha kiye huye geeton ki baat
chal rahi ho, tab geetkaar Ahmed Vasee ke likhe film Kanoon

Aur Mujrim ke geeton ka zikr karna zaroori ho jaata hai, khaaskar
Usha Mangeshkar aur Suresh Wadekar ka gaaya yeh khoobsurat

naghma.

Song: Shaam rangeen huyi hai tere anchal ki tarah (Kanoon Aur Mujrim)

Chaahe pyar ki bhaavna ho ya phir eeshwar ki praarthana, C Arjun ne
har geet ko khoobsurti se nikhaara hai. Pesh hai unke sangeet

ka ek aur jalwa.

Song: Us jaanib aalam ka jalwa parde mein bhi hai beparda bhi hai
(Nawab Saheb)

Hindi film sangeet ko ek se ek sureeli dhune dekar samriddha kiya hai
sangeetkaar C Arjun ne. Aayiye jeevan darshan ke bhaav se

paripoorna ek aur sureela geet sune.

Song: Gham ki andheri raat mein dil ko na bekaraar kar, subah zaroor
aayegi, subah ka intezaar kar (Susheela)

To doston, C Arjun ke sangeetbaddha kiye huye kuchh sundar geet aapne
sune Amarkant ke saath Aaj Ke Fankaar karyakram mein.

Chalte chalte aayiye Santoshi Mata ki yeh aarti sune.

Song: Main to aarti utaaroon re (Jai Santoshi Maa)

THE END

Sargam Ke Sitare mein aaj zikr is daud ke ek mashoor paarshwa gaayak
ki. Isse pehle ki hum unke baare mein kuchh kahen, aayiye pehle sune
jhalkiyaan unke gaaye kuchh sadabahaar naghmon ki.

Clip: Saason ki zaroorat hai jaise (Aashiqui)
Clip: Kitna haseen chehra (Dilwale)
Clip: Deewana dil dhoonde (Mashooq)
Clip: Kuchh na kaho (1942 A Love Story)
Clip: Do dil mil rahe hain (Pardes)

To aayiye aaj baaten karen suprasiddha paarshwa gaayak Kumar Sanu ki
aur sune unke gaaye huye kuchh geet.

Song: Ab tere bin jee lenge hum (Aashiqui)

Kumar Sanu ka asli naam hai Kedarnath Bhattacharjee aur ghar par unhe
Sanu kehkar bulaya jaata. Unka janm Pashchim Bangaal ke 24 Pargana
zile mein huya tha. Bachpan se hi sangeet ka shauk tha. Bade hokar
jab unhone apni awaaz mein kuchh Bangla gaane record karke Kolkata ke
sangeetkaaron ko sunaaya, sab ne unki taarif to kee par yeh keh kar
unhe koi mauka naheen diya ki Kishore Kumar ke rehte un jaisi awaaz
waale kisi ko we gawaa naheen sakte. Sanu ne samajh liya ki agar
kuchh kar dikhana hai to unhe Mumbai aana hi hoga aur is tarah apni
kismat aazmaane we chale aaye mayanagri Mumbai.

Song: Dil hai mera deewana yaaron main to chala (Raju Ban Gaya
Gentleman)

1986 mein Mumbai aakar Sanu Bhattarchaya ke naam se ek hotel mein
gaayak ke roop mein shuru huyi unki sangeet yatra. Pehle hi din
sirfunke gaaye geeton se 20,000 rupay ke tips jamaa huye. Khush hokar
us hotel ke maalik ne unhe gaayak ki naukri de dee. Uske baad Sanu ne
Mumbai ke ek recording studio mein jaakar Kishore Kumar ke gaaye
kuchh geeton ko apni awaaz mein record karwaya jinhe we film
sangeetkaaron ko sunwana chahte the. Sanyog se jab we kisi geet ki
recording kar rahe the, Jagjeet Singh us studio mein jaa pahunche aur
unhe gaate huye suna. Sanu ki gayiki se itne prabhavit huye ki na
keval unse baat kee balki agle din apne ghar par bhi bula liya. Aage
phir kya huya, yeh hum aapko thodi der mein bataayenge, filhaal
suniye yeh khoobsurat geet.

Song: Ek ladki ko dekha to aisa lagaa (1942 A Love Story)

Agle din jab Sanu Jagjeet Singh se milne unke ghar pahunche to
Jagjeet sahab ne unke haath mein kisi geet ke bol thama diye, uski
dhun unhe bataya aur phir unhe weaisa hi gaane ke liye kaha. Sanu ne
gaaya iske baad Jagjeet Singh unhe seedhe recording studio le gaye
aur bakaayda unki awaaz mein woh geet record kar liya. Recording ke
baad un ke haathon mein 1000 rupay dekar kaha ki abhi tumne
Shatrughan Sinha ke liye film Aandhiyaan ka geet gaaya. Sanu
Bhattacharya yeh jaankar jitne khush huye ussey kahin zyaada hairaan.

Song: Sambhala hai maine bahut apne dil ko (Naraaz)

Phir uske baad Jagjeet Singh unhe sangeetkaar Kalyanji Anandji se
milwaaye jinse unhe paarshwa gaayan se judee baaten seekhne ko mili.
Aandhiyan mein gaane ke baad Sanu Bhattacharya ne kuch aur filmon
mein gaane to gaaye, par kisi ke kuchh khaas nazar mein naheen aaye.
Lekin Gulshan Kumar ki company T-Series ki film Aashiqui mein gaane
gaakar we raato raat sangeet sunnewaalon ke dilon mein bas gaye. Film
Aashiqui ke gaane aise hit huye ki ek trend-setter ban gaye. isi film
se Sanu Bhattacharya ban gaye Kumar Sanu.

Song: Dil ka aalam main kya bataayun tujhe (Aashiqui)

Film ashiqui ke baad Kumar Sanu ko phir kabhi peechhe mudke dekhne ki
aawashyakta naheen padee. Is film se gayika Anuradha Paudwal ke saath
unki jodi bani jo logon ko Kishore Kumar aur Lata Mangeshkar ke jodi
ki yaad dilaane lage. Aayiye film Aashiqui ka yeh khubsurat duet
sunte hain in awaazon mein.

Song: Main duniya bhula doonga teri chaahat mein (Aashiqui)

Apne radio set par is samay aapne tune kiya hai Bharat ka sabse
lokpriya radio channel Vividh Bharati aur is par aap sun rahe hain
karyakram Pitara, jiske tahat aaj hum aapko sunwa rahe
hainsuprasiddha paarshwa-gaayak Kumar Sanu par kendrit Sargam Ke
Sitare.

Song: Dil hai ke maanta naheen (Dil Hai Ke Maanta Naheen)

Anuradha Paudwal ke baad, Kumar Sanu ne Alka Yagnik ke saath bhi ek
se ek hit duet geet gaaye. Aayiye kuch aise hi geeton ki jhalkiyaan
sune. Yeh hai film Saajan ka geet...

Song: Mera dil bhi kitna paagal hai (Saajan)

Film Hum Hain Rahi Pyar Ke...

Song: Ghunghat ki aadh se dilbar ka (HHRPK)

Film Ghulaam...

Song: Ankhon se tune yeh kya keh diya (Ghulaam)

Film Baazigar...

Song: Baazigar o baazigar (Baazigar)

Aur aise hi doosre kai hit geet hain is jodi ke naam. Yun to Kumar
Sanu ne apne sabse adhik geet aur lokpriya geet sangeetkaar Nadeem
Shravan ke liye gaaye jinmein shaamil hain Aashiqui, Dil Hai Ki
Maanta Naheen, Phool Aur Kaante, Saajan, Dilwale, Pardes, Saathi, aur
Dil Ka Kya Qusoor jaise musically hit filmen, lekin doosre
sangeetkaaron ke lie bhi unhone ek se ek yaadgaar naghmein gaaye
hain, aayiye kuchh aise naghmeon ke ansh sune. Yeh hai sangeetkaar
Naushad ke sangeet se saje Maya Memsaab film ka geet...

Song: Ek haseen nigaah ka dil pe saaya hai (Maya Memsaab)

R D Burman ki antim yaadgaar film 1942 A Love Story ka yeh sadabahaar
naghma

Song: Ek ladki ko dekha (1942 A Love Story)

Sangeetkaar Bappi Lahiri, film Hum Sab Chor Hain...

Song: Sawli salauni teri jheel si aakhen (HSCH)

Yeh hai Anu Malik ke sangeet mein film Akele Hum Akele Tum ka
naghma...

Song: Dil mera churaya kyun (AHAT)

Sangeetkaar Ismail Darbar, film Hum Dil De Chuke Sanam...

Song: Ankhon ki gustakhiyaan maaf ho (HDDCS)

Yeh Dilwale Dulhaniya Le Jayenge film ka geet jiski sangeet tayyaar
kiya tha Jatin Lalit ne...

Song: Tujhe dekha to yeh jaana sanam (DDLJ)

Film Criminal, sangeetkaar M M Kreem....

Song: Tu mile dil khile (Criminal)

Raam Laxman ka swarbaddha kiya Hum Aapke Hain Koun film ka yeh geet...

Song: Samdhi samdhan (HAHK)

Rajesh Roshan, film Kaho Naa Pyaar Hai...

Song: Chaand sitare (KNPH)

1986 mein Kumar Sanu ka Mumbai mein padaarpan huya aur 1987 ko
Kishore Kumar humse alag ho gaye the. Kishore Kumar ke khaali jagah
ko to koi gaayak poora naheen kar sakta, par Kumar Sanu ne kuchh hadh
tak unke yaadon ko jeevit rakha unke andaaz mein gaane gaakar. Lekin
kuchh samay baad unhone apni alag pehchaan bana lee aur apne naye
andaaz se gaane lage aur shrotaaon ko mantramugdh karte rahe.

Song: Do dil mil rahe hain (Pardes)

Jahaan ek or Kumar Sanu ko beshumaar prasiddhi mili hai waheen doosri
or samay samay par we kai vivaadon se bhi ghire rahe hain. Par isse
unki kalatmak pratibha kam naheen ho jaati, aur we nirantar apne path
par agrasar hote rahe hain.

Song: Yeh aaine jo humein kam pasand karte hain (Tamanna)

Hindi aur Bangla filmon mein safal paarshwa gaayan karne ke baad
Kumar Sanu ne ek Bangla film mein bataur naayak abhinay kiya hai. Aur
ab we apni doosri paari shuru kar rahe hain, bataur sangeetkaar. Hum
yahi kaamna karenge ki is naye roop mein bhi unko utni hi safalta
mile jitni unhe bataur gaayak mili hai.

Song: Sochenge tumhe pyar karen ke naheen (Deewana)

Paarshwa gaayan jagat mein Kumar Sanu ne woh mukaam haasil kar liya
hai ki jab jab apne apne daud ka pratinidhitwa karnewaale gaayakon ki
baat chalegi to unke naam ka zikr kiye bina baat poori naheen maani
jaayegi. Aisa hi hai hamare aaj ke Sargam Ke Sitare Kumar Sanu ki
chamak. Vividh Bharati parivaar ki or se hum unhe dete hain ek ujjwal
bhavishya ki haardik shubhkaamnaayen.

Song: Bye bye, main tujhe chhodke kahaan jaayunga (Trinetra)

THE END

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Aaj Ke Fankaar - 9:30 (Daily), 21:30 (Mon to Sat) & 00:10 (Daily, on
NC)
Sargam Ke Sitare - 16:00 (Sat) & 10:00 (Sun, on DTH)
Vishesh Jaimala - 19:05 (Sat) & 23:10 (Sat, on NC)
Ujale Unki Yaadon Ke - 14:30 (Sun) & 21:30 (Sun) & 02:25 (Sun, on NC)
Jaimala Gold - 15:15 (Sun)
Hamare Mehmaan - 16:00 (Wed) & 10:00 (Thu, on DTH)
Inse Miliye - 19:45 (Wed) & 13:15 (Thu)

NC: National Channel
DTH: Direct to Home Service

1. on Short Wave 10330 kHz

05:55 to 10:05 hrs
14:30 to 17:30 hrs
18:15 to 23:10 hrs

NOTE:Programmes from 12:00 to 14:30 hrs are not available on SW band
for transmitter maintenance.

2. on National Channel (MW band)

23:10 to 5:55 hrs

3. on Various Local Commercial Broadcasting Channels (MW/FM band)

Depends on the local station, generally from 6:05 to 10:00, 12:00 to
17:30 & 19:05 to 23:00 hrs

4. on DTH

VB is available on DTH round the clock. Programmes from 10:05 to
12:00 & from 17:30 to 18:15 are available exclusively on DTH.

Hope VB rebroadcasts it again someday around 15th June on account of
Sajjad sahab's B'anniv.
Sujoy


--- In vividhbharati@..., "Ramaswamy"
<ramaswamy21in@y...> wrote:
> a typo !!!
> it shld be batteries
> > The atteries are all in Kerala too adding to the woes.
> --- In vividhbharati@..., "Ramaswamy"
> <ramaswamy21in@y...> wrote:
> > Sujoy,
> > The song should be Dil Mein Samaa Gaye Sajan and not Mujh Mein
> Samaa
> > Gaye Sajan iirc.
> > Regarding recording the prog, unfortunately due to load-shedding
I
> > can't even hear the prog so recording the same is out of
question.
> > The atteries are all in Kerala too adding to the woes.
> > Regards,
> > Ramaswamy
> > P.S. Ameen Sayani conducted a wonderful two part prog on him.
Lata
> > Mangeshkar and Comedian Jagdeep showered lots of praises on him.
> and
> > even there was a small clip in Sajjad's voice full of praise for
> Lata.
> > --- In vividhbharati@..., "soojoi_india"
> > <soojoi_india@y...> wrote:
> > >
> > > Sargam Ke Sitaare, Film Sangeet ke is sureele safarnaame mein
> > hamaare
> > > aaj ke humsafar hain guzre zamaane ke mashoor
> > >
> > > mausikaar Sajjad Hussain jinhe hum Sajjad ke naam se bhi jaante
> > hain.
> > > Aayiye aaj is karyakram mein sune Sajjad sahab ke geet aur
> > >
> > > unse judee kuch yaaden.
> > >
> > > Song: Mujhme samaa gaye sajan...mera jahaan basaa diya (Sangdil)
> > >
> > > Ek se ek amar geeton ke rachaita- Sajjad Hussain, ek se ek
> yaadgaar
> > > dhuno ke shrashta- Sajjad Hussain, solah saazon ko bajaane
> > >
> > > mein nipoorn- Sajjad Hussain, jinke gaane aaj bhi ek taaze hawa
> ke
> > > jhonke ki tarah hamare dil ko mehka deti hai. Aayiye sune
> > >
> > > barson puraana yeh khoobsurat sadaabahaar naghma.
> > >
> > > Song: Yeh hawa yeh raat yeh chandni (Sangdil)
> > >
> > > Sajjad Hussain ka janm 15 June 1919 ko Madhya Pradesh ke Sitamu
> > mein
> > > huya tha. Unke pita Malwa ke darbaar mein gaayak the.
> > >
> > > Is tarah se balak Sajjad ka apne pita ke saath darbaar mein
aana
> > > jaana tha aur waheen we mahaan gaayak aur sangeetagyon ke
> > >
> > > sangsparsh mein aaye. Inhi dino unhone Mandolin yantra ko dekha
> aur
> > > hairaani ki baat yeh hai ki sirf 14 saal ki umra mein unhone
> > >
> > > khud ek mandolin yantra hi bana daala. Waheen se unki sangeet
> yatra
> > > shuru ho gayi aur yahi mandolin baad mein unke rache
> > >
> > > sangeet ki jaan ban gayi. Aayiye isi mandolin ki jadoo ka asar
> sune
> > > is geet mein jise Sajjad sahab ne Arabian maahaul mein behad
> > >
> > > kaamyaabi se dhaala tha.
> > >
> > > Song: Aye dilruba nazren mila (Alif Laila)
> > >
> > > Apni kismat aazmaane ke liye Sajjad Hussain bhi san 1937 mein
> > Bambai
> > > aa gaye aur adakaara Meena Kumari ke waalid sahab Mir
> > >
> > > Ali Baksh ke sahaayak ban gaye. 5 saal baad bataur swatantra
> > > sangeetkaar Sajjad Hussain ko mauka mila Shaukat Hussain ki
film
> > >
> > > Dost mein sangeet dene ka. Is film ke gaane behad maqbool huye,
> > khaas
> > > kar Noorjehan ka gaaya yeh naghma...
> > >
> > > Song: Badnaam mohabbat kaun kare (Dost)
> > >
> > > Dost, Sainya, Hulchul jaisi filmon mein Sajjad Hussain ne
madhur
> > > sangeet diye. Par we bataur film sangeetkaar ek lambi paari
> > >
> > > naheen khel sake aur na hi top ke sangeetkaaron ki shreni mein
> > > pahunch paaye. Iske mukhya do kaaran the, pehla unki
> > >
> > > atispashtavaadita aur doosra unka swaabhimaani hona. Film
> industry
> > ke
> > > chaaplusi aur chaalaaki bhare maahaul mein we apne aap ko
> > >
> > > fit naheen paate the aur kisi ke saath kaam karte samay apne
> shart
> > > rakh dete the. Nateeja yeh huya ki dheere dheere unhe filmon
> > >
> > > mein kaam milne kam ho gaye. Par unhone kabhi apne aadarshon se
> > > samjhauta naheen kiya. Unhone kabhi kisi geetkaar ke saath
> > >
> > > jodi bhi naheen banayi. Geet agar achchha ho to kisi bhi
geetkaar
> > ke
> > > bolon ko unhone apna madhur sangeet diya.
> > >
> > > Song: Yeh kaisi ajab daastaan ho gayi hai (Rustam Sohrab)
> > >
> > > Ek baar Kalkatta ke ek sangeet sammelan mein Ustad Mallikarjun
> > > Mansoor ki mulaaqaat huyi Sajjad Hussain ke saath. Us
> > >
> > > sammelan mein Sajjad sahab ne apne mandolin par Raag Malkons
aur
> > > Harikons bajaaya, aur aisa bajaaya ki sunnewaale stabdh reh
> > >
> > > gaye. Ustad Mallikarjun ne unki behad sarahna kee aur unse kaha
> ki
> > > aapne Harikons jaisa katheen raag bajaya aur woh bhi ek
> > >
> > > videshi mandolin jaise yantra par. Sajjad Hussain ek sachchaa
> > sangeet
> > > aaraadhak pehle the aur ek film sangeetkaar baad mein.
> > >
> > > Song: Aaja basaa len nayaa sansaar (Sangdil)
> > >
> > > Is samay aapne tune kiya hai Bharat ka sarvaadhik lokpriya
radio
> > > channel Vividh Bharati aur is par aap sun rahe hain karyakram
> > >
> > > Sargam Ke Sitaare, jismein hamare aaj ke sitaare hain guzre
> zamaane
> > > ke mashoor sangeetkaar Sajjad Hussain.
> > >
> > > Song: Kaali kaali raat yeh (Saiyan)
> > >
> > > TO BE COMPLETED SOON!!!!

a typo !!!
it shld be batteries
> The atteries are all in Kerala too adding to the woes.
--- In vividhbharati@..., "Ramaswamy"
<ramaswamy21in@y...> wrote:
> Sujoy,
> The song should be Dil Mein Samaa Gaye Sajan and not Mujh Mein
Samaa
> Gaye Sajan iirc.
> Regarding recording the prog, unfortunately due to load-shedding I
> can't even hear the prog so recording the same is out of question.
> The atteries are all in Kerala too adding to the woes.
> Regards,
> Ramaswamy
> P.S. Ameen Sayani conducted a wonderful two part prog on him. Lata
> Mangeshkar and Comedian Jagdeep showered lots of praises on him.
and
> even there was a small clip in Sajjad's voice full of praise for
Lata.
> --- In vividhbharati@..., "soojoi_india"
> <soojoi_india@y...> wrote:
> >
> > Sargam Ke Sitaare, Film Sangeet ke is sureele safarnaame mein
> hamaare
> > aaj ke humsafar hain guzre zamaane ke mashoor
> >
> > mausikaar Sajjad Hussain jinhe hum Sajjad ke naam se bhi jaante
> hain.
> > Aayiye aaj is karyakram mein sune Sajjad sahab ke geet aur
> >
> > unse judee kuch yaaden.
> >
> > Song: Mujhme samaa gaye sajan...mera jahaan basaa diya (Sangdil)
> >
> > Ek se ek amar geeton ke rachaita- Sajjad Hussain, ek se ek
yaadgaar
> > dhuno ke shrashta- Sajjad Hussain, solah saazon ko bajaane
> >
> > mein nipoorn- Sajjad Hussain, jinke gaane aaj bhi ek taaze hawa
ke
> > jhonke ki tarah hamare dil ko mehka deti hai. Aayiye sune
> >
> > barson puraana yeh khoobsurat sadaabahaar naghma.
> >
> > Song: Yeh hawa yeh raat yeh chandni (Sangdil)
> >
> > Sajjad Hussain ka janm 15 June 1919 ko Madhya Pradesh ke Sitamu
> mein
> > huya tha. Unke pita Malwa ke darbaar mein gaayak the.
> >
> > Is tarah se balak Sajjad ka apne pita ke saath darbaar mein aana
> > jaana tha aur waheen we mahaan gaayak aur sangeetagyon ke
> >
> > sangsparsh mein aaye. Inhi dino unhone Mandolin yantra ko dekha
aur
> > hairaani ki baat yeh hai ki sirf 14 saal ki umra mein unhone
> >
> > khud ek mandolin yantra hi bana daala. Waheen se unki sangeet
yatra
> > shuru ho gayi aur yahi mandolin baad mein unke rache
> >
> > sangeet ki jaan ban gayi. Aayiye isi mandolin ki jadoo ka asar
sune
> > is geet mein jise Sajjad sahab ne Arabian maahaul mein behad
> >
> > kaamyaabi se dhaala tha.
> >
> > Song: Aye dilruba nazren mila (Alif Laila)
> >
> > Apni kismat aazmaane ke liye Sajjad Hussain bhi san 1937 mein
> Bambai
> > aa gaye aur adakaara Meena Kumari ke waalid sahab Mir
> >
> > Ali Baksh ke sahaayak ban gaye. 5 saal baad bataur swatantra
> > sangeetkaar Sajjad Hussain ko mauka mila Shaukat Hussain ki film
> >
> > Dost mein sangeet dene ka. Is film ke gaane behad maqbool huye,
> khaas
> > kar Noorjehan ka gaaya yeh naghma...
> >
> > Song: Badnaam mohabbat kaun kare (Dost)
> >
> > Dost, Sainya, Hulchul jaisi filmon mein Sajjad Hussain ne madhur
> > sangeet diye. Par we bataur film sangeetkaar ek lambi paari
> >
> > naheen khel sake aur na hi top ke sangeetkaaron ki shreni mein
> > pahunch paaye. Iske mukhya do kaaran the, pehla unki
> >
> > atispashtavaadita aur doosra unka swaabhimaani hona. Film
industry
> ke
> > chaaplusi aur chaalaaki bhare maahaul mein we apne aap ko
> >
> > fit naheen paate the aur kisi ke saath kaam karte samay apne
shart
> > rakh dete the. Nateeja yeh huya ki dheere dheere unhe filmon
> >
> > mein kaam milne kam ho gaye. Par unhone kabhi apne aadarshon se
> > samjhauta naheen kiya. Unhone kabhi kisi geetkaar ke saath
> >
> > jodi bhi naheen banayi. Geet agar achchha ho to kisi bhi geetkaar
> ke
> > bolon ko unhone apna madhur sangeet diya.
> >
> > Song: Yeh kaisi ajab daastaan ho gayi hai (Rustam Sohrab)
> >
> > Ek baar Kalkatta ke ek sangeet sammelan mein Ustad Mallikarjun
> > Mansoor ki mulaaqaat huyi Sajjad Hussain ke saath. Us
> >
> > sammelan mein Sajjad sahab ne apne mandolin par Raag Malkons aur
> > Harikons bajaaya, aur aisa bajaaya ki sunnewaale stabdh reh
> >
> > gaye. Ustad Mallikarjun ne unki behad sarahna kee aur unse kaha
ki
> > aapne Harikons jaisa katheen raag bajaya aur woh bhi ek
> >
> > videshi mandolin jaise yantra par. Sajjad Hussain ek sachchaa
> sangeet
> > aaraadhak pehle the aur ek film sangeetkaar baad mein.
> >
> > Song: Aaja basaa len nayaa sansaar (Sangdil)
> >
> > Is samay aapne tune kiya hai Bharat ka sarvaadhik lokpriya radio
> > channel Vividh Bharati aur is par aap sun rahe hain karyakram
> >
> > Sargam Ke Sitaare, jismein hamare aaj ke sitaare hain guzre
zamaane
> > ke mashoor sangeetkaar Sajjad Hussain.
> >
> > Song: Kaali kaali raat yeh (Saiyan)
> >
> > TO BE COMPLETED SOON!!!!

Sujoy,
The song should be Dil Mein Samaa Gaye Sajan and not Mujh Mein Samaa
Gaye Sajan iirc.
Regarding recording the prog, unfortunately due to load-shedding I
can't even hear the prog so recording the same is out of question.
The atteries are all in Kerala too adding to the woes.
Regards,
Ramaswamy
P.S. Ameen Sayani conducted a wonderful two part prog on him. Lata
Mangeshkar and Comedian Jagdeep showered lots of praises on him. and
even there was a small clip in Sajjad's voice full of praise for Lata.
--- In vividhbharati@..., "soojoi_india"
<soojoi_india@y...> wrote:
>
> Sargam Ke Sitaare, Film Sangeet ke is sureele safarnaame mein
hamaare
> aaj ke humsafar hain guzre zamaane ke mashoor
>
> mausikaar Sajjad Hussain jinhe hum Sajjad ke naam se bhi jaante
hain.
> Aayiye aaj is karyakram mein sune Sajjad sahab ke geet aur
>
> unse judee kuch yaaden.
>
> Song: Mujhme samaa gaye sajan...mera jahaan basaa diya (Sangdil)
>
> Ek se ek amar geeton ke rachaita- Sajjad Hussain, ek se ek yaadgaar
> dhuno ke shrashta- Sajjad Hussain, solah saazon ko bajaane
>
> mein nipoorn- Sajjad Hussain, jinke gaane aaj bhi ek taaze hawa ke
> jhonke ki tarah hamare dil ko mehka deti hai. Aayiye sune
>
> barson puraana yeh khoobsurat sadaabahaar naghma.
>
> Song: Yeh hawa yeh raat yeh chandni (Sangdil)
>
> Sajjad Hussain ka janm 15 June 1919 ko Madhya Pradesh ke Sitamu
mein
> huya tha. Unke pita Malwa ke darbaar mein gaayak the.
>
> Is tarah se balak Sajjad ka apne pita ke saath darbaar mein aana
> jaana tha aur waheen we mahaan gaayak aur sangeetagyon ke
>
> sangsparsh mein aaye. Inhi dino unhone Mandolin yantra ko dekha aur
> hairaani ki baat yeh hai ki sirf 14 saal ki umra mein unhone
>
> khud ek mandolin yantra hi bana daala. Waheen se unki sangeet yatra
> shuru ho gayi aur yahi mandolin baad mein unke rache
>
> sangeet ki jaan ban gayi. Aayiye isi mandolin ki jadoo ka asar sune
> is geet mein jise Sajjad sahab ne Arabian maahaul mein behad
>
> kaamyaabi se dhaala tha.
>
> Song: Aye dilruba nazren mila (Alif Laila)
>
> Apni kismat aazmaane ke liye Sajjad Hussain bhi san 1937 mein
Bambai
> aa gaye aur adakaara Meena Kumari ke waalid sahab Mir
>
> Ali Baksh ke sahaayak ban gaye. 5 saal baad bataur swatantra
> sangeetkaar Sajjad Hussain ko mauka mila Shaukat Hussain ki film
>
> Dost mein sangeet dene ka. Is film ke gaane behad maqbool huye,
khaas
> kar Noorjehan ka gaaya yeh naghma...
>
> Song: Badnaam mohabbat kaun kare (Dost)
>
> Dost, Sainya, Hulchul jaisi filmon mein Sajjad Hussain ne madhur
> sangeet diye. Par we bataur film sangeetkaar ek lambi paari
>
> naheen khel sake aur na hi top ke sangeetkaaron ki shreni mein
> pahunch paaye. Iske mukhya do kaaran the, pehla unki
>
> atispashtavaadita aur doosra unka swaabhimaani hona. Film industry
ke
> chaaplusi aur chaalaaki bhare maahaul mein we apne aap ko
>
> fit naheen paate the aur kisi ke saath kaam karte samay apne shart
> rakh dete the. Nateeja yeh huya ki dheere dheere unhe filmon
>
> mein kaam milne kam ho gaye. Par unhone kabhi apne aadarshon se
> samjhauta naheen kiya. Unhone kabhi kisi geetkaar ke saath
>
> jodi bhi naheen banayi. Geet agar achchha ho to kisi bhi geetkaar
ke
> bolon ko unhone apna madhur sangeet diya.
>
> Song: Yeh kaisi ajab daastaan ho gayi hai (Rustam Sohrab)
>
> Ek baar Kalkatta ke ek sangeet sammelan mein Ustad Mallikarjun
> Mansoor ki mulaaqaat huyi Sajjad Hussain ke saath. Us
>
> sammelan mein Sajjad sahab ne apne mandolin par Raag Malkons aur
> Harikons bajaaya, aur aisa bajaaya ki sunnewaale stabdh reh
>
> gaye. Ustad Mallikarjun ne unki behad sarahna kee aur unse kaha ki
> aapne Harikons jaisa katheen raag bajaya aur woh bhi ek
>
> videshi mandolin jaise yantra par. Sajjad Hussain ek sachchaa
sangeet
> aaraadhak pehle the aur ek film sangeetkaar baad mein.
>
> Song: Aaja basaa len nayaa sansaar (Sangdil)
>
> Is samay aapne tune kiya hai Bharat ka sarvaadhik lokpriya radio
> channel Vividh Bharati aur is par aap sun rahe hain karyakram
>
> Sargam Ke Sitaare, jismein hamare aaj ke sitaare hain guzre zamaane
> ke mashoor sangeetkaar Sajjad Hussain.
>
> Song: Kaali kaali raat yeh (Saiyan)
>
> TO BE COMPLETED SOON!!!!

Namaskaar doston, haazir hai Amarkant lekar Aaj Ke Fankaar.

Song: Main kya janoo kya jadoo hai (Zindagi)

Hamare aaj ke fankaar hain film nirmata, nirdeshak, samvaad, patkatha
lekhak, aur geetkaar Kidar Sharma.

Song: Dekh lee teri khudaai bas mera dil bhar gaya (Kinare Kinare)

Kidar Sharma speaks: Yeh 1932 ki baat hai. Main MA ka imtihaan dekar
chhuttiyon mein Debaki Bose ki film Puran Bhagat dekha aur us film ka
mujhpar itna asar huya ki maine yeh tay kar liya mujhe bhi film line
mein hi jaana hai. us samay Brahmin ghar ke ladkon ko filmline mein
jaane ki ijaazat naheen thee, isey achchha naheen maana jaata tha.
Par maine kisi na kisi tareeke se Kalkatta pahunch gaya. College ke
dino se main kuchh sher-o-shayari karta tha, isliye socha ki Kalkatta
mein mere liye darwaaze khul jaayenge. Par New Theatres mein kisi ne
darwaaze se andar ghusne naheen diya (giggles). Phir wahaan Punjab ke
Prithviraj Kapoor aur K L Saigal sahab ek kamre ke flat mein ek saath
reh rahe the. maine unka darwaza khatkhataya. Prithiviraj Kapoor ne
kaha ki agar music naheen aati hai to is line mein tik naheen sakte.
Us samay playback system naheen tha. Aur Saigal sahab ka kehna tha ki
muscles ke bina tik naheen sakte. Maine unse kaha ki aap mujhe Debaki
Bose se milwa deejiye. Prithviraj ji ne kaha ki dekho yeh mere bas ki
baat naheen hai, aur Saigal sahab ne kaha ki woh to mujhe actor hi
naheen samajhte, aap Durgabai Khote se kahiye. Aur phir Durgabai
Khote ke zariye mujhe New Theatres mein kaam mil gaya. Mere haathon
mein rang ke dibbe aur brush thama diya aur painting ke kaam mein
laga diya. Aur phir uske baad kalam de diya.

Song: Soja rajkumari soja (Zindagi)

Doston, Kidar Sharma ne apni filmi career ki shuruwaat geet lekhan se
kiya tha. Aayiye sune unki likhi Hamari Yaad Aayegi film ka yeh geet.

Song: Sochta hoon yeh kya kiya maine (Hamari Yaad Aayegi)

Aur yeh hai unka likha film Faryaad ka naghma

Song: Dekho more sajna (Faryaad)

Kidar Sharma speaks: Jab main Kalkatta mein tha, us samay Prithviraj
Kapoor se gehri dosti ho gayi thee. Unke ghar jab jaata to neeli
aankhonwala ek ladka Raj mujhse hamesha poochhta ki yeh tasveeren
harkat kaise karti hain? Main yehi kehta ki tu bada ho jaa phir main
tera guru ban jayunga aur tu mera shishya banega. Kuchh saalon baad
Kalkatta chhodkat Bambai mein aakar Ranjit mein shaamil ho gaya aur
director ban gaya. Prithviraj ji ne mujhse kaha ki Raju ab bada hone
laga hai, bigadta jaa raha hai, padhaai mein mann naheen hai. Maine
unse kaha ki main bhi teacher hoon, aap usey mere paas bhej deejiye,
main usey seedha kar doonga. Woh aaya aur maine usey apna 3rd
assistant akh liya, woh shot ke samay clap bajata. Woh clap bajaane
se pehle

apne baalon mein pehle kanghi karta aur phir bade shaan se clap deta.
Ek baar

sunset ko background mein lekar ek shot lena tha. Maine Raj se kaha
ki aaj

clap bajane se pehle kanghi mat karna, jaldi se clap bajana naheen to
40 mile

tay karke kal phir yahaan aana padega. Usne kaha ki haan ji theek
hai. Maine

OK kar diya, Raj clap bajate bajate yun kho gaya ki usne clap to
bajaya par

clap ke saath actor ki nakli daadhi uske haath mein aa gayi aur hawa
mein udd

gayi. Mujhe yeh ahsaas huya ki woh camera ke peechhe naheen balki
uske saamne

aana chaahta hai. Meri agli film Neelkamal mein maine usey chance
dene ka

faisla kiya. Maine usey meri office mein bulaya aur cheque aur
contract ke

paper uske haath mein thama diye. Woh rone laga aur kaha ki kabhi
kabhi

aggression naheen rulaata hai par kindness rula deta hai. Woh chhota
tha,

isliye 10 minute mein sab bhool gaya aur kehne laga ki aap mere liye
kaun si

heroine laayenge? Maine poochha ki tumko kaun chaahiye, to usne kaha
ki

Madhubala de deejiye. Neelkamal bani aur Raj Kapoor pehli baar bataur
hero

film mein aaye aur baad mein superstar bane. Unhone meri ek aur film
bawre

Nain mein ek role kiya tha, main iska ek geet aapko sunwana chahta
hoon.

Song: Mujhe sach sach bata do ke kab dil mein samaaye the (Bawre Nain)

Kidar Sharma ke baare mein aisa kaha jaata hai ki woh naye naye
pratibhaaon

ko khoj nikaalte the, phir chahe woh abhineta abhinetri ho ya phir
geetkaar

ya sangeetkaar. Sangeetkaar Roshan ko pehli baar unhone hi apni film
Neki Aur

Badi mein 1949 mein mauka diya tha. Film naheen chali aur na hi iske
geet,

lekin phir bhi apni agli film Bawre Nain mein ek baar phir se unhe
mauka diya

aur is baar film aur sangeet, dono superhit. Bawre Nain film se
sambandhit ek

mazedaar kissa hai. Dilli ke do film vitarak Kidar Sharma ko 2 lakh
rupay aur

ek car diye aur unse kaha ki unki yeh film superhit honewali hau aur
isliye

un logon ne do territory bhi khareed liya hai, par unhone suna hai ki
woh is

film mein ek nayi music director ko chance de rahe hain? Usey is film
se alag

kar diya jaaye aur unke badle Khemchand Prakash ko liya jaaye kyunki
ueh unka

zamana hai.Kidar Sharma ne ek pal bhi naheen socha aur saaf naa kar
diya,

kyunki unko apne kalakaaron aur apni pasand par poora vishwaas tha.
Aayiye

Bawre Nain film ka ek aur khoosurat geet sunte hain.

Song: Khayaalon mein kisi ke is tarah aaya naheen karte (Bawre Nain)

Kidar Sharma ne apna poora jeevan ek tapasvi ki tarah beetaya. Film
nirmaan

ko unhone ek vyaavsaay kam, saadhna zyaada samjha. Doordarshan ke
liye bhi

unhone kai filmon ka nirmaan kiya. Aayiye sune unki ek aur film ka
yeh geet.

Song: Haal-e-dil unko sunana tha (Faryaad)

Samvaad, patkatha lekhak, nirmata, nirdeshak aur geetkaar Kidar
Sharma the

hamare aaj ke fankaar. Ab deehiye Amarkant ko ijaazat, namaskaar.

Song: Kabhi tanhayion mein hamari yaad aayegi (Hamari Yaad Aayegi)

THE END

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