A very Happy and Prosperous New Year 2006 to all members of this group!
To bid 2005 a gala melodious farewell, Vividh Bharati arranged for a
10 day long special Chitralok Top 10 programme starting 22nd December
10 days, 10 different announcers, 10 songs each!
Starting with Amarkant, followed by Renu, Yunus, Mamta, Nimmi,
Rajendra, Kamal and Shehnaz, the countdown of the last episode on the
31st was prepared and presented by none other than the legendary
broadcaster AMEEN SAYANI.
Here is the Top-10 listings of each day:
DAY-1: AMARKANT DUBEY (22/12/2005)
----------------------------------
10. Is kaal kaal mein hum tum karen dhamaal (KAAL)
09. Just chill chill just chill (MAINE PYAR KYUN KIYA)
08. Agar tum mil jaao zamana chhod denge hum (ZEHER)
07. Piu bole piya bole (PARINEETA)
06. Miraksam (WAQT)
05. Aashiq banaya aapne (AASHIQ BANAYA AAPNE)
04. Salaam namaste (SALAAM NAMASTE)
03. Jeene ke hain chaar din (MUJHSE SHAADI KAROGI)
02. Dus bahaane karke le gayi dil (DUS)
01. Kajra re kajra re (BUNTY AUR BUBLY)
DAY-2: RENU BANSAL (23/12/2005)
--------------------------------
10. Baras jaa ae saawan baras jaa (FAREB)
09. Aashiq banaya aapne (AASHIQ BANAYA AAPNE)
08. My dil goes (SALAAM NAMASTE)
07. Piu bole piya bole (PARINEETA)
06. Huzoor-e-aala (PAGE 3)
05. Dheere jalna (PAHELI)
04.a) Just chill (MAINE PYAR KYUN KIYA)
04.b) Just love me (NO ENTRY)
03. Tumhari adaayon pe main vaari (MANGAL PANDEY THE RISING)
02. Dus bahaane karke le gayi dil (DUS)
01. Kajra re kajra re (BUNTY AUR BUBLY)
DAY-3: YUNUS KHAN (24/12/2005) TOP 10 ITEM SONGS
------------------------------------------------
10. Ishq di gali vich no entry (NO ENTRY)
09. Saara jahaan kahe ishq hai jhootha (EK KHILADI EK HASEENA)
08. Kuyaan ma doob jaayungi (PAGE 3)
07. Baras jaa ae saawan baras jaa (FAREB)
06. Nassa nassa (KAAL)
05. Right here right now (BLUFF MASTER)
04. Kaisi paheli hai yeh zindegaani (PARINEETA)
03. Aashiq banaya aapne (AASHIQ BANAYA AAPNE)
02. Deedaar de deedaar le (DUS)
01. Kajra re kajra re (BUNTY AUR BUBLY)
DAY-4: RAJENDRA TRIPATHI (25/12/2005)
-------------------------------------
10. Just walk into my life (MAIN AISA HI HOON)
09. O yaara rab bis jaane de (SOCHA NA THA)
08. Eiffel tower (BACHKE REHNA RE BABA)
07. Hum hain is pal yahaan (KISNA)
06. Nach baliye (BUNTY AUR BUBLY)
05. Mausam ki ijaazat hai (CHEHRA)
04. Tauba tauba ishq na kariyo (KAAL)
03. Tumhari adaayon pe main vaari (MANGAL PANDEY THE RISING)
02. Dhadak dhadak dhuyaan udaaye re (BUNTY AUR BUBLY)
01. Chori chori chupke se aake (LUCKY)
DAY-5: ASHOK SONAWANE (26/12/2005)
----------------------------------
10. Mera dil jis dil pe fida hai ek dilruba hai (BEWAFA)
09. Kya cool hain hum (KYA KOOL HAI HUM)
08. Woh lamhen woh raaten woh meethi meethi yaaden (ZEHER)
07. Woh Kisna hai (KISNA)
06. Rafta rafta haule haule dil ko churaya tune (HULCHUL)
05. Shaadi jo kiya hai tune (BARSAAT)
04. Sun zara soniye sun zara (LUCKY)
03. Kanga re kangna re (PAHELI)
02. Tere liye hum hain jeeye (VEER ZAARA)
01. Apni zulfen meri shaano pe bikhar jaane do (TAJ MAHAL)
DAY-6: KAMAL SHARMA (27/12/2005) TOP 10 DANCE NUMBERS
-----------------------------------------------------
10. Baras jaa ae saawan baras jaa (FAREB)
09. Is kaal kaal mein hum tum karen dhamaal (KAAL)
08. Right here right now (BLUFF MASTER)
07. Aashiq banaya aapne (AASHIQ BANAYA AAPNE)
06. Salaam namaste (SALAAM NAMASTE)
05. Tumhari adaayon pe main vaari (MANGAL PANDEY THE RISING)
04. Dus bahaane karke le gayi dil (DUS)
03. Just chill chill just chill (MAINE PYAR KYUN KIYA)
02. Ishq di gali vich no entry (NO ENTRY)
01. Kajra re kajra re (BUNTY AUR BUBLY)
DAY-7: MAMTA SINGH (28/12/2005) TOP 10 POETIC SONGS
---------------------------------------------------
10. Aa gaya wohi din aa gaya (KISNA)
09. Tumhari adaayon pe main vaari (MANGAL PANDEY THE RISING)
08. Tauba tauba ishq na kariyo (KAAL)
07. Agar tum mil jaao zamana chhod denge hum (ZEHER)
06. Chham se koi aa jaaye (DUS)
05. Poochhe jo koi meri nishaani (YAHAAN)
04. Apni zulfen meri shaano pe bikhar jaane do (TAJ MAHAL)
03. Jab raat katee aur din nikla (PAHELI)
02. Piu bole piya bole (PARINEETA)
01. Kajra re kajra re (BUNTY AUR BUBLY)
DAY-8: SHEHNAZ AKHTARI (29/12/2005)
-----------------------------------
10. Kanga re kangna re (PAHELI)
09. Piu bole piya bole (PARINEETA)
08. Salaam namaste (SALAAM NAMASTE)
07. Kitne ajeeb rishte hain yahaan pe (PAGE 3)
06. Is kaal kaal mein hum tum karen dhamaal (KAAL)
05. Just chill chill just chill (MAINE PYAR KYUN KIYA)
04. Aashiq banaya aapne (AASHIQ BANAYA AAPNE)
03. Dus bahaane karke le gayi dil (DUS)
02. Agar tum mil jaao zamana chhod denge hum (ZEHER)
01. Kajra re kajra re (BUNTY AUR BUBLY)
DAY-9: NIMMI MISHRA (30/12/2005)
--------------------------------
10.a) Salaam namaste (SALAAM NAMASTE)
10.b) Dus bahaane karke le gayi dil (DUS)
09.a) Mera dil jis dil pe fida hai ek dilruba hai (BEWAFA)
09.b) Miraksam (WAQT)
08. Kitne ajeeb rishte hain yahaan pe (PAGE 3)
07. Is kaal kaal mein hum tum karen dhamaal (KAAL)
06. Aashiq banaya aapne (AASHIQ BANAYA AAPNE)
05. Ishq di gali vich no entry (NO ENTRY)
04. Just chill chill just chill (MAINE PYAR KYUN KIYA)
03. Agar tum mil jaao zamana chhod denge hum (ZEHER)
02.a) Kasto maja hai (PARINEETA)
02.b) Dheere jalna (PAHELI)
01. Kajra re kajra re (BUNTY AUR BUBLY)
*************************************
***********************************
DAY-10: AMEEN SAYANI (31/12/2005)
***********************************
*************************************
10. Is kaal kaal mein hum tum karen dhamaal (KAAL)
09. Tumhari adaayon pe main vaari (MANGAL PANDEY THE RISING)
08. Kajra re kajra re (BUNTY AUR BUBLY)
07. Pyar aaya aur zyada (BARSAAT)
06. Ashaayen khile dil ki (IQBAL)
05. Woh Kisna hai (KISNA)
04. Jiya dhadak dhadak jaaye (KALYUG)
03. Dus bahaane karke le gayi dil (DUS)
02. Piu bole piya bole (PARINEETA)
01. Nach baliye (BUNTY AUR BUBLY)
TOP 10 MUSICAL FILM BASED ON THE ABOVE COUNTDOWNS
-------------------------------------------------
10. SALAAM NAMASTE
09. NO ENTRY
08. MANGAL PANDEY THE RISING
07. ZEHER
06. KAAL
05. MAINE PYAR KYUN KIYA
04. PAHELI, AASHIQ BANAYA AAPNE
03. PARINEETA
02. DUS
01. BUNTY AUR BUBLY
-------------------------------------------------
Wishing you all a very Happy & prosperous & Melodious New Year 2006,
Warm regards,
Sujoy Chatterjee
Happy NEW YEAR to all members.
surinder dhall
>From: Susan Renda <waikin_62@...>
>Reply-To: vividhbharati@...
>To: Lata Mangeshkar <latamangeshkar2@yahoogroups.com>
>CC: Vividh Bharati <vividhbharati@...>
>Subject: [vividhbharati] Re: "Happy New Year!"
>Date: Sat, 31 Dec 2005 09:17:53 -0800 (PST)
>
>Dear Members of Lata & Vividh Bharati Group,
>
> A very very "Happy New Year!" to all members of
>both groups. Hope the New Year brings you all good fortune
>and happiness all through the New Year. Sorry for not
>being able to get online much. It has been hectic for me
>here. Hope to get in touch more often soon. Yes, Deepak, I
>too miss our voice chat session. Maybe we can cordinate one
>soon after this hectic holidays here.
>
> All the best for all of you. Good Luck !!
>
>Love & best wishes,
>Susan Renda,USA.
>
>
>
>__________________________________________
>Yahoo! DSL – Something to write home about.
>Just $16.99/mo. or less.
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_________________________________________________________________
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Dear Members of Lata & Vividh Bharati Group,
A very very "Happy New Year!" to all members of
both groups. Hope the New Year brings you all good fortune
and happiness all through the New Year. Sorry for not
being able to get online much. It has been hectic for me
here. Hope to get in touch more often soon. Yes, Deepak, I
too miss our voice chat session. Maybe we can cordinate one
soon after this hectic holidays here.
All the best for all of you. Good Luck !!
Love & best wishes,
Susan Renda,USA.
__________________________________________
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Just $16.99/mo. or less.
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EPISODE 7 (25/12/2005)
Ashaji ke saath aapne bahut saare gaane gaaye hain, to unse judee koi
khaas baat aap batana chaahenge?
"Ashaji bahut 'frank' hain, agar koi 'mistake' ho jaaye to kehte hain
ki bhaiya, isko aise naheen, aise gaayo, bahut 'help' karti theen,
dono bahene, bahut 'help' karti theen, hansi mazaak bhi karti theen"
Song: Rafta rafta woh hamaare dil ke armaan ho gaye
Sangeetkaar Madan Mohan ke liye bhi aap ne kai gaane gaaye hain, to
unke saath gaane ka aap ko kaise mauka mila?
"Kismat, taqdeer! Woh bulaa lete the, unke saath to bahut puraana
pyar tha, maine unse kabhi kaha naheen ki mujhe gawaao, unka 'mood'
hota tha to gawa lete the. Pehla gaana unke liye mera tha 'Sikander
ne Porous se kee thi ladaai'
Song: Sikander ne Porous se kee thi ladaai
"Woh waise to bahut 'serious' rehte the par is geet ko sunkar hanste
the, phir maine Woh Kaun THi mein unka gaana gaaya Lataji ke
saath 'Chhod kar tere pyar ka daaman yeh bataa de ke hum kidhar
jaayen'. Sab unke 'mood' pe tha, Talat saahab se gawaa liya 'Phir
wohi shaam wohi gham wohi tanhaai hai, waise hi mujhse bhi gawaya.
Song: Ari o shokh kaliyon muskuradena woh jab aaye
Next on Khayyam:
"Khayyam saahab to bade bhai jaise hain, unke saath pyar to 'school'
se hi chala tha. Woh mujhe 'kaka' kehkar bulaate. Ek baar unka Rafi
saahab ka gaana 'Akele ho ghabraate to hoge' Ranjit Studio
mein 'record' hone wala tha, to unhone mujhse kaha ki kaka, kal
pahunch jaana. Main agle din pahunch gaya to woh bahut khush ho gaye."
Mahendra Kapoor shares an interesting incident related to Khayyam and
Anil Biswas:
Khayyam recommended Mahendra Kapoor's name to Anil Biswas for singing
few lines in a film. When the day of recordinga arrived, Mahendra was
running high fever. But he did not let Khayyam about it and went with
him for the recording. As Anil Biswas was busy in recording some
other piece, Mahendra had to sit till late night in teh studio in
that ill health. Finally his lines were recorded and he came back
home. After that he fell ill with small pox. After several months,
once Khayyam saw him in the college campus and enquired whether he
had taken his remunerartion for that recording. Khayyam was unaware
of his illness. Khayyam insisted that he should go and ask for his
remuneration. So, a shy Mahendra went to the accountant of that
studio, who was known for his rude nature and abusive tongue. As
expected, he shouted at Mahendra and refused to pay any money as the
film flopped at the box office. Mahendra's eyes filled with tears and
was coming out of that place when Anil Biswas saw him. Hearing
everything from him, he took him to the accountant again and enquired
whether Mahendra's name was there in the list of persons getting
remuneration. The accountant said that his name was not included in
the list and hence he cannot be paid. Mahendra was very shy and
said "its OK". The very next year, the Metro Murphy Competition was
held whose criteria was that a participant should not have taken any
remuneration before from a film or music company, ie the particiapnt
should not be a professional singer. Had Mahendra taken the
remuneration from Anil Biswas, he could not have participated in this
competition and emerge as the winner!
Song: Toofan mein khuda ka ishara hai nakhuda (Nakhuda)
END OF EPISODE 7
Vividh Bharati ke doston, namaskaar Yunus Khan ki or se.
Clip: Yeh kaun aaya roshan ho gayi mehfil jiske naam se (Saathi)
Aaj 25 December hum janamdin ki badhaai de rahe hain ek aise
sangeetkaar ko jo is film sangeet jagat mein pitri-purush ki haisiyat
rakhte hain. Janamdin mubaaraq ho Naushad saahab!
Clip: Murliwaale murli bajaa
Naushad Ali ka janm 25 December 1919 ko Lucknow mein huya tha. Unke
pita ahid Ali Rajdarbaar mein munshi the. Unke parivaar mein gaana-
bajaana achchha naheen samjhaa jaata tha. Aaj is karyakram mein hum
Naushad saahab ke zubaan se sunenge unki kuchh yaadgaar ghatnaayen.
Naushad speaks: Aapki khidmat mein aapka yeh khaadim Naushad haazir
hai, aap mera salaam, aadaab, namaskaar, satsriakaal qabool karen.
Clip: Yaad aa rahe hain guzre huye zamaane
Naushad speaks: Film Mirza Saheban, D N Madhok ki film, main
usme 'musician' tha. Ek gaana ghoDe ke astabal mein filmaya jaa raha
tha. Gaana ek 'love song' tha. 'Hero-heroine' maujood the, sab kuch
theek thaak tha, lekin tabley ki ek thaap ke upar ghoDa bhaDak gaya,
ek tabla idhar gaya, doosra udhar. Kuchh der baad jab sabko hosh aayi
to 'recordist' saahab kehne lage 'OK OK'. Woh samajh rahe the ki aisa
film mein hi tha. To janaab aaj kal to 20 tracks, 40 tracks recording
aa gayi hai, aaj 'sharpness' hai par 'roundness' naheen, jise hum
golaai kehte hain. Aaj 'music loud' ho, 'orchestra loud' ho ki gaane
se zyaada log 'music' ko sune. Us zamaane mein to 'interlude' isliye
rakhte the taaki 'singer' saans le sake.
Clip: Jhoom jhoom ke gaayo aaj gaayo khushi ke geet (Andaz)
Clip: Tu mera chaand main teri chaandni (Dillagi)
Clip: Udan khatole pe ud jaayun main (Udan Khatola)
Clip: Panchhi ban mein piya piya gaane laga
Clip: Jab pyar kiya to darna kya (Mughal-e-Azam)
Clip: Matwala jiya dole piya (Mother India)
Naushad saahab ki 26 filmon ne 'silver jubilee' aur 8 ne 'golden
jubilee' manaaee. Unhe san 1982 mein Dada Saheb Phalke puraskaar se
sammaanit kiya gaya aur tamaam sammaananiya puraskaaron se nawaaza
gaya hai.
Clip: Saaz ho tum awaaz hoon main tum veena ho main hoon taar
Clip: Maan mera ahsaan ke maine tujhse kiya hai pyar
30 ke dashak mein filmi geet poori tarah se shastriya sangeet par
aadhaarit huya karte the. San 1940 mein sangeetkaar Ghulam Haider ne
iske saath milaayee Punjab ka loksangeet. Aur 1944 mein film Rattan
mein Naushad saahab ne istemaal kiya Uttar Pradesh ke lok sangeet ka,
jise shrotaaon ne khule dil se sweekaar kiya aur chaaron taraf
Naushad saahab ke sangeet ki dhoom mach gayee.
Clip: Akhiyan milaake jiya bharmaa ke (Rattan)
Clip: Nain lad jai hain to manwa ma (Ganga Jamuna)
Clip: Aaj mere man mein sakhi baansuri bajaaye koi
Naushad saahab ne apne geeton mein shastriya sangeet ka bharpoor
prayog kiya hai. Raagon, dhrupad, khayaal aur taraano par aadhaarit
unke asankhya rachnaayen hain. Kai naami sangeetagyon ne yeh
sweekaara hai ki Naushad saahab ka Bharatiya Shastriya Sangeet ko
jansadhaaran tak pahunchaane mein mahatwapoorna yogdaan raha hai.
Clip: Aaj gaawat man mein (Baiju Bawra)
Naushad speaks: Film Jadoo mein main 'piano', 'accordion' jaise
yantron ka istemaal kiya, iske liye Taj Mahal Hotel se 'musicians' ko
bulaaya gaya kyunki woh 'British time' tha, aise instruments jaise
congo, bongo vagerah yahi log bajaate the.
Doston, dhyaan denewaali baat yeh hai ki jahaan ek taraf Naushad
saahab ne Bhartiya shastriya sangeet ki chhata bikheri, waheen doosri
or 'western music' ka bhi kya khoob istemaal kiya hai apne naghmon
mein.
Clip: Mohe bhool gaye saanvariya
Naushad saahab pashchimi sangeet ki kitni gehri samajh rakhte hain,
film Daastaan ka yeh naghma uska pramaan hai.
Clip: Yeh saawan yeh rut aur hum tum ta ra ra ra rum (Daastaan)
Naushad speaks: Dilip Kumar saahab ek baar mujhse kehne lage ki yeh
kya 'piece' banaya hai aapne, main film mein kaise apni ungliyon
ko 'music' ke saath milaayunga? Maine kaha ki ghabraaiye
naheen, 'close-up shot' mein Haleem Zafar ke ungliyon ka 'close-up'
le lenge. Unhe yeh baat khaas pasand naheen aayi aur woh khud sitaar
seekhne lag gaye Haleem Zafar se. Unhone 3/4 maheeno tak seekhe,
unhone keh rakkha tha ki yeh sab 'close-up shots' baad mein filmaane
ke liye. To jis din yeh filmaya gaya Mehboob Studio, shooting ke baad
woh mujhse aakar kehne lage ki chaliye khaana khaa len. Maine kaha
behatar hai. To jab woh khaane ke liye haath baahar nikaale to maine
dekha ki us pe 'tape' bandhaa huya tha. Maine poochha ki kya huya, to
boley ki aap ki hi ki wajah se yeh huya hai, aap hi ki tarz par
abhinay karte huye yeh haal huya hai. To saahab, yeh hain fankaar!
Clip: Madhuban mein radhika naache re (Kohinoor)
Naushad speaks: Aaj synthesizer ka zamaana hai, har ek saaz ki awaaz
aap usme se nikaal sakte hain. Yeh 'science' ki taraki hai, isey roka
naheen jaa sakta.
Clip: Yaad mein teri jaag jaag ke hum (Mere Mehboob)
Naushad speaks: Ek aur geet hai raag pilu par aadhaarit jise maine ek
experiment ke taur par banaya tha. Iski khaasiyat yeh hai ki ismein
ek bhi saaz istemaal nahin huya par log yeh oehchaan bhi nahin paye.
Is gaane mein mardaana aur janaana 'humming' se poore gaane ka music
tayyaar kiya gaya tha. "More saiyanji utrege paar o darya dheere
baho", suniye
Clip: More saiyanji utrenge paar (Udan Khatola)
Naushad saahab gyaan ke mahaasaagar hain, sangeet ki vidhaa mein
Himalaya samaan. Aaj unki janamdin par hum unhe de rahe hain dheron
shubhkaamnaayen.
THE END
Today's Chitralok Top 10 songs featured "Tere liye hum hain jeeye" from
Veer Zaara (Madan Mohan) at No.2 and "Apni zulfon ko mere shaano pe
bikhar jaane do" from Taj Mahal (Naushad) at No.1
Vividh Bharati ke doston, namaskaar, main hoon aap ka dost Yunus Khan.
Clip: Murali manohar Krishna kanhaiya (Jhanak Jhanak Payal Baaje)
Aur Aaj Ke Fankaar karyakram mein aaj hum zikr kar rahe hain Hindi
aur Marathi film sangeet jagat ke ek behad niraale aur bahut hi
pratibhashaali sangeetkaar Vasant Desai ka.
Clip: Kya dharti aur kya akash sab ko pyar ki pyas (Pyar Ki Pyas)
Vasant Desai ka janm san 1912 mein Kudal Maharashtra mein huya tha.
San 1929 mein woh Prabhat Film Company se jud gaye. Un dino woh
Prabhat ki filmon mein abhineta aur sahaayak huya karte the. Waheen
unhe Govindrao Tembe, Master Krishnarao aur K. Bhole jaise
sangeetkaaron ke sahaayak banne ka mauka mila.
Clip: Pyar karne ki tabeeyat ho gayi hai (
Prabhat ki filmen Ayodhya Cha Raja aur Dharmatma mein Vasant Desai
abhineta aur gaayak bane. Film Shakuntala se Vasant Desai V.Shantaram
ke Rajkamal Kalamandir mein aa gaye bataur sangeetkaar.
Clip: Sukhad matrubhoomi apni (Shakuntala)
Vasant Desai ka V. Shantaram se kareebi rishta tha. Vasant Desai 30
saalon tak Shantaram ki filmon mein sangeet dete rahe aur apni
sureeli jaadoo bikherte rahe.
Clip: Mere ae dil bataa kya karoon (
Vividh Bharati ke doston, dilchasp baat yeh hai ki san 1946 mein
Vasant Desai ne film Subhadra mein sangeet diya. Is film mein Lata
Mangeshkar ne abhinay kiya tha. Vasant Desai ke sangeet ki khaasiyat
hai Maharashtra ka lok-sangeet. Unke Bovada aur Lavni par aadhaarit
gaane bade hi lokpriya huye.
Clip: Saiyan jhoothon ka badaa sartaaj nikla (Do Ankhen Barah Haath)
Vasant Desai ne Vijay Bhatt aur Babubhai Mistry ke pauraanik filmon
mein bhi sangeet diya. In filmon mein Vasant Desai ka 'score' 100%
raha. Iski wajah thi unki behatareen dhune aur unka apne sangeet ke
saath koi samjhauta na karna.
Clip: Aali pari rang bhari kisne pukaara (
Sohrab Modi ki do filmen, Sheesh Mahal aur Jhansi Ki Rani Vasant
Desai ke 'career' ki do mahatwapoorna filmen thi.
Clip: Husnwaalon ki galiyon mein jaana naheen (Sheesh Mahal)
Gulzar ki film Achanak mein sangeet diya tha Vasant Desai ne. Unhe
Hrishikesh Mukherjee ki film Ashirvad mein bhi sangeet dene ka
saubhaagya praapt huya tha. Is film ke gaane bade hi niraale the. Aap
ko yaad hoga Ashok Kumar ka gaaya yeh gaana.
Clip: Rail gaadi (Ashirvad)
Iske alaawa Ashirvad film ka yeh geet bhi ullekhniya hai.
Clip: Saanvariya ghar aa (Ashirvad)
Vasant Desai ki pehli lokpriya film thi san 1950 ki Dahej jismein
Jayashree ne yeh geet gaaya tha. Doston, yeh badaa hi durlabh naghma
hai.
Clip: Ambua ki daari se bole re koyaliya (Dahej)
Film Sheesh Mahal ka sangeet bhi anokha tha. San 1953 mein aayi
Jhanak Jhanak Payal Baaje, jiski vishuddh sangeet ne yeh saabit kar
diya ki Vasant Desai Bhartiya Shastriya Sangeet mein maahir
sangeetkaar hain.
Clip: Jhanak jhanak paayal baaje (Title Song)
San 1956, film Toofan Aur Diya
Clip: Nirbal se ladaai balwaan ki (Toofan Aur Diya)
San 1957, film Do Ankhen Barah Haath
Clip: Ae maalik tere bande hum (Do Ankhen Barah Haath)
San 1958, film Mausi. Doston, Mausi film ka yeh naghma aaj bhi aap ke
dil ki vaadiyon mein goonj raha hoga.
Clip: Tim tim tim taaron ke deep jale (Mausi)
San 1959, film Ardhangini
Clip: Tera khat leke sanam paaon kahin rakhte hain hum (Ardhangini)
Isi saal aayi film Goonj Uthi Shehnai, jismen Ustad Bismillah Khan ki
shehnai goonji.
Clip: Tere sur aur mere geet (Goonj Uthi Shehnai)
San 1961, film Pyar Ki Pyas
Clip: Kya dharti aur kya akash (Pyar Ki Pyas)
Isi saal aayi film Sampurna Ramayan. Film sangeet ke qadrdaano ke
liye is film ka yeh naghma ek anmol moti hai.
Clip: Baadalon barso nayan ki kor se (Sampurna Ramayan)
San 1965, film Ladki Sahyadri Ki, Pandit Jasraj ka gaaya yeh naghma
Clip: Vandana karo archana karo (Ladki Sahyadri Ki)
San 1966, film Ram Rajya
Clip: Rain bhayi so jaa re panchhi (Ram Rajya)
San 1971, film Guddi, ismein gaayika Vani Jayram ne gaaya
apne 'career' ka sabse lokpriya geet.
Clip: Bol re papeehara (Guddi)
San 1976 mein aayi film Shaque jo Vasant Desai ke sangeet se sajee
antim film thi.
Clip: Abhi na parda giraao, thehro (Shaque)
22 December 1975 ko Vasant Desai is asaar sansaar ko chhod gaye aur
peechhe reh gaye unke anmol sangeet ke dharohar.
Clip: Jeevan se lambe hain bandhu yeh jeevan ke raste (Ashirvad)
Aaj Ke Fankaar karyakram aaj sangeetkaar Vasant Desai par kendrit tha.
THE END
Sabhi sunnewaalon ko Nimmi Mishra ka namaskaar!
Clip: Tum mujhe yun bhula na paayoge
Filmi geeton ke baadshaah Mohd Rafi hain hamaare aaj ke Sargam Ke
Sitare. Woh ek aise sitaare hain jiski chamak kabhi khatam naheen
hogi.
Clip: Jaag dil-e-deewana rut jaagi vasl-e-yaar ki
Woh kaun sa rang hai zindegi ka jise Mohd Rafi ne apni awaaz mein
qaid naheen kiya ho? Woh kaun se jazbaat hain jo Rafi saahab ki awaaz
se chhalak kar baahar na aaye honge?
Clip: Aise to na dekho ke humko nashaa ho jaaye
Clip: Tumhare zulf ke saaye mein shaam kar loonga
Clip: Ek haseen shaam ko dil mera kho gaya
Filmi geeton ko Mohd Rafi ne jo rawaani aur khoobsurti pradaan kee
hai, uska koi jawaab naheen. Film sangeet mein unka jo sthaan hai,
woh sirf unhi ka hai. Yeh sthaan koi doosra naheen le sakta.
Sangeetkaar Naushad ke shabdon mein:
Naushad speaks: Ek fankaar ko jo ahsaas hone chaahiye, woh Rafi sahab
mein bharpoor tha. Ek geet tha raag Madhumanti par. Gaana record hone
ke baad Rafi sahab ne usey suna aur baar baar sunte rahe. Bole ki
shorgul se hartke yeh gaana kina sukoon de raha hai. Maine kaha
ki 'producer' maujood hai yahaan, pehle yeh bataaiye ki aap paise
kitne loge? Unhone kaha ki iske paise naheen chaahiye, sukoon paison
se naheen milta hai. Unki taarif main kahaan tak bayaan karoon?
Clip: Yeh zindegi ke mele afsos hum na honge
Filmi geeton ki yeh khaasiyat hai ki aam aadmi unmein apne khushi aur
gham, apne sukh dukh dhoondte hain aur unhe mil bhi jaate hain. Yeh
naghmein unhe bahut apne se lagte hain, wajah, Rafi sahab inme aise
doob kar, aise 'involve' ho jaate hain ki aisa lagta hai jaise
hamaari hi awaaz hai.
Clip: Kahin ek maasoom naazuk si ladki
Apni gaayan ki sabhi visheshtaaon ke zariye Rafi sahab apne premiyon
ke dilon mein hamesha rahenge. Unka jo vishesh sthaan hai apne
chaahnewaalon ke dilon mein, woh hamesha yunhi barkaraar rahegi. Yeh
hain Nadeem Bhai, hamaare 'Hello Farmaaish' ke shrotaa:
Nadeem Bhai speaks about his feelings for Rafi sahab. He has
collected 3500 songs of Rafi sahab. "Jis raaste par woh chale, khuda
mujhe bhi usi raaste pe chalaaye", he says.
Yeh hain ek niji 'company' mein kaaryarat V.K. Agarwal jo Rafi sahab
ke ananya bhakt hain.
V.K. Agarwal speaks about Rafi sahab addressing him as "Saat Suron ke
Betaaj Baadshaah". Highlighting an incident to bring forth the
greatness of Rafi sahab, he says, "Laxmikant Pyarelal ki film Dosti
jab poore Bharat mein dhoom machaa rahi thi uske geeton ke liye jinhe
gaaya tha Rafi sahab ne, Laxmikant Pyarelal ko khoob shohrat haasil
huyi thi, to ek din Pyarelal Rafi sahab se jaakar kaha ki Rafi sahab,
is shohrat ka shrey aap hi ko jaata hai, yeh ek chhota sa 'cheque-
book' main aap ke saamne rakh raha hoon, aap jitna chaahe bhar
leejiye. To Rafi sahab ne Pyarelal se kaha ki jitna mehenatana 'fix'
huya tha usme ek rupay badhaakar mujhe cheque de deejiye. Pyarelal ne
kaha tha ki aisa kala ka pujari na kabhi dekha hai aur na kabhi
dekhoonga". V.K. Agarwal then hums "Itna hai tumse pyar mujhe..."
Clip: Itna hai tumse pyar mujhe mere raazdaar
Khaleek Amrohvi Rafi sahab ke aise chaahnewaale hain ki unhone Rafi
saahab par poora shodh kar daala aur ab un par ek kitaab likh rahe
hain.
Khaleek Amrohvi says a lot about Rafi sahab's initial days: Mohd Rafi
was born on 24 December 1924 in Amritsar, Punjab. He had 5 brothers -
Shafi, Imran, Deen, Ismail and Siddiqui. Rafi was the second son.
During his childhood, a 'fakeer' used to come to his 'mohalla'
singing. Rafi used to get attracted to his voice and follow him to
several distant streets. His singing talent was first noticed by his
elder brother's friend Hameed and he motivated him towards music.
Rafi came in contact with Ustad Barkat Ali Khan and started learning
classical music. He was just 13 years age that time. Hameed helped
him is geeting to sing in Lahore Radio. Once K L Saigal had gone to
Lahore for a show. When the show was disrupted due to electricity
failure, the organizers made Rafi sing in front of the crowd. His
classical expertise and his tender age moved the audience and Saigal
also admired his singing. This was the first turning point of Rafi's
career. Hameed bhai again sent him to Delhi to sing in Delhi Radio.
Master Feroz Nizami was there and gave important hints to Rafi.
Nizami sent him back to Lahore after imparting useful tips of singing
in him. Then in Lahore, composer Shyam Sundar signed him up to sing
in his Punjabi film Gul Baloch. Then he sangwith Zeenat Begum in the
Punjabi film Laila Majnu under the music direction of Govindram. In
1944, Rafi headed from Bombay where Shyam Sundar made him sing his
first Hindi song in the film Gaon Ki Gori. Hameed bhai then went to
Lucknow and met Naushad's father and got a recommendation. Then they
met Naushad in Bombay, who was impressed with Rafi's singing. In
Shahjehan (1946), Naushad made Rafi sing with Saigal. Rafi gave
playback for Jairaj in this song.
Clip: Mere sapnon ki rani Ruhi Ruhi Ruhi
Khaleek Amrohvi speaks: Yahaan se Bollywood mein Rafi sahab shuru ho
gaye. San 1948, film Shaheed, sangeetkaar Ghulam Haider, geetkaar
Raja Mehendi Ali Khan.
Clip: Watan ki raah mein watan ke naujawaan shaheed ho
Vividh Bharati par is samay aap sun rahe hain Sargam Ke Sitare aur
hamaare aaj ke sitaare hain har dil aziz gaayak Mohd Rafi.
Clip: Baar baar dekho hazaar baar dekho
Clip: Jungle mein mor naacha kisi ne na dekha
Clip: Yeh chaand sa roshan chehra zulfon ka rang sunehra
Khushi ho ya gham, pyar mohabbat ki baaten ho ya virah vedna ka, desh
bhakti bhaav ho yaa koi daarshanik geet, jis 'feeling' se Rafi sahab
gaate the, uski koi saani naheen hai, isliye geet seedhe dil mein
utar jaate the.
Clip: Tumne mujhe dekha hokar meherbaan
Rafi sahab ke paarshwa gaayan se juDee kuchh baaten bataa rahe hain
Khaleek Amrohvi sahab:
Khaleek Amrohvi speaks: 1949 mein Raj Kapoor ki film Barsat se
ek 'team' bani Shankar Jaikishen, Hasrat Jaipuri aur Shailendra. In
logon ne film sangeet ka shakl hi badal daala, western music Hindi
film sangeet mein poore dhoom dhadaake ke saath shaamil ho gaya. Film
Barsat se hi Shankar jaikishen ne Rafi se gaane gawaane shuru kar
diye.
Clip: Main zindegi mein har dum rota hi raha
Khaleek Amrohvi speaks: Yaheen se naya daud shuru hota hai film
sangeet ka. San 1948 mein Mahatma Gandhi ke inteqaal ke baad Rajinder
Krishen ne unpar ek amar geet likha jise Rafi sahab ne gaaya. Gair
filmi geet hote huye bhi isne kaamyaabi ki bulandi haasil kee.
Clip: Suno suno ae duniyawaalon Bapu ki yeh amar kahaani
Khaleek Amrohvi speaks: Rafi sahab ki awaaz kudrat ki den hai, par jo
baat unhe doosre gaayakon se alag karti hai woh hai unki gaayiki jo
behad niraali thi aur yahi doosre gaayakon ko unse meelon peechhe
chhod dete the.
Clip: Maine rakkha hai mohabbat apne afsaane ka naam
Khaleek Amrohvi speaks: Unki gaayiki ka andaaz aisa tha ki sargam ke
sau dhaare nikal pade, mand mand purvaaiyaan chalne lag jaayen,
baagon mein saikdon goonche khil uthe, samaa sharaabi sharaabi ho
jaaye. Babul gaaya to aankhen geeli kar dee, bhajan gaaya to man ko
shraddha aur bhakti bhaav se saraabor kar diya, aur ghazal gaaya to
rumaani lamhaat se bhar diya is dil ko.
Clip: Chaudhveen ka chaand ho ya aaftaab ho
Khaleek Amrohvi speaks: Jis daud mein Rafi sahab is film jagat mein
aaye, unke jaise 'range' mein gaanewaala koi naheen tha. Unki
adaayaigi aisi hoti thi ki woh har geet mein apna koi khaas
hastaakshar chhod dete the, jaise koi shabd aisa gaa diya ki doosre
gaayak sar paTak kar mar jaaye to bhi wasia naheen gaa sakte. Unke
geet sunkar zehen mein khud-ba-khud Shammi Kapoor aa jaate hain.
Clip: Tumse achchha kaun hai dil-o-jigar lo jaan lo
Khaleek Amrohvi speaks: Agar hum aasaani se Mohd Rafi ke gaayiki ka
tarjuma karen to keh sakte hain ki saat suron ke sangam the Mohd Rafi
sahab.
Clip: Mujhe dard-e-dil ka pataa na tha mujhe aap kis liye mil gaye
Rafi sahab ke galey se bhaav pradhaan geet aise phhoT-te the ki
shrotaaon ke barbas hi aankh chhalak jaati thi.
Clip: Humne jafaa na seekhi, unko wafaa na aayi
Clip: Toote huye khwaabon ne humko yeh seekhaya hai
Rafi sahab ki yeh khoobi thi ki woh na 'cigarette' peete the aur
sharaab ko chhoote tak naheen the. Lekin sharaab aur shabaab ke gaane
jis khoobi se unhone gaaye uska koi jawaab naheen hai.
Clip: Gulaabi aankhen jo teri dekhi sharaabi yeh dil ho gaya
Filmi geet mein 3 ghatak hote hain, pehli awaaz, doosra arth ke saath
awaaz ka mel, aur teesra hai ras ka nirvaah. Rafi saahab ke geeton
mein yeh saare gun baakhoobi jhalakte hain.
Clip: Man tadpat Hari darshan ko aaj
Clip: Watan pe jo fida hoga amar woh naujawaan hoga
Clip: Kya se kya ho gaya bewafa tere pyar mein
Clip: Khuli palak mein jhootha gussa band palak mein pyar
Khaleek Amrohvi speaks: Is sadi ke gaayak Rafi sahab, jinki awaaz
mein hai amrit, kabhi shabnam ki narmi to kabhi sholon ki garmi,
kabhi darya ki rawaani to kabhi meethi dheemi dhaarayen. Aur kabhi
thahaate maarta pyar ka saagar jisme dil doob doob jaaye. 'Mujhe
lamha naheen sadiyaan sunengi, meri awaaz ko hifaazat se rakhna!'
Clip: Dil ka soona saaz tarana dhoondega, teer nigaahen naaz nishaana
dhoondega, mujhko mere baad zamana dhoondega
Aap sun rahe the Sargam Ke Sitare, Mohd Rafi par yeh vishesh
kaaryakram. Prastuti sehyog tha Chitralekha Jain aur Veena Rai
Singhania ka, aur Vishesh sehyog Kamal Sharma ka. Ab deejiye ijaazat
Nimmi Mishra ko, namaskaar!
THE END
Hi,
A good news for the Ameen Sayani fans! On 31st Dec, the Chitralok Top
10 countdown will be presented by none other than Ameen Sayani himself.
So those who want to get back to the days of Binaca Geet Mala with
Ameen sahab, do tune in to VB on 31st at 08:15 hrs sharp!
Enjoy!!!
Sujoy
Doston, radio sakhi Mamta Singh aap se keh rahi hai sureela namaskaar.
Clip: Tu jo mere sur mein sur mila le (Chitchor)
Jo hain hamaare Aaj Ke Fankaar, unke saath aap sur milaaye bina
naheen reh sakte.
Clip: Akhiyon ke jharonkhon se (Title Song)
Aaj Ke Fankaar karyakram mein aaj zikr gaayika Hemlata ka, jinki ek
alag awaaz hai, ek alag andaaz hai, ek alag hi tarah ki taazgi hai
unki awaaz mein.
Clip: Kaun disa mein leke chala he batohiya (Nadiya Ke Paar)
Kaisa lag raha hai yahaan Vividh Bharati mein aakar?
Hemlata speaks: Kaisa lag raha hai, bayaan karna mushkil hai,
antaraatma se itna achchha lag raha hai ki kya kahoon, Vividh Bharati
naam apne aap mein hi itna khoobsurat hai. Bachpan mein jab main
kuchh bhi naheen thee, tab radio par hi gaane suna karti thee. Is
industry ka pataa isi se milee. Transistor kaan mein lagaaye raah
dhoond rahee thi.
Song: Sunke teri pukaar sang chalne ko tere koi (Fakeera)
Hemlata speaks: Ghar mein koi naheen jaanta tha ki main chhup chhup
kar gaati thee. Yeh naam ka asar hai ki khoon ka main naheen jaanti.
Main Pandit Jaichand Bhatt ki beti hoon, mere teen bhai hain. Mere
pitaaji Ustad Wahid Khan ke shishya the. Unhone apne ghar ki
parampara ko todkar sangeet seekha. Ghar mein sangeet hi sangeet tha
lekin ladkiyon ke liye naheen. Us samay to aisa tha ki agar ladki ne
gaana seekh liya to jaise uska dharm bhrasht ho gaya. To mere pitaji
ke shishya mujhe chhup chhup ke gawaate the, baba ko maaloom naheen
tha.
Song: Le to aaye ho humein sapno ke gaaon mein (Dulhan Wohi Jo Piya
Man Bhaaye)
Bachpan se hi Hemlata gaane gaati theen. Kehte hain ki kalaa ke
sanskaar bachpan se hi pad jaaye to aage chalkar ek achchha kalakaar
banta hai.
Song: Jab deep jale aana (Chitchor)
Hemlata bahut chhoti theen jab pehli baar manch par unse gawaya gaya
aur Baby Lata ki upaadhi bhi dee gayi. Hemlata se suniye aage ki
daastaan.
Hemlata speaks: Kalkatta ke Ravindra Sarovar stadium mein ek bahut
badaa programme huya tha. Dr. Bidhan Chandra Roy aaye the usme, 2
laakh ki audience thi. Us show ke Chief Coordinator Gopal Lal Malik
ne mujhe ek gaana gaane ka mauka diya. Us show mein Lataji, Rafi
sahab, Ushaji, Hridaynath, Kishoreda, Subir Sen, Sandhya Mukherjee,
Arati Mujherjee, Hemant dada, sab gaane waale the. Mujhe interval
mein gaana tha, as Baby Lata, taaki log chaay-waay pee ke aa saken.
Mere guru-bhai chaahte the ki is programme ke zariye mere pitaji ko
bataaya jaaye ki unki beti kitna achchha gaati hai. To woh jab jaakar
mere pitaji ko is function mein aane ke liye kahaa to woh boley ki
main wahaan filmi geeton ke function mein jaakar kya karoonga? Badee
mushkil se manaakar unhe laaya gaya. To sochiye Bidhan Chandar Roy,
saare ministerial level ke log, 2 laakh audience, in sabke beech mere
pitaaji baithe hain aur unki beti gaanewaali hai yeh unko pataa hi
naheen. Us samay mera aath-vaan saal lagaa tha. Maine "Jaago mohan
pyaare", film Jaagte Raho, yeh gaana gaaya. Jaise hi maine woh aalaap
liya, public zor se shor karne lagee. Maine socha ki kya ho gaya,
phir pataa chalaa ki woh 'artiste ko oonchaa karo' keh rahe hain.
Phir 'table' laaya gaya aur maine phir se gaaya, 'once more' bhi
huya. Calcutta ki audience, world mein aisi audience aapko kahin
naheen milegee, waaqai! Phir us din maine ek ek karke 12 geet
gaaye, 'saat bhaai Champa jaago re', sabhi Bangla mein, Hindi mein,
jo aata tha sab gaa diya. Phir shor huya ki Didi (Lataji) aa gayee
hain. B C Roy ne Baby Lata ke liye Gold Medal announce kiya. Pitaaji
bhi maan gaye, unko bhi laga ki uski pratibha ko rokne ka mujhe koi
adhikaar naheen hai, phir raashi dekhkar 'ha' se Hemlata naam rakhaa
gaya.
Song: Khushiyaan hi khushiyaan ho daaman mein jiske (DWJPMB)
Hemlata speaks: Sangeet Naushad sahab se seekha, Ustab Rais Khan se
ghazal seekha, phir Madan Mohan-ji, Kalyanji bhai, Ravindra Jain se
bhi bahur seekha hai, phir ek the Gunanidhi Das Orissa ke ek achchhe,
guni, mahaan, unse wahaan ka local music seekha, aur is tarah se aage
badhtee gayi. Yahaan pe main apna pehla film song sunaana chaahoongi
jise maine apne favourite favourite singer Mukesh-ji ke saath milkar
gaaya tha film Vishvas ke liye aur meri pehli heroine thi Aparna Sen.
Song: Le chal le chal mere jeevan saathi (Vishvas)
San 1977 mein Hemlata ko mila tha film Chitchor ke liye Filmfare
puraskaar.
Song: Tu jo mere sur mein (Chitchor)
Sangeetkaar Ravindra Jain ke saath Hemlata ne gaaye kai geet. Suniye
film Nadiya Ke Paar ka yeh geet jise likha aur sangeetbaddha kiya
Ravindra Jain ne.
Song: Jab tak poore na ho tere saath (Nadiya Ke Paar)
Hemlata speaks: Daddu (Ravindra Jain) mere baba ke shishya huya karte
the Kalkatta se. To unke class ke baad woh mujhse apne gaane gawaaya
karte the. Aur woh mujhe har geet ke liye 1 rupay dete the. Pehle 50
paise rate tha (laughs), phir maine 'rate' badhaa diya, barf ke gole
mahenge ho gaye the (laughs). Woh seekhaate the mujhe, unki
bandishen. Jab yahaan aakar mujhe logon ko apni 'voice' sunaani padti
thi, main unhi ke yeh sab gaane gaati thi. Yun to mujhe filmon ke
gaane sab yaad rehte the, Rafi-sahab aur Mukesh-ji ke gaane bhi yaad
hote the, Lataji ke gaano ki to hisaab hi naheen thi. Dada is
industry mein early 70s mein aaye, tab tak 100/150 gaane main gaa
chukee thi.
Song: Ram Siya Ram Siya Ram jai jai Ram (
Hemlata speaks: Agla gaana jo maine socha hai aapko sunwaane ke liye,
woh hai film Maan Abhimaan se. Is geet mein main khat likh rahi hoon.
Iske saath ek chhoti si ghatna judee huyi hai, jise yaad kar aaj
mujhe hansi aa jaati hai par us waqt mujhe badaa rulaaya tha. Main
jis parivaar se taallukh rakhti hoon, woh Rajasthan ka ek Brahmin
parivaar hai, jo kaafi orthodox vichaaronwaale hain. Mere bachpan
mein hi mere baba meri shaadi karwa dena chaahte the, aur main yeh
sochti thi ki kis tarah se apni jaan bachaayi jaaye. Ek baar maamla
zara serious ho gaya. Koi ladka mujhe dekhne aane waala tha, maine ek
chitthi likhi. Pataa naheen ki kaise yeh baat logon ko pataa chal
gayi aur hamare gaaon ke Panchayat ke Panchon ne mere baba ko yeh
bata diya ki Hemlata ne love letter likha hai aur unhe Panchayat mein
bulaya hai. Mere baba ne mujhe ek zor ka chaanta maara aur nikal
gaye. Us chitthi mein maine likha tha ki "Shreemaan so and so, aap
vyarth hi apna samay nasht kar rahe hain, maqin maata Saraswati ki
upaasika hoon, mujhe aisa lagta hai ki shaadi ke naam se hi aadmi
besura ho jaata hai. Main Lataji ki fan hoon aur woh janamkunwari
hai, isiliye itna achchha gaati hai. Unki tarah main bhi safed saree
pehenna chaahti, mujhe yeh lagta ki colour saree pehenne se mera
galaa kharaab ho jaayega (laughs), isliye kripaya aap mujhe kshama
karen aur kisi aur ladki se shaadi kar leejiye". Jab yeh khat mere
baba ke saamne Panchayat mein padhaa gaya to sab Panch log zameen
dekhne lage aur baba ghar waapas aakar mujhe bahut pyar kiya.
Song: Kya likhoon kaise likhoon (Maan Abhimaan)
Hemlata ke apne prashansak hain. Aajkal woh zyaada naheen gaa rahi
hain, par unke qadardaano ko rehti hai unke geeton ka intezaar.
Song: Beparwah bedardi pagla deewana (Naiya)
Aaj Ke Fankaar karyakram aaj kendrit tha gaayika Hemlata par. Ab apne
radio sakhi Mamta Singh ko deejiye ijaazat, namaste!
THE END
EPISODE 6 (18/12/2005)
Continuing with the music directors with whom he had worked, when
asked about O P Nayyar's speciality, for whom he had sung in films
like Sambandh, Yeh Raat Phir Na Aayegi, Kahin Din Kahin Raat, Baharen
Phir Bhi Aayengi, etc, Mahendra Kapoor says, "Nayyar sahab ki
khaasiyat yeh hai ki woh bol ke 'through' aur 'rhythm' pe bahut
dhyaan dete the jaise,(hums), o kya kehnaa...". The first song that
he sung for O P Nayyar was:
Song: Mera pyar woh hai ke mar ke bhi tumko juda apni baahon se hone
na dega
"Bade khush ho gaye, solo gaana tha, kai rehearsals karwaaye, main
bhi thakta naheen tha, bade khush huye, phir uske baad bahut se gaane
gawaaye mujhse. Woh (OPN) hamesha 'musicians' ke beech mein aa jaate
the aur thapkiyaan dete the".
Song: Laakhon hai yahaan dilwaale aur pyar naheen milta
Remembering one incident attached with the title song of Baharen Phir
Bhi Aayengi, once Mahendra Kapoor was doing a stage show with his son
Rohan Kapoor in USA. He noticed that one person was trying to come
forward towards the stage, but was being pushed behind by the
security. When this continued for sometime, Mahendra Kapoor
announced, "Unko aane deejiye, yeh kuchh kehna chaahte hain". When
the security allowed him to go near the stage, he said, "Mahendra-ji
ek gaana sunaa deejiye, badal jaaye agar maali chaman rehta naheen
khaali". MK was highly touched.
Song: Badal jaaye agar maali chaman rehta naheen khaali (Baharen Phir
Bhi Aayengi)
After Naushad, C Ramchandra, Ravi and O P Nayyar, another music
director for whom MK sang a number of hit patriotic numbers in Manoj
Kumar's films is Kalyanji Anandji. "Kalyanji bhai Anandji bhai kamaal
ke directors the, gaana banaate, saath mein 'jokes' bhi karte rahte,
producer hanste, song writer hanste, singer hansta, unhone to ek joke
book bhi nikaala tha. Ek baar "Mere desh ki dharti" hit hone ke baad
maine un dono ko mere ghar khaane pe bulaaya, woh aaye bhabhiyaan
aayeen, Kalyanji bhai aate hi meri patni se kehne lage, "bhabhji, kal
maine aap ke liye saari bhejee thi, mili?". Main to hairaan reh gaya.
Meri patni samajh gayi ki Kalyanji bhai hamare
beech 'misunderstanding' karwaane ki koshish kar rahe hain. Woh
boli "haan mil gayi mil gayi,.... Kalyanji bhai, aap ki yahaan naheen
chalegi".
"Kalyanji bhai ka pyar to tha hi, 'talented' bhi bahut the. Agar koi
naya singer aata aur unse koi gaana sunne ke baad unhe lagta ki woh
theek naheen gaa rahe hain, to usey Taalne ke liye keh dete ki
Mahendra ke paas chale jaayo, woh seekhaa denge, aise Taal dete the,
aur ussey kehte ki Mahendra ko koi 'fees' mat dena, woh aise hi
seekhaayenge, aise Taal dete the."
Song: Aa jaayo aa bhi jaayo humko na yun sataao (Bandhan)
MK has sung a number of songs in films in which Amitabh Bachchan has
acted, like Saat Hindustani, Ek Nazar, Amar Akbar Anthony, Kala
Patthar. He chose the following song from Kala Patthar to be played
here.
Song: Jagiya jagiya (Kala Patthar)
About Laxmikant Pyarelal, MK says, "Woh dono bikul alag sochte the,
dono ke alag alag sochte the, jiska combination bahut achchha hota
tha. "Aur naheen bas aur naheen gham ke pyaale aur naheen" is geet
mein orchestration Pyare bhai ne kitna achchha kiya hai, Laxmi-ji ne
kitni achchhi 'tune' banaaee hai, Santosh Anand ne isey likha hai.
Song: Aur naheen bas aur naheen (Shor)
Which all instruments LP used more often?
"Woh 'orchestration' mein koi 'restriction' naheen rakhte the, Laxmi-
ji ne kaisa 'tune' banaaya hai, Pyare bhai usko sanvaarte the, kamaal
karte the"
Song: Phool ban jaayunga shart yeh hai magar, apni zulfon mein mujhko
jagah deejiye (
END OF EPISODE 6
Yes, Ramaswamy, I had uploaded a file (the Sahir voice mp3) to our
group. Sure, you may send the Majrooh mp3 to me. I 'll upload it to
the group.
But why do you ask? Is there a problem of late?
Regards.
Shirish
Shirish & Anup,
Are you to able to u/ld to the grps. If you are able to then I will
convert them to MP3 and send to one of you so that you can make it
available to others also.
Regards,
Ramaswamy
--- In vividhbharati@..., "soojoi_india"
<soojoi_india@y...> wrote:
> Shirish & Anup, I cant provide u with the mp3, but here is the
text
> of the prog....enjoy!!!!!
>
>
> 1985
>
> Fauji azizon, is waqt Majrooh Sultanpuri aap se mukhaatib hai. Aap
> watan-e-aziz ki anmol khidmat kar rahe hain. Aap ke kuch pal halka
> kar sakoon, isliye aaj bhi main kuchh naye puraane geet lekar
haazir
> huya hoon. Film Andaz ke is geet mein maine ek vaada kiya tha, aaj
> bhi wohi dohra raha hoon. Sangeetkaar the Naushad sahab aur gaaya
tha
> marhoom Mukesh ne.
>
> Song: Tu kahe agar jeevan bhar main geet sunaata jaayun (Andaz)
>
> Fauji bhaiyon, maine jo aap se vaada kiya tha usey aaj bhi poora
kar
> raha hoon. Aap kabhi kabhi bechain ho jaate honge, main bhi
bechain
> hota hoon, to mujhe bhi apni bechainion mein shareeq kar leejiye.
> Film hai Mere Jeevan Saathi, sangeekaar R D Burman, aur gaaya hai
> Kishore Kumar ne.
>
> Song: O mere dil ke chain (Mere Jeevan Saathi)
>
> To mere sipaahiyon, mere azizon, yeh to thi unki baat jinka dil ke
> chain se rishta hai. Maidaan-e-jung se baahar nikal kar aap ko bhi
> dil ke chain ki talaash hogi. To leejiye aap ki is talaash mein
> shaamil hoon main, sangeetkaar O P Nayyar aur marhoom Mohd Rafi.
>
> Song: Jawaniya yeh mast mast bin peeye (Yeh Raste Hain Pyar Ke)
>
> To mere sipaahiyon, ab ek khushkhabri bhi sun leejiye jise maine,
R D
> Burman ne aur Lata ne milkar aap ke saamne pesh kiya hai. Film hai
> Saverewali Gaadi.
>
> Song: Din pyar ke aayenge sajaniya (Saverewali Gaadi)
>
> To mere aziz fauji bhaiyon, Lataji ki is awaaz ke baad, waise to
> sabhi ko aap ne apne dilon mein basaaya hai, yeh meri zaati pasand
> hai, bura maanne ki koi baat naheen, lekin Lataji ki awaaz sunn
eke
> baad jee naheen chaahta ki koi doosri awaaz aaye. Yeh awaaz
sadiyon
> mein paida hoti hai. To Baharon Ke Sapney film ka ek gaana pesh
hai
> jise likha maine aur sangeet R D Burman ka hai. Dekhiye, kaisa
lagta
> hai!
>
> Song: Aaja piya tohe pyar doon (Baharen Ke Sapney)
>
> To mere azizon, fauji bhaiyon, yaad aa raha hai ek geet jise
banaya
> tha maine, gaaya tha marhoom Rafi ne, jiski goonj sunaaee dee thi,
ki
> baat kabhi aisi ho jaati hai, ki aadmi ko kehna padta hai...
>
> Song: Kya huya tera vaada (Hum Kisi Se Kam Naheen)
>
> To mere naujawaan doston, yeh jo vaada-khilaafi ki baat hai, kabhi
> kabhi yeh mahez chhed-chhaad ke liye kiya jaata hai aur kabhi
kabhi
> galat-fehmi ki wajah se. Film Sagar mein Lata aur Kishore ki awaaz
> pesh hai, sangeet R D Burman, aur isey likha hai Javed Akhtar ne.
> Kaun Javed? Aap ne story aur dialogue writer Salim Javed ki jodi
ke
> baare mein to suna hi hoga. Wohi Javed jo na keval achchhi
> kahaaniyaan likhta hai, balki ek achchhe shaayar aur geetkaar bhi
> hain. Zara suniyega...
>
> Song: Sagar kinare dil yeh pukaare (Saagar)
>
> Saagar ke saath pahaadon ki yaad aa jaati hai. Mujhe pahaadon se
bhi
> lagaav hai. Aap jo apna behatareen waqt pahaadon, jangalon mein
> guzaar dete hain, to isi baat par Madhumati ka gaana pesh hai.
> Sangeetkaar Salil Choudhury, geet likha hai Shailendra ne, aur
gaaya
> hai Lata ne, khudaa hamesha zinda rakhe inko, dekhiye isme ek
jawaab
> sa hai.
>
> Song: Aaja re pardesi (Madhumati)
>
> Bhaiyon, waise to hum jaante hain ki top ke gole se khelna aap ke
> liye ek maamooli amal hai, aap to jaanbaaz veer sipaahi hain jinhe
> koi gham chhoo hi naheen sakta, lekin aap insaan bhi hain, aap ke
dil
> mein bhi jasbe hain, kabhi koi to waqt aaya hoga jab aap udaas
hote
> honge, dukhi hote honge, to yeh udaasi badaa waqtee ho. Maine aur
> Laxmikant Pyarelal ne aur marhoom Pafi ne milke kaam ki baat
bataani
> chaahi hai is geet mein. Agar aisa koi waqt ho to isey yaad
> rakhiyega, isme kaam ki baaten hain.
>
> Song: Raahi manwa dukh ki chinta kyun sataati hai (Dosti)
>
> Achchha fauji azizon, jee to chaahta hai ki yeh mulaaqaat der tak
> qaayam rahe, par waqt bada bedard hota hai. Yeh milaata bhi hai
aur
> judaa bhi kar deta hai. Bas yahi kahoonga ki watan ki shaan bhi
tum
> ho, jaan bhi tum ho. Jai Hind, khuda haafiz!
>
> THE END
Namaskaar, hamaara aaj ka yeh karyakram kendrit hai guzre zamaane ke
jaane-maane sangeetkaar Bulo C Rani par.
Song: Sundarta ke sabhi shikaari (Jogan)
Doston, koi bhi sangeetkaar apne zamaane mein chaahe kitne hi
lokpriya kyun na ho, jab samay ke saath saath sangeet ki dhaara apna
rukh badalti hai, shrotaaon ki pasand badalne lagti hai, to woh bhi
kuchh bhula se diye jaate hain. Bulo C Rani bhi ek aise sangeetkaar
hain jinki sumadhur dhune aaj samay ke malwe ke taley dafan hain. Jab
mand mand sureeli dhune tez thirakte sangeet ki shorgul mein kahin
kho gayi, sangeetkaar Bulo C Rani ka sangeet bhi jaise kahin kho
gaya. Lekin achchhe sangeet sunnewaalon ko unke rache meethe geeton
ki fehrist aaj bhi zaroor yaad hogi.
Song: Sooni padi hai pyar ki duniya tere bagair (
Sangeetkaar Bulo C Rani ka poora naam tha Bulo Chandiram Ramchandani.
Unka janm Sind ke Hyderabad mein san 1920 mein huya tha, jo ab padosi
mulk Pakistan mein hai. Apne sangeet safar ke shuruwaati samay mein
unhone Ranjit Movietone mein sangeetkaar Khemchand Prakash ke
sahaayak ke roop mein kaam kiya. 1944 mein jab Khemchand Prakash
Ranjit se alag ho gaye, tab Bulo C Rani ko mauka mila is banner ki
filmon mein swatantra roop se sangeet dene ka aur unhone Ranjit
Movietone ke band hone tak issey juDe rahe. Unke sangeet se sajee
pehli do filmen hain Caravan aur Pagli Duniya. Sunte hain Amirbai aur
Bhola ke awaazon mein film Caravan ka yeh naghma.
Song: Meri ro ro akhiyaan laal huyi (Caravan)
Doston, yeh gaana tha Bulo C Rani ka swarbaddha kiya huya pehla hit
gaana. Film Caravan se Bulo C Rani ke sangeet ka caravan bhi chal
paDaa aur agle 22 saalon tak yunhi chalta raha. In saalon mein unhone
kareeb 60 filmon mein sangeet diya. Caravan aur Pagli Duniya ke baad
uske agle saal 1945 mein unhone naye gaayak Mukesh se gawaaya film
Moorti ka yeh gaana.
Song: Badariya baras gayi us paar (Moorti)
40 ke dashak mein Bulo C Rani ne kuch 23 filmon ka sangeet nirdeshan
kiya. In mein se kuchh pauraanik vishayon par aadhaarit filmen thi
jaise 1946 ki Shravan Kumar, 1948 ki Jai Hanuman, aur 1949 ki Narad
Muni. Suniye 1946 mein bani film Rajputani ka yeh gaana jo apne
zamaane mein kaafi lokpriya huya tha.
Song: Ja parwane ja kahin shama jal rahi hai (Rajputani)
Isi dashak ka ek aur lokpriya geet, film Anjuman, saal 1948.
Song: Kaise bataayun is dil ko (Anjuman)
1950 ki film Jogan Bulo C Rani ke 'career' ki ek behad charchit film
saabit huyi. Is film mein unhone Meerabai ke bhajanon ko apni suron
mein peerokar Geeta Roy ki awaaz mein jab shrotaaon ke saamne pesh
kiya to sabhi ne unki pratibha ki behad saraahna kee.
Clip: Ghunghat pe pat khol re (Jogan)
Clip: Main to Giridhar ke ghar jaayun (Jogan)
Clip: Dagmag dagmag dole naiya (Jogan)
Clip: Jogi mat jaa mat jaa (Jogan)
Isi film mein Geeta Roy ka gaaya yeh Holi geet bhi kya khoob hai
Clip: Rang daaro ri (Jogan)
Jogan ke baad 1951 mein aayi film Wafa. Is film ka yeh gaana bhi
khoob chala tha.
Song: Armaan bhara dil toot gaya (Wafa)
Us daud ke lagbhag sabhi jaane-maane gaayak gaayikaaon ne gaaye Bulo
C Rani ke swarbaddha kiye huye gaane jinmein shaamil hain Mukesh,
Mohd Rafi, Talat Mahmood, C H Atma, Amirbai Karnataki, Zohrabai
Ambalewali, Suraiya aur Lata Mangeshkar. Leejiye ab suniye Zohrabai
ki awaaz mein Bulo C Rani ka ek aur lokpriya sangeet rachna.
Song: Ankhon mein intezaar ki duniya liye huye (
1954 mein Bulo C Rani ki ek aur mahatwapoorna film aayi, Bilwamangal.
Is film mein Suraiya ka gaaya huya yeh gaana unke gaaye tamaan
lokpriya geeton mein se ek hai.
Song: Parwaano se preet seekh lee (Bilwamangal)
Film Bilwamangal gaayak C H Atma ke liye bhi achchhi saabit huyi. Is
film mein unka bhi ek gaana khoob pasand kiya gaya tha.
Song: Panghat pe more Shyam bajaaye muraliya (Bilwamangal)
1958 ki film Al Hilal mein Bulo C Rani ne apne sangeet se sajaaya ek
qawwali ko jiska shumaar aaj behad lokpriya filmi qawwaliyon ki
fehrist mein hota hai. Is qawwali ko gaaya tha Ismail Azad aur unke
saathiyon ne.
Song: Humein to loot liya milke husnwaalon ne (Al Hilal)
Yeh behad afsos ki baat hai ki aise tamaam dilkash aur sureele gaane
rachne ke baawjood bhi Bulo C Rani woh jagah haasil naheen kar sake
jahaan par us daud ke doosre safal sangeetkaar pahunche the. Iski
vajah yeh thi ki unhone kabhi vyaavsaayik safalta ke liye apne kaam
aur kalaa ke saath koi samjhauta naheen kiya. Aur unka sangeet safar
1966 mein film Sunehre Kadam ke saath samaapt ho gaya. Uske baad ek
lambe samay tak gumnaami ki duniya mein jeete rahe aur phir 24 May
1993 ko apne hi haathon apni zindegi samaapt kar daali. Samay ki
parihaas dekhiye, unhone hi apni antim film Sunehre Kadam mein Lata
Mangeshkar se gawaya tha "Milne se jo maut mil jaati, kaun jeeta
zamaane mein". Lekin haqeeqat mein jab unhone apne liye isey maanga,
unhe mil gayi.
Song: Maangne se jo maut mil jaati (Sunehre Kadam)
Jab jab guzre zamaane ke sangeetkaaron ki baat chalegi, Bulo C Rani
ka naam bahut hi izzat ke saath liya jaayega. Vividh Bharati ki or se
Bulo C Rani ke sangeet saadhana ko shat shat naman!
THE END
Shirish & Anup, I cant provide u with the mp3, but here is the text
of the prog....enjoy!!!!!
1985
Fauji azizon, is waqt Majrooh Sultanpuri aap se mukhaatib hai. Aap
watan-e-aziz ki anmol khidmat kar rahe hain. Aap ke kuch pal halka
kar sakoon, isliye aaj bhi main kuchh naye puraane geet lekar haazir
huya hoon. Film Andaz ke is geet mein maine ek vaada kiya tha, aaj
bhi wohi dohra raha hoon. Sangeetkaar the Naushad sahab aur gaaya tha
marhoom Mukesh ne.
Song: Tu kahe agar jeevan bhar main geet sunaata jaayun (Andaz)
Fauji bhaiyon, maine jo aap se vaada kiya tha usey aaj bhi poora kar
raha hoon. Aap kabhi kabhi bechain ho jaate honge, main bhi bechain
hota hoon, to mujhe bhi apni bechainion mein shareeq kar leejiye.
Film hai Mere Jeevan Saathi, sangeekaar R D Burman, aur gaaya hai
Kishore Kumar ne.
Song: O mere dil ke chain (Mere Jeevan Saathi)
To mere sipaahiyon, mere azizon, yeh to thi unki baat jinka dil ke
chain se rishta hai. Maidaan-e-jung se baahar nikal kar aap ko bhi
dil ke chain ki talaash hogi. To leejiye aap ki is talaash mein
shaamil hoon main, sangeetkaar O P Nayyar aur marhoom Mohd Rafi.
Song: Jawaniya yeh mast mast bin peeye (Yeh Raste Hain Pyar Ke)
To mere sipaahiyon, ab ek khushkhabri bhi sun leejiye jise maine, R D
Burman ne aur Lata ne milkar aap ke saamne pesh kiya hai. Film hai
Saverewali Gaadi.
Song: Din pyar ke aayenge sajaniya (Saverewali Gaadi)
To mere aziz fauji bhaiyon, Lataji ki is awaaz ke baad, waise to
sabhi ko aap ne apne dilon mein basaaya hai, yeh meri zaati pasand
hai, bura maanne ki koi baat naheen, lekin Lataji ki awaaz sunn eke
baad jee naheen chaahta ki koi doosri awaaz aaye. Yeh awaaz sadiyon
mein paida hoti hai. To Baharon Ke Sapney film ka ek gaana pesh hai
jise likha maine aur sangeet R D Burman ka hai. Dekhiye, kaisa lagta
hai!
Song: Aaja piya tohe pyar doon (Baharen Ke Sapney)
To mere azizon, fauji bhaiyon, yaad aa raha hai ek geet jise banaya
tha maine, gaaya tha marhoom Rafi ne, jiski goonj sunaaee dee thi, ki
baat kabhi aisi ho jaati hai, ki aadmi ko kehna padta hai...
Song: Kya huya tera vaada (Hum Kisi Se Kam Naheen)
To mere naujawaan doston, yeh jo vaada-khilaafi ki baat hai, kabhi
kabhi yeh mahez chhed-chhaad ke liye kiya jaata hai aur kabhi kabhi
galat-fehmi ki wajah se. Film Sagar mein Lata aur Kishore ki awaaz
pesh hai, sangeet R D Burman, aur isey likha hai Javed Akhtar ne.
Kaun Javed? Aap ne story aur dialogue writer Salim Javed ki jodi ke
baare mein to suna hi hoga. Wohi Javed jo na keval achchhi
kahaaniyaan likhta hai, balki ek achchhe shaayar aur geetkaar bhi
hain. Zara suniyega...
Song: Sagar kinare dil yeh pukaare (Saagar)
Saagar ke saath pahaadon ki yaad aa jaati hai. Mujhe pahaadon se bhi
lagaav hai. Aap jo apna behatareen waqt pahaadon, jangalon mein
guzaar dete hain, to isi baat par Madhumati ka gaana pesh hai.
Sangeetkaar Salil Choudhury, geet likha hai Shailendra ne, aur gaaya
hai Lata ne, khudaa hamesha zinda rakhe inko, dekhiye isme ek jawaab
sa hai.
Song: Aaja re pardesi (Madhumati)
Bhaiyon, waise to hum jaante hain ki top ke gole se khelna aap ke
liye ek maamooli amal hai, aap to jaanbaaz veer sipaahi hain jinhe
koi gham chhoo hi naheen sakta, lekin aap insaan bhi hain, aap ke dil
mein bhi jasbe hain, kabhi koi to waqt aaya hoga jab aap udaas hote
honge, dukhi hote honge, to yeh udaasi badaa waqtee ho. Maine aur
Laxmikant Pyarelal ne aur marhoom Pafi ne milke kaam ki baat bataani
chaahi hai is geet mein. Agar aisa koi waqt ho to isey yaad
rakhiyega, isme kaam ki baaten hain.
Song: Raahi manwa dukh ki chinta kyun sataati hai (Dosti)
Achchha fauji azizon, jee to chaahta hai ki yeh mulaaqaat der tak
qaayam rahe, par waqt bada bedard hota hai. Yeh milaata bhi hai aur
judaa bhi kar deta hai. Bas yahi kahoonga ki watan ki shaan bhi tum
ho, jaan bhi tum ho. Jai Hind, khuda haafiz!
THE END
Ajit Varman ka pyar bhara namaskaar, salaam, hello. Kaise hain aap
log? Aapke saamne programme pesh karne ki meri bahut saalon ki
tamanna thi. Mujhe ek picture Vijeyta mein mauka mila tha aap logon
ke baare mein jaanne ka, sab dekha, process dekha ki aap kaise rehte
hain. Wohi cheez hum bhi andar se kar rahe hain aur aap 'border' pe
kar rahe hain. 'Hats off to you!' Mujhe bhi yahaan pe 'struggle'
karni padee hai. eri pehli film Aakrosh ki kahani bhi ek 'struggle'
par bani hai. Is film ka yeh gaana jisne mujhe bahut aanand bhi diya
lekin gaane ke bol hain "peer sahee na jaaye". Is geet mein kasht hai
lekin baad mein dekhiye kitna aaraam hai.
Song: Peer sahee na jaaye (Aakrosh)
Main 'composer' hoke 'technically' bahut kuchh keh sakta hoon, lekin
jo achchha cheez hai na, woh dil se hi nikalti hai. Shankar Jaikishen
ka film Anadi ka ek gaana mujhe bahut achchha lagta hai. Ab
thoda 'technical' baat kahoonga. Is gaane mein 'mandolin' par 'second
notes' itna sundar bajaaya hai, (sings) "dil ki nazar se..". Antara
jitna 'simple' hai utna hi katheen hai. Kya 'orchestration' hai! 'Its
simply fantastic!'
Song: Dil ki nazar se nazron ki dil se (Anadi)
Fauji bhai, music director to main banaa, banna hi tha, banne ke liye
koshish kee, lekin pehle bahut lamba 'process' tha. Aap to jaante
hain. Jaise ki pehle gehoon ko ugaaya jaata hai, phir pakne par
chhaan-been karke aata banaaya jaata hai, phir koi roti banaata hai,
aur phir hamare saamne aata hai. 'Same thing' hamaari zindegi mein
bhi hai. Ab agla geet pehle Bangla mein suniye phir Hindi mein. Iska
Bangla 'version' Hemant dada ne gaaya tha aur Hindi 'version' Mukesh
ne. Salil da ka 'music' tha. Yeh log jo hain na, kabhi mar naheen
sakte. Yeh gaana hai film Anand ka. Anand ke 'subject' se sab log dar
jaate hain, lekin is film ne sabko bahut aanand bhi diya hai. Iska
Bangla suniye, (sings), "Aamaay proshno kore neel dhrubo taara, aar
koto kaal aami robo dishaahaara". Iska Hindi bhi Yogesh ne likha itna
achchha hai.
Song: Kahin door jab din dhal jaye (Anand)
Mere pyaare fauji bhai, main jo gaana aapko suna raha hoon, main yeh
naheen dekh raha hoon ki woh 'hit' hai ya 'flop' kyunki main
ek 'technitian' hoon. Shor film mein Laxmikant Pyarelal ne strings ka
istemaal kiya, 'only solo violin' (hums the tune). Yeh gaana mujhe
itna pasand hai 'technically', waise bhi bahut pasand hai, par
jo 'arrangement' hai na, bahut hi achchha hai. Lataji ne kya gaaya
hai aur Mukeshji ka to jawaab naheen. 'I love this song!'
Song: Ek pyar ka naghma hai (Shor)
Abhi fauji bhai, main aapko ek aisa gaana sunaayunga jisme mazaa
bahut hai. Jab akele mein sune to bhi aur jab doston ke saath
baithkar sune to mazaa aur bhi badh jaata hai. Film Vaasta mein
ek 'scene' tha jisme 4/5 ladke chaai ke dukaan mein baithkar 'table-
chair' bajaate hain. Maine bhi gaane mein 'table-chair' hi bajaaya,
kadhaai, chamche. Gaana aise shuru hota hai, "Jalebi laayo, dada ke
liye doodh le aayo... chup raho dada gaayenge...tu hi mera naseeb
hai".
Song: Tu hi mera naseeb hai (Vaasta)
Fauji bhai, mera 'struggle' chalta gaya, aaj bhi chal raha hai. Aap
log bhi jaag rahe hain, main bhi soya naheen. Main bahut kam umra ka
hoon, bahut 'young' hoon, 'composer' kabhi boodhaa nahene hota. Yeh
jo A B C D hai na, yeh kitne puraane hain lekin jab aap apna naam
pehli baar 'spell' karte hain to kitna naya naya sa lagta hai. Aise
karte karte mujhe ek film mili Karam Yodha. Ismein aaj ka
ek 'character' tha jise kiya Javed Jaffery ne. Is film mein bahut
badaa 'star cast' tha, Raj Babbar, Dimple Kapadia. Ek situation aaya
ki Javed ek 'party' mein jaat hai . Yahaan pe 'Rock n Roll',
main 'Rock n Roll' naheen kehna chaahta tha kyunki 'Rock n Roll' ke
naam se ek naam yaad aata hai Heuy Lewis, lekin yeh gaana Ajit Varman
ka gaana hai, (sings), "haaye yeh ladkiyaan". Nadira Babbar ne bahut
achchha likha hai.
Song: Haaye yeh ladkiyaan (Karam Yodha)
Mere bhai, abhi jo gaana main sunaane jaa raha hoon, sachchi, jab
main akela, akela to main ho hi naheen sakta kyunki mera dil mere
saath rehta hai, 'my heart is my inspiration', haan to yeh gaana
Jaidev ka film Hum Dono ka, "Allah tero naam". Itna achchha bhajan
bahut kam banaa hai. Itna 'simple' wohi banaa sakta hai jisne bahut
lambi raah chala ho. Lataji ne itna achchha gaaya hai, aap bhi suniye.
Song: Allah tero naam (Hum Dono)
Yeh jitna bhi maine bolaa hai, yeh to kuchh bhi naheen. 'Time' aisa
lagaa diya hai ki 40 'minutes' mein 'cover' karna hai. Maine "peer"
se shuru kiya tha, 'end' se pehle maine ek gaana banaakar rakha
hai "Man anand anand chhaayo". 'I totally appreciate you, you are the
real sons of India, hats off to you", Jai Hind!
Song: Man anand anand chhaayo (Vijeyta)
THE END
Lataji is so nice to chat. She is so soft spoken. How nicely she says "Amin Bhai" frequently and how sweetly she is trying to imitate SD Burman....kitni pyari hai Lataji...
Dear All,
You must have heard Jaimala Gold presented by Majrooh Sultanpuri that
was broadcast on December 18. Has anyone of you recorded it? If yes,
please post the mp3 here.
Thanks.
Shirish
Sujoy,
I forgot to mention that these files aren't my efforts. Sonu from SJ
grps had recorded this. So he deserves the credit. Not me.
Regards,
Ramaswamy
--- In vividhbharati@..., "soojoi_india"
<soojoi_india@y...> wrote:
> Hi Susan,
>
> Thanks for uploading the first part of this interview. Can u pls
upload
> the remaining parts also? Thanks to Ramaswamy for the interview! The
> audio quality is excellent!
>
> Sujoy
Hi! Sujoy & Ramaswamy,
Yes, it is true. I did try uploading the other parts
of the interview but it was bounced back for some reason. I
hope you got my e-mail regarding this matter. On the other
hand, since I could not upload it in the group, I decided
to e-mail the rest of the interview to you. Hope you got it
?
I will e-mail you the missing one ( I think its Part2 of
1).
Did not get any feed back from the other members
about the upload of Lata's interview. Sujoy, I think you
should create a Gmail account for the large file upload.
What do you say? Looking forward to you answer. Take care!
PS: Ramaswamy, on one part of the interview, there was this
question that Ameen Sayani asked of Lataji but it seem that
the interview got cut off before she could answer to the
question. Could you double check to see if there is a
another part left. Thanks!
Regards,
Susan
--- Ramaswamy <ramaswamy21in@...> wrote:
Sujoy,
Since the file size of the interview files is too large
only one file was uploaded. Susan has the rest of the
files. I guess
she wanted to see the response so that the next files can
be uploaded.
Regards,
Ramaswamy
--- In vividhbharati@..., "soojoi_india"
<soojoi_india@y...> wrote:
Hi Susan,
Thanks for uploading the first part of this interview.
Can u pls upload the remaining parts also? Thanks to
Ramaswamy for the interview! The audio quality is
excellent!
Sujoy
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Sujoy,
Since the file size of the interview files is too large only one file
was uploaded. Susan has the rest of the files. I guess she wanted to
see the response so that the next files can be uploaded.
Regards,
Ramaswamy
--- In vividhbharati@..., "soojoi_india"
<soojoi_india@y...> wrote:
> Hi Susan,
>
> Thanks for uploading the first part of this interview. Can u pls
upload
> the remaining parts also? Thanks to Ramaswamy for the interview! The
> audio quality is excellent!
>
> Sujoy
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